"Who killed poor Alice?"
An illustration of Alice's defiance and hatred and conviction all culminating in the event that unfurled before Jack's eyes on that fateful day, 100yrs in the past
I did this as an experimental technique,more under the cut!!
I used to do the multi layer oil pastel scraping technique a lot as a kid,but only for fun,I never considered using it for a serious illustration. But a few years ago,I saw Mochijun use it for a VnC illustration: the one with Louis surrounded by stakes. And since then, I've wanted to try it,but didn't have a subject I wanted,so I pushed it to the back of my mind. Well.... inspiration struck recently,and I wanted to draw Alice this way..the composition was suddenly clear as day in my mind. So I started,the sketch as usual,and inked and coloured Alice with watercolour,as usual. Nothing remarkable here,I almost always use a lightbox for inking, so far it's the same (ignore the extra eyes)
Then...I busted out my old oil pastels. These are 12-14yrs old, haven't been touched at least 11 yrs or more,I have no idea.
Now, instead of removing the sketch from the back,I left it,and with the help of the light box,added in colours according to the sketch
The next step may or may not be done,but I didn't want to risk getting any ink into the paper,so I used a candle to rub the shit out of the oil pastel areas,and removed the sketch
Once I was satisfied that nothing would get past the wax layer, I used ink mixed with acrylic matte medium to cover it up. The medium is important,else it won't stick to the wax at all
Once dried, I rubbed graphite to the the back of the sketch and pressed it on with a ball stylus(a ballpoint pen or back of toothpick can be used) to press on the pattern onto the background
After that, it's just a matter of scraping and scratching with a scalpel until I was satisfied
Finally I sprayed it with some varnish,to protect the ink layer from peeling off(but scanned before that, because varnish scans weird),and adding some final highlights and lines here and there.
So...am I happy? Yes! It's almost exactly as I envisioned! I do feel like I overcomplicated it,I could absolutely achieve this with just paint and ink,no scratching. But hey,I had fun,and I'm happy with how it turned out!!
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I love these vanoe arts so much, because butterflies are the symbol of Ruthven and his hypnosis power, but Noé is looking at a blue butterfly (Vani's color), and Vani is looking at a purple one (Noé's color), like if not even hypnosis could make them take their eyes off each other.
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I think one of the reasons I'm absolutely insane about Jun Mochizuki's work is because she's the only person I've seen do a perfect execution of the "abused becomes the abuser" trope.
All of the characters in Pandora Heart and Vanitas no Carte are incredibly morally complex. They're heart wrenching, relatable, endearing, aggravating, and endlessly flawed.
MochiJun puts us in the uncomfortable position of confronting that victims can be perpetrators, that those who are hurt can hurt others, that sometimes, people you love are bad, and sometimes you love bad people.
Abuse is never justified; it's handled by different characters in a variety of ways. It's repressed, reciprocated, passed on, and stopped. MochiJun shows victims become awful people, not inherently because they were abused, but because of who they are as people and how that shapes the way they deal with abuse.
She shows victims as the complex people they are beyond victimhood. There are characters who are just and kind after facing abuse, and ones who are twisted and cruel. Most delightfully, she brings us characters who are both.
The heroes of her stories choose love, gentleness, compassion, and mercy. She shows that our choices matter, that our relationships are integral to who we are.
I think of how some of the characters, in spite of these forgiving traits, are not required to forgive their abusers in order to be seen as virtuous figures. They're allowed to stand their ground, even if it's violent to do so.
I think of how, at the same time, some characters are loved despite being abusive, because a tender character sees more in them than evil. Because abuse comes from people, and people are endlessly complex.
I think of how the heroes of the story tear themselves apart for the violence they inflict, and are shown the most painful love in return. How that love often comes in the form of calling them out on their bullshit.
I love the love in Pandora Hearts and in Vanitas no Carte because it's painfully human in the face of horrors beyond mortal comprehension.
I love the flaws in the characters because they're painfully human despite some of these characters' otherworldly natures.
Jun Mochizuki doesn't show us the abused becoming abusers to give us the idea that abuse is an unstoppable cycle, but rather to show that it is stoppable. To show that people have a choice in who they become. And that's one of the most wonderful and terrible things about people.
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RAAAAAAAAAAAHHHHH do you eat. Dog food. 🥺
Vanitas is indifferent to it. he picks at it very lightly throughout the day. would prefer oysters. Jeanne and Noé on the other hand, will eat anything with joy.
and there’s Domi, refusing to eat this lowly ‘kibble’.
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there’s a lot of appreciation for morally grey characters out there but there’s truly nothing better than a character who is just a foil for themselves……like…..just fronting themselves out to other characters as something they’re absolutely not……those who laugh loudly when they don’t mean it, who clasp another’s hands out of pre-rehearsed duty and those whose smiles don’t reach their eyes, and not necessarily for nefarious reasons either….. varied shades of their personality shown to the audience only thru the different perspectives of their interactions until we ourselves aren’t sure what their real motives are and who they really are. True identity grayness, if you will.
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