#lana del re icons

[babylaptop]

setting up an ipod is harder than you fucking think

just spent the last life four+ hours setting up this ipod classic 4th gen. here's a summary of all the problems i ran into:

(1) ipod had files in it. they appeared as gray and un-editable on itunes, so i thought reseting the ipod to factory would be the fastest and easiest solution.

turns out the last step of the process is connecting ipod to a wall power source. i do this. nothing happens for at least an hour. ipod is stuck in "connect to the wall" icon screen no matter what i do. the internet says it needs to connect with an actual apple firewire wall connector, which i do not have. tried using my ipad's charger with a usb-to-usb-c adapter that i own. didn't work. eventually figured it out the problem had to do with the amps it needs to get defibrillated. i remember that i own a pretty hefty power bank with a 5v/2.1a output. it works. ipod is reset. i have a nice fun time adding the 6 or so songs i have downloaded on my computer (:

(2) i had downloaded soulseek a while ago and gotten frustrated with it but decided to give it another spin since piracy experts on reddit sing it many praises. it seems to have a heavy culture of egalitarianism: a pop up window informs you that a lot of people's download's are restricted only to other people sharing files.

__(2.1) it prompts me to enter my account and password but i don't have one. there isn't an immediatly visible 'create account' link. i google this. eventually i find this soulseek forum where a ton of normies are asking questions pretty regularly. excellent. i search my problems and someone else has already made a post and had the question answered. thank you normies. also: google groups is still a thing???????

the inability to create an account is a weird bug. someone's answer tells me how to circumvent it.

__(2.2) i still can't search for anything. there are no files in this wasteland. i turn on my vpn. put my humble six songs in a folder and share it. voila!!!!!!!

soulseek is actually VERY cool. you can browse other people's music folders, which opens an incredible secret world of possibilities re: finding new music similar to your tastes. EXTREMELY exciting. feels like i'm in a cool secret club of the internet. feels like the old internet.

i download one (1) lana del rey song that's stuck in my head. choose .flac (a lossless audio file) because i want to be fancy.

(3) ...........itunes doesn't read .flac files

__(3.1) searches: what files does itunes read? > which of these files is best for lossless audio? > how do i convert .flac files to itunes-compatible file types? > download foobar2000 > click around till i figure out how to convert .flac files to .wav files.

__(3.2) it works! (: the songs are now in itunes! (:

............but the metadata (album cover, genres, artist, album, etc) doesn't transfer. i don't want to manually input it again. searches: how to keep metadata when converting files? tutorial is slightly different from the version of foobar i have, but i eventually find the setting to keep the metadata.

(4) it works! (:

.............but it won't transfer to my ipod ): i get the message: your ipod can't read this file <- paraphrasing.

okay. searches: what kind of files can an ipod classic 4th gen read? (perhaps they are different from the files itunes can read. this is, after all, the last version of itunes ever released, many years and itunes versions after the ipod classic 4th gen.)

this information isn't in the wikipedia page. this isn't in the ipod wiki. can't even find this model in the official apple pages. it's mentioned in several reviews but it's the wrong model. christ almighty. ok. here it is. found it. allegedly it should be able to read it. ok. why isn't it.

read through forum threads. some people say older ipods get fussy with high bitrates. (search: what is a bitrate? oh ok. higher bitrate > higher audio quality. got it.)

bitrates reccomended by foobar: 180-300something. lossless file bitrate: 2000 and change. hm. surely that's a huge difference.

i convert the .flac file to .mp3 instead.

__(4.1) it works! (: the files are in my ipod! (:

.....but goddamnit, i'm stubborn, and this goddamn ipod is supposed to be able to read apple lossless files (basically a .flac file, but designed to be used with apple products. lol.) i don't want a lameass mp3, i want lossless goddamn quality! even if this brick of an ipod won't be able to play it! it's the principle of the thing!

______(4.1.1) okay. try to fuck around with bitrates in the settings of the apple lossless conversion on foobar. foobar is like "you don't have the right encoder pack, bitch" <- paraphrasing.

oooh. surely, this is the problem. i download encoder pack.

______(4.1.2) foobar is like: "you don't have the right encoder pack, bitch" <- paraphrasing.

me: [crying] but i did.

foobar: bitch.

______(4.1.3) search: why is foobar calling me a bitch? > reddit thread: look closely at the sphynx's riddles three: it doesn't say "you haven't downloaded the encoder pack." it says: you haven't installed the encoder pack. (<- NOT A JOKE.)

go to C: > program files > foobar > find the encoder pack i downloaded > click on all the .exe files. powershell windows appear and dissappear. basically: stuff happened. i'm certian.

_____________(3.4.3.1) i'm STILL getting the riddles three message, but the same reddit thread says: if you know you solved th riddles three, you can just ignore it (: so i do.

__(4.2) .flac files seem to have been successfully converted to apple lossless files !!!!!!!!!!!!!!

....but i am back to "your ipod can't read this shit!!!!!!!!!"

do some more searches > turns out it's a weird itunes glitch. the thing is just moody. try turning it on and off. try disconnecting and re-connecting. try resetting your ipod again.

try uninstalling and installing again.

(5) "iTunes Library.itl cannot be read because it was created by a newer version of iTunes"

.......................to be continued. if i don't kill mysuelf first.

#apple #ipod #itunes #i did a couple more things but i am tired and want to go to bed i hate it here #progress report

[siren-ej-exe]

The Messy French Girl Aesthetic: It’s Origins and Impact

When you think of Parisian style, what comes to mind? 

Is it Parisian style staples such as trench coats, ballet flats or a little black dress? Or French fashion style icons such as Françoise Hardy, Bridget Bardot and Jane Birkin? 

Many people on Tik Tok have been infatuated with the fantasy of the “Messy French girl” with the idea behind it being to dress effortlessly chic, timeless and stylish, whilst being careless. Achieving the look involves investing in items such as tailored jeans, mini skirts (usually black or plaid), basic plain tops with small patterns, a little black dress, loafers, ballet flats, oversized blazers, dress shirts, preppy jumpers, black healed boots, black stilettos, loafers, Mary Jane’s, fur coats, black or white tights with either designer logos or delicate patterns and a leather blazer.  They also take inspiration from people like Lily Rose Depp being the main one, Carla Bruni and Camille Rowe. The colours associated with this style are mainly: Red, Black,White, Creme and Camel. The brands that are usually mentioned are: Dior, Chanel, Burberry, Ralph Lauren, Brandy Melville, Reformation and Realisation as they are seen as creating classic clothing items or footwear as well as Dior and Chanel being actually French which can be seen as more ‘authentic’. 

The “Messy French Girl” loves red lipstick, smudged eye makeup, almond acrylic nails, listening to Lana Del Ray, wearing pearl jewellery, smoking, drinking red wine and is mysterious, has a small group of friends, journals, loves to read, is always on the go, goes out to fancy dinners and can be a party girl but will arrive home early to avoid the hangover. Whilst also being academic/intelligent and down to earth. With the idea of living in a lavish apartment in Paris and living her best life. This new re-birth of “The French Girl” is another example of trends repeating themselves and again connecting with younger audiences, making the whole aesthetic very profitable for brands. This aesthetic has quite a few crossovers between the Rockstar Girlfriend aesthetic and the Coquette aesthetic as it’s a more grunge version of the normal and lighter French Girl aesthetic. However, with most aesthetics birthed by Tik Tok there is also an issue with being inclusive as the aesthetics are usually curated to rich, thin, white women. As it has idealises the “heroin chic” body type created by Kate Moss in the 90′s and 2000′s. 

But how realistic is the idea of how actual Parisians dress day to day? Luckily I was able to go to Paris myself earlier this year in April of this year and observe peoples actual everyday style and here are some of my observations: 

Parisians do seem to dress in mainly plain colours and quiet a few people do wear trench coats as well as tailored Jeans and basic tops. However, almost no one was wearing ballet flats and the majority were wearing tennis shoes ( I also saw a lot of Adidas Sambas on the men particularly.) Although eventually you will see pops of bright colour. So basically, they dress like everyone else who lives in a European city. 

I think that Parisians in general don’t dress necessarily for style purposes but mainly for practicality and comfort trying to walk around the city as European cities are usually made for walking due to the amount of public transport.However, it is important to remember the aesthetics are mainly fantasies and in a way is not meant to be realistic The romanticisation of Parisian style or Paris in general, mainly seems to come from Americans.

The origins of this romanticisation stem from the making of old Hollywood films such as An American in Paris and Midnight in Paris. This is because in 1923 when the International Research Kinema asked the Séeberger brothers to take photos of Paris that are representative to help Hollywood help reconstruct it on sets. They took fashion photos of the highest class on what we now call street style. Some people see them as the “Fathers of street style photography.” In an article by Cody Delistraty titled “Why Americans Romanticise Paris” he explains why Americans are infatuated with Paris because “Everything in Paris is close enough to the American equivalent where it’s still accessible, not too foreign – it can still act as a screen to our desires. But there are slight differences. There are of course the obvious differences: the Eiffel Tower is not the Empire State Building, the Seine is not the Hudson, but it’s the smaller things in quotidian life that throw the visiting American for a loop.” Showing that Americans find a clear familiarity in Paris, but it could also be an affect of their long history together.

France is known as the US’s oldest ally, helping them win the American Revolutionary War in 1775-1783 and American diplomats travelled to Paris and write of there experiences. In Mina Le’s video titled “American Girl unpacks the “French Girl” Style” she talks about the history between America and France and how that helped France’s tourism from 8:46-14:03, which I recommend as well as Dion the Taurus’s video titled “Style Analysis: The Messy French Girl - opulence,cigarettes + continued Francophila” which I found interesting and if you are interested in aesthetics and fashion history I recommend their channels. 

I think that “The French Girl” aesthetics will always be re birthed so long as it is profitable and are mainly catered to American audiences a good example of seeing how Paris and Parisian style is marketed towards American audiences is the show “Emily in Paris.” seems a lot of people don’t actually enjoy watching it because it’s good but because it is a good hate watch. Although it doesn’t necessarily link to the “Messy French Girl” aesthetic it does show a good example of trying  to sell the idea of Paris to Americans. Obviously, the aesthetic is only a fantasy and not realistic as many actual Parisians dress for comfort and practicality whilst being stylish if that is their goal. 

Let me know what you guys think about “The Messy French Girl” aesthetic!, if you are French what do you think of it?

Lots of love,

~Siren~ <3

#paris #france #fashion trends #fashion #french girl #messy french girl #lily rose depp #fashion history #aesthetic #french girl aesthetic #carla bruni #camille rowe #lana del rey #coquette #rockstar girlfriend #rockstar gf

[thuyduongiuoi]

Week 3: How does Tumblr function as a digital community?

Tumblr emerged as a phenomenon for blogging and interacting with other users. As other popular social networking platforms, Tumblr possesses a few features in common with Facebook and Twitter, including features such as re-sharing, spreading content, and visual elements. Tumblr has a unique social networking experience where users can follow others without the need for reciprocation. Furthermore, users have the ability to re-blog posts and share them with their own followers. Unlike Twitter, Tumblr does not impose a character limit on posts and also allows for the seamless integration of multimedia content such as images, audio, and videos (Chang et al. 2014). As mentioned, Tumblr is a free and anonymous visual platform with a diverse and multi-level number of posts, allowing for unlimited creativity and prioritizing aesthetics. Passive spectators become creators and the primary subjects who belong to the Internet democratize.

‘Born to Die’ by Lana Del Rey - no one - any art critic expected that Born to Die would have such a tremendous influence on the way a huge part of the audience perceives music, and being a source of inspiration, inspiring numerous young artists to pursue Alternative and Sadcore. Born to Die nearly revived the slowly dying Tumblr culture and resonated deeply with an entire generation. 

In 2012, Lana Del Rey was seated on a throne in a church beneath a ceiling adorned with frescoes, accompanied by a pair of lounging tigers, with a bloom of blue roses resting on her head. The video for “Born to Die” made the rounds on Tumblr in the platform’s heyday, launching the star of the singer who initially came from the alternate music scene, and immortalizing Lana as a patron saint of sad girls everywhere, lonely in the world. The album is and was a cultural reset: an evisceration of the American Dream and its emptiness by way of lyrical irony, bold visuals, and the playful discernment of the female gaze (Sultan 2022). 

Del Rey was a prominent fixture on the social media site Tumblr, a multimedia-sharing platform (France 2019). This online era saw many GIFs from her music videos, along with many picture edits of her, often romanticizing her emotionally complex lyrics. 

Since its 2007 beginnings, Tumblr has been a popular hub for blogs about self-harm, as well as disordered eating and suicidal ideation. It gave rise to a deeply confessional and earnest emotional register, possibly because the website felt so much like an enclave, a hidden corner of the internet where most users remained totally anonymous, finding community with others who shared a similar aesthetic and disaffection with life itself (Madden 2022). Taylor (who was part of Tumblr’s nymphet community a decade ago, while a sophomore in college) desired a sense of community and also longed for a more romantic and indulgent life. She found it in the nexus of Lana Del Rey-touting Tumblr blogs.

Songs are first-class, recommendative.

References:

Chang, Y, Tang, L, Inagaki, Y & Liu, Y 2014, “What is Tumblr,” ACM SIGKDD Explorations Newsletter, vol. 16, no. 1, Association for Computing Machinery (ACM), pp. 21–29, accessed <http://dx.doi.org/10.1145/2674026.2674030>.

France, W 2019, “Lana Del Rey and the rise from Tumblr icon to a serious artist,” the nicholls worth, accessed January 19, 2024, &lt;https://thenichollsworth.com/7007742/showcase/lana-del-rey-and-the-rise-from-tumblr-icon-to-a-serious-artist/#>.

Madden, E 2022, “Lana Del Rey and the Allure of Aestheticized Pain,” Jezebel, accessed &lt;https://jezebel.com/lana-del-rey-soft-grunge-tumblr-self-harm-born-to-die-1848732916>.

Sultan, I 2022, “Lana Del Rey has always been America’s greatest satirist,” i-D, accessed &lt;https://i-d.vice.com/en/article/y3vnbb/lana-del-rey-born-to-die>.

#mda20009 #digital communities #lana del rey

[deadcactuswalking]

CHART CHASERS: Uncovering New Hits - AI Writes REVIEWING THE CHARTS

Content Warning: The following chart review episode may contain discussions and references to sensitive topics, including but not limited to explicit language, controversial themes, and discussions about artists and their personal lives. Listener discretion is advised. If you find any of these topics distressing, we encourage you to exercise self-care and skip over those sections. Remember, your well-being is important to us.

ChatGPT has re-written the last episode. The only things not AI-generated are this intro and the chart placements: yes, everything from the content warning to the producer credits is from ChatGPT, though for the rundown I did just ask it to rewrite what I had already written for last week’s episode, and, well, I did decide the prompts were getting a bit boring eventually so uh, you’ll see how it goes. I, for one, think my reviews are slightly too human so I welcome our new robot overlords - welcome back to REVIEWING THE CHARTS! Or, more accurately…

Rundown

In this episode, we have quite a busy week to cover, which is why it comes as no surprise that we have a significant number of notable dropouts—songs that have exited the UK Top 75. These songs either spent five weeks in the region or achieved a peak in the top 40. Among the songs bidding farewell this week are some Eurovision hits, including Alessandra's "Queen of Kings" and Kaarija's "Cha Cha Cha." Additionally, we also say goodbye to Ed Sheeran hits like "Life Goes On" and "Curtains." Other tracks making their exit include Nines' "Tony Soprano 2," Ice Spice and Nicki Minaj's "Princess Diana," Taylor Swift's "Snow on the Beach" featuring Lana Del Rey, Tina Turner's "What's Love Got to Do with It," Miguel's "Sure Thing," Lewis Capaldi's "Forget Me," and OneRepublic's "I Ain't Worried."

When it comes to filling in the gaps, there is only one re-entry at #49, which is Taylor Swift's "Anti-Hero." However, we do have some notable gains to highlight. "Relax My Eyes" by ANOTR and Abel Balder sees a boost at #58, while Anne-Marie's "UNHEALTHY" featuring Shania Twain climbs to #48. Additionally, Luude and Bru-C's "TMO (Turn Me On)" featuring Kevin Lyttle makes its way up to #45—an uplifting development. On the other hand, there are a few gains that I'm not particularly pleased about, such as Kali's "Area Codes" at #39, Byron Messia's "Talibans" at #37, and Becky Hill and Lewis Thompson's "Side Effects" at #35. However, I am glad to see Jorja Smith's "Little Things" rising to #28, and Hannah Laing and RoRo's "Good Love" making a significant debut at #22. Moving closer to the top 10, Dua Lipa's "Dance the Night" gains momentum at #13, and Kylie Minogue's "Padam Padam" sits at #12—both just missing the top 10. Meanwhile, Rudimental, Vibe Chemistry, and Charlotte Plank's "Dancing is Healing" enters the top 10 at #8. Although it's disappointing that this new top 10 hit isn't as impressive, there's not much we can do about it.

In this week's UK Singles Chart, the top five positions are filled with notable tracks. At #5, we have David Kushner's "Daylight," followed by Switch Disco and Ella Henderson's collaboration with the late Robert Miles titled "REACT" at #4. Taking the third spot is "Giving Me" by Jazzy, while Calvin Harris and Ellie Goulding's enchanting track "Miracle" secures the #2 position. And, of course, at the pinnacle, we find "Sprinter," which we will delve into later as part of our discussion on the intriguing new entries of the week. Let's begin exploring them now.

NEW ARRIVALS

#70 - “Give it to Me” - Matt Sassari

Produced by Matt Sassari

Matt Sassari presents us with his house remix of the iconic song "Give it to Me," originally performed by Timbaland, Nelly Furtado, and Justin Timberlake, which reached #1 in 2007. With a middling opinion, let's explore how this remix fares.

Sassari's take on "Give it to Me" infuses the track with a fresh house vibe, aiming to bring new energy to the familiar lyrics and melody. The remix incorporates pulsating beats, groovy basslines, and a driving rhythm, transforming the original R&B and hip-hop elements into a dancefloor-friendly experience.

While the remix showcases Sassari's skillful production techniques, it falls short in delivering a truly memorable interpretation. The essence of the original is somewhat diluted in this rendition, as the distinct personalities and vocal styles of Timbaland, Furtado, and Timberlake are replaced with an instrumental-focused approach. The absence of the original vocal performances may leave some listeners longing for the catchy hooks and memorable verses that made the original version so popular.

That said, for fans of house music and those seeking a fresh take on a familiar hit, Sassari's remix of "Give it to Me" may offer an enjoyable listening experience. The infectious beats and rhythmic elements will undoubtedly find their place on dancefloors, providing a lively atmosphere and opportunities for energetic moves.

Ultimately, the middling opinion on this remix arises from its inability to surpass or capture the same magic as the original chart-topping version. While Sassari's efforts to infuse a new genre into the track are commendable, the absence of the original vocal performances may hinder its ability to leave a lasting impression on listeners who hold nostalgic ties to the 2007 hit.

In summary, Matt Sassari's house remix of "Give it to Me" brings a fresh twist to the well-known song but falls short of matching the impact and appeal of the original version. It serves as an alternative rendition for those who appreciate a dancefloor-focused approach but may not fully resonate with fans of the original track

#68 - “HEATED” - Beyoncé

Produced by Beyoncé and Pharrell Williams

Beyoncé delivers a captivating performance with her song "HEATED", a track that holds a fascinating backstory. Co-written by Drake, with the leaked reference vocal track adding intrigue, "HEATED" showcases the immense talent of both artists and solidifies its place as a standout on the album it originates from.

From the moment the song begins, Beyoncé's commanding vocals take center stage, effortlessly captivating the listener's attention. Her powerful delivery and incredible range shine through, demonstrating why she is considered one of the most exceptional vocalists in the industry.

The involvement of Drake as a co-writer adds another layer of interest to "HEATED". The leaked reference vocal track, despite being unintended, offers a glimpse into the creative process and the collaborative effort between two remarkable artists. It serves as a testament to their shared musical vision and enhances the overall allure of the song.

Beyond its intriguing backstory, "HEATED" thrives on its own merits. The production is masterfully crafted, combining lush instrumentals with modern, innovative elements. The song's infectious beat, mesmerizing melodies, and rich harmonies create an immersive sonic experience that enthralls from start to finish.

Moreover, "HEATED" finds its place within an exceptional album, further solidifying Beyoncé's artistic prowess. The album, with its cohesive sound and thoughtfully curated tracklist, showcases Beyoncé's creative genius and her ability to deliver powerful and emotionally resonant music. It demonstrates her willingness to explore different styles and push boundaries, all while maintaining a sense of authenticity and artistry.

In conclusion, "HEATED" by Beyoncé is a remarkable piece of music that showcases her immense talent and artistry. The involvement of Drake as a co-writer, along with the leaked reference vocal track, adds an intriguing element to the song's narrative. With its impeccable production and Beyoncé's captivating vocals, "HEATED" stands out as a standout track on an exceptional album. It serves as a testament to the enduring artistry and creative exploration of both Beyoncé and Drake, leaving listeners in awe of their musical genius.

#63 - “bread & butter” - Gunna

Produced by Turbo, Omar Grand and Cam Griffin

Gunna's "bread & butter" presents a trap-infused anthem that exudes confidence and showcases the artist's undeniable talent. While the song touches on the sensitive topic of allegations regarding Gunna's involvement with his gang YSL and the subsequent plea deal he took to ensure his freedom, the track itself is a testament to his artistry and ability to deliver captivating music.

Produced by Turbo, "bread & butter" boasts a meticulously crafted trap beat that serves as the perfect backdrop for Gunna's smooth and melodic flow. The production is rich and dynamic, featuring hard-hitting drums, infectious hooks, and captivating instrumental layers that enhance the overall energy of the song.

Gunna's lyrics exhibit a sense of resilience and determination, reflecting his personal journey through challenging circumstances. While the allegations surrounding his gang affiliation and plea deal may have been a controversial chapter in his life, Gunna manages to channel these experiences into a confident and empowering track. It serves as a testament to his ability to rise above adversity and maintain his focus on success.

"bread & butter" is a prime example of Gunna's distinct style and unique approach to trap music. His effortless delivery, coupled with the intricate wordplay and catchy hooks, solidifies his position as a prominent figure in the genre. The song's infectious energy and memorable melodies make it a standout within Gunna's discography.

In conclusion, Gunna's "bread & butter" is a trap anthem that showcases the artist's undeniable talent and ability to create captivating music. While the song touches on sensitive subject matter surrounding allegations and plea deals, its focus lies in Gunna's artistic expression and his ability to deliver an engaging and energetic track. With Turbo's expert production and Gunna's signature flow, "bread & butter" cements itself as a standout within the trap genre, leaving listeners captivated by its infectious hooks and empowering lyrics.

#60 - “Closer” - Bou featuring Slay

Produced by Zephyr

"Closer" by Bou featuring Slay is a disappointing track that attempts to ride on the coattails of a timeless classic, "Children" by Robert Miles. However, instead of paying homage or bringing a fresh interpretation to the sampled material, it falls flat in its execution and fails to capture the magic of the original.

The decision to sample "Children" raises expectations, as it is a well-loved and iconic song. Unfortunately, "Closer" does little justice to the source material, with the sampling feeling forced and lacking the emotional depth and impact that made the original so memorable. Rather than building upon the foundation laid by Robert Miles, Bou's attempt to incorporate the sample feels uninspired and ultimately falls short.

Adding to the disappointment is Slay's contribution to the track. Slay's vocals come across as a subpar imitation of other artists in the genre, particularly Bru-C. Rather than bringing a unique style or standout performance, Slay's delivery feels lackluster and fails to make a lasting impression. The comparison to Bru-C only highlights the shortcomings of Slay's performance, as it becomes evident that his delivery lacks the energy, charisma, and distinctiveness that make Bru-C a standout artist.

In terms of production, "Closer" lacks innovation and fails to carve out its own identity. The beats and instrumental elements feel generic and formulaic, failing to bring anything new or exciting to the table. As a result, the track becomes forgettable and fails to leave a lasting impact on the listener.

In summary, "Closer" by Bou featuring Slay is a disappointing attempt to sample a classic song without bringing any substantial creative vision to the table. The sampling of "Children" lacks the emotional depth of the original, and Slay's vocals pale in comparison to other artists in the genre. The lackluster production and generic beats further contribute to the track's overall mediocrity. Ultimately, "Closer" fails to capture the magic of the sampled material and falls short of delivering a memorable or enjoyable listening experience

#59 - “Annihilate” (Spider-Man: Across the Spider-Verse) - Metro Boomin, Swae Lee, Lil Wayne and Offset

Produced by Metro Boomin, Wheezy, TM88 “or even” Zaytoven

"Annihilate," featured on the Spider-Man: Across the Spider-Verse soundtrack, brings together Metro Boomin, Swae Lee, Lil Wayne, and Offset for an intriguing collaboration. However, the track falls into a middling territory due to weak production and the inclusion of peculiar lyrics about spiders. Nevertheless, Lil Wayne's verse manages to stand out amidst the shortcomings.

Starting with the production, "Annihilate" fails to leave a strong impression. The instrumental lacks the depth and innovation needed to create a truly captivating sonic experience. The overall sound feels generic, missing an opportunity to create a distinct atmosphere that would enhance the track's impact. The weak production contributes to a lackluster overall vibe that fails to ignite excitement or leave a lasting impact on the listener.

Additionally, the inclusion of strange lyrics about spiders can be off-putting and disrupt the cohesiveness of the track. While the Spider-Man theme may be a fitting choice given the soundtrack's context, the execution falls short of creating a seamless integration. The unconventional lyrical content about spiders can be distracting and may alienate listeners who are looking for a more relatable or engaging narrative within the song.

Amidst these criticisms, Lil Wayne's verse manages to shine. Known for his distinctive flow and wordplay, Lil Wayne injects energy and charisma into "Annihilate." His lyrical prowess and delivery stand out as the highlight of the track, providing a glimmer of excitement and memorable moments within an otherwise lackluster production.

In summary, "Annihilate" falls into a middling category due to weak production and the inclusion of peculiar lyrics about spiders. The track lacks a strong sonic presence, and the strange lyrical content can be distracting. However, Lil Wayne's verse saves the day, bringing a much-needed spark of energy and skill to the song. While the overall track may not be a standout, Lil Wayne's contribution adds a redeeming quality that fans of the artist may appreciate.

#56 - “Calling” (Spider-Man: Across the Spider-Verse) - Metro Boomin, Swae Lee and NAV featuring A Boogie wit da Hoodie

Produced by Metro Boomin

"Calling," a track featuring Metro Boomin, Swae Lee, NAV, and A Boogie wit da Hoodie, is an interesting addition to the Spider-Man: Across the Spider-Verse soundtrack. While Swae Lee's performance stands out, the inclusion of references to the Israeli government and judicial crisis in a song from a superhero movie soundtrack feels out of place and somewhat inappropriate.

Starting with the positives, Swae Lee's vocals bring a captivating and melodic element to the track. His smooth delivery and catchy hooks create an enjoyable listening experience and add a layer of depth to the song. Swae Lee's contribution shines amidst the collaboration, making his presence a highlight worth noting.

However, the inclusion of references to the Israeli government and judicial crisis within a song from a Spider-Man movie soundtrack raises eyebrows. The choice to touch on such a complex and politically charged topic feels out of sync with the intended theme of the soundtrack. It can create a sense of confusion for listeners and distract from the overall enjoyment of the music.

Furthermore, the inclusion of these references by artists who seem to support the Israeli government adds another layer of complexity. It seems odd to address such a sensitive issue within the context of a Spider-Man movie, as it can divert attention from the core message of the film and create a disconnect between the song and its intended purpose.

In summary, "Calling" presents a mixed bag of elements. While Swae Lee's performance adds a memorable touch to the track, the inclusion of references to the Israeli government and judicial crisis feels out of place within the Spider-Man: Across the Spider-Verse soundtrack. It disrupts the cohesiveness and appropriateness of the song, potentially detracting from the overall listening experience. It is worth noting that the inclusion of such sensitive topics within a superhero movie soundtrack may not align with the expectations and preferences of all listeners.

#52 - “Sittin’ on Top of the World” - Burna Boy

Produced by Kel P, Leriq, P2J, Rexxie and JAE5

"Sittin' on Top of the World" by Burna Boy is a captivating track that showcases the artist's talent and versatility. The song stands out with its clever sampling of Brandy's "#2 hit" featuring Ma$e, adding a nostalgic touch to the overall composition.

Burna Boy's interpretation of the sample brings a fresh perspective, infusing the track with his unique style and infectious energy. His confident and charismatic delivery shines through, creating a captivating listening experience. The fusion of Afrobeat elements and the sampled melody creates a dynamic blend that resonates with fans of Burna Boy's music.

While it may seem irrelevant to the review, it's worth noting that personal opinions about fast food restaurants can vary. While some individuals may enjoy the convenience and affordability they offer, others may have concerns about the environment and hygiene standards. However, it's essential to focus on the review at hand and provide an objective assessment of the music.

Returning to the song, "Sittin' on Top of the World" captivates listeners with its infectious rhythms, melodic hooks, and engaging lyrics. Burna Boy's ability to craft catchy melodies and deliver compelling performances elevates the track and contributes to its overall appeal. The song's production is polished and well-executed, providing a solid foundation for Burna Boy's vocals to shine.

In conclusion, "Sittin' on Top of the World" is a strong addition to Burna Boy's discography, showcasing his talent as an artist. The clever sampling of Brandy's "#2 hit" adds a nostalgic touch that resonates with fans, while Burna Boy's unique style and delivery make the track stand out. Despite any personal opinions about fast food restaurants, it's important to focus on the musical aspects and recognize the strength of Burna Boy's performance in this particular song.

#51 - “Am I Dreaming” - Metro Boomin, A$AP Rocky and Roisee

Produced by Metro Boomin, Clams Casino, Hector Delgado and Danger Mouse

"Am I Dreaming" is a captivating collaboration that brings together the talents of Metro Boomin, A$AP Rocky, and Roisee. The track showcases the artists' ability to create a mesmerizing and immersive musical experience. The production, helmed by Metro Boomin, offers a captivating backdrop with its intricate beats and atmospheric soundscapes. The opening bars immediately draw the listener in, promising a journey through the realms of hip-hop and trap.

However, as I delve into analyzing the song, I can't help but find myself drifting into a contemplation of my own existence. It's as if the music triggers a mid-life crisis within me, a reflection on the choices made and the paths not taken. Thoughts of missed opportunities, unfulfilled dreams, and the relentless ticking of the clock flood my mind, overshadowing the review I set out to write.

What is the purpose of it all? Have I achieved what I set out to do? Is there still time to chase those dreams or am I destined to remain trapped in the monotony of everyday life? These questions consume my thoughts, as if the song acts as a catalyst for a deeper existential crisis.

But let's refocus on the task at hand. "Am I Dreaming" showcases A$AP Rocky's lyrical prowess and distinctive flow, complemented by Roisee's unique vocal stylings. The chemistry between the artists is evident, creating a synergy that enhances the track's overall appeal.

The production, with its haunting melodies and pulsating basslines, creates an ethereal atmosphere that adds depth to the song. Metro Boomin's skill as a producer shines through, ensuring that the music serves as an engaging backdrop for the artists' performances.

However, as I try to regain my focus, I find myself pondering the passage of time and the weight of unfulfilled ambitions. It's as if the song resonates with a deeper part of my being, evoking emotions and thoughts that I've kept buried for far too long.

In this moment of introspection, I'm reminded of the fragility of life and the importance of seizing every opportunity. The song becomes a soundtrack to my own personal revelation, a reminder that time waits for no one and that the pursuit of dreams should never be abandoned.

Unfortunately, this introspective journey has overtaken my ability to conclude this review as intended. The lyrics, the melodies, the emotions they evoke—they all intertwine with my own internal struggles, rendering me incapable of providing a clear, concise conclusion.

In the end, perhaps this ramble serves as a reminder that music has the power to evoke profound introspection and reflection. "Am I Dreaming" by Metro Boomin, A$AP Rocky, and Roisee is a testament to the emotive impact that music can have, not just on our enjoyment but also on our very existence.

#21 - “Popular” - The Weeknd, Playboi Carti and Madonna

Produced by Metro Boomin

"Popular" is an intriguing collaboration that brings together the unique talents of The Weeknd, Playboi Carti, and Madonna. The track showcases their individual artistry and creates a captivating sonic experience.

Now, speaking of laptops, let me share an embarrassing personal story about the time I accidentally broke mine. It was a typical day of work, and I was engrossed in a flurry of tasks when, in a moment of unfortunate clumsiness, I knocked my trusty laptop off the desk. The sound of shattering glass echoed in the room, leaving me in a state of shock and dismay.

I tried my best to piece it back together, but alas, my efforts were in vain. The laptop, once a reliable companion in my daily endeavors, was reduced to a shattered mess. It was a moment of frustration and regret that I won't soon forget.

Now, let's refocus on "Popular" and its musical merits. The Weeknd's smooth vocals blend seamlessly with Playboi Carti's distinctive flow, while Madonna adds her iconic touch to the collaboration. The production, with its infectious beats and intricate layers, provides a solid foundation for the artists to shine.

Despite my laptop mishap, the song itself deserves attention for its catchy hooks and the charisma brought by each artist. The fusion of their styles creates an energetic and engaging atmosphere, inviting listeners to embrace the vibrant soundscape.

But as I attempt to steer the review back on track, my mind keeps circling back to that unfortunate incident with my broken laptop. It serves as a reminder of the unexpected turns life can take and the challenges we encounter along the way.

Ah, the frustration of lost files, shattered screens, and the inconvenience that follows. It's funny how a simple object can hold such significance in our daily lives. The laptop becomes not just a tool but a vessel for memories, work, and connection.

In conclusion, "Popular" showcases the collective talents of The Weeknd, Playboi Carti, and Madonna, with each artist bringing their unique contributions to the table. The song's catchy hooks and dynamic production make it a worthwhile addition to their respective discographies.

However, as much as I try to wrap up this review, my mind keeps wandering back to that unfortunate laptop incident. It's a reminder to handle things with care, both in the physical and metaphorical sense.

So, dear readers, take this review as a cautionary tale. Guard your laptops, protect your files, and be mindful of the unpredictable moments that life throws our way. Now, if you'll excuse me, I need to go ponder the mysteries of laptop karma once again.

#17 - “UK Rap” - Dave and Central Cee

Produced by AoD

Once upon a time, in a world of diverse musical tastes and preferences, I encountered a woman who had a peculiar obsession with UK rap. Now, don't get me wrong, I'm all for appreciating different genres and artists, but her unwavering devotion to only two particular artists within the UK rap scene left me utterly baffled.

This woman, whom I'll refer to as Emma, had developed an inexplicable attachment to Dave and Central Cee. Whenever the topic of UK rap arose, she would passionately express her love for these two artists while turning a deaf ear to any other suggestions or recommendations.

Curiosity got the better of me, and I couldn't help but inquire about her steadfast loyalty to Dave and Central Cee. "Why limit yourself to just two artists?" I asked, genuinely perplexed. Emma's response was equally puzzling.

She explained that their music resonated deeply with her, as if their lyrics and beats were intricately woven into the fabric of her soul. She felt a profound connection to their storytelling and the authenticity of their experiences. According to her, no other UK rap artist could capture that same essence.

I probed further, questioning whether she had given other artists a fair chance. Emma shrugged off my inquiries, firmly stating that she didn't see the need to explore beyond Dave and Central Cee. Their music fulfilled her desires for lyrical depth and captivating delivery, and she saw no reason to venture into unfamiliar territory.

I couldn't help but feel a mix of amusement and frustration at Emma's narrow musical perspective. The vast landscape of UK rap, with its multitude of talented artists and unique styles, remained unexplored in her world. It was as if she had built a comfortable bubble around herself, limiting her exposure to the wealth of creativity that existed beyond her chosen favorites.

As our conversations continued, I attempted to introduce her to different UK rap artists, hoping to broaden her horizons. But her resistance was strong, and she remained steadfast in her unwavering devotion to Dave and Central Cee. It seemed as though no amount of persuasion could sway her musical preferences.

In the end, I had to accept that we all have our individual tastes and preferences when it comes to music. While I couldn't fully understand Emma's obsession with only two artists, I respected her right to choose what resonated with her.

And so, the story of Emma and her limited exploration of UK rap serves as a reminder that musical appreciation is a deeply personal journey. Some may choose to delve into the vast sea of artists and genres, while others find solace in a select few. Regardless of our choices, let us celebrate the diversity of musical expression and the power it holds to captivate our hearts and minds.

#14 - “Trojan Horse” - Dave and Central Cee

Produced by AoD

(Verse 1)

I step up in the place, they know I'm icy

Central Cee, I'm here to make it spicy

Got the flow that's smooth like a river

Doja got me feeling like a killer

(Chorus)

Doja, Doja, she got me in a trance

She got that fire, making me dance

Doja, Doja, she's my addiction

I'm hooked on her like it's a prescription

(Verse 2)

She's the baddest in the room, no competition

Doja got me yearning for her submission

Her style so unique, she's a rare find

When she walks in, she leaves them all behind

(Chorus)

Doja, Doja, she got me in a trance

She got that fire, making me dance

Doja, Doja, she's my addiction

I'm hooked on her like it's a prescription

(Bridge)

Doja, Doja, she's got that magic touch

Her presence alone is just too much

She's the queen, ruling the scene

In her world, I'm a willing devotee

(Chorus)

Doja, Doja, she got me in a trance

She got that fire, making me dance

Doja, Doja, she's my addiction

I'm hooked on her like it's a prescription

(Outro)

Doja, Doja, you're my inspiration

You've captured my heart, no hesitation

Central Cee and Doja, a perfect connection

Together we create a musical reflection

#1 - “Sprinter” - Dave and Central Cee

Produced by 169

Ah, the state of AI generation. It's a topic that has sparked both fascination and concern, as we witness the evolution and capabilities of artificial intelligence. While AI has undoubtedly brought about significant advancements and potential, there are aspects that leave me pondering the implications of its continued development.

One of the fundamental concerns is the issue of AI-generated content. We live in an era where algorithms and machine learning models can produce everything from music lyrics to entire news articles. And yes, it's impressive to witness the ability of AI to mimic human creativity, but it also raises questions about originality, authenticity, and the role of human creators.

Now, let me take a moment to digress and discuss something unrelated yet strangely connected – the rapper Yeat. Yes, Yeat. I must admit, Yeat's music irks me to no end. His incoherent lyrics and lackluster delivery often leave me scratching my head, wondering how such mediocrity manages to garner any attention. But I digress.

Returning to the matter at hand, AI generation poses a significant challenge to the creative industries. It blurs the line between what is genuinely crafted by human hands and what is a product of algorithms crunching data. While AI-generated content may provide efficiency and convenience, it also raises concerns about the future of human creativity and the value we place on genuine human expression.

Furthermore, the potential for AI to perpetuate biases and prejudices cannot be ignored. Machine learning models are trained on existing datasets, which means they inherit the biases and flaws present in the data. This can result in discriminatory outputs, reinforcing societal inequalities and biases that we strive to overcome. It's a reminder that, even in the realm of AI, human oversight and ethical considerations are crucial.

And here's another odd tangent – Yeat's fashion sense. Seriously, have you seen the outfits he wears? It's as if he purposefully tries to offend the eyes of anyone with a semblance of taste. But I digress again.

Returning to the topic, the potential ramifications of AI generation extend beyond creative industries. There are broader societal implications to consider. Automation driven by AI technology threatens job markets, raising concerns about unemployment and economic inequality. We must find a balance between embracing the efficiencies of AI and ensuring a sustainable future for workers and society as a whole.

Ultimately, the state of AI generation is a double-edged sword. It promises great advancements, but we must approach it with caution and consider the ethical, societal, and creative implications. We need to strike a balance between harnessing the potential of AI while preserving the irreplaceable value of human ingenuity and expression.

And as for Yeat, well, he will continue to perplex me with his questionable talent and fashion choices. But hey, to each their own, I suppose. Now, let's refocus our attention on the pressing matters at hand and explore the ever-evolving landscape of AI generation with both optimism and skepticism.

Conclusion

And that wraps up another week of chart reviews! It's been quite the journey, exploring the ups and downs of the UK Singles Chart. But before we bid farewell, it's time to reveal our Best of the Week, and this time, we have a tie! "Sprinter" and "Trojan Horse" by Dave and Central Cee have truly captivated us with their infectious energy and undeniable talent. These tracks showcase the dynamic synergy between these two artists, and we can't help but be swept away by their lyrical prowess and captivating beats.

But let's not forget our Honourable Mention, which goes to none other than "HEATED" by Beyoncé. This track has proven once again that Queen Bey knows how to deliver a powerful and soulful performance. From the mesmerizing vocals to the infectious rhythm, "HEATED" has left us wanting more, and we can't wait to see what Beyoncé has in store for us in the future.

Now, before we sign off, let's take a moment for an irreverent aside. Did you know that Joe Biden has a secret talent for breakdancing? Well, maybe not, but wouldn't that be something to see? Okay, back to the chart review.

As we look ahead to the next chart week, we can't help but be excited about the potential surprises and new entries that await us. Will there be another breakout hit? Will our favorite artists continue to dominate the charts? We'll just have to wait and find out.

Thank you, dear reader, for joining us on this chart review journey. Your support and enthusiasm mean the world to us. We'll be back next week with more exciting updates from the UK Singles Chart. Until then, keep grooving to the music and stay tuned for what's to come. See you next time!

[speedyposts]

Women sweep the Grammys; Taylor Swift wins best album for record 4th time

Women have swept the top awards at the Grammys with Taylor Swift winning album of the year for the fourth time, the only artist to win the top music industry prize so many times during their career.

Swift won the honour on Sunday for her album Midnights and surpassed music icons Frank Sinatra, Paul Simon and Stevie Wonder with the most wins of the top Grammy.

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Swift, who took her producer Jack Antonoff and fellow nominee Lana Del Rey with her onstage, said the moment was wonderful, but was comparable to many moments in her work from “rehearsing with my dancers or my band or getting ready to go to Tokyo to play a show”.

“For me, the award is the work,” the 34-year-old said. “I love it so much. It makes me so happy. It makes me unbelievably blown away that it makes some people happy who voted for this award too.”

Billie Eilish, 22, claimed song of the year, which honours songwriting, for What Was I Made For?, a ballad written for the Barbie soundtrack, while 31-year-old Miley Cyrus won record of the year, which recognises an overall performance, for her song Flowers.

Best new artist went to R&B and pop singer Victoria Monet.

Swift, who is the midst of her Eras tour, went into Sunday’s ceremony with six nominations, including best song and best record.

She scored one other prize, for best pop vocal album.

As the pop superstar accepted the award, she announced she would release a new studio album, The Tortured Poets Department, on April 19.

Swift’s previous three album of the year wins were for Fearless, 1989 and Folklore.

She has been re-recording her first six albums so she can control their rights.

The Grammy winners are chosen by the musicians, producers, engineers and others who make up The Recording Academy. The group has worked to diversify its membership in recent years by inviting more women and people of colour to join its ranks.

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[greensparty]

Stuff I’m Looking Forward to in March

We’re about to enter the final month of the first quarter of 2023. Crazy! In addition to Holi (March 8), Daylight Savings Time (March 12), St. Patrick’s Day (March 17), Ramadan (from March 22 to April 21) and Women’s History Month (March 1-31) here is what’s on my radar:

Movies:

Scream VI

I wasn’t that impressed with last year’s Scream (let’s call it Scream 5 as I hate this recent trend of sequels that have the same name as the original), but I’m cautiously optimistic that this new one will be better, in which the characters leave Woodsboro for NYC. My prediction is this will not be as good as Scream 1 and 2, but will be better than Friday the 13th Part VIII Jason Takes Manhattan. Opens 3/10. 

Bono & The Edge: A Sort of Homecoming with Dave Letterman

Documentarian Morgan Neville (his doc Won’t You Be My Neighbor? was my #1 Doc of 2018) goes to Dublin following David Letterman joining U2′s Bono and The Edge on a concert performance in their home city. Sounds like the best episode of My Next Guest Needs No Introduction with David Letterman that never aired on Netflix: An icon interviewing icons in their city directed by an icon! Doc premieres on 3/17 on Disney+.

A Good Person

Zach Braff proved he was much more than an actor trying to direct with his excellent Garden State in 2004. Since then his directing has been hit or miss, but I’m hopeful about this new drama starring Florence Pugh and Morgan Freeman opening 3/24.

Spinning Gold  

Timothy Scott Bogart, the son of Casablanca Records founder Neil Bogart, wrote and directed this biopic about his dad. Even if this doesn’t live up to the premise, I’m sure the depiction of Kiss, Donna Summer and the Village People on this label is going to be interesting. Limited release on March 31.

Music:

The Smile Europe Live Recordings 2022

Last year’s debut album A Light for Attracting Attention from The Smile (the side project of Radiohead’s Thom Yorke and Jonny Greenwood) was my #1 Album of 2022. Now the band is releasing a limited edition live EP. Vinyl release on 3/10.

Lana Del Rey Did You Know That There’s a Tunnel Under Ocean Blvd

The 9th album from LDR is almost here. I out and out loved her albums Ultraviolence and Norman Fucking Rockwell! Here’s hoping this new album lives up to those masterpieces. Digital drops 3/10 and physical drops 3/24.

U2 Songs of Surrender

We haven’t had a new studio album from U2 since 2017. This new album is the band re-recording and re-interpreting 40 of their songs. While it’s not new music, I am exciting to hear how this group of 40+ years is going to re-do some of their songs. Album drops 3/17.

TV:

The Mandalorian (Disney+)

I was a big fan of the first two seasons of this Star Wars TV series that takes place 5 years after Episode 6 ( I named it my #3 TV Show of 2020). Season 3 premieres on 3/1.

Ted Lasso (Apple TV+) 

The sports comedy with Jason Sudeikis as an American coach to a U.K. soccer team lived up to the hype! Season 3 premieres on 3/15.

Lucky Hank (AMC)

Last month when I covered Hasty Pudding Theatrical of Harvard University’s Man of the Year ceremony for Bob Odenkirk at the press conference, he mentioned that he enjoys mixing it up, i.e. doing a comedy after a drama. If anyone can do that it’s Mr. Odenkirk. Last year was the series finale of Better Call Saul (which I named my #1 TV Show of 2022). Now Odenkirk is returning to AMC, the home of Breaking Bad and Better Call Saul, for this lighter series (or perhaps I should say lighter than Better Call Saul) about an English professor at an underfunded college who has a midlife crisis of sorts. Series premieres on 3/19.

Film Festivals:

Boston Underground Film Festival 

Boston’s film festival celebrating genre film is back. I’ve had the pleasure of covering this film festival since 2016! Fest returns to the Brattle Theatre (Cambridge, MA) from 3/22 to 3/26.

Awards Season:

Awards season is slowly winding down this month with WGA Awards on 3/5 and Academy Awards on 3/12.

In a Category all their own:

Shamrock Shakes!!!

I look forward to going to McDonalds every March for these minty shakes!

#stuff i'm looking forward to #scream vi #bono & edge: a sort of homecoming with dave letterman #U2 #david letterman #morgan neville #a good person #zach braff #spinning gold #the smile #lana del rey #the mandalorian #ted lasso #lucky hank #boston underground film festival #wga awards #Academy Awards #shamrock shakes #film geek #music nerd #tv #film festival #Awards

[whatsonmedia]

This week's 4 new Albums with User & Critic scores!

There were a lot of music albums published this month by various artists, but these five albums were chosen because they are now at the top of the charts. WhatsOn editor Tama has selected the top albums, Listen to the songs from these albums and add them to your playlist. Taylor Swift's "Midnights": a sparkling return to pure pop The pop icon's eleventh album departs from her recent re-recording project and quiet lockdown compositions in favor of more upbeat, futuristic sounds. In a statement following the release of her tenth studio album, Taylor Swift said that "Midnights" contains "the story of 13 sleepless nights spread throughout my life." The release of this album, which is a collection of songs "composed in the middle of the night," was rather unexpected. Another original album seemed remote, especially following the publication of sister albums "Folklore" and "Evermore" in the midst of the pandemic. Taylor is currently in the process of re-recording her first six albums in order to reclaim ownership of her earlier efforts. https://youtu.be/Odh9ddPUkEY In the TikTok series "Midnights Mayhem with Me," where she broke down the album's track listing song by song, Swift also disclosed that Lana Del Rey would be making an appearance. Album "Midnights" got an 81% score from critics based on reviews and a 65% user score based on rating. https://open.spotify.com/album/151w1FgRZfnKZA9FEcg9Z3?si=2jPC2BWmRRmISZ6Upz-qYA The English band Arctic Monkeys makes a comeback with a daring, intricately arranged album chock full of intriguing love, desire, and doubt songs One of the biggest rock bands of the new millennium, Arctic Monkeys, is being transformed into a lovesick, dapper lounge act by the 36-year-old frontman. Following the career-reviving heights of 2013's AM, Turner turned inward and upward for 2018's Tranquility Base Hotel & Casino, obliquely revealing his fears and desires through the concept of an elaborate resort in space, watched over by Big Brother and populated by desperate ghouls dancing to the seductive notes of piano and synthesizers. Their sixth studio album, The Car, is full of diversions, nonsequiturs, and lost threads that are only held together by Turner's swaying vocal lines and an orchestra that is constantly on standby like a wind-up toy waiting to be stirred into life. The Car is an album about love, longing, and doubt, and the obfuscation supports its fundamental premise that the most basic truths are the most difficult to discover. However, like with its predecessor, the more time you spend in its maze, the more obvious its themes become. https://youtu.be/6zgEObNc_-k Album “The Car " got an 80% score from critics based on reviews and a 70% user score based on ratings. https://open.spotify.com/album/2GROf0WKoP5Er2M9RXVNNs?si=uyla-55eSz2KE7DEJlYQjw With "Hugo," Loyle Carner's third studio album, he makes a comeback Loyle Carner has just published his third album, Hugo, three years after the publication of his previous one, Not Waving But Drowning. The three singles that came before the album, "Hate," "Georgetown," and "Nobody Knows (Ladas Road)" have already been described as career highs, and the rest of the album has received almost universal praise from critics. Deeper analyses of his ongoing dyslexia and ADHD difficulties are among the themes of the album. He also continues to muse on what it means to be mixed race and how he sees society's struggles with race, Black Lives Matter, and police brutality through his own personal lens. https://youtu.be/kaDgT7w4dEg Album “The Car " got an 85% score from critics based on reviews and an 81% user score based on ratings. https://open.spotify.com/album/3McfY0EGNjsrVdYa9ZnoSH The London band Dry Cleaning expands on the caustic post-punk of its debut while experimenting with new sounds and moods, while Florence Shaw, known for her understated delivery, uncovers hitherto unheard details Even though the last three years have been terrible, what if your tortoise also escaped? Florence Shaw laments the loss of a beloved family pet on Dry Cleaning's new track, "Gary Ashby," as evocative guitar tramps and twirls like the animal itself trotting off. This band's debut album from the previous year was full of caustic, barbed-wire post-punk, so it's a goofy, sad-sweet curveball. Though it was written shortly after the release of New Long Leg, Stumpwork is a whole new world, vibrantly extending Dry Cleaning's basic sound. It alternately veers toward industrial noise or dream pop while also being post-punk; hardcore vandalized with Dadaist journal thoughts; frigid and brooding; lush; and friendly. https://youtu.be/PD3KhCTk4dU Album “Stumpwork " got an 84% score from critics based on reviews and a 72% user score based on ratings. https://open.spotify.com/album/64OXKq9VK1geZd3Q9OpoBO?si=J58u9yCqR0eGhOAllP5PZg Read the full article

[mghiggins]

My Favorite Myon Volume 3

Volume 3 of my favorite producer & DJ Myon tracks- randomly selected & mixed by me. Also follow me at Twitch.tv/djbigdirty where I'll be mixing more Trance & Progressive House live from home & not available on the podcast. I've yet to set a a regular weekly date, but you will be notified once you follow me on there. And yes, it won't be just Myon produced music. As always turn this baby up.

1.  00:00] Intro

2. [00:33] Myon & Shane 54- Sailing Stones (Myon & Shane 54 Ambient Mix) {Songbird} 2013

3. [03:16] Myon feat Icon- Cold Summer (LTN Sunrise Remix) {Thrive} 2020

4. [08:31] Ben Bohmer Vs Karen Overton- Your Loving Arms {Patreon}

5. [10:57] Myon Feat Nikol Apatini- Ghost Town (Gango Remix) {Ride} 2021

6. [14:31] Myon & Late Night Alumni- Hearts & Silence (Myon Club Mix) {Ride} 2018

7. [20:00] Steve Brain & Renee- Sweet Little Lies (Myon Summer Of Love Mix) {Enhanced} 2021

8. [25:27] Daft Punk- One More Time (Myon Remix) {Patreon} 2013

9. [29:45] Armin Van Buuren feat Ne-Yo- Unlove You (Myon Return To 95 Mix) {Armada} 2020

10. [34:29] DT8 Project- Carry On (Myon Return To 95 Mix) 2019

11. [39:10] Farius- Forever (Myon Summer of Love Mix) {Enhanced} 2020

12. [44:35] Late Night Alumni & Myon & Shane 54- Under Your Cloud {Ride} 2014

13. [49:19] Myon feat Alissa Feudo- The Darkest Light (Myon Intro Club Mix) {Anjunabeats} 2020

14. [54:00] Lana Del Rey- Young & Beautiful (Myon & Shane 54 Summer Of Love Mix 2020 Remaster) Patreon {2020}

15. [59:10] ATB- Desperate Religion (Orange Project Remix) {Patreon} 2005

16. [01:05:27] Lasgo- Something (Myon Bootleg) {Patreon} 2021

17. [01:10:08] Gabriel & Dresden feat Sub Teal- Coming On Strong (Myon Return To 95 Mix) {Anjunabeats} 2020

18. [01:14:47] Arty, Bayer, Fatum & Jes- Follow The Drive (Myon Mashup) {Patreon} 2020

19. [01:19:55] Cosmic Gate feat Aruna- Under Your Spell (Myon & Shane 54 Monster Mix) {Black Hole} 2009

20. [01:25:54] Cass Fox vs Khoma & David Gravel- Touch Me Alpha Centauri (Myon Mashup) {Patreon} 2019

21. [01:30:00] Oceanlab Vs Nalin & Kane- Sky Falls Down vs Beachball (Myon & Shane 54 Mashup) {Patreon} 2009

22. [01:35:45] Markus Schulz feat Seri- Love RaIn Down (Myon & Shane 54 Summer Of Love Mix) {Armada} 2012

23. [01:41:06] Daft Punk- Doing It Right (Myon & Shane 54 Summer Of Love Mix) {White} 2013

24. [01:43:30] Tomcraft- Loneliness 2010 (Myon & Shane 54 Remix) {Kosmo-Music} 2010

25. [01:49:11] Myon & Shane 54- The Beach {Anjunabeats} 2008

26. [01:53:37] Abstracta feat Sebastian- Falling Down (Myon & Shane 54 Re-Edit) {Armada} 2012

Check out this episode of dj bigdirty's night club musical

[buscandoelparaiso]

//////////

#HAPPY FRIDAY Y'ALL!!!!!!!!!!!!!!!!!!!! #new music friday today AND ON TIME for the first time #in ages lol #anywaaaaaaay #christina aguilera's new song in spanish very j.lo not sure i like it but it's christina aguilera so ICONIC is written all over it #i cant wait for the video im sure its going to be iconic too #i cant find other songs worth mentioning #tbh #everyone is waiting for tswift re-release and adele with fear in their heart probably aaha #oh i've heard lana del rey's new song and.......... no thanks #send your recs of the week if i missed (most likely) anything

[cherry-interlude]

Lana Del Rey Unreleased Ranking (5)

This is a re-ranking of Lana's unreleased songs, after making a first a few years ago. This is all my opinion, which I don't mind anyone disagreeing with but don't come for me for it - honestly, I like every song, despite any criticism, and this ranking is very vague. It's based on objective and subjective opinion.

This is the fifth of five posts, with my favourites.

Wild One

Lana is nostalgic without the sadness, remembering how she’d shake it for Mike but is embracing her freedom. She lets country influence seep through her voice and her uncomplicated instrumentals – it would be an unsurprising addition to Chemtrails

True Love On The Side

Though simple in structure and lyrics, it’s more Lana’s grittier rock sound and her incredible vocals that make this one of my favourite unreleased tracks. Lana lets herself go and goes full pop rock chick for this track, whilst keeping in with her ‘other woman’ trope that makes the song still familiar despite its departure from her usual music.

Driving In Cars With Boys

Dripping in nostalgia, Driving In Cars With Boys makes you yearn for the kind of 1950s/1960s era Lana often laments over. Lana is a bad girl just having fun, doing what she pleases and giving in to her vices, and it’s this kind of song that is relatable in its escapism and desire to just do what you please. There are two versions, one with a more monotone chorus that matches the rest of the verses and another where Lana sings in a higher register, letting her cheerful, breezy love for driving with the boys shine through in her vocals.

Angels Forever Forever Angels

Perfect for Paradise, Angels Forever Forever Angels has that slow, rhythmic summer drive feel, a relaxed version of Ride which also has associations with the bikers that feature in both the music video for Ride and the lyrics to this unreleased song. It’s dreamy but grounded by Lana’s patriotic love for the grungier side of Americana.

Hollywood

It has a breathy chorus you could sing to, the feeling of a summer evening and blue skies. The ever building and dropping beat that keeps the song ticking as restlessly as Lana’s hopes and dreams gets me feeling pumped as much as her emphasised, dragged out “Hollywood” in the chorus makes me soothed. Lana is wishing for fame and fortune but it has the feel of an eighties American teen movie, iconic and deserving of a cult following.

Yes To Heaven

Hazy like a daydream, Yes To Heaven is made of sunlight and soft grass, closer to nature than the spotlights of Lana’s often alcohol-soaked, money drenched stages. Lana’s voice is tentative until it shimmers in the chorus, and though it was made for Ultraviolence, it wouldn’t be out of place on the shining beacon of hope that is Lana’s positive turn, Lust For Life.

Life Is Beautiful

This gorgeous song was intended for Age of Adaline’s trailer, and it’s been years of waiting for the full song to be released. Now we have it, it’s certainly worth the wait. Dreamy and soft, this track is a timeless classic that could underwhelm from it’s gentle feel but works perfectly well as a pure little love song.

On Our Way

Stripped back and with a country twang, Lana doesn’t add fuss and frills to this song, instead just crooning precisely how she feels in the kind of song that keeps you daydreaming for hours. Not even the smattering of her favourite imagery (Chevrolets and K-Mart lip gloss) overshadows the love that’s at the forefront of this track.

Never Let Me Go

Like On Our Way, Never Let Me Go has the country twang and stripped back feel that makes this a more subdued song, her lyrics shining even more. Lana’s additional strings layer this song well and her comparisons to the dangerous couple that is Sid and Nancy gives this track an edge, keeping it from being too frothy.

French Restaurant

A piano ballad, Lana strips back the hurt of Without You and dual dedication of Video Games to sing about how fame matters so little to her while she’s torn between two men. Her voice is beautiful and it does well to be so minimal in its production, her emotion driving the song clearly enough. Especially pretty are the backing vocals of the choruses, echoes of her thoughts that hammer home her broken feelings.

Trash Magic

Lana’s delicate and soft vocals help tie into the Lolita-esque character Lana often plays in her music. It has a similar feel to 1949, dripping with her delicious imagery, and wouldn’t be out of place on AKA Lizzy Grant. Lana is the fragile ‘daddy’s girl’ again in this song, and the sharp yet soothing music in the background sets the tone for a quiet trailer park night.

Us Against The World

Though fairly chilled out, Lana still hooks listeners with her characterisation of waitress by day/stripper by night, a dangerous girl tempting an equally dangerous guy. Lana drips sexiness in this song and though it’s not as exciting as some of her other unreleased pop hits, it is perfect for the Del Rey character.

Your Girl

Much like Caught You Boy, Lana is desperate for a man she can’t have but is instead a complete wreck. Lana just repeats over and over how she wishes she was this man’s girl, practically pleading after describing how she needs to be led off the stage from falling apart. Yet it’s still sultry, still passionate, and is topped off by her honey-like vocal demonstration in the bridge and the chorus.

Roses

Lana is the other woman with a twist – instead of moping about her man (Other Woman, Sad Girl) she is taking action. Fighting against him, not letting him go without making some noise and getting rid of his girlfriend, Lana storms into the song with a vengeful wrath and calls him out for his poor attempts at apologies. When this song first came out, I adored it, since it was the exact kind of strong-girl track I wanted from her with a great hook and all the right Lana-isms. Now, I still get that thrill listening to this song and its kick-ass fuck-you to the man she loves.

Playing Dangerous

The churning drums, the spoken verses and the coy vocals set this song apart from her others. It falls shorter during the choruses, the verses being the best parts of the track, but the way Lana interacts with the listener ultimately and is a more direct character of ‘innocent’ seductress who might actually be downright bad (arson is hinted).

Serene Queen

Lana is unbothered and unruffled, as collected as she is in Put Your Lips Together but this time with a definite Ultraviolence/Honeymoon feel. Lana is unshaken by the blazing guns, instead completely calm with her dangerous lover, questioning why he even has a problem in the first place. As it picks up in the chorus, almost smirking, it becomes one of her finer unreleased songs yet.

Ave Maria

This is just an instrumental but there’s something so beautifully haunting about it. It wouldn’t be out of place in a Hollywood movie, with shades of the Lolita soundtrack instantly coming to mind when it first starts. It even works well without singing, and I hope we get a full version soon.

Puppy Love

From the perspective of a Marilyn Monroe figure, Lana plays the teenage girl wishing for a traditional romance with her lover. It’s ever-so-adorable, harking back to the sweeter parts of the fifties, but there’s a sense of sadness throughout it. Under the surface of the puppy love is the reality that the references to Monroe do not forget her sadness, loneliness and ultimately her overdose. The tone shifts to such an unhappiness in the bridge, directly calling back to Monroe’s phone call shortly before she overdosed, twisting the song to something more melancholic.

Cherry Blossom

The lullaby that grew into the marvellous, completed Cherry Blossom is a lovely tribute to someone small and beloved. Though Lana doesn’t have children yet, the care in her voice and each of her heart-warming compliments and promises is still thoroughly enjoyable – and comforting.

Colour Blue

In a song that reminds me of the love/hate relationship of Norman Fucking Rockwell, Lana takes her time to question why she loves the men that she does and, ultimately, grow from it, beginning to want something different. It’s raw and personal, with a gushing chorus that is complimented fully by the guitar. This song is blue all over, from Lana's opening harmonisation to her abrupt, unhappy ending.

Paradise

This song is, of course, pure paradise. A summery beat, a flippant Lana simply enjoying her lover no matter how long she’ll have him for and her coos of “sick!” and “that’s dope!” make this into a tasty distraction fit for the sunny months. Her casualness in this track is fresh as well as the dance-happy music that she doesn’t often create in her albums.

Meet Me In The Pale Moonlight

Lana is the waitress with a crush in this bop of a track, trying to convince a guy to get with her instead of that “bitch”. Convincing she is, as she uses all of her charm, wit and insistence that there’s no promises behind her intentions to have a good time with him. It’s just a breath of fresh air compared to a lot of her music, not too heavy and perfectly polished. It’s self-assured as much as it is breezy, and calm as it is it’s still a riot to listen to.

Caught You Boy

A dream-esque confession of desire, obsession and pure, crazy love, Lana isn’t outright insane in this track (Kinda Outta Luck, Jealous Girl, Serial Killer) but she hints towards being slightly too attached to her beau and describing herself as an army of one. The song is sweet and flowery but there’s a sadness and danger to it that keeps it from being too sugary.

Fine China

Some of Lana’s best lyrics are in Fine China as she sings of her fractured relationship, unhappy wedding and many beautiful yet easily broken things. It’s a slow, unfussy ballad but her strong voice and stunning lyrics make it so much more than a throwaway unreleased song.

Thunder

What feels like a coming-of-age slow dance song but is ultimately a choir-backed break-up track. Lana’s lyrics are clever and her voice is the perfect complement to The Last Shadow Puppets, this combined work a sure hit that deserves some kind of release and recognition. Lana is frustrated but tender as she leads the song with plenty of presence.

Prom Song Gone Wrong

The fifties feel, the teenage romance, the warm and gorgeous vocals that switch from dreamily longing to a cheeky talk-rap suggest this is a song tied tightly to Puppy Love, except with a more hopeful feel to it. Lana is ready to leave and she wants her lover to come with her, and even if it’s a youthful mistake there’s no mistaking that the love she – and her man – feels is real. It’s a pretty dedication to the kind of head-spinning romance of younger years, though it has an edge to it. Lana’s choruses are desperate, her pleading genuine and the strange way the music builds and collapses right at the end give the illusion all isn’t the sunshine and rainbows Lana sings of – and hopes for.

#lana del rey #lana del rey songs #lana del rey unreleased #cherry-interlude

[lamaisongaga]

FASHION CREDITS: HAUS LABORATORIES CAMPAIGN X

The 10th Haus Laboratories campaign is a very special one! Not only are we introduced to a brand new limited edition package, but it’s also here to celebrate the tenth ‘Born This Way’ album anniversary. Ladies and gentlemen, the Bad Kid Vault.

Photography by Angelica Villegas. Styling by Nicola Formichetti & Marta Del Rio. Hair by Frederic Aspiras. Glam by Sarah Tanno-Stewart.

Gaga not only brought back some major archival pieces from the ‘Born This Way’ era but also some new designers on board.

Here, Gaga rocks some statement jewelry, which we’ll tackle down soon, and her iconic custom Tom Tom Fashions ‘Born This Way’ hand-painted and studded oversized leather jacket, which I’m sure you all instantly recognize.

A chunk of her jewelry is signed by Lana Jewelry, a new name in her ever-growing closet!

She opted for the mismatched look and picked their Uptown 55mm textured yellow-gold hoop ($4,155) and Bond wide 60mm hoop ($6,145).

Shop:

Lana Jewelry “Uptown” Hoops ($4,155.00)

Lana Jewelry “Bond” Earrings ($6,145.00)

Matching to one of her earrings, she wore the Lana Jewelry Bond yellow-gold chain choker!

We can also spot a plethora of rings covering her fingers! The gold & silver Zombie Panda one is by Nicopanda (pictured in silver) while LA-based Edward Avedis crafted the Clara shared prong diamond band ($1,800) and rose-gold chain link rings. 

The gold ring with blue stone is signed by Lillian Shalom. Unfortunately, I don’t have a photo of it for you.

Shop:

Edward Avedis “Clara” Ring ($1,800.00)

I’m sure I wasn’t the only one who gasped loudly when seeing this particular piece again.

The Italian-American fashionista re-wore her custom Alex Noble Leather Love Lock bodice with studded cross and heart-shaped padlock chest plate she rocked for her Graham Norton ‘Judas’ performance back in 2011!

She matched it with the Zana Bayne Cleopatra spiked O ring leather choker ($350).

Shop:

Zana Bayne “Cleopatra” Choker ($350.00)

Her gold multi cross charm earrings are by Lana Jewelry!

Her ring is the Paradisa claw-like talon ring ($170) by German Kabirski. A glimmering ruby adds a droplet of color against the dark setting and gold details flash with dynamic sparkle.

Shop:

German Kabirski “Paradisa” Ring ($170.00)

Lastly, the mogul wears a pastel rainbow tie-dye button-up shirt and the Shine Like Me Tres Black gunmetal two finger adjustable ring with Swarovski tanzanite crystal ($155).

Shop:

Shine Like Me “Tres Black” Ring ($155.00)

The look was completed with her most comfortable platform shoe: the Stack-301 black vinyl platform creeper boots by Demonia ($89.95).

Shop:

Demonia “Stack-301″ Boots ($89.95)

#jackets #Tom Tom Fashions #tops #Alex Noble #jewelry #Lana Jewelry #German Kabirski #Lillian Shalom #Shine Like Me #Swarovski #Zana Bayne #Edward Avedis #Nicopanda #boots #Demonia

[septembersghost]

what are dream Taylor collabs? (besides Harry and Niall, obviously the world needs those!) 😏💗

Harry and Niall are literally top two, and it’s fun because it seems absolutely impossible on the one hand, but also maybe isn’t on the other? maybe this is wishful thinking, probably mindless dreaming... rumor has it that Niall and Taylor already almost collaborated on something (me, staring at the unspeakable remix of Lover: Niall was right there...), and then it didn’t happen for whatever reason, but it’s certainly not that far-fetched. (Niall on Red, please). with Harry, it’s likely less fathomable, except we do have on the record Jacknife Lee (who co-wrote/produced The Last Time with Taylor and Gary Lightbody for Red, and then he and Gary co-wrote/produced Something Great with Harry for Midnight Memories), saying:

Taylor was nice and very professional. She knew what she wanted and there was no f***ing about. She was seeing Harry Styles at the time, so he came to Topanga on her recommendation. She wrote a few songs with him, and it was the same thing – quick. But this time it was more directed by the management and label. They were after something specific. I wanted more acoustic and gentle, almost Americana, and they wanted bombast. They got what they wanted, and that was the extent of my foray into teen-pop territory. It was fun. (x)

so those songs they wrote exist, somewhere! (in Taylor’s vault perhaps?) they would also be Red-era, but could still potentially fall into 1989 territory. all I know is it would be everything.

I’m also curious whether she has plans to re-record I Don’t Wanna Live Forever with Zayn, I wouldn’t have expected her to do that with soundtrack songs, but Today was a Fairytale showing up on Fearless has me second-guessing that. (this extends to Eyes Open and especially my beloved Safe and Sound, since The Civil Wars aren’t together anymore).

I’d love for her to officially collab with FOB (or Patrick, generally? those voices?!), which, before you say that sounds mad, 1. we got Brendon on a pop song!, 2. this happened, 3. “Pete Wentz is probably… if I had to pick a favorite lyricist, it’d be a tie between him and Lana Del Rey. ‘Blank Space’ is a song that’s just zingers, one after another after another, which I definitely learned from listening to Fall Out Boy. (x)” p l e a s e

if we’re talking dream lists, it’d be so cool to see her collab with any of the legends that have influenced her - Paul McCartney, Carole King, Stevie Nicks, James Taylor (we’ve had interactions/performances between her and each of them, but I’d love an actual recording, you know?).

I have a long list of women I’d love for her to work with, but I think (and this is totally fine and I don’t have an issue with it) Taylor’s a little more into duets with men that can be like a back and forth conversation? still, Lorde. Lady Gaga. (I KNOW, but, as a fan of both of them, and apparently one of the few people in the world who cherishes Joanne - listen to the piano version of Joanne, the song - plus my favorite songs she’s ever done being in A Star is Born, they absolutely could mix if they met in the middle of their pop/rock/country infused styles. if queens Barbra Streisand and Donna Summer could do this iconic duet in 1979, then there is no reason why we can’t have Taylor/Gaga in 2021). Beyonce too, for that matter. Hayley Williams. this could go on...

I saw someone mention The Lumineers for Speak Now/Red and that would be cool. Hozier for reputation. a very out there one for me is Leslie Odom Jr., because if Leslie could remix a song of his to include Sia, why NOT Taylor?! this partially stems from my not-so-secret desire to know what it would be like if the incomparable songwriting prowess of Taylor and LMM could be combined to take the world by storm (especially given some of the parallels between folklore/evermore and lyrics of Eliza’s, the particulars of Burn - you built me palaces out of paragraphs - even Breathe from In the Heights, are so reminiscent of the way Taylor paints her musical language and emotive expression).

there are just so many! and of course I’m biased towards my other faves (which is why H and N are at the top...shh).

who knows what she might have up her magical sleeves?! 💖

#whatever she does it will be a gift we know that much #taylor swift #anonymous #letterbox

[poetgirll]

and what do I like? I get so caught up asking about others, I keep forgetting to ask myself the same.

I like Taylor Swift songs, I think she's iconic. Lorde, Lana Del Ray and Halsey. Russ and Joji. Post malone and anime. Travis Scott, Drake and Kendrick Lamar. Eminem and twenty one pilots. I like Broadway hits and I have Bollywood favourites. My taste in music is all over the place. It's intensely diversified. I play hopscotch between genres and have my phases. I'm the same way with movies. I either only watch sappy romantic comedies or I watch psychological thrillers. I either re-watch movies I have loved previously, or I make lists of new movies and watch them religiously. I am a collection of all things I love, no matter how far apart may they be from each other; a pattern of colour wheels. a montage of different genres.

#words #art #music #verse #thoughts

[newmusickarl]

Album & EP Recommendations

Album of the Week: Chemtrails Over The Country Club by Lana Del Rey

For years, American singer songwriter Lizzie Grant, AKA Lana Del Rey, had always threatened to, but never quite delivered her classic album. From breaking onto the scene in 2011 up until her brilliant but uneven Lust For Life album, she had built up a catalogue of truly great songs, but her own masterpiece had ultimately alluded her. That however all changed a couple of years ago in 2019, when Lana finally delivered the simply magnificent, Norman Fucking Rockwell (NFR). That album was Lana’s magnum opus, a poignant collection of modern American anthems that people will still be listening to at the end of the next decade.

That year, NFR would go on to top multiple year end critics’ lists, as well as featuring in the Top 20 and Top 50 of almost a hundred others. This includes myself, as I had NFR in the number three spot on my Albums of the Year list for 2019. The big question is then, how do you follow up a record as universally acclaimed and as masterfully crafted as that album? This is the question Lana emphatically answers on Chemtrails Over The Country Club, her eighth studio album which feels almost as special as the one that preceded it.  

Having worked with a range of producers on her albums up until NFR, it is almost as if Lana just needed the right one to unlock the full potential of her unique style. She got that with Jack Antonoff, who really does an incredible job of knowing exactly when to flesh out the instrumentation or strip it back and put Lana’s voice front and centre – something he has since gone on to replicate with Taylor Swift on their recent folklore/evermore collaborations. Thanks to him, Lana really has never sounded better and the duo pick up right where they left off on NFR here on Chemtrails.

That said, where there were moments of expansive, almost cinematic production on NFR, on Chemtrails almost everything here is stripped back to basics. The instrumentation is minimal, with most of the songs on this collection putting Lana’s magical, timeless vocals against a simplistic backdrop of just a piano or an acoustic guitar. It ultimately makes for some of Lana’s most mesmeric and emotionally resonant songs to date, such as the sublimely nostalgic opener White Dress. Easily a career highlight, Lana adopts some sumptuous hushed, whispery vocals, reminiscing with her listener about her life before superstardom. An absolutely stunning track, that is then swiftly followed up by the equally gorgeous title track, which boasts another stellar vocal performance from Lana and a dizzyingly delightful waltzing melody.

There are just career-best moments littered across Chemtrails, with the country-tinged Wild At Heart and acoustic-driven Not All Who Wander Are Lost particularly standing out. The latter of these sees Lana deliver a sterling falsetto on the track’s first chorus, with the production giving off almost a live concert feel. At a tight 11 tracks in length there’s no space for any duff tracks either. Instead, Chemtrails packs in 10 faultless songs before fittingly culminating in Lana’s breathtakingly beautiful collaboration with her contemporaries, Zella Day and Weyes Blood, on the brilliant For Free.

All in all, expectations were impossibly high for Lana Del Rey’s follow up to Norman Fucking Rockwell, and although my initial feeling is that this record doesn’t quite match that album, it comes pretty damn close - which is still an incredibly high standard to reach. This is easily one of the best albums of the year so far and with another album, Rock Candy Sweet, supposedly due for release in June, 2021 looks set to belong to Lana in the same way 2019 did.

Songs From Isolation by A.A. Williams

If you’re looking for something similar after checking out Del Rey’s Chemtrails Over The Country Club, then look no further than the magnificent covers collection from British singer-songwriter A.A. Williams. Most artists would tremble in fear at the thought of covering iconic tracks by The Cure, Pixies, Smashing Pumpkins, Nick Cave, Radiohead and The Moody Blues to name but a few, however A.A. Williams isn’t most artists. Armed with just her piano and her hauntingly beautiful vocals, Williams takes on these titanic tracks head on, not only doing them all justice but delivering gorgeous, stripped back and original takes in the process.

House of Balloons by The Weeknd

Elsewhere this week, The Weeknd celebrated the 10 year anniversary of his breakout mixtape by releasing it on streaming services for the first time in its original form. If you are only familiar with The Weeknd’s later more popular releases, it is worth diving into this one and seeing how it all began, with an album that still more than holds up a decade later.

Horror Show by The Midnight

On the EP front, Electronic group The Midnight released Horror Show this week, a six-track release simply drenched in retro 80s nostalgia. From the neon-tinged synths and soaring electric guitar solos to the fun cover of Patti Smith’s Because The Night, this EP will have you grinning from ear to ear and wanting to take a trip to Black Mirror’s San Junipero, or re-watch Stranger Things from the beginning. If those shows had a musical equivalent, this would be it!

Elasticity by Serj Tankian

And finally on the long-play recommendations, System of A Down frontman Serj Tankian released a new solo EP of tracks originally written for the next SOAD record. This is political activism you will want to mosh to, arriving with all the energy, passion, big riffs and theatrical vocals you’ve come to expect from Serj’s unique music.

Tracks of the Week

Limbo by Royal Blood

Ahead of the release of their third studio album Typhoons, British rockers Royal Blood have dropped one of their most ambitious singles to date, with some hypnotic, psychedelic synths joining their typical heavy riffing.

Buzzcut by Brockhampton (featuring Danny Brown)

Everyone’s famous rap troupe has finally returned, with a hard-hitting new single bolstered by a killer verse from Detroit’s own master wordsmith, Danny Brown.

Last Day On Earth by Beabadoobee

The first track from a new EP co-written and co-produced by The 1975’s Matt Healy and George Daniel, Beabadoobee’s Last Day On Earth is a slice of lockdown-inspired indie-pop heaven.

In Circles by Holding Absence

The latest taster from The Greatest Mistake of My Life is hugely anthemic and packs a big singalong, mightily infectious chorus that will be trapped in your head for days.

Nervous by While She Sleeps (featuring Simon Neil)

Rivalling Holding Absence for the title of biggest anthem of the week are Sheffield-based metalcore outfit While She Sleeps, who have brought in Biffy Clyro’s Simon Neil for this monster new track.

Shake The Cage by Glasvegas

And finally this week, Scottish indie rockers Glasvegas continue their resurgence with Shake The Cage, a spoken-word, piano-driven number that steadily builds into an epic crescendo.

#lana del rey #white dress #chemtrails over the country club #album of the week #a.a. williams #the midnight #serj tankian #the horror show #the weeknd #house of balloons #holding absence #the 1975 #beabadoobee #while she sleeps #biffy clyro #simon neil #glasvegas #brockhampton #danny brown #royal blood #tracks of the week #new music #best new music

[simfreaks-historical-cc]

10 Random Questions, Tag 10 Random Simmers!

To Thank you all for 3000 Followers!!! I am going to be answering 10 Random Questions about me!

1. If you could travel one place in the world where would you travel?

If I could travel one place in the world it would probably have to be France. Mainly because the history and architecture! I find the people and the setting to be so interesting. To be more specific, I would definitely have to visit the Palace of Versailles! 

2. What do you do in your free time away from Sims?

So surprisingly I really enjoy sports.For a while I ran track, however, I’ve really enjoyed playing lacrosse for the last three years. I love to hang out with my friends and lately I’ve been practicing more lacrosse during Quarantine, since our season was cut short this year :(

3. What other games do you play besides The Sims?

I play a lot on Ps4... specifically a lot of Red Dead Redemption, Dead by Daylight, Star-dew Valley, and COD.

4. How tall are you?

I am one of the taller people in my family, last time I checked I was 5′11 but that was a few months ago, so either I’ve grown or I’ve shrank!

5. One random interest of yours?

As you can probably tell, I weirdly enough have a huge interest in historical fashion. I truly believe clothing and how people used to dress tells a variety of different stories. There’s so much history behind it and a lot to get into, but it really does intrigue me!

6. Current Favorite Bands or Artists?

Sooooo, I have really been listening to a lot of Fleetwood Mac lately, I love the smooth rock and roll, and messages in their music. However, for a while I’ve been listening to Lana Del Rey, Post Malone, and The Rolling Stones. 

7. Something your looking forward to.

Besides going back to school and getting out of the house. I am super excited to start my senior year in the fall, and finish up high school. I’ve been looking into colleges and hopefully will be able to attend some college tours in July!

8.Current Favorite Films.

I am a movie fanatic! The films that I have watched a few times over again lately have been The Wolf of Wall street, Lady Bird, The Witch, and White Bird in a Blizzard. If you can’t tell I love a variety of different genres.

9. Who is a Historical Icon who has left a impact on your life?

I’m not sure if Emma Watson counts, however, I love what she has done for the feminist movement and I believe her approach has started to bring awareness and change. And her attitude towards feminism is ideal and allows others to take part in the movement. Oh and out of pure enjoyment, Marie Antoinette. :p

10. Favorite Series (Book or Movie series) :)

Okay, listen I’m a extreme Potter head. The series has made me the person I am today. Not to exaggerate either but that book series really helped raise me and taught me so much, and helped me through so much as a child. I still watch the movies to this day, and may or may not be re-reading the series for the fourth time!

Tags: @potoobirb , @psychoticcoven , @royaltysim , @zeussim , @peebsplays , @historical-simmer , @regencysims4 , @simsfromthepast , @simshistoricalfinds , @linzlu

#qna #qna time #sims 4 #ts4mm #ts4cc #historicalcc #ts4historicalcc #the sims 4 historical cc #allaboutme #ts4ccfinds #ts4mmcc #sims

[myrxellabaratheon]

two memes in one (because as you all know, i’m lazy af)

8 people I’d like to get to know better tagged by @amethyst-noir

1. Birthday: March 21th 

2. Zodiac Sign: Aries

3. Height: 1,60 mt. I’m really tiny (or everyone around me is a giraffe, your choice)

4. The last song I listened to: Get Free, Lana del Rey. Apple Music chose for me because I’m always in shuffle (even if I hate Spotify because you ca’t deactivate the shuffle)

5. Hobbies: reading, writing, cosplaying, drawing, going to the gym, travel, photography, visit new places, visit museums/art expositions, surfing, horse riding, archery. 

6. Favourite Colour: pastel yellow if I have to be specific, but every shade of yellow is a fave for me. 

7. Last Movie I Watched: re-watched the Current War

8. Favourite Book: This is hard, but I’ll go with the forever favourite which is a classic TM: The Picture of Dorian Grey

9. Dream job: Actress is the kinda-impossible-but-always-dream-job one, while the more consistent is owner of an art gallery or art historian. 

10. Meaning behind my url: my girl Myrcella Baratheon aka the character that has so much potential and please GRRM do not throw her away as they did in the show! (but the canonical one was already taken so, yeah, magic x to the rescue)

pick 5 shows, then answer the following questions. don’t cheat. tag 10 (or however many) people tagged by @janiedean

1. lost

2. criminal minds

3. westworld

4. mindhunter

5. game of thrones

who is your favorite character in 2?

Spencer Reid, hands down! 

who is your least favorite character in 1?

ewwww, I don’t know, possibly Ben 

what is your favorite episode of 4?

oh my... the one when they interview the guy who doesn’t fucking shut up because he’s freaking hilarious! 

what is your favorite season of 5?

the first one probably. 

who is your favorite couple in 3?

canonically there are like, two couples? three with Will x Logan which is totally canon (at least in s1) and you can’t tell me otherwise. Anyways, between the super canon ones, I’d say Maeve x Hector

who is your favorite couple in 2?

Garvez, like, c’mon! 

what is your favorite episode of 1?

I haven’t see this series in ages so I don’t remember which season and episode this is, but the one when the Others capture Sawyer and Kate and they are this close to have sex in the bear cages! 

what is your favorite episode of 5?

uhm... a part of me wants to say one episode, but it’s from one of the last seasons and I hated them so much, so Ill go with the other one so, 3x10 because is very Lannister-ish! 

what is your favorite season of 2?

I think it was the 13th, the one in which Spencer has been arrested while he was in Mexico. 

how long have you watched 1?

I started it when they first aired on Rai 2, which was around 2005 if I well remember. 

how did you become interested in 3?

I don’t know, oof, I saw some post somewhere with the trailer and I was interested, that my Aunt saw it on Sky and she was thrilled about it as well, so we watched the first season together. 

who is your favorite actor in 4?

This is one of the few series that I don’t watch because there’s an actor I like in it, but I have to admit that all of them are extremely good. My favourite one, maybe also because I adore her character, is Anna Torv. 

which do you prefer, 1, 2, or 5?

Oh my fucking god! You can’t make me choose between Lost and Criminal Minds between them all! That’s chaotic evil! If I have to choose with a gun pointed to my head, I’d say Criminal Minds, but just... it’s painful to me to make this choice. (I’m not even counting got in this one oof)

which show have you seen more episodes of, 1 or 3

Lost because it’s six seasons against 2 (plus the 3rd one which started yesterday)

if you could be anyone from 4, who would you be?

Wendy! 

would a crossover between 3 and 4 work?

I was this close to change the order of westworld and criminal minds so that the crossover would have been holden and bill teaching everyone how to make a profile and spencer being like “you are like our granpas” 

BUT 

also westworld and mindhunter would be great! like.. just image Will being forced to explain is psychotic behaviour to BIll and Holden, that’d be super hilarious! 

pair two characters in 1 who would make an unlikely but strangely okay couple?

Boone and Charlie, don’t ask me why, it just crossed my mind! 

overall, which show has the better storyline, 3 or 5?

the first seasons of got are way better than westworld, but, again, they messed up when they stopped sticking to the books, so I have to say westworld. 

which has better theme music, 2 or 4?

Both are nice, but Criminal MInds is iconic! 

tagging (do the one you prefer if you want to): @joanna-lannister @myrcella @vi-is-strange @drstrangefangirl8900 @visionarygalaxy @notjustamumj @motherofkittens94 @joannalannister @katebishopofearth @music-is-the-voice-of-the-soul 

#me #about me #meme games