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#jon michael hill
ddesole · 7 months
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Elementary 3.03 "Just A Regular Irregular"
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kajaono · 9 months
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My heart
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Elementary forever
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diver5ion · 10 months
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possibility221 · 9 months
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Happy Birthday Jon Michael Hill !
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221brownstone · 2 years
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Happy 37th Birthday, my dear Jon Michael Hill!
Celebrity birthdays for July 28: Lori Loughlin, Soulja Boy
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werewylf · 2 years
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marcus going "I know you're just waiting for me to ask why you think that... why do you think that?" to sherlock and then sherlock being like "I'm glad you asked!" is so funny to me idk why
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hjbirthdaywishes · 9 months
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July 28, 2023
Happy 38 Birthday to Jon Michael Hill. 
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almaprincess66 · 5 months
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Archivist!Sasha AU
Sasha James is a fully fledged Avatar of the Beholding, roaming the apocalips with her murdetous plus one Tim Stoker.
So that is the basic concept, right? Like end game couple TimSasha. But that is season 5 and we have to get there somehow, so here will I present my character ARCs
S1 Everything is relatively the same. The statement givers show up, Melanie is having a great time with Sasha, Martin start living in the archives and during the Prentiss attack Jon gets replaced by the Not!Them
S2 Things get sketchy. Like things are properly fucked up but it's sort of fine. They can feel that something is out of place but can't quite put their fingers on it. Not!Jon is messing with the statements and research materials given his libary background. Michael gives more help with figuring out stuff just because he actually likes Sasha. Helen gets abducted. Melanie questions on why did Jon got replaced by a whashed up white boy. Leitner gets murdered by Elias using some eye magic. Sasha is not on the run.
S3 Sasha is not wanted for murder so they have more time and more options. Sasha is not a paranoid mess so she and Tim put together what the heck is going on. They question Elias about Not!Jon and he confirms. After hearing this Martin basically skyrockets into the lonely. They start to prepare for the Unknowing and because Tim is there it's more smooth. Melanie somehow gets to the Institute. Basira leaves the police. Sasha realizes that the only way to get back at Elias and move him from his position is to do private investigations. Sahsa with Tim's and Melanie's help goes on the S3 interview of the monsters part. This get's her kidnapped by the Circus of The Other. Michael saves her and he does NOT turn into Helen or tries to kill Sasha. The America bit is the exact same. They find the bombs and make a similar try to stop the Unkowing as to the tape. They now have sectioned police help and a somewhat Lonely avatar on their side to take shit down. They succeed but Tim gets a heavy burning. Martin dies and Daisy gets into the coffin. Melanie calls the cops on Elias and gets him out of place.
S4 Sasha gets into the coma and turns into a full Avatar. Oliver Banks becomes the helping Avatar of the End. She goes back to work where everything is in chaos. Tim got marked by the Desolation during the Unknowing destruction. Sasha is a more accepting avatar and she gets experimenting real fast. She basically on week one helps Melanie to leave the institute for good. She gets Daisy out and puts her in the care of Basira. With Oliver's help them and Tim take out Peter Lucas. Anabelle shows up and offers a way to turn back Tim from his self destructive Desolation ways. The two of them together go to the place in Scotland where Gertrude set up the bounding ritual. There waits a statement for Sasha. The apocalyps start.
S5 TimSahsa go full kill bill on their way to get down Jonah Magnus. Like no mercy on anybody other than the kids from the Dark whom they adopt as an army against the other creatures that are also archivists.
This was a really long way of me putting down how emotional it would be if S5 JonMartin would stumble upon S5 TimSahsa and the two achivists would know but also wouldn't know each other because of the Not!Them.
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PotO Gifsets Masterpost Vol. I
A masterlist of gifsets I've made from various performances I've watched.
Ian Jon Bourg & Olivia Safe w. Kyle Gonyea (Hamburg, 2001)
Little Lotte: Part I
Little Lotte: Part II
The Mirror
The Phantom of the Opera
I Have Brought You...
Music of the Night: Part I
Music of the Night: Part II
Music of the Night: Part III
Music of the Night: Part IV
I Remember...
Act I Unmasking
Stranger Than You Dreamt It: Part I
Stranger Than You Dreamt It: Part II
The Rooftop: Part I
The Rooftop: Part II
All I Ask of You: Part I
All I Ask of You: Part II
All I Ask of You: Part III
All I Ask of You (Phantom's Reprise): Part I
All I Ask of You (Phantom's Reprise): Part II
Masquerade: Part I
Masquerade: Part II
Masquerade: Part III
Why So Silent?
Twisted Every Way: Part I
Twisted Every Way: Part II
Point of No Return: Part I
Point of no Return: Part II
Point of No Return: Part III
Point of No Return: Part IV
Point of No Return: Part V
The Final Lair
Gary Mauer x Beth Southard (Dallas, 2006)
The First Lair
Point of no Return
Final Lair
Earl Carpenter & Rachel Barrell (West End, 2006)
The Phantom of the Opera
Music of the Night
Stranger Than You Dreamt It
Point of no Return
Final Lair Kiss
John Owen Jones & Rachel Barrell (West End, 2005)
Music of the Night
Point of No Return
Final Lair Kiss
John Owen Jones & Gina Beck (West End)
Music of the Night
Anthony Crivello & Kristie Holden (Las Vegas, 2008)
Phantom of the Opera
Music of the Night
Stranger Than You Dreamt It
Point of No Return: Part I
Point of No Return: Part II
The Final Lair: Part I
The Final Lair: Part II
Tomas Ambt Kofod & Sibylle Glosted (Copenhagen, March 2019)
Little Lotte (w. Christian Lund): Part I
Little Lotte: Part II
The Mirror: Part I
The Mirror: Part II
The Phantom of the Opera: Part I
The Phantom of the Opera: Part II
Music of the Night: Part I
Music of the Night: Part II
I Remember...: Part I
I Remember...: Part II
Stranger Than You Dreamt It: Part I
Stranger Than You Dreamt It: Part II
The Rooftop: Part I
The Rooftop: Part II
All I Ask of You: Part I
All I Ask of You: Part II
All I Ask of You: Part III
All I Ask of You: Part IV
Masquerade: Part I
Masquerade: Part II
Masquerade: Part III
Why So Silent?
Point of No Return: Part I
Point of No Return: Part II
Point of No Return: Part III
Point of No Return: Part IV
Point of No Return: Part V
Act II Unmasking
Final Lair: Part I
Final Lair: Part II
Final Lair: Part III
Final Lair: Part IV (The Kiss)
Final Lair: Part V
Final Lair: Part VI
Final Lair: Part VII
Michael Crawford & Dale Kristien (Broadway, 1988)
First Lair
Point of No Return
Michael Crawford & Dale Kristien (LA, 1988)
Music of the Night
Point of No Return
Thomas James O'Leary & Sandra Joseph (Broadway, 1996)
The Phantom of the Opera
Music of the Night
Point of No Return
Final Lair Kiss
Hugh Panaro & Samantha Hill (Broadway, 2011)
The Mirror
Phantom of the Opera
Music of the Night
Point of No Return
Final Lair Kiss
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sesiondemadrugada · 1 year
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Croupier (Mike Hodges, 1998).
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kaitlinj16 · 5 months
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Romeo Montague | Character Variants
Romeo + Juliet (1996)
💙💙💙
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kajaono · 2 years
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Elementary fandom; get ready!
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We will see them together on screen again!
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diver5ion · 1 year
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possibility221 · 2 years
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rosiehasfangs · 1 year
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new year, new drawings
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thebowerypresents · 9 months
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Queens of the Stone Age Keep Rock Alive on Saturday Night at Forest Hills Stadium
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Queens of the Stone Age – Forest Hills Stadium – August 12, 2023
It was a fitting match for the old tennis grounds of Forest Hills, the Queens of the Stone Age in the heart of Queens. Saturday night brought along its summer best calm-before-the-storm weather, frontman (and rock elder statesman) Josh Homme giving the gathering crowd a queen-like wave, with a new gray beard that comes to a fine point. The greeting followed a welcoming kickoff run-through of the now classic “No One Knows,” the buoyancy of its impish guitar riffs setting the stage for the performance to come. 
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It's hard to position Homme’s charisma without pointing out how lacking it is from other rock bands, especially of late. The man is equal parts performer and musician, as apparent as ever on “Smooth Sailing,” Homme channeling the song’s lurching drive and launching an angular guitar solo as if he were wrestling a snake. The stop-and-start drive of “My God Is the Sun” felt like someone driving a car with one foot on the gas and the other on the brake. With wind gusts picking up around the same time, the thick smoke coming from machines was pulled into a tight breeze running across the stage. “Sometimes you love and sometimes you lose, and that’s OK,” said Homme, introducing “Emotion Sickness,” off their latest, In Times New Roman…. The tune put all three guitarists to work with dueling guitar riffs and three-part harmonies. 
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The best Queens of Stone Age songs come with heel-turn shifts in momentum. “If I Had a Tail” began pop-flavored before getting sucked into a noise-rock black hole. On “I Sat by the Ocean” Homme pulled out a glass slide, making it sound syrupy. The band’s current iteration is thick with guitar heavy hitters — and put to good use: A breakdown at the end of “The Way You Used to Do” sounded Allman Brothers-eque with guitars doubling up on each other and harmonizing. Homme polled the audience to see which new song, “Made to Parade” or “Time & Place,” they preferred, with the former eking out the win. It featured some of his best soloing of the night, hard to believe it was left to audience democracy on whether it would be played. The slow-burning QOTSA classic “Better Living Through Chemistry” followed, pausing before dropping and plowing through a final path of destruction. Next, the hard-hitting new single “Paper Machete” served as something of a resurrection.
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Homme conducted a sensual sing-along for “Make It wit Chu,” having groups of the audience trade off the chorus before blues-riffing the song to a climax. “We’re not doing a fake encore where we make you clap for us, we want to stay out here with you,” he said. Forgoing the traditional encore, Queens of the Stone Age remained for three more: After “Little Sister” and “Go with the Flow,” the frontman offered, “Wait ’til you see what we have for you” as an introduction to “A Song for the Dead.” It brings such a relentless take-no-prisoners momentum, one would think the band would have welcomed a break to catch a sip of water before launching into the finale. One would also hope this song is exactly what dying feels like, with the brain spilling out every feel-good chemical it has as it sends the soul through an all-encompassing tunnel of sound and light. With the stage lights barraging the venue with flashes of white, the track deteriorating into noisy guitar feedback, it was a perfect end to the show. Rock ain’t dead — and even if it’s dying, being near death happens to sound fucking awesome. —Dan Rickershauser | @D4nRicks
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Photos courtesy of Silvia Saponaro | @Silvia_Saponaro
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