#keith buckley

[weirdlookindog]

Virgin Witch (1972) - British quad

#virgin witch #ann michelle #vicki michelle #patricia haines #keith buckley #1970s horror #1970s movies #1972 #norman j. warren #british quad #horror movie poster

[binders-and-beanies]

Many Eyes & Thursday @ Millersville PA 4.12.24

#mine #many eyes #keith buckley #thursday #thursday band #geoff rickly #music #bands #my photos

[betterlovers]

#many eyes #future proof #keith buckley #etid #every time i die #music #quote #lyrics #Spotify

[preblematic]

him....

#my love #pics not fics #keith buckley

[ascene]

8.22.09

#pete wentz #keith buckley #2009

[scenesandscreens]

The Pied Piper (1972)

Director - Jacques Demy, Cinematography - Peter Suschitzky

#scenesandscreens #the pied piper #jacques demy #Peter Suschitzky #Jack Wild #donald pleasence #John Hurt #donovan #michael hordern #roy kinnear #peter vaughan #diana dors #cathryn harrison #keith buckley #Peter Eyre #John Welsh #Hamilton Dyce #Arthur Hewlett #Sammie Winmill #André van Gyseghem #Roger Hammond #John Falconer

[forfoxessake]

Gerard and Keith Buckley on stage sharing a microphone! Kiki was the one who found the picture but no other information. I'm really unfamiliar with Every Time I Die but I love the song Gerard featured on one of their albums "Kill The Music" (Gutter Phenomenon 2005) so after a quick youtube search, I was able to find a really shitty video of this moment.

It happened during a performance in Manchester on 08/11/05 while they were on a UK/Europe tour together.

#gerard way #my chemical romance #every time I die #keith buckley #old video #2005 #kill the music #Youtube

[becauseanders]

keith buckley was right, i really do want to be dead with my friends

#when the whole squad is suicidal but no one wants to hurt anyone else #every time i die #keith buckley #big mood #okay to reblog

[leviabeat]

TheDamned Things

#the damned things #joe trohman #andy hurley #keith buckley #rob caggiano #scott ian #rob with braids

[weirdlookindog]

Virgin Witch (1972)

#virgin witch #ann michelle #vicki michelle #keith buckley #1972 #1970s movies #ray austin #occult horror #horror movie poster

[binders-and-beanies]

> be me

> big fan of the band every time i die

> they broke up years ago

> SAD anyways there’s other bands + at least i got to meet em n have my barricade experience back in the day

> like I’m talkin warped tour days

> know their singer keith buckley was in a different band now but forgor what it was called

> years later at a show on campus one of the opening band names rings a bell n dunno why

> keith buckley walks out. jumpscare /pos

> visibly go 😱🫵🏻 and he goes 😃🫵🏻

> he sounds the same as he did in etid

> glad i stayed alive or whatever

#bro it’s been like 6 years 😭 I didn’t know he was gonna be here but I woulda come just for that #I could literally leave now lol but thursday is next… the lore… #I’ve also done drag in this very room… I’ve been in the same backstage he’s in rn #mine #txt #every time i die #etid #keith buckley

[betterlovers]

#many eyes #etid #every time i die #keith buckley #revelation #music #quote #lyrics #Spotify

[preblematic]

#my love #keith buckley #he would do numbers here

[abs0luteb4stard]

W A T C H I N G

#THE EAGLE HAS LANDED (1976) #Michael Caine #Robert Duvall #Donald Sutherland #Donald Pleasence #Jenny Agutter #Anthony Quayle #Jean Marsh #Sven-Bertil Taube #Treat Williams #Larry Hagman #Michael Byrne #John Standing #Judy Geeson #Siegfried Rauch #Maurice Roeves #Keith Buckley #Jeff Conaway #John Sturges #Jack Higgins #WWII #WW2 #historical Fiction #WAR FILM #ACTION #SUSPENSE #WATCHING

[darawringtwenties]

Every Time I Die - The Big Dirty Record Label: Ferret Release Date: September 4 2007 When I say the term “southern metalcore,” what band comes to mind? If it’s not either Maylene & The Sons Of Disaster or Every Time I Die, we’ve got some issues to work out here. Not because those are the only two bands, but because those two bands were the biggest ones in this weird niche sub-subgenre of metalcore. Today I wanted to focus on the latter, but before we start, let’s take a moment to pay our respects to Every Time I Die, who broke up unexpectedly at the end of last year. Southern metalcore is such a cool style of metalcore, I’m really sad that it never caught on more than just a few years in the early to mid-00s. By the early 2010s, only a couple of bands were still around, such as The Ongoing Concept (who were pretty good, mind you), but Every Time I Die were one of the pioneers of the style. I first listened to this band in 2007, and it’s one of those experiences that I’ll never forget. Alternative Press released a compilation album that was meant to be a “back to school” comp. It was the only one they ever released, but I picked it up, both because I read that magazine a lot, and there were a lot of bands I had never heard of, or that I’ve heard of, but never listened to. Bands like Chiodos, The Dillinger Escape Plan, Head Automatica, Panic! At The Disco, Gym Class Heroes, Envy On The Coast, and Every Time I Die. The compilation featured a lot of rarities, B-sides, and unreleased songs, but a few of them were songs that were already out. The latter was the case for the Every Time I Die song featured on the record, that song being “Rendez-Voodoo” from their recently released fourth album, 2007′s The Big Dirty. The album turned 15 just a week prior to writing this, and I’ve been listening to it again to prepare for this review, because this is one of the first albums I wanted to talk about. Spoiler alert: The Big Dirty is one of my favorite albums of all time, and it’s also my favorite Every Time I Die album. Not only was this record the first “southern metalcore” album I found, it was also one of the first metalcore albums I heard period. I don’t know what the first metalcore album I heard was, only because I listened to so many albums at that time, where I was just getting into music, so I don’t know what albums I listened to first. I do know, however, that this was one of the first ones, and I fell absolutely in love with it, whether it was because of their insanely groovy and sweet southern-fried riffs, their intense breakdowns, and vocalist Keith Buckley having some of the best harsh vocals I’ve ever heard, as well as some great clean vocals, as well as their poignant and clever lyrics. This was the band’s fourth album, and by this point, Every Time I Die was a relatively big bad. They released their debut in 2001, entitled Last Night In Town, and it’s a decent mathcore / metalcore album, but that’s it. I just listened to that for the first time the other day, and I like it, but it’s kind of unremarkable, because it sounds like a lot of stuff from 2001 / 2002, so it’s a bit forgettable. Sophomore album, 2003′s Hot Damn, however, is where they started to show their potential and progress their sound into what The Big Dirty would become. The southern riffs show up there a bit, and there’s a cowbell that shows up at a certain point, but it’s on 2005′s Gutter Phenomenon would be where you really started to hear their southern metalcore mashup sound. That album featured more of the southern charm that we’d come to know from them, as well as some clean vocals from Buckley. The Big Dirty is where the band gets that balance of southern rock riffs and metalcore breakdowns perfect. They got that formula down to a science on this record, and this is almost a lightning in a bottle type of record, because I don’t think they could have replicated this if they tried. It’s also really interesting, because they didn’t even have a bass player on this record, so guitarists Jordan Buckley and Andy Williams performed bass. Just from the opening song, “No Son Of Mine,” and that riffs kick in, you know you’re in for a real treat. Songs like “Pigs Is Pigs,” “We’rewolf,” and “INRIhab,” the latter featuring Alexisonfire vocalist Dallas Green are some fun and tasty southern metalcore jams. “Rendez-Voodoo” is still my favorite cut on this album, and it features this great balance between a catchy hook and really groovy and beefy southern metalcore grooves, as well as lyrics that were both very clever and poignant. Keith Buckley was known for his very interesting and intelligent sense of lyricism, even on their early albums. They tackled a lot of typical topics of heartbreak, relationships, angst, and the typical emo stuff that these bands talked about, but they did it with such a sense of intelligence, poise, and gravitas. Hell, Buckley took inspiration from Shakespeare on certain lyrics, for example, but the lyrics on this record are great, too. It goes without saying that this whole album is fantastic in every way and it’s held up in all the best ways over the past 15 years. A lot of bands have been influenced by these guys, and I wish a southern metalcore revival would happen, because I really love this kind of style. Something about the southern grooves meeting the metalcore breakdowns is awesome, but that’s neither here nor there. Every Time I Die obviously did a lot more after this record, including 2009′s New Junk Aesthetic, which is also very good, but they released some albums in the 2010s that I didn’t really care for. They weren’t bad, but they got more experimental as time went on, and I just wanted more fun and carefree southern metalcore. Not that they can’t do whatever they want, but the more experimental stuff just wasn’t for me. In 2021, they released Radical, which would unexpectedly end up being their last album, but also my second favorite album, because they went back to that sound. That album is chock full of tasty grooves, riffs, and breakdowns, including some catchy hooks and intelligent lyrics, so it’s worth hearing again if you haven’t heard it, let alone haven’t listened to it in awhile.

#every time i die #the big dirty #gutter phenomenon #hot damn #last night in town #radical #metalcore #metal #heavy metal #matching icons #southern metalcore #new junk aesthetic #keith buckley #jordan buckley #andy williams

[milesbutterball]

#keith buckley #compassion #spiritualjourney #spirituality #awesome #music #peace #loveislove #thrash metal