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#let’s talk about how the first ever typefaces
chimaerakitten · 1 year
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Sometimes I wish that memes about comic sans translated into an actual increased awareness of typography because it’s one of my favorite things and I wanna talk to people about it, but I’m that xkcd comic about experts and chemical formulas and nobody knows what I’m talking about :(
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accio-victuuri · 1 year
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CPN : XZS vlog chapter 5.5 Rome & Paris 📺
just some bits and pieces that we picked up from the recent vlog shared by xz and his team. honestly, their work just keeps getting better and better. no one does it like them. some people may hate on him for the ‘vlogs’ but at this point, the production quality is on par with something you can show on tv or a streaming app. xz’s travel show when….
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as usual, everything is fake and interpreted with turtle/cpn glasses on. if you don’t like it then feel free to scroll — no one is forcing you. ‼️‼️
Let’s start with the date of posting which 3/29, out of all the days he could have shared this, why now? They usually go for Thursdays but not this one. We think it’s a late 3/28 gift, that day is Wuji recording and also when WYB came home from his Rome trip. What a nice coincidence, cause the vlog posted had Rome in it too. These two are really so particular with dates! I can’t. 🥹🥹🥹🥹
1. One thing that stood out to me was when he was looking at a design book. He was talking about designing typeface and letter, and how there are different formations in writing or presenting them. I don’t think that it was ever CPN that he likes to play with letters/ characters to give a different meaning. or to hide something. think : yibo’s motorcyle suit. this just confirms that.
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( i have talked about most ( if not all ) of the design bits and hidden meanings per the photos above and more. it’s too much for me to link each one so just feel free to explore this blog. )
2. The way he was eating the lollipop and his pose is so WANG YIBO. I’m sorry, but that’s the first thing that came to mind. Yibo and his oral fixation is real and we see it on SDC most of the time. 😂 They really mirror each other’s habits now and do certain things that make you go “wait… that’s totally xx behavior and not his..”
people are wondering if they saw the fanart of them eating 🍭 at some point and copied it unconsciously.
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3. The element of romance in this vlog makes me wanna scream! honestly. Sure, you can argue that the place ( especially paris ) is romantic or that he is doing fan service to the viewers — like, you’re in a romantic weekend with me in Paris. Yeah. Sure. that’s a plausible explanation. but for a clown like me, the elements seem deliberate.
The lines in Moon River:
I'm crossing you in style some day // Oh, dream maker, you heart breaker // Wherever you're going, I'm going your way // Two drifters, off to see the world // There's such a lot of world to see // We're after the same rainbow's end.
He sang the line ‘ i’m crossing you in style some day ‘ — yeah, ZZ. you will be with WYB one day in Rome and Paris. and the mention of a Rainbow. 🌈 I need someone to make a fan video with this as a BGM please.
Next is JVKE’s golden hour. This one has more 👀 lyrics. The whole “golden” and “see you shine” just screams his love for anything about the sun. the sun and his sunflower ☀️ and the mention of summer.
We were just two lovers // Feet up on the dash, drivin' nowhere fast // Burnin' through the summer // Radio on blast, make the moment last // She got solar power
I also don’t really buy it when people say “he doesn’t understand the lyrics, don’t think to much..” i mean. are you really lowkey insulting him at this point? he may not know like the details, but i’m pretty sure he understands the general meaning. and like, it’s not that hard to understand english words. come on.
The style for the intros were also reminiscent of the movie Roman Holiday. Maybe they looked up a movie and watched it. but anyway, the story of this is also a romantic movie.
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Yes we know you’re not single. ☺️☺️☺️☺️
4. He wore a long wooyoungmi coat which I talked about here. So looks like that’s where the paper bag was from? but if he already wore it, why bring the bag like that? it’s not that precious of a cargo to hand carry anyway. i’m still eating the candy.
5. Same place, but years apart. ⏱️
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6. How he was trying to ride the scooter makes me soft. I feel like the influence of riding things like this ( and even the hoverboard he owns ) is from WYB. 🥹 He can’t do motorcycles, but he is willing to try everything else. The whole image of him riding it reminds us of the loyiboard character design too!
7. When you see what’s on screen during the 2:28 timestamp, it’s a dog. Lol. thinking of your puppy back home? There are also two other shots where a dog is there, but not as deliberate as this one.
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8. It looks familiar 🤔🤔🤔🤔
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9. It depends on how you see it, 8 or infinity. I’ve really been up in arms with this CPN and feel like we will see more of it.
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10. The message ZZ brings in this vlog is the best thing tho. from the caption of the video on weibo :
The best time is on the road, to listen In the heart, to draw inspiration, to travel far, to find a different self. Feel free to do what you want👣
I love how he is encouraging people, in a way, to get out there. which was always his message to fans, to have time to go outside and build themselves up. Don’t spend too much time online. Also the bit about feel free to do what you want. I really hope he gets to do that more. I hope he gets to make choices that lean more towards the things he wants. 💕
and this bit : ( to native speakers, feel free to chime in too )
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“in the long run the straw weighs” = despite the light weight, everything becomes heavy if you bring it for too long.
-END.
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blacktobackmesa · 11 months
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i think i remember you saying the science team would rewatch the videos together( like the cast commentaries,) and i was curious to see if you would talk a bit about that? like… how they reacted to certain things and scenes, if or how they talked it out, stuff like that… i’ve been wanting to ask this for sooooo long but just now got the confidence to, i love this verse sooooo much !!! its been living rent free in my head ever since i first read the series… its the only way i can think of post-canon i love it so much… ok thats all i hope you have a good day !!!
First I gotta say Thank You and I'm making my first official rent payment for the real estate in here. It has always been the goal to inspire people to think about the team like this and I am SO grateful for every ask sent and conversation had. But YES let's talk about watching
Gordon gave the team the option to watch the VODs and edits on their own, but was convinced to make it a group activity by his friends. This ended up being to precursor to their regular movie nights-- everybody met up in Tommy's basement to watch the edits together over a couple days. (Nobody wanted the emotional whiplash of going into Act 3 unprepared.)
One of the key things that everyone has a reaction to is what fonts and text colors Gordon chose for them.
Benrey likes his text color well enough, but would have preferred purple. He also thinks his font could have been something way cooler. He also thinks it's weird that he and Forzen have the same font, and accuses Gordon of being lazy.
Tommy tells Gordon that he likes his font and color, but it's hard to tell how he really feels. He does say that while his favorite color is actually red, he knows that can be a bit harder to read against a dark background.
Bubby is insulted that he was given Times New Roman, legendary as a default font, but changes his tune when told it's actually Sylfaen. Entirely different! With this, he and Coomer are both satisfied with their captions. In fact, their fonts are in their favorite colors... sort of. Coomer actually prefers cyan, while Bubby likes green.
Gordon actually got Darnold's favorite color dead on. He's started using his typeface, Terminal Grotesque, on most documents and correspondence. He hasn't verbally acknowledged this, but Gordon's noticed. It makes him smile.
G-Man thinks his font is very practical. That's all he's said on the matter.
Other Notable Reactions
Bubby had completely forgotten that Gordon didn't believe him about his name. Upon being reminded, he went "Wait, hang on, hang on. What the fuck, Gordon? Who DOES that?" (Darnold felt validated by this.)
Coomer laughs uproariously at his own jokes and slips of the tongue.
"So Tommy. Benrey said you like mean people, do you... do you have any idea what he meant by that?" "Oh! Well, you know." He failed to elaborate.
The screen going black during the ambush came as a surprise to the team. Everyone remembers actually seeing the events play out, though in hindsight, Coomer questions his own memory. There's a lot about that whole stretch of time that he has questions about, but he knows they can't be answered.
Bubby goes out of his way to point out situations where he was playing a trick or just straight-up lying to his friends. Part of it is for full disclosure, part is to brag about what a funny guy he is.
Gordon is uncomfortable with clips where he is condescending to or impatient with the science team. Benrey tries to diffuse his anxieties by pointing them out directly and highlighting all of his insecurities. He's a great friend. He tries his best.
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pitamaas01 · 2 months
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What’s the Purpose of Logos and Why Do They Matter?
Now that I'm looking around, I can quickly and easily count at least ten logos. They are ingrained in our culture and way of life and may be found everywhere we walk. They express and embody a company's beliefs, have an impact on our decisions, and are frequently deeply meaningful.
However, in all honesty...
Why are logos important, and what is their purpose? Before developing their brand identity, owners of businesses and graphic designers should be aware of this.
Let's talk about this.
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What’s the purpose of a logo?
A logo's main purpose is to identify Keep this in mind—it outweighs any other advice you'll ever get. What counts is identification. That is all. Trust Pitamaas for the logo design as we are the trusted Logo Designing Company In India
Trends come and go, design tools and techniques vary, and our perception of what a logo should be may even shift dramatically over time. However, the most crucial purpose of a logo will always be to identify the person, thing, company, or service it is intended for.
This implies that you, as a designer or business owner, must have a thorough understanding of the setting in which the logo will be seen before beginning any work on ideas. Who are the rival brands and what do they look like? Which colors and emblems are currently in use by well-known rivals? How can the logo be unique to make the company stand out?
Designing a logo is not art; it's a purposeful instrument.
Logo design is not art – Since logos are visual things, far too many people confuse them for works of art.
Creating a work of art is not our job as designers. and to regard logo design as a strategic business tool that will enable a company to be recognized in the wide world we live in, rather than to create something we or the client personally like the appearance of. When creating a logo, aesthetics should come second. Of course, a logo can still look excellent. First, identity.
A logo design doesn’t need hidden meanings
Many designers, like myself, try to pack a logo full of meaning right away, but this is unnecessary; instead, the emphasis should be on identification. Any associations or meanings will develop over time as a result of interactions with the logo.
Even if it was included on purpose, a new logo is an empty vessel that has no meaning to spectators from the very beginning. Meaning will be added over time as a result of continuous marketing efforts and consumer interactions with the company's brand. Look at the images of the tick and apple below to get an idea of what I mean when I say this. Try not to visualize anything more than beautifully rendered icons. It's not feasible.
Why do logos matter to the world?
They serve as the public face of a company, good, or service.
A business's logo is frequently the first thing that springs to mind when you envision it; examples are the apple with a bite out of it symbolizing one of my favorite technology businesses or the golden arches of a well-known fast food chain.
Similar to how you would react to the Nike and Apple logos above, you will also instantly connect a recognizable logo to your memories, encounters, and relationships with the business.
Establish Instant Brand Recognition
A well-designed logo will stick in the minds of consumers, making the business easier to remember.
The human brain processes and remembers shapes and colors more easily than it does words. This implies that it will be simple to locate and recognize the business again, make a buy, and refer pals to it if the identity is distinctive in the marketplace.
Logo design influences our decisions
We develop a mental library of images from the first day onward, linking typefaces, shapes, and colors to certain feelings and things.
Whether we like it or not, when we see a logo, we automatically form opinions and have preconceived notions about a company, its offerings, or its services.
We will steer clear of a company if we believe it to be excessively flashy, corporate, pricey, or extreme. Similarly, if the company's logo and related brand identity reflect the kind of business, goods, or services we want to use and are interested in, we will actively interact with the business and purchase its offerings.
To draw in the ideal clientele, it is crucial that the logo accurately depicts the company.
The company's expectations are shaped by its logo; if it doesn't live up to them or if it attracts the wrong kind of clients, things will start to go south. Time and money will be squandered on serving potential clients who won't become clients, and maybe even negative feedback from disgruntled clients. It is important to get the logo just perfect.
My Rocks & Road logo design serves as an excellent illustration of how to use effective logo design to accurately represent a company.
Create a Good first impression
There is just one chance for a corporation to make an impression and draw attention in this realm of business. In today's internet-driven environment, it's incredibly easy for viewers to look elsewhere if the logo design doesn't catch their attention.
Some business owners choose to handle it themselves or hire inexpensive amateur designers, not realizing how detrimental bad design can be to them given how important first impressions are.
The adage "there's nothing more expensive than cheap design" perfectly captures the losses a company incurs when it chooses the shortest and least expensive path.
Communicate brand values & additional meaning
While identity is a logo's main function, it can also be used to convey key company statements and ideals. Just remember to keep things basic. Ideally, limit yourself to only one main point.
For instance, the smile beneath Amazon's name in their logo design conveys the joy of getting something you've sought. The vivid orange hue, which I relate to warmth, joy, and sunshine, adds to this positivism. In addition to the obvious, the smile is a creative arrow that connects the letters A through Z, indicating that they provide a variety of items.
As another illustration, the FedEx delivery company's emblem conveys speed and accuracy by deftly hiding an arrow between the white spaces of the letters E and X, even though it still seems business and professional.
Instead of just creating a lovely image, you can build stronger brand identities that will work for the company by really understanding the role that a logo design plays.
Contact or Must Visit Pitamaas to convert your business into a brand as we have a professional team who are experts in logo designing and expressing the business through their creative and innovative logos as we are the best Logo Designing Company In Ludhiana
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iloveabunchofgames · 1 year
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#JakeReviewsItch
Airships: Conquer the Skies
by Zarkonnen
Price (US): $24.99
Included In: Bundle for Racial Justice and Equality
Genre: Strategy, Simulation
Pitch: Build airships. Build cities. Conquer the world.
My expectations: Despite its slightly underwhelming art style, my first impression is very positive. It looks almost like my beloved SimTower, except the tower is a floating war machine bent on world domination. I can tell you right now that if I can name the pilot, she's going to be Wendy O. Koopa. My big worry is not with the game, but with me. I am currently being weaned off of one prescription and replacing it with another. My brain is mush. I'm look at screenshots covered in tiny text and numerous numbers. I don't know if I can handle anything too complicated today.
Review:
My fear that Airships: Conquer the Skies would be too complicated for my feeble brain was unfounded. Thanks to smart layout and clear indications of what issues require attention, it only took a few minutes for me to find my bearings. That’s when the trouble began.
The trouble: I’m committed to reviewing a new game every day. I don’t have space in my life for a new addiction.
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The tutorial focuses on combat. Learn to fly a ship. Learn to fly a ship within range of an enemy, and let the crew fire away until your target drops. Learn to modify a ship. Build a ship from scratch—engines, fuel, crew quarters, safety features, reinforced hulls, and every weapon in your budget—and see how it does. Got all that? Now let’s talk tanks.
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An hour-long tutorial is usually enough to drive me away from any game, but most of that time is spent playing, and it’s a blast. I started the main game, expecting more of the same, with a little connective tissue between battles. I was wrong.
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Combat and ship-building are only slivers of this grand strategy game. Research! Diplomacy! Town development! And it’s all shockingly intuitive.
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+ As dense as it is massive, and yet it's the most intuitive, approachable grand strategy game I've ever played. + Researching new parts and building for a purpose within a budget is RollerCoaster Tycoon-level addictive. + Randomly generated scenarios (that can be tailored with a million options), 100-ish different starting perks (I lost count), scenario editors, importing and exporting designs, mod support, and multiplayer that's as cooperative or competitive as you want it to be—this game is infinite. + Memorable music. The right level of bombast for a friendly game of world domination.
– Even with the UI bumped up to the largest setting, the text is a little too small, especially with the difficult typeface. Still, props for including UI scaling and a dyslexia-friendly font. – The default keyboard shortcuts are... They're all over the place. You can remap them, but there are so many. WASD moves the view, which makes sense. I wish they'd stuck the most useful commands on nearby buttons, but instead, it was up to me to figure out that swapping M and E makes life easier. – Hotkeys aren't necessary. The whole game can be played with mouse (although hotkey shortcuts are listed beside everything that can be clicked, making text even harder to read). Action scenes can be paused, so quick action isn't required, but the in-game mouse speed is slower than my Windows setting. Maybe I could dig into a config file and change it, but y'know, I'm used to my mouse moving the way I like. Why change it? – Even playing at double speed, idly waiting for money to accumulate and vehicles to be built can drag on for a bit too long.
🧡🧡🧡🧡🤍
Bottom Line: If Airships: Conquer the Skis has been an overlooked part of your Itch library since you got the Bundle for Racial Equality and Justice in mid-2020, download it right now, even this isn't your genre. I think you'll be surprised. I know I was. I can't give that kind of blanket recommendation at full price, but for the right person, we're talking about hundreds of hours of quality entertainment for $25.
#JakeReviewsTwitch is a series of daily game reviews. You can learn more here. You can also browse past reviews...
• By name • By rating • By genre
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louduvelleroy · 2 years
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// The Japanese dare
Late September, for an exhibition on graphic design entitled The sport displayed, a conference was held at the Japanese cultural center in Paris. Before going into the details, let me tell you about this often unnoticed institution. Located near the Eiffel Tower, this place was inaugurated in 1997 by Jacques Chirac, the French president at the time and Sayako, princess of Japan. Ever since, this glass house has aimed to promote the Japanese culture to the French audience through a rich and diverse programming. For the beginning of the new school year, the exhibition curators have interested themselves in the field of sport : twenty four posters around the theme of sport were presented in the entrance hall. Created by nine Japanese graphic designers, who are either famous artists or emerging talents in their country, these posters will be on display for only three weeks, until October eighth. 
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As explained in the press kit, these outstanding art works characterised, by sense of movement, beauty and humour, were presented on the opening night, during the Modernity and Japanese Graphic design conference. Michel Bouvet, who is not only a professor, but a curator and a poster artist, was here to trace the History of graphic design in the Empire of the rising sun, from 1945 to the present day. Diego Zaccaria, an art historian who created the internationally recognized event Le mois du graphisme d’Échirolles (Échirolles graphic design month) was the second lecturer of the evening. For an hour and a half, we listened to those two great figures in the visual art field, and it seems they were really pleased who were pleased to share their knowledge on the subject and their memories of their travels and experiences. 
The first minutes were dedicated to the presentation of every single poster of the exhibition. Diego Zaccaria was in charge of this task, explaining to us the compositions of the posters and their contexts of creation. I think it was a good way to begin because it allowed the hearing to focus on a concrete aspect of the theme and some specific cases in graphic design and the history of Japan. But, the slide show of the conference was way too small for us to read the legends. All the posters were laid out on the same page. I thought it would create useful links maybe rich in meaning but the speaker didn’t mention them and made his presentation unreadable, which is unfortunate. I will still remember the name of Ikko Tanaka and the two posters he created for the 39th National Sports Festival Summer and Autumn Games in 1984. Those two images appealed to my eye because of the display, typeface and photography. The tension from the start of the swimming race layered under the white typeface’s steady and rigorous composition seemed very accurate and it reminded me of Swiss graphic design in some ways. 
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Then, Diego Zaccaria gave the floor to Michel Bouvet, who commented the print file of a book (Made in Japan) he made six years ago on the occasion of the Mois du graphisme d’Échirolles in 2016. Mr. Bouvet is really passionate when it comes to talk about Japanese culture and graphic design, this is something we felt during the conference. But because of time constraints, he skimmed through his document without ever dwelling on examples or references. His superficial analysis left us quite frustrated, and even more so when we witnessed how much knowledge he would have been able to share with us with a more structured thinking. Among all his digressions, I remember one marked by lots of humour and which that qualifies the Japanese’s spirit well : a poster of a gigantic blue bone with a great purity of form, to promote … a mortuary company. As said Michel Bouvet, nobody would have dared, the Japanese did. 
Lou Duvelleroy. 
(Publié le 16 octobre, 3736 caractères)
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lunetual · 3 years
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✨ can i.... do i... yeah.... SLCKSKLD ive always been curious abt this cause u say how all my works are ur favourite ):< i am not worthy of such a compliment
OKAY WOO!! cmere. cmere and let me fight say nice things about your work. i know i always say that... everything you make is my favorite so. i’m going to pick my MOST favorite favorites, but keep in mind. they’re all my favorite. just in general, you have just a fantastic eye for design! i know you favor neutral and earth tones but when you venture out you do a great job with palettes that pop without like. making your eyes burn. and you are GREAT with fonts. literally cannot wait to see what you make in the future really!!!
hmm.... this is gonna go under the cut. in no particular order!!
1. okay okay so. i might be fond of this because it was the first piece of Wootent(TM) i saw BUT. i really love all the little details and easter eggs you slipped into your netflix edit! like really all the details... insane. i know i mentioned i noticed how you hid your handle and integrated it into the edit and i was like... op is CLEVER. a THINKER. ;aldskfjldksfj. not to mention i was sooo delighted by the fact that you incorporated both video and still graphics into the post. like why don’t we do that more? we should do that more. i actually hate video work so i won’t be doing that. but. in general. if people like video they should do it more. it was really the way i was like. help i want this netflix show so badly.
2. i know you!!! said you were fighting every step of the way with this one aslkdfjalsdjf but i loved your top kpop songs of 2021 so far set. it was really fun and creative and you colored the gifs beautifully. the spinning records were so cute and again i loved the overall layout of each song.
3. a;sdkfjls;ldkf i only have three slots left help!!! okay okay so. gyugle! it was just SUCH a cute idea to begin with. and then you really. worked so hard on every little detail!! the neutral color palette... the icons... all of the motion graphic elements... all of the emails, the file names, the sidebar.... INSANE. i literally could NEVER i bow down in awe at your patience etc. and i’m still sobbing about how cute the bear ears are.......
4. moarevival ul:kin yeonjun. obviously. the 3d rendering, insanely cool. as i said. i could never!! it looks so good too ahhhh. so skill level to achieve all of this aside, this one is a personal favorite because this is an aesthetic i tend to favor! the neutrals and blacks are delicious.... really.... and every single panel is perfect on its own, and then altogether it’s so harmonious and pleasing to the eye. like literally when you dropped this i spent. so much time staring at each individual panel and then all of it together and i’m still so so so impressed by it! (my favorite panel is probably! the second one...... loved the transition from the abstract shapes to those photos of yeonjun split across the circle. also typeface-wise, great choice as always + i love an outline font. very ~editorial~ feeling like really i could keep this talking about this one but i’ll spare you!!!
5. YELLOW CAB X YEONJUN!!!!! really really i looooved this one so much. first of all. fight teaser...... lives rent free in my head it’s really my favorite of the two concepts like theeee way it made me feel..... and then you slapped that together with yellow cab?? the taste... the taste. i loved the colors and how well you integrated the aesthetic of yellow cab throughout each panel AND i loved the way certain graphic elements were split across images too! makes it flow so well. i adored every single element you clipped gifs into but the microsoft paint window ESPECIALLY. the overall look of this was so killer you have such a great eye for balance and for being intentional about every part of your graphics. i never ever feel like you slap something on just for the sake of it, everything you add has a reason and that’s like. THE key to good graphic design. every decision with a purpose. you’re so so good already <3 and you’re just going to get better <3 i mean it when i say you are one of the most creative designers i’ve come across and literally in grad school. evaluating art directors was. one of my jobs a;dslkfjsdlkffak so!!!
bestie i’m so sorry that was so long. <3 but. wootent fan blog first txt blog second!!! mwah ily keep up the amazing work, you KNOW i’ll be hyping you up!!
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unsteadygalaxy · 3 years
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all is soft inside chapter 12
a miragehound multichapter fanfiction
Also posted on Ao3, my username is the same there!
previous | next
12. give me a piece of your heart
A quick note: I have the Pathfinder's Quest book and I finished it today (Feb 2nd 2021)! It was mind-blowing and amazing and SO, SO GOOD. Unfortunately, this fic can no longer fit into canon because of what we find out about Bloodhound. Don't worry, I won't be spoiling! I had a story set up for them before I read the lore book, and that's the story I'll be sticking to. Maybe one day I'll write some canon things, but for now, this story is no longer canon-compliant. Part of me is sad to have all the answers, but hey! That's what makes canon-divergent fics so fun :)
Elliott practically flies down the street towards the Legends’ apartment complex, bursting with nervousness and energy as he goes. The torrential downpour of rain doesn’t even manage to dampen his mood; he’s got a heavy-duty umbrella and an upbeat attitude that could make the skies clear up in moments. Bloodhound’s proposition hangs in his head, and he clings to it with an embarrassing neediness. ‘Would you like to visit me in my apartment later this evening?’ they had asked, and he thought his heart would burst out of his chest. He feels like a dumbass for the way he had reacted- god, he was so lame. Falling over his words, making the simplest mistakes… What fourteen year old in the area had reached out and possessed him? Whoever it was, he’d have to have a strong talk with them later.
After arriving back to his apartment above the bar, he’d scrubbed himself clean and very meticulously arranged his hair. He’d eventually chosen a deep purple sweater over a light blue button down, a pair of his nicer dark jeans, a black belt, and sneakers to wear for the evening. He’d hemmed and hawed in front of the mirror for at least twenty minutes, rolling and unrolling his sleeves, second guessing each outfit choice he made until he settled. He had decided to keep the sleeves rolled up, but the easy confidence he usually has in himself has chosen to take a pointed leave of absence.
Elliott really does feel like a teenager obsessing over their first date all over again, but he has to remind himself it’s not a date, it’s just a talk. A nice evening in. A nice evening alone with Bloodhound. His cheeks blaze, and the enormity of his crush on them plummets onto his head all at once. 
Ahh, shit.
He finally lets his thoughts race and wander while thinking about them. For the first time in days, he lets himself linger on his memories of their face, though the quick glimpse he had gotten had not left him with much to remember. Their gorgeous red hair, their piercing green eyes, the striking contours of their face… They are so beautiful, and he would do anything to see their face again.
A giddy smile crosses his face when he thinks of all the times they’ve touched him on the arm or on the shoulder, or held his hands so softly. They had exuded kindness and compassion in those moments, the genuineness of which Elliott has not truly felt in a while. Bloodhound’s quiet vulnerability in the bar the other night had struck him as both odd and humbling; their increasing trust in him is something he definitely doesn’t want to take for granted. 
The complex comes into view and Elliott’s heart starts to pound harder in his chest. It takes a great deal of effort to not run all the way to their door… until he realizes he doesn’t know which floor is theirs, much less which door.
Bzzt! His phone vibrates in his back pocket, and he jumps a little before retrieving it. A message from an unknown number is emblazoned across the lock screen:
Second floor, number 14.
-BH
Excitement and happiness surges through his veins, and he immediately saves their contact information. God, is he really that pumped about having their number? A big stupid smile stretches across his face, and he wants to smack himself. Chill, Elliott, chill. You’ve gotta get ahold of yourself before you get up there. He takes a deep breath and sends a quick reply to Bloodhound as he continues down the sidewalk, valiantly avoiding the puddles. 
Nearly there! How’d you get my number?
A reply flashes through faster than he thought it would.
Renee owed me a favor. I hope it is all right that I asked her.
Oh, yeah, that’s fine! No problem :)
He has to physically restrain himself from adding a little heart; Renee or Octavio or Makoa were used to his nonsense, but he figures Bloodhound would only find it strange for him to be adding those things to his texts right off the bat. He’s busy smiling off into space when his phone vibrates again.
I am looking forward to seeing you.
Elliott’s heart practically explodes in his chest, and he steps right into a puddle.
------
Bloodhound can’t stay still.
Ever since those traitorous words had fallen from their mouth, they’d been on red alert, their brain and body a hopeless torrent of conflicting emotions that hadn’t quite settled. They think it’s fitting that it is raining; it seems the Allfather is showing his sympathies in the smallest of ways. The rain patters against the windows in a steady rhythm, and under any other circumstance it would have been very calming. They would have shed the mask and goggles and snuggled into the couch with a book and a cup of tea, but tonight, that isn’t an option. Instead, they’re wandering aimlessly around their apartment- cleaning corners that don’t really need to be cleaned, tending to Artur, and sipping at a glass of water every time they walk by the kitchen.
They’d hopped into the shower immediately after arriving home and cleaned every inch of their skin with an annoying attention to detail. Their anxiety had mounted in their chest until they had had to sit on the cold tiles of the shower with their head between their legs. Everything is going to be fine, they’d repeated to themself over and over again. Elliott would never hurt you.
The thought is ironic because of the stubborn headache at the base of their skull- Boone’s pain medicine had done little to abate the throbbing in their neck. As they think back on their day, they feel a surge of pride for Elliott. It seems that he is finally allowing himself to succeed, instead of limiting himself like he had before. He had truly surprised them today. Where they had once seen hesitation and worry, it had been replaced with deadly precision and focus, and Bloodhound would not change the outcome of the match even if they could. Elliott had been a wonderful sight to behold.
The frantic fear is nearly gone, but it lingers just enough to make them a little self-conscious. Opting not to wear their Games attire, they’ve picked a thick turtleneck, fitted cargo pants, woolen socks, and a slimmer pair of gloves that will hide their hands but not hinder any movement. The mask is laid on the table, ready to be put on at a moment’s notice. They’re already wearing the helmet, their goggles, and the leather cap. They’ve always hated having to pile wet hair under the hood, but their plans left them no choice. Bloodhound hasn’t cared much about their physical appearance in years, but for some reason, the idea of being alone with Elliott again makes them want to hide away in embarrassment.
An eager knock at the door startles Bloodhound, and they very nearly knock over their glass.
Their heart starts pumping in their chest, and their fingers fumble a little as they clip the respirator to the cap. Immediately, their breathing comes easier, and they scold themself for going so long without it this evening. Bloodhound makes their way to the door and opens it, revealing an absolutely drenched Elliott holding a broken umbrella in one hand and a pair of sopping wet sneakers in the other. 
“Hey! I, uh, definitely stepped in a ton of puddles on the way here. I usually watch where I’m going but these ones were sac- ski- scattered everywhere, so I couldn’t see them at all, and then of course the wind picked up and shredded my umbrella, so I’m totally soaked.” He shrugs helplessly and shakes the bent umbrella off a little, showering Bloodhound’s feet with droplets of water. “Ah, shit. Sorry!”
They shake their head at him and sigh, and a shiver goes through their body as they think about being drenched in this weather. “It is of no consequence, Elliott, I can very easily change socks. Please, come in,” they say, and they lead him into their apartment.
They try not to look at him as he takes in their apartment, suddenly insecure about how simple and bare it looks. The apartment had come furnished, but it is not quite to their tastes. Bloodhound prefers a more homey and warm feel, not the modern, sleek look that is so popular these days. The windows in the living room are quite large. Bloodhound had had a tinted effect added to them immediately- for their anonymity and so the light coming in would not be quite so harsh on their sensitive eyes. The furnishings are a combination of aesthetically pleasing colors and fabrics, all tones of white or grey or brown. A couple of plush blankets are draped over the back of the couch, and minimalistic frames are hung on the walls, great white voids containing typeface quotes and old cliches. The fireplace is an inordinate monolith of dark stone, and if Bloodhound had thought of it, they would have started a fire to make it seem less dull and boring. The thought occurs to them that they should have made this place more welcoming, but they are not vain enough to care in the long run. After all, will Elliott even want to return after he receives the answers to his questions? Bloodhound thinks not.
“Wow,” Elliott remarks, leaning his umbrella against the wall by the door. “It’s so clean.” He strips off his socks and rolls up his pants a little so the soggy ends aren’t rubbing around his ankles. The cuffs fit tightly around his very sculpted calves, and Bloodhound blushes before looking away pointedly.
“This space is not to my tastes,” they reply, watching him walk around. “My real home is much more notalegt- cozy- and warm. Not cold and unfeeling like this place is.” 
“Your real home?” he asks, glancing at them. “You don’t live in the Legends complexes full time?”
“I stay in the buildings during the on season, but during the off season, I retreat to a modest cabin in the woods,” they explain, and they realize they’ve made their first confession of the night. That... wasn’t so bad. “There are bookshelves from floor to ceiling, a large fireplace, plenty of furs to keep warm, and a view that would take your breath away. I quite enjoy it.” 
“That sounds amazing,” he grins. That smile… Bloodhound has to take a deep breath.
“Maybe I will show you one day,” they say, surprising themself with how easily they offer. “It is a beautiful place, and I think you would like it.” 
“Really?” he asks, surprised. “You’d, uh… you’d let me go with you?”
“Perhaps,” they murmur, and their heart starts to beat hard in their chest again. They notice he’s still carrying his wet shoes and socks, and they move to take them from him. “Here. Let me start a fire. Your shoes and socks will be dry in no time.” 
“Oh, thank you!” he replies cheerily, and the smile he gives them makes their heart skip a beat. They take the soggy items from him, cringing a bit at the questionable texture, and set them on the mantle for a moment. Overly aware of how closely he’s watching them, they kneel down, turn the gas knob, and light the fire quickly. In moments, a rosy glow emanates from the fireplace and Bloodhound pulls the screens over to eliminate any chance of Elliott’s things going up in flames. They reach up and place the shoes and socks on a small rack in front of the fire, and then they stand and retreat to their room for a moment.
Before long, they return to the living room wearing a fresh pair of socks and carrying a pair for Elliott. “Here,” they say, holding them out to him. “So your feet are not cold. It can be drafty in here when it rains.”
A pink tinge comes to his cheeks, and he accepts them hesitantly. “You’re way too nice,” he grumbles quietly as he sinks down onto the couch. He puts them on and then pushes his floppy wet hair out of his face. “Hey, can I borrow your hair dryer?” he asks, giving them a questioning glance.
“I… do not own one,” they reply, face burning. “Mine gave out a few weeks ago and I have not yet had time to buy another.”
To their surprise, he grins widely and looks away, suddenly very focused on the fire. “That’s all right,” he says, and his voice is curiously flustered. “I can just sit in front of the fireplace for a bit. You’re about to see the fluffiest hair the Outlands has to offer.” He laughs and rolls his eyes, raking his hands through his messy mop. 
The thought of Elliott with an untamed mess of curly hair makes them smile like a lovesick teenager, and they’re so, so glad they’re still wearing the mask. “So your hair is not perfect all the time?” they tease, sitting down on the couch next to him. They leave a respectable distance between them, but the distance is smaller than it would have been two or three weeks ago. “Ah, so he does have a flaw. Artur, can you believe it?”
They look to Artur’s perch where the bird has been sleeping peacefully throughout all of this. The bird shakes his beak and gives a soft caw before shuffling along his branch, completely ignoring Bloodhound. They shake their head at him. Unhelpful creature, they think affectionately.
Elliott scoffs and says, “Psh, no! I’m absolutely fal- flo- fu- perfect. My hair just has a life of its own sometimes.” He flips his hair to the opposite side and gives Bloodhound a ridiculously goofy expression. It takes everything in them to not burst out laughing, and they would have given him a deadpan expression if they could.
“Like your aim with an R-99, then,” they reply, keeping their voice as even as possible.
His mouth drops open, but he’s smiling. “Wh-What? Was that a joke? Did you actually just tell a joke?” A huge, incredulous laugh escapes his throat and he grabs his chest, and Bloodhound almost loses it. “That’s a little unfair though, considering how I absolutely lasered you today.”
It’s Bloodhound’s turn to laugh, and their face hurts from how much they’ve smiled lately. “You are correct, Elliott,” they admit, holding their hands up in a placating gesture. “I was very impressed with your skill this morning. Your precision and focus made you a formidable opponent, and I was honored to fight with you.”
Instead of the cocky, arrogant response they have come to expect from him, Elliott actually blushes. It is a welcome change; his cheeks turn a lovely shade of red and he looks away, biting his lip. “Thanks,” he says simply, and his voice is… bashful? 
Bloodhound does not quite know what to make of that.
------
His face burns fiercely and he can’t meet their eyes. He loves getting praise from his fans and from his friends, but getting praised by Bloodhound somehow means so much more. Maybe it’s because they’re so skilled, or maybe it’s because he respects them the most out of any other Legend, but such high compliments coming from them renders him a little speechless. 
“Hey, I know this is dumb since we’re paid to kill each other, but, um… Sorry about today,” he says sheepishly, rubbing the back of his head. “Taking an entire clip of ammo to the head always gives you a nasty headache.”
Bloodhound huffs quietly, and Elliott takes that to be a soft laugh. “Do not worry, vinur minn. I am perfectly fine. It was simply the Allfather’s will for me to lose today, and I am not offended.”
Elliott lets out a small chuckle, relieved. “Well, that’s good to know. I was worried I might have broken your mask.”
They tap their mask firmly, and it makes a solid thunk sound. “You see? Perfectly fine,” they reply, and Elliott can hear the smile in their voice. “It is quite solid and substantial. Unlike much of your humor.”
Elliott stares at them open mouthed. “I’m wounded, Bloodhound, truly!” he rebutts, scandalized. He flops back against the couch dramatically, the back of his hand pressed against his forehead. Bloodhound, making multiple jokes in one night? The world must be ending, he thinks, and he doesn’t even care that the jokes are coming at his expense.
Bloodhound laughs, and God, he’s missed that sound. The gentle lilt, the soft breathiness of their voice… Elliott blushes even as he giggles, and he treasures the noise they’re making. 
“I have been known to be humorous now and again,” they say, still chuckling. 
Elliott can only smile and shake his head in wonder as the two of them laugh, and soon, he’s wiping tears of mirth from his eyes. “Wow. Okay, out of all the things I expected tonight it definitely wasn’t that.”
“And what have you expected for this evening, Elliott?” Bloodhound cocks their head and leans back into the couch, folding their arms.
A thrill of joy runs its course throughout his body when they say his name, and he finds it strange. Bloodhound has surely said his name hundreds of times, but this feels different. Elliott is sure he’s overthinking it, but the way they had said it feels like they were humming a song. 
His entire body glows with warmth. “You promised me answers,” he says carefully as the giddiness starts to drain away. “You don’t have to go into specifics but… still, you promised answers.”
Bloodhound is silent for a moment, and their hands fidget lightly in their lap. Then they nod. “Yes. I do owe you answers, so please, ask whatever you would like.” Their voice is guarded and serious, and the shift in attitude is sobering. 
Elliott notices how discomfort begins to creep into their posture, and so he resolves to not push them any further than they are willing to be pushed. He takes a deep breath and lets it out slowly, the air hissing between his teeth as he leans back and begins to think. “Okay, um… Well, I was worried about your mask breaking because I don’t know how it works or how it helps. Can I ask why you need it?”
The question only makes Bloodhound’s body language tighten up more. They are silent for several long moments, seeming to ponder and consider his question. Was that too much right out of the gate? he thinks frantically, and he’s about to redact his question when they let out a big breath and begin to speak.
“When I was a child, I was… in an accident,” they say, but something about their admission feels shallow, as if they have more to tell. “No. I made a grave mistake.”
Elliott takes a deep breath and readjusts himself on the couch. He can tell this story will be a long one, and he intends to listen to every word.
“In my culture, young warriors must endure a rite of passage that shows our strength and our transition into adulthood,” Bloodhound explains. “My test was to slátra a prowler beast. I was afraid, but... I knew the Allfather would guide me.” They pause for a moment, and Elliott hangs on to their every word. “I followed its tracks to an abandoned IMC facility deep in the woods, but what I found there was far more hryllilegur. Horrible,” they add when Elliott raises an eyebrow. 
“A jötunn had made its home there. It is a terrifying beast, all horns and teeth and claws. It is as large as some of the buildings in Slum Lakes, if you can recall. I began to run away, but I found a prototype Charge Rifle and shot the beast. I thought it was dead. I collected its horn to present to my uncle, but he was... disappointed in me.” They sigh deeply as dread begins to pool in Elliott’s stomach. “I had rejected the sacred laws of the Hunt by using a gun in order to defeat this beast. Artur was steadfast, immovable in his convictions, and no matter how hard I tried to convince him of my victory, he would not validate it.
“I left in anger. I was a child, only fourteen years old, but if the other village elders knew what I had done, they would have exiled me. I was... so ashamed.” Bloodhound swallows, and it sounds like it takes a lot of effort. “I retreated to the forest to be alone, as I often did, and… the jötunn was there. It was not dead, as I had hoped. It sought revenge.
“I tried my best to fight it off. My uncle was alerted to my cries, and came to help, along with many other villagers. They fought, and…” Their voice tightens, and Elliott’s heart breaks. “Many died. Including my uncle.”
Their voice has become achingly vulnerable and soft the longer they’ve spoken, and Elliott wants nothing more than to reach out and take their hands again. He shifts closer to them on the couch, closing the gap ever so slightly. His eyes stay glued to their mask, and the lenses of their goggles reflect the flickering light of the fireplace. He’s always found the mask to be either intimidating or expressionless, but Bloodhound’s sadness speaks for them, and the mask seems to be considerably more morose than usual. 
“I sought the beast out,” they continue, and Elliott is surprised by how quietly angry and low their voice is. “It had returned to the abandoned facility. The halls had been equipped with coolant lines in case of an explosion or other emergency, and I broke them in order to immobilize the beast. But I breathed too much of it in, and… it dehydrated and froze my skin and lungs, leaving me scarred. Fortunately, I was able to find an oxygen mask just before I succumbed to the cold. Once the beast was frozen, I killed it with my uncle’s axe, fulfilling my test.”
Bloodhound is quiet for some time, and it takes Elliott a moment to realize they’re done talking. He knows he’s staring, and he knows he looks like he’s pitying them, and he fights to find an adequate response. “I’m so sorry, Bloodhound,” he murmurs, and he reaches out to them hesitantly. He takes their hands ever so softly, giving them every opportunity to pull away. “I’m so sorry you had to deal with such horrible things when you were younger. That sounds really tra- tor- traumatizing.” He’s struck by an incredible urge to pull them into his arms and hold them close, and a wave of embarrassment runs through his body as he presses that urge down.
Bloodhound’s hands begin to tremble in his, and he’s alerted to their discomfort immediately. Their breathing comes quicker and shallower even through the mask, and he holds onto them tighter. “Hey, are you okay?” he asks, worried.
“I-” Their voice breaks and Elliott’s heart clenches in his chest. “I- I am sorry, Elliott, you do not want to see me like this-” Bloodhound makes an attempt to pull away and stand, but Elliott holds on tight, keeping them right where they are.
“Hey, hey,” he soothes. “It’s okay! It’s all right. I’m not bothered by you being emotional. It’s actually pretty refreshing, honestly. Makes you feel more normal, like the rest of us.”
They laugh weakly, and Elliott sighs in relief. “T-Thank you, vinur minn. I just- I am prone to anxiety attacks, and…” They suck in a huge lungful of air, but they’re still shaking. “That is why I left the other night. When you asked me about Artur, I was overcome and needed to leave as quickly as possible. Please do not take any offense- it was not your fault.”
Elliott’s chest fills with a strange sense of compassion and guilt, and he squeezes their hands comfortingly. “It’s okay, Bloodhound,” he reassures them. “I’m not mad. Just… worried.” The admission makes him feel exposed and overbearing all at once, and he really hopes he’s not making them uncomfortable.
An idea comes to his mind. “Hey,” he says quietly. “Breathe with me.” 
Bloodhound stiffens, and Elliott hopes to God he hasn’t somehow offended them. He closes his eyes and breathes deeply, and after a moment, he hears Bloodhound inhale greatly as well. He finds himself rubbing his thumbs back and forth across their rough gloves, just like they had done to him a few nights ago. He lets the air calm him and settle his racing heart. He still doesn’t really know what he’s doing, or if he’s even doing this right, but to his delight, Bloodhound’s breathing begins to slow and even out. They gradually stop shaking, and he smiles. 
Elliott opens his eyes. “Better?” he asks, and he gives their hands a quick squeeze. 
They are quiet for a moment. “Nearly,” they murmur, and they pull their hands away. Elliott’s face falls, and rejection begins to rise in him, but they take off their gloves and reach for him once more. He eagerly closes the gap between his shaking fingers and theirs. The place where they make first contact with his skin- a small place near his thumb- tingles pleasantly, and the warmth of their hand settles in his. He inhales sharply, and beams as their fingers curl into his own. 
“Better.” They are so quiet and soft as they speak, and Elliott almost misses what they say. “Your kindness is a blessing to me, kæri vinur. Thank you.”
“You’re welcome,” he smiles, trying to find their eyes beyond the lenses of their goggles. Despite his happiness, he finds himself wishing that he could search their face for meaning, for emotion, for clarity. He knows why they need and wear the mask. He knows why he will likely never see their face again. But, damn, does he desperately want to gaze upon them just one more time. He doesn’t know what kæri vinur means, but he can’t help but notice the similarities between it and what they usually call him. 
He doesn’t dare to hope it means anything.
...does he?
“Do you… do you want to talk about it, or…?” he trails, attempting to do what they had done a few nights ago. 
“No, Elliott,” they reply, but their voice is not unkind. Their grip on his hands tightens for a moment, then they loosen, and it sends a thrill down Elliott’s spine. “Your help was more than enough to calm me.”
He adjusts himself on the couch, and his knee brushes against theirs. The only light in the room comes from the quietly crackling fire, and it highlights Bloodhound’s features with a silhouette of warmth. His heart starts to pound in his chest once more, and every sense heightens. Elliott suddenly becomes aware of how intimate and vulnerable this little bubble of space is, and his shoulders tense in anticipation of something he knows will never come. He wants to pull them close. He wants to lace his fingers in theirs. He wants to…
“Can I trust you, Elliott?”
They sound so… exposed. So afraid. His breath catches in his throat for a moment. “O-Of course, Bloodhound. You can trust me with anything,” he murmurs, rubbing his thumbs across their knuckles reassuringly. He’s surprised by how rough their hands are, and it’s only then that he remembers the silvery spider web scars stretching across their skin. 
“Then… there is something I wish to share with you,” they reply, and their hands begin to tremble in his again. They let go of him, and to his utter shock, their hands go to their helmet, edging towards the many clasps that fasten it to their goggles and respirator.
“W-Wait, hold on,” he stutters, and he reaches for their hands again. “A-Are you- hey, you really don’t have to do that if you don’t want to, I mean- I mean, are you absolutely sure?” He stares at them in confusion and worry, and his stomach is an unintelligible knot of emotion. Elliott searches their mask and their body language, trying desperately to figure out what the hell they’re thinking.
“If I was not sure I would not be doing this,” they chide gently, and they remove their hands from his grip. “Please, just let me do this. Ég er svo- I am so tired of hiding.”
Elliott can’t argue with that. 
“Okay,” he says, still very unsure. His hands fall back into his lap.
------
The child inside them shakes and trembles horribly as they raise their hands to their head. Part of them screams and begs for them to stop, and it’s only in this moment that they realize that part is the terrified twenty-five year old that had had their mask shattered in front of all those people so long ago. That crowd had been so cruel, but Elliott could never share their vitriol, their hatred. Bloodhound has seen into the man’s heart more than they ever thought they would, and no trace of cruelty exists inside him.
How long has it been since they willingly showed someone else their face? Five years? Ten? Ajay seeing them had been a complete and total accident- one that they had learned not to mind. Boone had grown up with them, of course, so he does not count. But Elliott… At the beginning of this night, they never would have dreamed of doing what they’re about to do. But Elliott is so kind, so thoughtful and accepting that their heart yearns for him greatly, and they can ignore that fact no longer.
Their fingers fumble with the straps of their helmet, but something drives them forward. It drives them to be vulnerable- to be open and take a risk. Elliott has seen their face already, so why are they so nervous? He has seen the scars they bear- why are they trembling like the young one they used to be? They do not know, but they hope that the price of them being so vulnerable is a price he’s willing to pay. 
There is no turning back now, they think. 
With trembling hands, they remove the helmet, cap, goggles, and finally, the mask. 
16 notes · View notes
ravenvsfox · 4 years
Text
klance holodeck fic 1/2
Lance is gone. Lost in the plunging gaps between astral bodies, sewn into an invisible seam in spacetime. Missing, for two long years. It’s impossible, to think of the time he's already lost with him. Time passes strangely in a war, and stranger still in space. Stars gasp their dying breaths and ripe dust clouds give birth to whole planetary systems. Some light reaches them with its centuries-old fingers and some can’t weather the journey. So many beings shiver and die. Lance would be twenty now. He tries not to think about it.
Keith can't bring himself to grieve when he knows Lance is still out there. Instead, he follows versions of him down holographic rabbit holes, trying to pry closure out of his memories, and losing himself to an obsession with the simulated landscapes where Lance was never lost.
(Read on AO3)
At first, it’s a french restaurant.
Slate grey and stationery white, sunlight drooping over the tablecloths like curling petals on calla lilies. Keith presses the knot of his tie into the hollow of his throat and swallows against his fingers. The get-up is ridiculous—grey suit, red tie, cufflinks, Italian leather shoes.
He’s never worn anything so expensive or well-tailored in his life, and he can already picture the precise geometry of Lance’s expression when he sees him: badly suppressed smile, like a slipped disc, his cheeks puckered.
Keith seats himself next to the window, fiddling almost immediately with the circlet of his napkin ring. The trees outside rustle and drizzle shade over buskers and vendors across the street. His designer watch has both hands folded over the twelve. A waiter breezes past and lays a rectangle of cardstock in front of him, smiling conspiratorially. As soon as he’s out of view, Keith has forgotten his face.
He looks at the menu, and the transition from the burbling restaurant to the cramped typeface is disorienting, like a cut scene in a video game. When he puts the menu down again, his head is swimming sickly with words like bordelaise and remoulade. And then, like a sweet apparition from a terrible dream, Lance drifts through the doorway.
For a moment, the sight of him is impossibly painful.
Keith’s fingers go again to the knot of his tie, and he makes an involuntary noise, gulping air as if surfacing from extreme physical exertion.
“Lance,” he chokes.
Lance smiles, quicksilver. “Hello.”
“You’re here,” Keith says, staggering to his feet. He crosses the bistro to take Lance bracingly by the wrists. The napkin holder is still in his hand, and the circle of it presses into Lance’s forearm so tightly that his skin bulges through it a little. “Do you—do you know where you’ve been?”
Lance should be defensive, or sly, or angry, or bashful. He should be telling a story that Keith can barely follow at a pitch that he can barely stomach, bragging about all the stupid things and downplaying all the impressive things.
Keith knows that’s not how this works, but still. It’s the Lance he knows.
He focuses on the brittle warmth of his body, the details that are just right. His heart breathes into the paper bag of his chest.
Lance just keeps smiling wanly. His hair is styled wrong—there’s too much volume, and it swoops down too close to one eye. His tie is robin’s egg blue. “No need to get up for little old me.”
Keith shakes his head, off-balance. “What?”
“I’m here to spend time with you! Why don’t we take a seat?”
Keith swallows painfully. It’s like looking at an animatronic figure of his friend—a jolting uncanny robot at an amusement park. “Lance, look at me.”
“How could I not?” he says cheekily, and winks. But his eyes haven’t quite settled into the same groove as Keith’s.
“Tell me—“ Keith starts. “Tell me what you remember. Tell me who you are.”
“Oh, you know me,” he says. “Name’s Lance ‘Loverboy’ McClain, blue paladin, sharpshooter extraordinaire, and defender of the universe.”
“Please.” It’s meant to be derisive, but it ends up falling somewhere closer to desperate. His hands slide up from Lance’s forearms to his shoulders. The napkin ring clatters pointedly to the floor. In a wide, embarrassing moment of weakness, Keith says, “you have to--be him. At least try.”
Lance chuckles.
Keith shakes him, and his shoulders jitter unnaturally.
“Come on. What’s the point if you can’t even act like him? Who would fucking buy this?”
“I don’t—“
“Stop using his voice,” he warns. His hands have crept up to Lance’s neck, and abruptly he lets go, repulsed at the almost-familiar feel of him.
“I would also be pretty overwhelmed to meet an intergalactic celebrity,” Lance assures him.
He’s starting to breathe too fast. He keeps seeing the real Lance—craned into the three-dimensional spread of a star map, brow furrowed, freckled hand curled loosely in the handle of whatever hot drink he found planet-side—superimposed over this stranger’s weird, unblemished face.
“Who am I?” Keith demands.
Lance grins. “My date.”
Keith pushes him hard in the chest. He nearly topples into a neighbouring table, and it’s unlikely, how he keeps his gangly legs underneath his body.
“Easy, sweetheart,” Lance says. “This isn’t the place for roughhousing.”
It’s the wrong cadence, but it’s so like something Lance would say that it’s debilitating. Keith stumbles through the momentum of another graceless shove.
“I told you to stop using his voice,” Keith snaps. “This is cruel.”
“Didn’t you want to meet me here?” Lance asks innocently.
“Of course I did. But you’re not—not—” Suddenly, he’s so fatigued with disappointment that he can’t speak.
After a long moment, he feels an ephemeral hand on his shoulder. And with the help of the ghostly waitstaff, the false Lance maneuvers him back to his place at the table. “Just tell me where to look and I’ll go there,” Keith begs, half-stumbling, half-dragged into his seat. “I swear. I know I can find you, I’ve faced bad odds before.”
“How about a drink?” Lance is saying, apparently unfazed.
“I thought that if you thought like Lance, maybe I could talk an answer out of you,” Keith says. Lance cocks his head, pleasantly receptive. “But really I thought I would look at you and I would feel better. Or at least I would feel angry. But you’re worse than a punching bag.”
“Red?” Lance says, and Keith’s heart is—airborne.
“What?” he asks sharply.
“Wine,” Lance explains. “Red or white?”
His whole body caves in. Rockslide. Catastrophic. He looks into Lance’s wide, earnest eyes, feeling uncomfortably like he’s levelling a shotgun at a newborn. “Neither. End simulation.”
The bistro melts instantly into the oily blackness of the Paladin Simulator.
His jaw is clamped tightly with shame and grief, and as the dark presses in, he folds his arms self-consciously over his chest. He’s ending his session an hour early, and he’s grateful, now, for the uninterrupted quiet.
He shouldn’t have let himself do this.
It should have been obvious what a bad idea it was when he didn’t tell any of the other paladins what he was planning; he was already falling back into his old, knee-jerk isolation, trusting only himself with his secrets.
He just couldn’t take any more of their pity. It was constant, wide-eyed, confused—why would the person who got along with Lance the least feel his absence the most? Sometimes, Hunk looked at Keith exactly the same way he looked at an old clunker of an engine that was in need of replacing.
Keith had heard tell of the simulators years ago, they all had. Liberated planets with the tech (and the admiration) had started building little cyber shrines to Voltron. Like a hyper-advanced arcade game, you could plug in your specifications, step into the simulator, and play out your wildest fantasies.
He’d gathered that tittering fans, unexceptional nerdy types, and bright-eyed kids were the most common customers; the lettering on the swinging board out front promised all kinds of adventure and celebrity:
Join Voltron! Become one of the gang, fighting Galra scum and saving the galaxy from tyranny!
Enjoy a candlelit dinner with the paladin of your choice, and get up close and personal with your hero!
Pick up your very own bayard, and spar with living combat legends! Who will win?!
Although it’s more advanced than the training room controls on the castle of lions, the programming still has its limits. The likenesses aren’t really supposed to stand up to the scrutiny of someone like, say, a paladin himself, but the experience is still sensory, impossible, the science fiction daydream of someone on Earth.
Lance used to love the idea of it, joking that it was the Star Trek filler episode he always wanted. He said he would win every game, romance himself, and beat up holo-Keith without feeling bad about it. He said he could finally stop pulling punches when Keith was just, like, light particles and shit.
In his grief, Keith convinced himself it was right and just and necessary to believe in a false lead. He told himself that the coat rack in the dark looked enough like a person that maybe he could hang all his hopes on it.
And so he had sought out the small, ever-bright planet of Seachmall, where night lasted for twilit months, and massive outdoor markets boasted every good and service you could possibly think of. Continent to continent there were melting, zipping lights, sky-high neon encircling tall buildings like bangles, and criss-crossing lanterns—buoyant in the low gravity—coasting up towards their celestial cousins.
In the capital, the local population joyfully shared liquor and arm-clasping greetings, speaking in the fast creole dialect of a port city, dancing to reality-bending music that haunts every forking path in a dizzying labyrinth of market stalls. Every single day on Seachmall was a feverish, luminous midnight that raged unceasingly past its breaking point.
And every step in the springy too-dark soil, every halting conversation in common, every sizzling technological spectacle that borders on nightmarish, Keith thought that Lance would have eaten this experience alive.
But Lance is gone.
Lost in the plunging gaps between astral bodies, sewn into an invisible seam in spacetime. Missing, for two long years.
It’s impossible, to think of the time he's already lost with him. Time passes strangely in a war, and stranger still in space. Stars gasp their dying breaths and ripe dust clouds give birth to whole planetary systems. Some light reaches them with its centuries-old fingers and some can’t weather the journey. So many beings shiver and die. Lance would be twenty now. He tries not to think about it.
Often, he resents those years he spent on a space whale, cresting out of his teenage years faster than he could track, trying to staunch the flow of memories with the paladins before he lost them all. He gets double vision looking at his mother, thinking of what he knows about love and struggling to apply it to this stranger.
When Lance disappeared just months after Keith returned to the castle of lions, he understood, finally, that loss is the bitter shrapnel of love.
In an alternate universe, Keith would have threaded Lance’s difficult needle, held his jaw, sharp and slight as a paring knife, and told him every wriggling, guilty, breathless feeling he’s inspired in him since they were sixteen.
In that universe, he stepped out of the time warp and into Lance’s embrace, and they were never parted again.
But that’s not what happened. Instead, Pidge started to refer to Lance in the past tense. Allura took over piloting Blue full-time, and Keith Red. The castle, already barren with the loss of Altea, became even more eerily quiet. Keith’s guilt swelled up and took any of their remaining teamwork hostage.
Space is so massively large and radiantly indifferent, but Lance is out there, surely, or Keith would have felt Voltron’s current being disrupted, as it had been when Shiro blinked out of the Black lion. But time stretched on, and he felt nothing at all.
When Lance disappeared it was from the middle of a battle for a nothing quadrant of space, and he was practically teleported out of the fray. They recovered his lion on a smalltime Galra ship within the hour, no sign of a struggle, no sign of Lance.
It was eery. Impossible. They interrogated sentries and hacked systems, combed entire light years of space using Allura’s wormholes. They waited for a distress signal, an apology, a triumphant return. But he just—vanished.
Keith ripped through the galaxy for any scrap of him, a blue flash, those bright ringlets of laughter, the flush of his skin tone in a kaleidoscope of different species.
Allura and Shiro joined him on the ground at first; Pidge, Coran, and Matt worked tirelessly to devise a tracking system, while Hunk took Red apart, hoping to unlock the moment that she and Lance had detached—but it was like her memory had been wiped clean. All they could feel was the panicked thrum of her loose bond with Lance, Keith more than anyone.
Romelle and Krolia hadn’t known Lance for long, but they always came when called. More bodies in the search party, more hands in the alliance. Once, he caught Romelle’s lip wobbling during a debrief, and he remembered the way that Lance had dragged an extra chair in for her first team meeting, winking, and then laughing himself to stitches when Romelle tried to wink back and couldn’t.
In pieces, Keith understood that he loved Lance, and as always, he was processing an obvious truth too late. His grief was swollen purple, and even as he told himself that no one would ever, ever understand, he knew they did. All around him they did, loudly and at length, hurting at such a frequency that Keith was scared it would drown out Lance’s return.
He left the castle of lions more frequently, turning over whole populations, infiltrating Galra ship after Galra ship, singularly driven—but also callous and unbalanced without his team, participating in more violence in six months than he had in five years of war and survival.
Once, Keith stumbled into Lance’s abandoned room and pulled clothes and trinkets out of his closet, stirring up the smell of him and crying like a child. He picked fights with his mother, because she had been a terrible absence once, too. In the artificial light of castle dawn, he sparred more than his body could sustain, and when he found a planet full of unmarked tombstones in his search, he ripped at the ground with his bare hands until his fingernails tore.
The longer he looked, the more he found that the whole universe was exquisite with death, every piece of it burnt out and drifting into expanding blackness. He was so tired of feeling like space rock himself, fast, deadly, and aimless, waiting to burn up in the atmosphere somewhere. So, heart striving ahead of his body like an eager dog, pockets full of tokens, he wandered Seachmall until he found the flashy booth where he would waste the next eight months of his life.
He leaves the simulated french restaurant that first time fully believing that he’ll never be so weak again, but it’s barely twenty vargas before he’s back, trembling all over.
He finds Lance in a simulation of battle, and in the rush, it’s much easier to forget that he’s a fake.
“Not this time, amigo,” Lance crows, looping around an enemy ship and blasting ice the whole time, showing off. Keith is shocked to find a smile bruising his own face. His hands close over fake-Red’s controls. It’s so strange, not feeling her at all while he’s piloting. It’s as impersonal as a Garrison sim, but eons more advanced, nearly authentic. He can feel the heat of battle through Red’s visor, and as always, his calloused thumbs creak against the wheel when he turns too sharply.
“On your right,” Keith warns.
Lance dodges dutifully. “Thanks!”
I know, Lance groans, in his memory. I’m out here flying too, Keith, this isn’t one of those drills where I’m fucking blindfolded—
“Red Paladin,” Allura’s voice cries, weirdly high and operatic. “The evil lord Zarkon is moving in for the kill. You must help us form Voltron!”
“Yeah, right,” he huffs.
The forming itself is so stupid, obviously programmed by an outside observer who’s never felt the itch of unity, the reverse detonation of an impossible bomb, where every scattered thing fits back together to be whole again.
There’s a silly bit of choreography, and fake-Red goes on rails, like a carnival ride. And then, without feeling anything concrete, Voltron pulls in around him.
“Hooray!” Pidge says, sounding like a munchkin from The Wizard of Oz.
“Nothing can stop us now!” Shiro says, sounding like Shiro.
“Can we get back to putting Zarkon in a second grave now, please?” Keith says.
“Always the fighter, Red,” Lance says. Keith blinks.
“I love you,” he blurts.
“Aw,” Hunk says. “I love you guys too.”
“Lance—“
“Use your sword? Exactly what I was thinking,” Lance says.
“Let’s do it,” Shiro says. “Use your bayard, Red.”
“I know,” Keith snaps.
It’s obvious that the simulation has programmed Red in as shorthand for whatever player is in his spot. It would be the same no matter what lion was chosen, but hearing Lance’s nickname for him out of Shiro’s mouth is just—stunningly wrong.
The world trembles from the impact of a Galra bogey, uncomfortably real, and his instincts press him into action.
He turns his bayard in its slot, and the sword shimmers into reality. He watches at a remove as Voltron slices at Zarkon’s craft.
It’s actually starting to get to him, the memory of this battle, the reality of which was a lot more challenging, and much, much uglier. He remembers his frenetic pulse in his fingertips, the threat pressing endlessly past their defences, the damage to Green’s hull, and the awful discovery of Black’s empty cockpit afterwards.
He shudders.
“End simulation.”
In the dark, the adrenaline eases its panicked hands from his throat. You’re alive, he reminds himself. You survived. So did Shiro. So will Lance.
______
The next day, he goes back again.
He spars with himself, out of curiosity, and then with Shiro and Lance, but the holo-paladins are uninspired, easily blocked, programmed to strut and preen through choreography more than they are to improvise and adapt. Lance doesn’t play dirty even once, and Keith shuts down the simulation again, gutted. He wishes there were different difficulty levels, like the bots in the castle. You could program almost anything into—
He stops, midway back to his cruiser, the braid of market-goers loosening around him.
He taps twice on his communicator, and hastily opens a channel with Pidge.
After the long, peculiar swish of the line connecting, she answers, “‘sup?”
“I need you to do something for me.”
“Urgently?” she asks, distracted. He can hear the clatter of keys and the beep and whir of her latest project.
“It’s about Lance.”
The clatter stops. She doesn’t speak for long enough that Keith feels truly bad about himself. And then, “well Jesus, Keith. Isn’t it always?”
He breathes out. “How comfortable are you with the holodeck interface?”
“Very,” she says, no hesitation.
“And do you still have those files from a couple of deca-phoebes ago? That user profile thing you tried to instate, the uh—“ he dodges a Seachmallian waving a kebab in his direction.
“Yes, Keith,” Pidge drawls. “What, do you think I burn data when my projects don’t pan out?”
He shrugs, though she can’t see him. “I would.”
“Forgot who I was talking to,” she says flatly. He’s paused at the ice-cold entrance of a shop selling edible soap bubbles, light and iridescent.
“Do you think you could put together a—a simulation, compatible with a more advanced operating system?”
There’s a throb of silence. “What exactly are you asking me to do, here?”
He closes his eyes, still ducked under the awning of the store, feeling the cold move through him. “Don’t make me say it.”
“You want Lance,” she says. “On a fucking USB.”
“I want to find him,” he growls. “Remember when you wanted that too?”
“That’s low,” she says, deadly. “I’m not the one who’s trying to sleep with a hologram of my dead friend so I don’t have to grieve him.”
He cuts off communication. He feels feverish with embarrassment, and completely sick to his stomach. Candy bubbles breeze past him, over the apron of the booth across the way, which is advertising robot fights—both in Seachmallian and blocky common.
He remembers Lance, a lifetime ago, saying, when I go, I want all the stuff in my brain stored in a giant ship.
His comms ding, and he jabs the accept button on his wrist.
“Fuck you,” he says.
“I’m sorry,” Pidge says. “I don’t know why I said that.”
“I wouldn’t do that,” he says fiercely.
“I know.”
“I just need to know if it was premeditated, if he ever had a safe house or a code in case we got separated, something we could look for.”
“It’s not the worst idea,” Pidge says thoughtfully.
“I know.”
“But I do think it’s a pretty terrible idea for you to do it.”
He grits his teeth, upset in a directionless kind of way. “I can handle it.”
“I know you’re on Seachmall,” Pidge says, “and I already thought that was going to get pretty gnarly. All they’ve got is, like, the mythology of us. Can you imagine what the information in the Altean databases could do to that kind of tactile VR experience?”
“Sort of,” Keith says.
“It would be like if all the OG broadway actors showed up to participate in a high school production of Cats, comprende?”
“No,” Keith says, waspish. “Less.”
“It’s the next step for Altean hologram technology for sure. It would probably revolutionize AI. It’s also not real, Keith.”
“I don’t need it to be real,” Keith snaps. “I need a lead.”
“Well,” Pidge says slowly. “You know I can do it. Can you wait a few quintants?”
He sets his jaw, and against the deep blue horizon, a billboard gleams so brilliantly yellow that for a moment, he thinks it’s the sun.
“As long as it takes.”
______
Keith meets Pidge when she touches down on Seachmall, windswept and gaunt, and although he doesn’t really understand what she intends to do, he dutifully distracts security as she futzes with the control panel.
It’s barely fifteen minutes before she beckons him into the alley adjacent to the simulator room, a sample platter of bolts and wires spread out around her knees.
“Alright chief, it should be compatible, now.” She pulls a stray length of cable from where she’s been holding it between her teeth and pockets it. The little nib of her ponytail bobs as she stands.
“So it’ll be him this time?”
“I mean, almost exactly. I programmed his profile into the grooves set into the existing simulation, but I softened the edges a little so he’s not too self aware. I don’t want him realizing he’s a projection, I’m not that cruel.”
“Right,” Keith says, uncomfortable.
“If you don’t find what you’re looking for and you have to go back in, all you’ve gotta do is punch in this code.” She jabs him in the chest with a folded piece of card, as close to paper as they’ve been able to find out here, and twice as durable. She could have sent him the info, but they both know this transaction is better left under the table. “The system should wipe itself automatically when you’re done. And Keith—“ Her hand flattens on his dark chestplate, and her eyes are troubled. “Please don’t forget why you’re doing this.”
He nods, and puts a gloved hand over hers. “I won’t. I’ll figure this out, and I’ll find him.”
She nods back, a wobbly smile rolling over on her face.
“Okay,” she says. “Okay, I gotta go. I can’t—I wish I could see him, but.”
“Yeah,” Keith agrees sadly.
She smiles again, fleeting, and gathers her kit. “We can’t spare another paladin,” she says, quickly, like it doesn’t matter. “Don’t get lost in there.”
He opens his mouth to reply, but she’s already putting her visor down, and walking out into the crowd.
______
This time, he finds himself on a boardwalk during a powder pink sunset. The air smells blisteringly of salt and roasting meat, and faceless people mill over the beach: parents holding hands with kids, couples sharing shaved ice, a galloping golden retriever in a red bandana.
The leftover scorch of the day blows in off the coast to meet him, like the wave from an open oven door.
He walks purposefully onto the sandbar, craning in circles, trying to catch a glimpse of a familiar face. He feels—pre-heartbroken, caught in the final moments of a long walk to an open casket.
“Where’ve you been?”
He whips around, and Lance is pulling one earbud out, squinting into the sun at him.
“Lance?” he asks, through what feels like a mouth full of marbles.
“Uh-huh,” he says, eyebrow quirked. “The one and only.” He settles back into the shade of his umbrella.
Keith shakes his head to clear it. There’s a red and white striped towel set out next to Lance’s, and he sinks down onto it, overcome. Is this Earth? Did Pidge program this specifically? Is it one of the date settings on the simulator? He can’t remember. He can’t see past the illusion at all.
Lance offers him an earbud. “Come on, Red, will you relax? Pretend you’re not the kind of person who sleeps with a knife under your pillow.” He accepts the bud, numb, and tucks it in his ear. He’s expecting synth pop, but it’s an old R&B song, smoky and familiar. “No overthinking on the beach.”
He can’t stop looking at him. It’s uncanny—the dusky chapped lips, the mole next to his mouth, the cowlick over his ear. His eyes are intelligent, laser-focused on Keith. “Where are we?”
“Dear sweet Keith. Senile at age twenty. So sad.”
“Shut up.” He has to look away, to mask the full-colour magazine spread of conflicted feelings on his face. It all feels a bit like a lucid dream that he shouldn’t jostle too hard. “I’m not used to this.”
Lance’s expression softens. “Hey man, I get it. Being home is weird. Sometimes it’s like—I can’t even remember how we got here.” He shakes his head. “But also I’m so happy to be back, I’m like—screw PTSD.”
His chest aches, badly. “I don’t think it works like that.”
“Rich coming from you, Mr. repression,” Lance says, rolling his eyes.
“I’m not doing that any more,” Keith says. “I’m working through my shit.”
“How admirable.” His mouth twitches. He produces a Palm Bay from his slouchy little backpack, tossing it from hand to hand as if testing its heft. “I’m drowning my sorrows in coolers, personally.”
And then he lunges, spritzing the can open in Keith’s face.
“Jesus, Lance,” he sputters, smacking it out of his hand. They scuffle, briefly, and that helpless, ebullient laugh blows past him like candy bubbles.
“Your—face—“
“You’re so immature—“
“Easy, cowboy, don’t you remember what team bonding looks like?” He pinches Keith’s cheek teasingly, and Keith grabs his wrist.
A pulse flutters under his fingertips.
He scrambles backwards, clothes dragging against the sand, a stray sandal popping off. The heat and grit is so real. If he focuses hard enough on the smell of meat coming off the boardwalk, his mouth waters. Lance looks at him incredulously.
“What? That’s too far for you? I barely touched you!”
“You touched me,” Keith repeats. He can still feel that pulse, like a second heart in his own body. He stands up, shedding sand, and Lance looks up at him, mild expression tinted with hurt. Keith sways, sidelined by a wave of vertigo. He can’t be here right now. “End—“
“You’re being so weird. Like Kuron all over again.”
He stops. “You think I’m a clone?”
“Obviously not really,” Lance says, getting up on his knees. “But that is the level of weird we’re dealing with here. You’re looking at me like you’re about to cry.”
“It’s just—home.” He gestures awkwardly. “Tandem bikes. Coconut sunscreen. Seagulls eating fries out of the trash. The ocean. Earth reminds me of you.”
"Birds eating garbage reminds you of me?" Lance quirks a skeptical expression at him. “Maybe you are working through some shit.”
He reaches for his abandoned sandal, dusting sticky sand from the straps. “You can’t even imagine.”
“Try me.”
Keith looks across at Lance’s calm, determined face, and the words rise up in him like a groundswell.
“I know I haven’t earned it, and I know it doesn’t make sense to you, but I miss how things used to be. And the worse everything gets the more I keep wondering what you would say, or do, and I hate that—god,” he breaks off, and presses his palms briefly to his eyes. “I mean, you would’ve had no way of knowing how I felt. I didn’t even know. But I should’ve—I just thought we would have more time after the war, or I would die and it wouldn’t matter. And I guess I assumed you were always going to be there, because you always were, even when I didn’t want you to be, and now—I don’t know, Lance, I don't know how I’m supposed to go to the castle, or pilot Red, or look at the planet I grew up on without remembering how much you loved it, and how much I love you—“
“Keith, what?” Lance says, alarmed. “You’re freaking me out.”
“Where are you?” he frets.
“I’m here.” He crawls closer, but Keith can't look at him. He watches the fussy waves coming in off the shore instead. “I’m right here.” He rests his hands on Keith’s ankles, and he has to steady himself on Lance’s shoulders when his knees go loose. “Man, I shouldn’t have joked about PTSD. I mean, I feel like this sometimes too.”
Keith looks down into his face. “What?”
“You know, like I’m back there. Like—time doesn’t even exist. Being off-planet was such a bitch sometimes. You feel like you can disappear in all that open space. And sometimes you want to.”
“Lance,” Keith whispers. “You wanted to disappear?”
“Yeah, sometimes,” Lance says, serene. “Just for a while. Let someone else defend the universe for a bit, preferably an adult. Hey, don’t look at me like that, I didn’t do it!”
“You would have told us,” Keith says, through bloodless lips.
“Sure,” Lance offers.
“No. No. You would’ve said something.”
Lance takes his hands away uncertainly.
“I wouldn’t have done it,” he says flatly. “I’m just telling you that I understand being pissed off, and I understand wanting to—hit pause.”
“What about hitting stop?” Keith asks. “What about disappearing so thoroughly that whole galaxies full of alien technology can’t find you?”
Lance’s face is a spinning wheel; he cycles through all manner of confusion, impatience, and worry before settling on defensiveness. “What the fuck are you talking about? Are you out of your mind?”
“If I am, it’s your fault,” Keith snaps. “How could you leave us?”
“How could I leave?” There’s no question now, that this is data from his Lance. His tetchy, self-conscious anger is unmistakeable. “You’re the one who ditched us for the Blades right when we were at a tipping point. You’re the one who wadded two years up and threw them in the trash. You didn’t have to care about us but you absolutely should’ve talked to us. We were a team.”
“You think I don’t care about you?” Keith laughs. “That’s fucking hilarious.”
“I’m really laughing,” Lance says sarcastically. “I don’t know what sort of crazy pills you took that made you think that I’m the deserter out of the two of us. I wish I could be that delusional. I may have wanted out once or twice, but I would never, ever leave the people who need me.” He’s fuming, and the wind is blowing through his curls like it’s trying to placate him.
Keith’s anger wobbles. It hurts, to hear Lance talking this way after so long. It’s not the reunion they deserve.
“I know. I know that.”
Lance sits back on Keith’s towel, frowning. He brushes the drained cooler away, and the remnant dribbles out and darkens the sand. “I don’t know why you always have to ruin everything.”
Keith’s throat aches, and he crosses his arms protectively over his chest.
“Me neither.”
Lance glances up, surprised. And then his gaze slides purposefully beyond Keith, considering. After a moment something comes over him, and his whole demeanour changes. “Keith,” he says softly. “Did you say you loved me?”
Keith screws his eyes shut. After a moment he hears Lance moving closer, reaching out, fingertips barely grazing the back of his hand—
“End simulation. Please.”
He crouches in the dark. “Please.”
______
“Oh, fuck you,” Lance crows. He ducks out from under Keith’s staff, and then grabs the end of it, using the momentum to slide through Keith’s wide stance.
He spins around, and Lance is five feet away, holding his own staff up to his eye like a sniper rifle.
“Bang,” he says.
“This is close combat,” Keith reminds him. He throws his weapon like a spear at Lance’s ankle, and he yelps when it makes contact.
“How is that close combat? You javelin wielding motherfucker. You should be disqualified, and jailed for your crimes.”
He watches Lance shake out his foot like it really hurts, testing his weight and pretending to stumble, falling forward—and then whirling around in time to clash staffs with Keith.
“Shit,” Lance laughs, up close, hot with exertion, putting the pressure of his body weight on the cross they’ve made between them. “Thought I had you.”
“Do you want to surrender?”
“Do you want to kiss my ass?” Lance retorts.
Keith steps out of the way, and Lance’s momentum sends him tumbling head-first to the floor.
“Sure,” he says coolly. “Turn over.”
“What the hell,” Lance says, rolling onto his knees, flustered.
“You lost.”
“Yeah, whatever, like six to five.”
“Six to four,” Keith corrects, and offers him his hand. Lance pretends to spit into it, then flops back onto his hands instead.
“If we were duelling with pistols, I would humiliate you. You would have to drop out of Voltron.”
“By that logic, you should be packing your bags right now.”
Lance throws his head back and laughs. “I’m going to fucking kill you, Kogane.”
“Try me.”
Lance shrugs, but just as Keith starts to look away, he throws himself at him. It’s so unexpected that Keith actually goes down, wrists slammed to the mat on either side of his body, wind knocked out of him.
Lance laughs breathlessly, looming messy and sweaty above him. “Wow, that was embarrassing for you. Your arrogance is your downfall.”
“You’re my downfall,” Keith says, a little too flat and sincere across the top, and Lance purses his lips.
“You’re taking this too seriously, dude.” He lets go easily, and rolls out on his back next to him instead. He flexes his wrist in the air above them both, and Keith watches his fingers work. “Why does it feel like it’s been forever since we sparred?”
“It has,” Keith says simply.
“I guess,” Lance yawns. “I can’t even remember the last time.”
His heart is still pounding from the first serious, sustained training he's done in months. When Lance goes to sit up, Keith puts a staying hand on his chest.
“Hey, Lance," he says. Lance hums. "If you got separated from your lion for any reason, would you—what would you do?”
He frowns. “I dunno. Alert you guys. Rescue mish.”
“What if you couldn’t contact us?”
Lance looks sideways at him. “Not loving this thought experiment. Why are you being so weird?”
“Please,” Keith says, taking Lance’s sore wrist, feeling for the artificial thud of his pulse. “Just—answer.”
“Uh. I don’t know, am I captured? Or planet-side?”
Keith swallows. “Planet-side.”
Lance nods, considering. “If the locals are part of the alliance, I would get their intel, and find a way to reach you. If not, I guess I would lie low. Wait for a friendly ship and signal them.”
“That could take years. It might never happen, depending on where you ended up. Like—alien vessels aren’t cruising over Earth very often.”
“Says you,” Lance jokes. “The truth is out there.”
“You could die waiting,” Keith insists, dropping his hand. “What if the atmosphere wasn’t compatible? The flora and fauna? What if your suit was compromised?”
“I would heroically overcome all obstacles, whistle for my trusty lion, and ride off into the cosmos,” he replies sardonically, “what do you want from me?”
“I just think we should have more rescue protocols in place in case something goes south.”
“Right,” Lance says slowly. “Well, I mean—and I’m going to try and get through this without gagging—I have your back, man. And if we get separated, I’m pretty sure you can take care of yourself.” He gestures at their discarded staffs. “Not as well as me, of course,” he sniffs, glancing sidelong at Keith to see if he’s cheered him up.
Keith feels the phantom weight of Lance’s body crushing him to the mat, a window of weakness pried open, broken and entered. He breathes out. “Yeah. You’re too good for that.”
______
He asks Pidge for more scenarios, and more user profiles. For fleshing things out, he tells her. For recreating the circumstances under which Lance was lost, testing his reactions to different situations, and introducing as many variables as possible.
Slowly, inevitably, he starts to lose control of it all.
He’s still a correspondent to the Blade of Marmora, and he’s on call as a paladin, but they haven’t been able to form Voltron in years. He’s perpetually out of sync with the rest of the universe, living more and more like a washed-up casino-goer, existing only for the market stall where he can plug his friends in and relive the past.
He pays off the owner not to ask questions, and gets an apartment on Seachmall, barely the size of a lion cockpit, just a sparse kitchenette and a twin cot. He spends hours in the simulator and crashes on his bare mattress, bathed in the constant, spectacular glow from the street lights.
Every time he staggers away from the market he has to remember that the real Lance is rotting somewhere, and he’s here playing dress up with shadows.
It’s all easier, in the holodeck.
He loads the original paladin line-up into battle, relives their victories and rights their wrongs. He finds himself in the kitchen of the castle of lions, in a ballroom overlooking a fathoms-deep canyon, curled in Lance’s bed so he can finally sleep. He takes his friends to Earth a hundred different ways.
There’s always a fog, a strangeness about them when they think too hard about where they are, but he knows it’s a mercy. He ends each simulation on the verge of spinning out, functionally pulling the trigger on his dearest friends.
Reality sags out of his grip. Pidge and Hunk call sometimes, and often Kolivan or Allura will give him status reports, scattered missions, and lectures that walk the line between morally superior and deeply, uncomfortably worried. When Shiro starts up daily check-ins, he understands that they all know what he’s been doing, lost on Seachmall for so long.
“You’re taking care of yourself, right?” Shiro asks.
“Yes,” Keith tells him. He’s staring at the empty wall across from his bed, absently sharpening his knife. “I’m just killing time.”
“We really miss you around here. It’s too quiet.”
He tests his blade, rolling his shoulder. “I’m not exactly bringing the party when I’m out there.”
Shiro hums. “I don’t know, you certainly keep things interesting.”
Keith snorts.
“I’m serious!” He can hear the smile in his voice. “There’s only so much quantum mechanics and ancient magic I can take before I want to hit something. I want my sparring partner back.”
They lapse into silence, and Keith traces patterns in the air, enjoying the fine metallic sound of a weapon without a target.
“You know we’re still looking, right?” Shiro asks. Keith stops cutting the air, and puts his knife down on the bed beside him.
“Are you?”
“Yes,” Shiro says. “Of course we are. Allura and I are visiting every contact she has, and Hunk and Pidge are working—overtime. We’re picking up a lot of slack here.”
The back of his neck prickles with guilt. “What’s that supposed to mean?”
Shiro sighs. “I’m telling you this because you’re my brother.” But he has his diplomat voice on, which Keith has always hated. “And I don’t know if you’re thinking about what it’s going to do to the rest of us if you don’t come back from this.”
“From a simulator?” he asks, incredulous.
“From grieving,” Shiro corrects. “I would never tell you to stop looking, but I think you know you’re not going to find him in those projections.”
“I could,” he says stiffly. “He tells me things—every day he gives me clues and he doesn’t even know it.”
“He doesn’t tell you anything,” Shiro says gently. “Because it’s not him. Do you remember when Allura had to let go of her father? It was so easy for her precious memories to be corrupted, and even easier to get swept away in the illusion. Everything in a simulator is finite, Keith, but you can’t be. You have to grow, and change, and move on.”
He thinks of every different shade of Lance he’s seen, every secret door that gives and leads to another wing. “You don’t get it.”
“Of course I get it. If Adam—“ he cuts himself off, and his breath shudders over the line. “You’re not the only one to be feeling this loss, or to be struggling.”
“But I never even got to love him," Keith argues. “I never got close enough to put any of these feelings anywhere, and now they’re everywhere. No one ever gives me the chance to love them before they—“ he swallows, and when he goes to speak again he finds there’s nothing else to say.
“I know how hard it’s been for you,” Shiro says sadly. “But Keith, understand—we all love you. No matter where we are or what we’re doing. We don’t have to verbalize it to feel it.”
“Okay,” he says, numb.
“We love you,” he reiterates. “Lance did too.”
“Thanks for checking on me Shiro,” he says, and hangs up.
______
“No way, no way, no way,” Lance crows. “This is slander.”
“It can’t be slander if all of us were there to see it,” Hunk says, but he can’t look at Lance without cracking up.
“You’re remembering wrong,” he says. “She asked me to give a speech.”
“She asked you not to,” Pidge says, rolling her eyes. “Begged you, even.”
“Boo,” Lance laughs. “I was just trying to have a good time at alliance banquet number five zillion.”
They’re clustered on blankets between the yellow lion’s hulking paws, in the soft local vegetation of one of the last planets they liberated as a team. They were buzzed, when this conversation actually happened, but Keith hasn’t been able to replicate that particular feeling through the simulator.
“I don’t know why you always have to lie to these people,” Keith says, just as he did on the actual occasion.
“Embellish,” Lance protests. “I live by the principle that everyone wants to hear the best possible version of the story, and you owe it to them to tell it.”
“But the best version is almost never the real version,” Hunk says, exasperated.
“I dunno man, what’s real anyway?” Pidge says, easing back into the blankets. “Our lives are such a clusterfuck as it is. The line of what’s actually impossible gets farther away every day.”
“Yeah,” Lance says. “What squidge said. Lying is cool.”
“Ugh, don’t call me that,” Pidge complains.
“What, I’m agreeing with you,” Lance says, grinning. He leans over to give her a big-brotherly hair-pull that she intercepts with a karate chop.
“People deserve to know the truth,” Keith says mechanically, following the script, but then feeling flushed and hypocritical all at once.
“Okay, here’s a truth, universally acknowledged: Keith sucks,” Lance says.
“Hm. Sounds like another lie to me,” Hunk says, and Lance reaches up to steal his headband in retaliation. Hunk rolls his eyes and lets him have it, like he’s appeasing an overactive puppy.
Something skitters in the dark, beyond the dunes of Yellow’s paws.
“Don’t you have a rebuttal, Keith?” Pidge asks, sitting up on her hands.
“Why are you encouraging them?” Hunk groans.
Keith shrugs and stays silent; Lance’s gaze narrows shrewdly.
“You aren’t one of those weepy drunks, are you?”
Keith picks at a loose thread in their shared blanket. “No, I just changed my mind,” he says, veering off-book. “I don’t know why I was acting like it was ridiculous that you like telling stories, when it obviously makes people feel better to believe them.”
“Oh. Well. Glad you came to your senses,” Lance interrupts, overly loud. He always seems to hate it when Keith gets sincere like this. He begs for attention but recoils when he gets too much.
“Most of these alliance parties happen after a long period of unrest. So… what, you helped grieving people by acting like a superhero? To them, you are a superhero. God, I couldn’t stand that you took so much credit for our victories, but I should’ve given you more.”
Lance blinks at him.
He remembers with fire-bright clarity how this scene actually played out, the way Keith kept needling at Lance’s hero complex, accusing him of making things up so he could pretend he’d been helpful. Lance had dialled his bravado to a screaming pitch so he could hide the soft, spoiled look in his eyes where Keith had lodged a cruel sword that he couldn’t pull out.
Now, Lance purses his lips so he doesn’t have to figure out what to do with his expression.
“Huh,” Pidge says, chewing on a pseudo-protein bar from their rations. “That’s some unexpected character growth.”
“Are you… feeling okay?” Hunk asks.
Keith looks miserably down at his own crossed legs until Lance says, “not that I don’t appreciate it, but you did just do kind of an impressive one-eighty.”
He looks up. “Yeah, sorry. I don’t know what the fuck I’m talking about.”
Lance smiles a little, relieved. He waggles the flask they’ve been sharing in his direction. “You just need to drink more.”
“No,” Keith disagrees, shaking his head. “I want to remember this.”
______
He opens his eyes to the world on its side, gritty endless flatlands sprayed out against a hazy auburn sky.
He rolls, putting his arm over his face, a visor against radiant twin suns.
He doesn’t have to look to remember the architecture at his back, a cubist explosion of edges and colours, each shape squared off and set into the hills. When the paladins liberated Imedemaa, they were offered accommodation in homes that corresponded to their lions: terracotta red, cobalt blue, mustard yellow, foliage green, and a brown so dark it could pass as black.
It’s his favourite place to visit: brilliant views, kind people, warm bed, privacy and proximity bumping shoulders comfortably.
Keith rolls again, sitting up. He feels heat-sick, and if it were real, he knows he would be bruised tan in the coast-to-coast sunshine. He’s spread out on the same outdoor palette where he fell asleep nearly three years ago. His apartment is warm, dull red, nearly orange. The shimmering public baths sparkle with activity just below his balcony.
“Yoo-hoo, neighbour.”
Keith squints over the waist-high wall and finds Lance clambering from his own balcony onto Keith’s.
“You’re going to fall to your death.”
“Nah,” Lance says, swinging a leg down over the railing and sitting contemplatively with one foot dangling over empty space and the other brushing the floor. “There’s a pool down there. Worst case scenario I perform an exceptional and history-making canon-ball.”
Keith watches him climb the rest of the way over, staggering and sitting heavily on Keith’s palette next to him.
“Oof,” he says. Lance's skin is dazzling in this climate, dark and freckled like granite. The simulation reminds him that he smelled like lotus, this day, fresh from the baths, warm shoulder and drizzling wet hair. “Are you ready to absolutely blow this popsicle stand?”
“And do what?” Keith asks, a little breathless from proximity.
“Did you seriously forget? It’s racing day!”
“Oh,” Keith says faintly. “Right.” They used to rent speeders for fun sometimes; the whole team participating at first, and then Keith and Lance alone when they surpassed friendly competition into bet-making and sabotage.
They would sneak back whenever they could swing the time off, careening around dusty corners and ramming one another’s speeders into hysterical tailspins. They would sob with laughter and then spritz their canteens all over each other, tussling in the dirt, so coordinated that it was almost an embrace.
The thought of it had driven him out of bed this morning, but he felt sick and shaky as he typed Pidge’s code into the simulator, setting the modified location of Imedemaa and rolling into a memory so fine and warm that it reminded him of death itself.
“Woah. easy, Red,” Lance says, his voice sharp with concern. Keith comes back to himself to realize that he’s angling into a panic attack, holding his own head in his hands. He can’t spoil this memory. Not this one.
“I—I—“ He can’t speak. Lance makes a dismayed noise, his entire demeanour turning inside out.
“Can I hug you, man?”
Keith jerks his head ‘no’. “I—can’t—you—“
Lance gets to his feet, and Keith grabs at him, hooking fingers in a belt loop, a fistful of shirt, whatever his hands find first.
“Hey, shh, it’s cool, I’m just getting you some water.”
Keith shakes his head again. “Don’t leave me.”
“Will you tell me what’s wrong?” Lance asks softly, sitting back down. “We don’t have to go racing today.”
Keith huffs this weird cartwheel of a laugh, and scrubs a hand over his eyes and nose.
“I think I dreamed you were dead,” he tells him. He doesn’t look up into his face, but Lance’s chest is steady in front of him, rising and falling evenly with each breath.
“Who, me? I’m fine, Keith, look at me.”
“It felt real.”
“Pretty sure it wasn’t,” Lance says, laughter tucked into his worry like a concealed weapon. Keith looks up at him, and Lance beams under his full attention. He wipes the tears from Keith’s cheeks with his thumbs.
Abruptly, he can’t stand it.
“You’re a hologram,” Keith whispers. Lance’s smile falters.
“What?”
“Do you remember how Pidge took our mental blueprints?”
Lance nods quickly. He’s not brushing Keith off, he’s not slow with disbelief. He’s clear and sharp and his face is increasingly overcast with fear.
“I’m using your data in a simulation. This holiday on Imedemaa, it was years ago. You’re not the real Lance.” It hurts, to admit it, but it’s clear that it hurts Lance much, much more.
“No,” he chokes. “No, I feel real.”
“I know you do,” Keith says, reaching for his hand.
But Lance jerks away, standing and reeling backwards, hands splayed out on red paint, which could be gore, really, bleeding out from Lance’s palms like that. “I was so fucking scared of this.“
“I’m sorry,” Keith says, watching this shade of Lance shaking through self-awareness, and feeling the weight of the words that could end it in his mouth.
“Why—where—“
“He’s gone,” Keith whispers.
“Gone as in gone?”
“Gone as in I can’t find him.”
“So why the fuck are you wasting time on this Black Mirror shit, and not out there looking for me?” he demands.
“I’ve looked everywhere.” The agony of his failure slides home all over again. “The search party is a million strong by now. I’ve talked to a hundred versions of you looking for an answer.”
“A hundred,” Lance says. “So what, when I tell you what you want to hear, you delete me?”
“I’m not wiping the data or anything, I—I don’t know how it works,” he admits.
“Jesus. Jesus Keith, this is fucked up.”
Tears start to well up, and he wipes them away furiously. He never used to cry like this. He never used to feel so constantly ravaged by guilt and fear. It used to live in his gut and press at his throat, but he could keep it wrapped and sealed inside his body.
“I miss you,” Keith tries, and Lance’s face twists with despair.
“I really wish it didn’t take this horror show to make you say that.”
Somewhere, something splashes and someone shrieks with laughter. Lance looks at him miserably, hunched in the shade from the terrace, brow damp with terrified perspiration. He absolutely shouldn’t have told him. He remembers Pidge laughing darkly, I’m not that cruel.
“What do you want me to do,” Keith asks quietly.
“What choice do I have?” Lance asks. “I’m a fucking video game character. I’m a dead man walking.”
“Do you want to do anything? Before I end this session.”
Lance swallows, considering. “Yeah,” he says. “Yeah, I do, actually.”
______
They race.
What feels like all day, ripping in circles under arching rocks and through clinging, dragging sand, until the suns are setting, twin flames set into the desert like jewels.
Lance is extra reckless, gorgeous, perched high on his speeder and arched forward to reach the controls. His face, below the goggles, is streaked with mud, and he keeps crying out when he tips over too far or pulls triumphantly ahead of Keith, cathartic, unfiltered.
“One more lap,” he shouts, over the thrum of noise from the speeder.
“I’ll beat your ass,” Keith calls, trying for normalcy, but they’ve both kind of been crying on and off all day, and this is the last thing this Lance will ever do, and really, he’s not that cruel.
“Fucking try,” Lance says, pulling his bandana up over his mouth and taking off.
“Hey!” Keith laughs. “No countdown?”
“I think I deserve a head start,” he calls over his shoulder, but most of his voice is whipped away by the wind.
The speeder rips sideways, sliding over a natural boulder ridge that drops off into nothingness. Strange gravity keeps him on the right side of the cliff, and he hoots with joy, galloping metres and metres ahead as Keith eases through the same turn.
“You’re gonna—“ get yourself killed. He bites his tongue. Lance can’t hear him anyway. He zigzags through natural obstacles, glancing back in disbelief when Keith pulls up behind him. His face is red with the effort of staying upright.
“Can’t you let me win for once,” Lance cries, slamming on the thrusters and stirring up a fog of dust behind him. Keith coughs and dodges, feeling on the very edge of an awareness too big to name, like being able to feel one stage of grief ending and another beginning.
Sometime during Lance’s luxurious lead he’s taken off his helmet, and now the desert wind is whipping his hair straight.
He takes the next corner much too fast, and Keith’s heart is in his throat as he inevitably spins out, in smooth little frictionless circles at first, weightless as a bumper car—and then the rear of the speeder catches on a jutting rock and he’s ejected altogether. He topples out into the sifting dunes, rolling half a dozen times and stopping himself so abruptly that Keith can hear something snap.
He pulls up hard, tumbling off the speeder and throwing his helmet out into the sand, running as best he can to where Lance landed.
When he reaches him he’s cradling a severely broken arm to his chest, and the bone is piercing through the skin. There’s blood everywhere, weeping through his fingers, streaked high on his hairline, staining his shirt and the tawny sand beneath him.
“Would’ve been great if you could have programmed me not to hurt,” Lance wobbles. Stiff upper lip, terribly pale.
“Didn’t know you were going to throw yourself off a speeder.”
“Yeah, well. Me neither.” He hisses as Keith takes his wrist in his hand, unfathomably gentle, turning it this way and that.
“This looks terrible.”
Lance snorts. “Thank you doctor Keith.”
“I don’t think we brought any first aid,” he mutters, frowning, digging through the pack at his hip.
“I don’t need it.”
“Are you kidding me? You’re—“
“Keith.” He looks up at him, smudgy and sweaty and splashed with five kinds of red in the fading light. “I don’t need it.”
Keith trembles, still searching for a bandage or a stopper or an answer of any kind. “No. I hate this.”
Lance smiles grimly. “I don’t love it that much either. But hey, maybe there’s a way to bring me back. This exact version of me. From the ether somewhere. Doesn’t feel quite as permanent as capital D Death.” His eyes narrow. “As long as you don’t lose me, Red.”
“I won’t,” he whispers, parched and grief-torn. “Never again.”
“Okay. Okay.” He makes himself comfortable, stretched out on the sand, arm folded over his chest. “Hey, Keith?”
“Yeah?”
“Can you not—raise me from the dead again? I don’t think—I mean. A hundred versions of me and you haven’t found what you’re looking for.”
“But I have,” Keith says fiercely. “I always find what I’m looking for, because I’m looking for you.”
Lance laughs, coughs, squeezes his eyes shut. “That’s real romantic.”
Keith’s mouth twitches. “I’m glad you think so.”
Lance cracks an eye open. “Just find me the old fashioned way, will you? No more beautiful Lance casualties.”
“I—don’t know if I can promise that,” he says. “I miss you,” he reiterates.
“Yeah. More, I bet, when you’re looking right at me. Ever wonder why that is?”
Keith shakes his head fast.
“Dumbass,” Lance says fondly. “It’s literally always gonna hurt, trying to live in the past. Makes you feel like you don’t have a future.”
“Maybe I don’t.”
“That’s a pretty insensitive thing to say to a dying guy.”
Keith laughs wetly. “You’re being melodramatic.”
“When can you be melodramatic if not on your deathbed?”
Keith brushes the sticky hair from Lance’s forehead. He turns his face and Keith’s hand softens and cups his cheek comfortably.
“Pidge can do anything,” Keith tells him. “All your ones and zeroes will be safe somewhere until she can figure out somewhere for you to go.”
“Yeah, okay,” Lance says, like he barely heard him. He’s determined, heroic. Fucking heartbreaking. “I hope the real me gives you hell.”
Keith nods jerkily. “He always does.”
“I hope he—I hope he’s good to you, too.”
Keith’s face crumples, and he puts his forehead to Lance’s, feeling him wince when his chest grazes his broken arm.
“Sorry, sorry,” he sniffs, holding his face, wiping the blood and muck and tears back.
“It’s okay,” Lance says, starting to slur. “It’s okay, Red, just end it, quick.”
“You’re the last one,” Keith promises.
“Good,” Lance says, “because you’re not gonna do better than me.”
Keith laughs, putting their foreheads together again, and then kissing the place where a tear has rolled down into his hairline.
“See you soon,” he whispers. Lance leans up, golden, bloody.
Keith shudders, and says “end simulation” into his mouth.
Imedemaa winks out, and his whole world narrows instantly to a pinhead. He’s huddled on the floor over nothing at all, caught in the throws of fantasy, like a sleepwalker. When he licks his lips though, he swears he can still taste salt.
______
He leaves the simulator into the whiz and pop of another Seachmall night. The owner nods at him, looking vaguely troubled, possibly by the amount of time that Keith has been locked in his simulator today, and by the look on his face now, which he can only imagine is ripped in half by loss.
The market is busier than usual, stranger, overfull with alien tourists, so much so that the paladin simulator has accumulated a long line-up.
He sidesteps their stares, slipping soundlessly into the alley, already dialling Pidge on his communicator. She said the system would automatically wipe after each use, but he’s certain she can retrieve whatever information would be inaccessible to the public. She said herself that she doesn’t burn data.
He waits through the suck of the empty line, feeling antsy and keyed up, aching from a day of racing but incongruously clean and dry.
“Come on, Pidge,” he mutters.
Somewhere in the market, there’s a great clamour of voices. Something clatters to the ground, and someone apologizes profusely in common. Keith chews his lip distractedly, waiting for a thief to run by, a sheepish tourist, or scuffling rival business owners.
The line connects and disconnects in quick succession, and Keith kicks a trash disposal chute so hard that it dents.
He frets, thinking of Lance’s final moments, the wilting fear on his face, his mouth split open like fruit.
A hoverbike rounds the corner, and Keith only steps barely out of the way, nearly clipped by a wide fender. It crashes to a stop, making a thin, rumbling sound, and then its rider has whipped all the way around to stare at Keith. Achingly humanoid. Cobalt blue Motorcycle helmet. Rippling with motion even while sitting still.
They swing a leg over the seat of the bike, staggering closer, and Keith knows. He knows when a slender, gloved hand reaches for the visor, and when twin pistols clink and gleam from their holsters. The helmet falls, rolling into the dirt.
“Keith,” Lance breathes.
42 notes · View notes
sabineelectricheart · 3 years
Text
Romeo
Summary: “I should have left you with the Falzone when I had the chance.” It was the threat that hung between in the air.
Rating: MA - Content is only suitable for mature adults. May contain explicit language and adult themes.
Words: 2100
Notes: Here be lemons. It is even rather fluffy to the standards I am setting myself up with.
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“Don’t.” Liliana whispered. “Please don’t. Don’t do this to me, Yang, I beg of you.”
Yang slowly pulled away his hand, his arms were now loosely hanging by his sides, a devastated expression on him as his eyes wandered across the marked tearstains down her face.
He watched her leave their living quarters towards the washing closet, as the stuffed panda he ordered for her so many years ago watched with that empty happy smile as the only witness to the tragedy beginning to brew over his life. He sunk down onto the couch, head buried in his hands, a dry, foreign hiccup left his lips.
Yang could not believe himself the words he had screamed at her, just seconds ago.
Regret began to fill him, his throat was tightening up, it felt as if somebody was cutting off his airway, tightly squeezing his skin, crushing his windpipe, making him suffer, for the profane words he did not really believe in that had left his mouth.
It was as if he was two people. Yang and Mao. He was Yang, but he wanted to be Mao. In the end, if he was absolutely honest, he was just one deeply flawed person who did not know how to administer the salvation assigned to him.
Hiccups rumbled through her as Lili grasped the sink in the private bathroom. Her knuckles were turning white. She was watching herself through the mirror, she was a mess, not being able to let go of his threat.
“I should have left you with the Falzone when I had the chance.” It was the threat that hung between in the air.
The way he had so aggressively screamed it refused to leave her mind. His eyes had been dangerous, pitch-black, empty pupils were staring at her, watching her crumble, fall apart as he kept on screaming and screaming. She needed some time to breathe, to calm down and think the whole scenario over.
Their fighting had been going on for weeks by now. Every time they would visit Hong Kong to pay tribute to Liu Huang Hui, all hell would break loose. Yang would switch his focus onto ‘something important’ and would leave her hanging and turn his back on her, as if he was a completely new person.
She had been going through thick and thin with him, had picked him off the floor, had pulled him out of his darkest holes. They had been for years by now, and Lili probably should be used to all the stresses and strains by now.
Lili would hide away in their bedroom, desperate for some time alone. She could not get herself to talk to him. Every time she would think about him, bile would rise in her throat, tears were welling up in her eyes, making her cry out over and over again.
She was not noticing that he was sitting across the door to their bedroom, out in the hallway. He wanted to clear his own head out in the roof, let the lights of the big city calm him down, but he could not find on himself to tear himself out from there.
Tears would threaten to fall from his eyes as he listened to the sound of her pained crying. He was suffering just as much, but for complete other reasons. This had been the first time Yang had felt terribly anxious, scared that she would finally give up, finally realizing how bad of a person he was, that she would finally turn her back on him.
He knew that it would be on him this time to make things right, so he did the only thing he could think of, Yang began to roam the small library his wife amassed over the years they spent together.
He had stared at the foreign volumes for hours on end, trying to come up with any idea. A tight smile would tug on his lips as he had finally come up with something that he could do. Something he could do to try to convey a beautiful memory Yang was trying to project with some literary work he might be intellectually invested, but it was emotionally beyond him.
The copy he ordered was decorated with a lithography, shipped over from the northern part of her home country. It was resembling of the small clearing where they had spent the night once, fleeing from wolves and mafiosos, finely imprinted in linen paper and elegant typeface, something that she would certainly enjoy and treasure, more so than those cheap copies she ratted out into their bases over the years, under Lan’s reluctant auspices.
Peace offering in one hand and the ever-present pipe on the other, he sauntered into the bedroom as if he was the Emperor of China and threw the book on the bed, just next to where she was curled into herself, letting the tears fall through her face freely.
Lili looked up at him and to the package next to her. “What is this?”
“Give me my Romeo, and, when he shall die, take him and cut him out in little stars…” He was murmuring her favourite lines out of Shakespeare’s Romeo and Juliet. “And he will make the face of heaven so fine, that all the world will be in love with night and pay no worship to the garish sun.”
She sighed. “What is the meaning of this, Yang?”
“This is not my name.” Her husband barked.
“What is the meaning of this, Yang?” The woman repeated.
“This is not my name.” He insisted, his rage raising and raising in response.
“Very well, Mao. As you like.” Liliana sneered. “What is this? Reading material for when you ship me back to the Vatican?”
“You will not be going anywhere without me.” He responded. “Not now. Not ever.”
She sighed, and finally raised her face to look at him.
“I can still remember the day we met for the first time.” Her voice was hoarse from all the crying. “You never deluded me, you never tricked me. I always knew you were violent, moody and nothing like the romantic heroes of the books I read in Church. Nevertheless, I was pretty sure you loved me in your way, but I am not that certain now. What happened, Mao? What did I do wrong?”
“You did nothing wrong.” He responded, looking out the window to the nothingness in the damp alley where they lived. “Nothing went awry, and no changes in course were made.”
Lili walked towards him, her naked feet were tapping against the wooden floor, she grasped his hand and sunk down in his lap, nuzzling her head against the crook of his neck.
“I love you.” She whispered, hugging him lightly.
“For what matters, I am sorry.” He responded, voice low and calm, with a clipped tone, a rare feat for him.
Liliana placed her pointer finger onto his lips, silencing her husband. “Show me, prove to me, how much you love me.”
His yellow, feline eyes were staring at her, burning right into her soul, trying to swallow down the guilt that was eating him alive.
Yang carried her towards the bedroom, smiling down at her, he moved some of her hair out of her face, slowly dipping his head down to kiss her. The loving kiss soon turned into something else, something much more passionate, fuelled by their rage, their sadness, that had been clouding their minds for the past days.
The standoffish man pressed his forehead against hers, his hands were moving along the sides of the hideously pink cheongsam she was currently wearing, expertly working through the clasps of the piece, as he mentally tried to assure himself of her continued presence close to him.
A shaky breath left Liliana’s lungs, he began to unbutton the undershirt, kissing her skin every time he popped open another button.
He attached his mouth onto her boobs, taking his time as if he was exploring her body for the first time, Yang pressed loving kisses all over her chest, her eyes fluttered close the moment he finally sucked on her nipples, making tingles erupt in her lower belly.
“Beautiful.” The criminal whispered against her skin, moving his hands down to her panties, he rubbed her clit through the fabric, slowly teasing her.
He did not want to rush things this time. It was best if he took his sweet, sweet time with everything.
“Please, Mao.” She bemoaned. His rings felt cold against her hot skin.
Slowly, he pulled her soaked panties down her legs and kissed down her upper body, to her hipbones, where he placed his hands.
He ran his tongue across her clit, circling it, eyes finding hers, a faint smile began to spread on her lips. She reached her hands out and tangled them in his fiery red hair, getting pulled back into the pleasure he was currently providing her with.
Yang plunged two fingers into her heat, pumping them in and out of her as he sucked on her sensitive nub, one moan after the other fell from her lips.
Her release was growing ever closed, as Yang curled his fingers upwards, teasing her sweet spot.
“Does that feel good, Liliana?” He groaned out, his pants were getting tighter, he could not get enough of her.
She could only moan a small “yes” tugging on his roots, telling him that she was close, her orgasm would wash over her any time soon now. His name fell from her lips, the familiar warmth began to spread through her, the knot in her belly exploded for the first time that night, leaving her breathless for a few moments.
His eyes would not leave hers. Yang pulled his shirt over his head, exposing his toned upper body to her green eyes, he ripped his trousers and underwear down his legs, his length was standing proud and tall, throbbing in his touch.
He crawled up her body and ran the tip of his length along her folds a few times, coating himself with her slickness. Lili grasped his necklace and pulled him down for a kiss, moaning against his lips as he sunk his length into her heat.
Yang completely filled her, she could feel every inch of him, buried in her heat, fully stretching her. He wrapped her legs around his middle, slowly pulling out of her before he thrusted his hips against hers.
His eyes were closed, he was building up the speed of his thrusts. He did not want this to end too soon, this was not about him, it was all about her and the love he felt for her, even if he did not care to admit, even if it hurt some survival instinct that he fostered over many years in unforgiving streets all around the world.
“Look at me.” Lili whispered. She was still holding onto his necklace to dear life, and managed to bring his face closer to her, as if she was going to share an unspeakable secret. “I love you too.”
A small smile began to spread on his lips, his hips were thrusting against hers more easily by now, excitement was flooding through the both of them, relishing in the feeling of being as close as possible.
“Faster, please, Mao.” She moaned.
Her toes were curled, he began to put pressure onto her clit with his thumb while he was pounding into her.
He kept on calling out her name, one hand was placed on her right thigh, the other one next to her head, her walls were clenching around him, trying to pull him even closer.
Lili tugged on his necklace once again, pushing his lips against hers, deep moans rumbled through her as her release washed upon her. Her whole body was tingling, the heavenly feeling overcame her for the second time that evening, a tear fell from her eye. She truly loved him and would never let him go, no matter what.
Yang pressed his forehead against her neck, moaning into her skin. It took him a few more thrusts until he released himself into her heat, his sweat was dripping down onto her skin, his hands had left some marks on her thighs, displaying the deep emotions he had felt a few moments ago.
“I am sorry.” Yang breathed out and pulled her into his tattooed chest, his fingers were dancing across her skin, trying to remind him, that this was indeed real, she had forgiven him and, once again, had not left him on his own.
*_*_*_*_*
Shakespeare in Hong Kong Masterlist
Piofiore Masterlist
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internetandnetwork · 3 years
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Understanding Consumer Psychology: The Key to Making a Web Design That Wins
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Have you come across dubious pop-up ads and notifications while browsing websites? How many times has that happened? Plenty, we guess.
Back when businesses had just started out with online marketing, frauds and flashy emails became quite common. Internet users would be continuously flooded with exasperating and aggressive ads that didn’t make any sense at all.
And do you know what the worst part about all this was? These apparently senseless and infuriating ads actually worked! Users would click on these dubious pop-ups expecting to win a free iPhone, millions of dollars, and so on.
But today, things have changed entirely. People have become smarter than ever. Even though users are still flooded with such in-your-face ads, they are no longer naive enough to even think for a moment that somebody wants to give them a million dollars or the latest iPhone out of the blue.
Why? Well, to begin with, gone are the days when aggressive ads, shallow marketing, and poor web design were a thing. In addition to this, nowadays, user engagement is all about human-centered user interface and user experience design while minimizing the spam as much as possible.
Today, what you need to do is design your website in a way that strikes the right chord with your target audience, and for that, you have to appeal to their best emotions. Wondering how exactly you would do this? It’s quite simple, actually – by using the right web design elements like font, content, typography, colors, graphics, etc., depending on the fundamentals of consumer psychology.
While the majority of website design companies know how web designing psychology works, building a site that wins requires much more than just understanding the fundamentals of how visuals and colors work.
We wouldn’t deny the fact that human brains are incredibly complex, and it is indeed challenging to impress the average consumer. But with just a little bit of practice, you can fine-tune your website to distinguish yourself from the crowd genuinely.
In this blog, we will look at how web design psychology can help you enhance your user experience.
WHAT IS THE PSYCHOLOGY OF WEB DESIGN?
Before we start discussing how you should use consumer psychology, let us first talk about what psychology is and why it plays a vital role in website design.
In simple words, psychology refers to the study of how the human mind works. Since our thoughts and minds control almost everything we do, it only seems logical for us to first understand consumer psychology so that we can develop powerful branding strategies and website design.
In order to understand the fundamental part psychology plays in a user-friendly web design, take this into account:
The limbic system is responsible for our memories and the way we react to positive experiences. Now, if you could help the users associate with your site on a positive note, there are better chances of them revisiting your website and recommending it to their peers as well.
The neocortex is the part of the human brain which is responsible for ‘thinking,’ and this is the one component of web design psychology that designers feel the most comfortable with. Why? Because it is the most logical part of our brain that craves loads of information that makes sense. Therefore, incorporating lots of useful and informative content within your site could be an excellent way to appeal to the users’ neocortex.
The way we think and process information is known as cognition. Nevertheless, making the audience think and like your content simultaneously is neither easy nor cheap. What the average user expects is an easy but pleasant experience from your website or app. Grasping how cognition helps can actually go a long way into building an engaging web design and boosting conversions.
Well, now that you know how web design psychology works, let’s discuss some ways you can channel the power of psychology to build a web design that wins!
MINIMIZE STRESS ON COGNITION
Today most people have limited patience levels and increasingly reduced attention spans. Hence, minimizing cognitive stress sounds like a brilliant idea because the average user can’t handle too much information all at once.
Plus, if you are considering delivering a positive user experience, you need to ensure that your UI and UX design are intuitive, simple, and easy to grasp.
For starters, you can explore pre-existing schemas and mental models. From the typical search button to sign in and checkout processes, these could be anything. Incorporate forms that your site visitors can fill out quickly and ensure that all the components on your web page are in rational groupings.
The majority of people scan things rather than reading them online, so it only sounds logical to include super simple banners, headings, and keywords.
If you are thinking about building a persuasive eCommerce web design, ensure that your site visitors fulfill their goal of purchasing products via a smooth process. There are a couple of things you can do to enhance your overall user experience, such as streamlining your search bar, minimizing the number of primary categories, and modifying the look of your input field.
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INCLUDE SOCIAL PROOF
As human beings, we all love things that we can personally relate to. We are all hardwired to think what other people like might be beneficial to us too. What could justify this better than reviews and star ratings? Whole organizations have expanded their businesses based on social validation (for example, reviews and ratings on IMDb, food reviews on Zomato, etc.).
Social proof has emerged as a crucial marketing tool that significant companies take advantage of in their website design as well as customer support. Now and again, we succumb to these biases and wind up purchasing products we were not even planning to buy in the first place.
You can include social proof on your website using images, reviews, star ratings, and customer testimonials to convey how consumers loved your products or services. Doing so will help you motivate your site visitors and potential customers to take the desired action or engage with your brand further.
TYPOGRAPHY AND FONT PLAY A CRUCIAL ROLE
Just the way colors matter a big deal when it comes to engaging your site visitors, so do typography and font. Both are closely connected to our emotions and can evoke various feelings.
There is a wide range of fonts and styles available for you to pick from – based on the type of emotion you want to elicit when users interact with your website, you can select the one that aptly reflects your brand voice and ethos.
For example, specific fonts such as Sans Serif fonts seem sophisticated, elegant, and classic. In contrast, the Irvin typeface used in The New Yorker emits serious yet innovative, artistic vibes.
WRAPPING IT UP
By now, you must have got a pretty good idea of how psychology matters in web design and how you can utilize it to build a web design that wins. All you need to do is take care of these points while designing your website to make sure it attracts and engages your target audience in the best way possible. Whether you have a web designer in your organization or are hiring a freelancer to do it for you, make sure they pay attention to these details to create a web design that actually works for your brand.
Hariom Balhara is an inventive person who has been doing intensive research in particular topics and writing blogs and articles for E Global Soft Solutions. E Global Soft Solutions is a Digital Marketing, SEO, SMO, PPC and Web Development company that comes with massive experiences. We specialize in digital marketing, Web Designing and development, graphic design, and a lot more.
SOURCE : Consumer Psychology
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aion-rsa · 3 years
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Doctor Who: Why Does Everyone Keep Forgetting the Daleks?
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A scene that did not appear in New Year’s Day’s Doctor Who Special, ‘Revolution of the Daleks’.
SCENE: EXT. 10 DOWNING STREET, A PRESS CONFERENCE IS BEING HELD
PRIME MINISTER JO PATTERSON: …and so I introduce to you, our new, fully automated defence drones!
A “DEFENCE DRONE” GLIDES INTO VIEW.
JOURNALIST (RAISES A HAND): Hello, Jeff Typeface, Daily Exposition. Sorry but, um, isn’t that just a Dalek?
PM: A what?
JOURNALIST: A Dalek? About twelve years ago they transported the entire planet through space then rounded humans up in the streets and exterminated them?
PM: Hmmm. Doesn’t ring a bell.
ANOTHER JOURNALIST: Yeah, and a few years before that a bunch of them came flying out of Canary Wharf?
PM: Sorry, I’m completely drawing a blank.
JOURNALIST: Come on! They murdered one of your predecessors!
PM: Excuse me, but you can’t honestly expect me to remember every single British Prime Minister that suffered a violent death over the last two decades. We all know this job has the life expectancy of a Defence Against the Dark Arts teacher.
PM’S ADVISOR: Actually, Prime Minister, talking of your predecessors, Winston Churchill did try this exact same plan with a very similar looking contraption during the War, and I hear that went badly.
PM: I mean, I’m sure I believe you. I’m just saying this is all news to me.
JOURNALIST: Very well. Moving on, how will these “Defence Drones” help us deal with the Covid-19 pandemic?
PM: See, now you’re just making words up.
Doctor Who has always been a series that points and laughs at fans who want to try and piece together a consistent continuity across all its stories, but even by Doctor Who standards, forgetting an entire global invasion barely more than a decade ago (y’know, just before most of the show’s viewers were born, you absolute fossil you) might seem like a stretch.
Of course, the real reason Jo Patterson couldn’t remember the Daleks is that unlike say, the MCU, where weirdness layers upon weirdness to create a world that almost counts as alt-history, Doctor Who is, on some level, always reaching to be set in “our” universe. The key conceit of the show is that you might turn a corner, find a blue box, and suddenly be whisked away through space and time to a world of adventure. Which doesn’t really work if the British town squares of the Doctor Who universe all feature memorials to the victims of the Daleks and diet pills have to be tested for Adipose DNA.
But at the same time, Doctor Who just loves a great big Hollywood space invasion, and making these two core ingredients of the show mesh is a nightmare for continuity.
Let’s, for instance, take a look at the life of recently departed Doctor’s companion, Ryan Sinclair.
Life of Ryan
Ryan was born in 1998 or 1999. As a child, he attended Redlands Primary School at around the same time London was hit by a “terrorist attack” when shop windows dummies started shooting people. A year later a spaceship crashed into Big Ben, although this was later dismissed as a hoax. That Christmas Day, when Ryan was around eight years old, every human with O negative blood got up in a trance and went and stood on a tall building while a gigantic spaceship hung over London.
Still Ryan is a kid, he doesn’t watch the news, maybe nobody in his family is O negative and let’s face it, news of a lot of this stuff probably doesn’t get as far as Sheffield.
However, even in Sheffield he would have seen the regular “ghost shifts” that appeared all over the world, and at nine years old he would have been traumatised to have his home, like so many others, invaded by Cybermen before they all got sucked away by something.
His family make the wise decision not to turn on the news that Christmas, so he doesn’t hear about the “Christmas star” attack, or later that year a hospital being teleported to the moon, and while he probably remembers grown-ups getting very excited by Harold Saxon getting elected, fortunately most of his tenure as Prime Minister was erased from history.
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Ryan would have noticed when CBBC was replaced by a giant eyeball shouting that “Prisoner Zero Has Escaped”, and, shortly after turning ten, he definitely would have noticed when the entire sky was set on fire to prevent a Sontaran invasion.
And then of course, the Earth was teleported across space, planets filled the skies, and Daleks roamed the streets rounding people up. He would have been about the same age as future astronaut and Mars colonist, Adelaide Brooke at this time, and she was profoundly affected by the experience.
After that it’s possible the government may have rounded up him and his classmates to offer up to the 456.
To round the year off, Ryan actually turned into Harold Saxon for a bit. This was probably, on balance, the worst Christmas of the lot.
2011 was largely uneventful except that nobody could die.
Ryan went on to see the Tenth Doctor light the flame at the 2012 Olympics, was briefly into that whole “mysterious black cubes” craze before they got banned for some reason, and while he was in high school the entire Earth was covered in dense forest overnight but that disappeared, and nobody ever mentioned it again. The Cybermen invaded again. Then, not long after Ryan left school, the entire world was taken over by a species of really gross looking mummified monks who claimed to have always been in charge, before they also disappeared overnight.
Not long after that, Ryan met the Doctor for the first time and was shocked, shocked, to discover that aliens exist.
Cracks in Time
Steven Moffat did give us one handy explanation for why nobody in Doctor Who remembers the Dalek invasion, or the giant steampunk Cyberman that invaded Victorian London, and probably much more. In ‘Victory of the Daleks’ the Doctor tries to persuade Winston Churchill that using his own force of Daleks to secure the country was a bad idea, and he turns to Amy, who would have seen that invasion, to back him up. She has no idea what’s he’s talking about.
Later it’s revealed this is because the TARDIS explodes, destroying the entire universe with it. The cracks in time left by that explosion erased all kinds of events from history, including, handily, anything that would cause the human view of the universe to deviate too far from the real-world status quo.
Of course, that does leave some problems. Adelaide Brooke, again, clearly remembers the Dalek invasion and it was a moment so formative and influential on her eventual Fixed Point In Time that even the Dalek she saw (who, I remind you, was working on a plot to destroy literally all existence) didn’t dare exterminate her because of its influence on the timeline. And since it’s not implied the crack in time could bring anyone back from the dead, it does make you wonder what history says happened to Harriet Jones (former Prime Minister) and all the many others killed by the Daleks.
But maybe you don’t need a giant retconning Crack in Time?
Because while the Doctor has often waxed lyrical about humanity being indomitable, creative, and curious, there is also a lesser innate human quality the Doctor sometimes mentions: our absent-mindedness.
The Forgetfulness of the Daleks
As well as the Dalek incursions in ‘The Stolen Earth’ and ‘The Army of Ghosts’, there was another Dalek visitation of Earth in the ironically named ‘Remembrance of the Daleks’, which was set in 1963. During this adventure then-companion Ace points out she doesn’t remember anything about Daleks invading in the 1960s. The Doctor replies, “Do you remember the Zygon gambit with the Loch Ness Monster? Or the Yeti in the Underground? Your species has an amazing capacity for self-deception.”
Likewise, nobody remembers dinosaurs invading London, or the other time shop window dummies came to life and started killing people, or when the Earth encountered its exact twin. Without any cracks in time hanging around, Doctor Who falls back on an old staple of fantasy and sci-fi- that humans just ignore anything that doesn’t fit into their worldview.
As we’ve already mentioned, this turns up a couple of times in the new series as well. In ‘In the Forest of the Night’, the entire planet is overnight covered in forest for reasons that we’re not going to go into too closely because that story’s a bit of an embarrassment to be honest. As the forest disappears at the end of the story the Doctor says it will be forgotten outside of fairy stories, because that’s “a human superpower”.
It can even work two-way. In ‘The Lie of the Land’, the entire Earth is taken over by the gross-looking and mysterious “monks”. Using a psychic link, the monks convince humanity that not only are they humanity’s generous benefactors, but also that the monks have always been here, guiding human evolution. This is of course a lie, as the monks are actually one of the very few aliens not to have guided human evolution at some point.
After the Doctor does his thing and the monks’ statues are torn down, someone passes by the ruins of one and wonders what it was. Already, people are forgetting.
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Which, if you think about it, is a Doctor Who story in itself. Imagine being an alien visiting Earth. Humanity must seem like the Silence, but in reverse- as soon as they stop looking at you they forget you exist. The Doctor really ought to take a look at that some time.
The post Doctor Who: Why Does Everyone Keep Forgetting the Daleks? appeared first on Den of Geek.
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esonetwork · 3 years
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No One Wants to Read Your Crappy Book
New Post has been published on https://esonetwork.com/no-one-wants-to-read-your-crappy-book/
No One Wants to Read Your Crappy Book
Hey, M. D. Jackson here. I’ll be back next month with more art related content. This month I’m giving over my post to my good friend Jack Mackenzie. Jack’s an author and he’s going to talk to you about writing.
Hey. Get in. We’re going for a ride.
No, don’t worry. We’re not going far. I’ll have you back before dinner.
So, I hear you’re writing a book? What’s it about? No, wait… don’t tell me… No. Really. Don’t tell me. Don’t care. I got my own books to write.
What I want to do is give you some straight talk about writing a book in this day and age. You’re probably not going to like it but you need to know it.
The first thing that you have to know is that no one wants to read your crappy book.
Mean? You think I’m being mean? I’m trying to help you. Sit back and listen for a minute, will you?
First off, here are the cold hard facts. It’s estimated that fewer than 1000 fiction writers in North America make a living from their writing. And I’m being generous at 1000. I’ve read some estimates that put that number at only 300. That’s out of around 45,000 writers and authors working in the United States alone. That’s .6 percent… not six percent but POINT six percent… less than 1 percent… of all writers.
Ahh, what the heck! I’m feeling generous. If the number actually is 1000 writers making a living at writing, that’s 2%.
Well, Okay, you have a better chance of making a living as a writer than winning the lottery or getting struck by lightning, true, but, those are still some slim odds.
Yes, I know, there was a time when writers who churned out short novels on a regular basis could make a living Not a great living, to be sure, and, yes, they would occasionally have to churn out some cheap porn novels under a pseudonym to make ends meet.
You think I’m joking? Have you ever heard of Loren Beauchamp? She was the author of such sleazy paperbacks as Campus Sex Club, Unwilling Sinner, and Strange Delights. She was also the pseudonym of science fiction author Robert Silverberg. I kid you not! Look it up.
My point is that it has never been easy making a living as a writer. Few authors could do it, even in the so called “Golden Age” of the paperbacks after the death of the pulp magazines. They needed day jobs or, like Mr. Silverberg, they needed to wear a mask and turn to the dark side.
How did this situation come about? Let me digress for a bit.
Back in the 1960’s the typical science fiction novel ran to about 60,000 words. These were slim volumes of about 130 to 150 pages. Mass market paperbacks in the US were sold mostly at grocery stores or neighbourhood pharmacies. They were displayed in wire racks that rotated. That’s where the thinner books were more desirable. The thinner the book, the more you could stack. You used to be able to fit about six paperbacks in a three inch rack.
So what happened? Why did these compact volumes grow to such monstrous size?
There are a few reasons, but chiefly it comes down to inflation. In the 70’s and 80’s the price of just about everything rose. That included paper and printing costs. Publishers found that they needed to increase the prices of their books to compensate.
But according to grocery store logic if you want to charge more for a product then it has to weigh more. You can’t just start using bigger typeface or thicker paper to do that so you start looking for longer novels.
And there was also this massively big book that came out in paperback, a little story about elves and stuff, called The Lord of the Rings. At 473,000 words it was a massive book that had to be broken down into three parts. But, oddly enough, that little book sold an amazing number of copies.
So, given that consumers would buy longer books and pay more for them if they were thicker, well, the writing was on the wall and there was a whole lot of it.
At the same time distribution channels dried up. The wire racks were gone. Publishers were charging more and more for thicker books, but the places that were left to sell these books couldn’t sell massive hardbacks unless they were bestsellers. Those pesky midlist volumes weren’t moving off the shelves fast enough. Stop sending us midlist books, the big bookstores told the publishers. Only send us bestsellers.
What’s that? Oh… you plan to self publish? Ahh, well, that’s different, then.
You see, according to a survey by Guardian in 2015, the average self-published author makes less than $1,000 per year. In fact, a third of them make less than $500 per year. And there’s over a million self published authors with more joining the ranks all the time.
I know, I know, I read those stories all the time too, about how a self published author sold a million copies of his book and got rich. I also see lots of stories on the news about the guys who won big on the lottery, or got struck by lightning. The fact is that most people, the vast majority of the population… don’t.
Think of it like this: You’re at a concert… an open-air, rock festival-type concert… You’re on the ground several meters distant from the stage. The stage is 100 feet high and the approach to it slopes up. 1000 people are standing on the slope. The headliners… say, Stephen King, J. K. Rowling, James Patterson and Neil Gaiman… are 100 feet in the air.
You’re on the flat ground. You’re trying to get closer to the stage. But you just can’t seem to push past all the others surrounding you… and there are a lot! They’re all waving their books in the air. Occasionally some author with a toothy grin and the right connections blows past you. Or one of the concert promoters escorts a cute red-head to the front simply because she’s a cute red-head.
You’ve been on the ground, pounding away at the ground for years on end and these fortunate few keep slipping by you and the grounds just keep getting more and more crowded.
That’s what the publishing industry is today for most authors.
So what does that mean for you and your book? Well, like I said, no one wants to read your crappy book. But… you can change that. Or at least make it more likely that someone will want to read it.
Here’s the thing: don’t focus on the stage 100 feet in the air. Focus on those around you. Be interested in their work. Talk to them. Make friends. Don’t moan and whine that you haven’t sold any of your books. Talk about your books if others are interested. If they’re not (and believe me, most people aren’t) talk about something else. What do you like? Comic books? Movies? Stamp collecting? Cookie recipes. Talk about that. Be genuine. Be present.
Have a website. Have a Twitter feed. Have a Facebook page. Talk about things you are interested in. People will find you. If this seems like a waste of time, just remember that those 1000 writers up there near the stage? They’re doing it too. So is Steve, J.K, James and Neil. They’re always out there, always talking. People like them. They like them and they read their books.
No one cares about your book. But if you are out there online or (post Covid, of course) in person at conventions or other gatherings… heck, even house parties… just be yourself. Be the best version of yourself. Be friendly. Be interested in others. If people like you they might read your book.
Look… maybe your book will resonate with a lot of people. Maybe some weird confluence of events will thrust you into the spotlight. Strange things happen. But you can’t control that. The only thing you can control is yourself. Be yourself. Be the best version of yourself. Don’t brood. Don’t moan. Don’t whine.
That’s all I got for you. I’m sorry it’s not more encouraging, but that’s life, right? And, hey! Look. This is where we started. I told you I’d have you back in time for dinner.
Take care now. Good luck with your book. Honestly. You seem like a nice person. I’m rooting for you.
jackmackenziewriter.wordpress.com
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recentanimenews · 3 years
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Bookshelf Briefs 12/1/20
Cutie and the Beast, Vol. 1 | By Yuhi Azumi| Seven Seas – This looked cute, and gave off a very My Love Story!! vibe, but I was wary of the fact that one of the leads is in his late twenties and the other is a senior in high school. That said, unlike a lot of other romance titles from Japan that adore this sort of couple, the manga makes their age difference the main conflict. He’s a famous pro wrestler, and getting involved with a girl her age, even if she is eighteen, would be career-killing. On the other hand… these two have fallen hard for each other almost at first sight, and can’t stop texting, calling, meeting up, etc. Now, how this will play out I’m not sure. Pretty sure they’ll get together, but I bet his career does take a big hit. Nice to see the manga address it, though. – Sean Gaffney
How Do We Relationship?, Vol. 1 | By Tamifull | Viz Media – “Opposites attract” is a common enough trope, but it is utilized to great effect and with notable complexity in How Do We Relationship?. The manga follows two young women in college as they begin dating each other—the somewhat shy and innocent Miwa and the much more boisterous and experienced Saeko. Navigating a new relationship is rarely easy and a romance between two women has additional sets of challenges, as Saeko in particular is very aware. While Miwa and Saeko’s deepening feelings are obviously core to the story, their relationships with friends and classmates play critical roles as well. One of the things that impressed me the most about the first volume of How Do We Relationship? was just how believable and realistic all of these different relationships were. The characterization of the leads is wonderfully nuanced, too. I’m really looking forward to reading more of the series. – Ash Brown
Komi Can’t Communicate, Vol. 9 | By Tomohito Oda | Viz Media – Most of this Komi volume revolves around Valentine’s Day, which as always presents the author with a conundrum: how do I make them give chocolates and be the cutest couple ever without actually making them a couple or having them confess? Rest assured, though, fans of Komi and Tadano will find endless scenes to love here. My favorite may be Tadano’s sister trying to get him to admit his feelings, then being rather annoyed when he actually comes close to doing so. Fortunately, as the title suggests, Komi is not very good at communicating, so things stay the same for now. Still, I suspect we need something to shake things up. Perhaps a new love interest could magically arrive soon? – Sean Gaffney
My Hero Academia, Vol. 25 | By Kohei Horikoshi | Viz Media – Shigaraki’s backstory is as terrifying and traumatic as you might imagine—let’s just say the hands he wears aren’t just for show. So it’s back to our heroes, who are practicing how to do hero interviews (Midoriya’s goes as badly as you’d expect) and also preparing for the next round of internships. Oh yes, and celebrating Christmas, which is adorable and also has Eri Santa. As for internships, Nighteye is dead and his agency is too busy to take him in, and Best Jeanist is missing, so Bakugou’s in limbo as well. Todoroki suggests an obvious idea: all three of them could intern with the best dad ever. All of this is clearly setting up a huge battle in the upcoming books, but it’s fun to see. – Sean Gaffney
Ossan Idol!, Vol. 1 | By Ichika Kino and Mochiko Mochida | TOKYOPOP – Adapted from a light novel, Ossan Idol! is the story of Miroku Osaki, a virginal, pure of heart, and unemployed 36-year-old who has spent the last decade as a shut-in. He’s always been overweight, but once he discovers a love of dance, he starts training at a gym with Yoichi Kisaragi, who was once overweight himself. Soon, Miroku is buff, handsome, and charming and the karaoke video he accidentally uploads to the internet becomes a viral sensation. The volume concludes with a famous producer declaring he’ll turn Miroku into an idol, and not just him but Yoichi (41) and dancer pal Shiju (40), too. All in all, this is a pleasing bit of fluff that I don’t have a lot to say about either positively or negatively. I will probably check out volume two, at least, to see where the story goes. – Michelle Smith
Sadako at the End of the World | By Koma Natsumi and Koji Suzuki | Yen Press – The premise of this one-volume manga—What if the girl from The Ring ended up in a post-apocalyptic world?—made me wonder if it would be horror or melancholic like Girls’ Last Tour. It’s pretty much both. Sadako, particularly once the artist gives her a tablet to communicate with, is not as scary here, and the girls she’s with are an innocent delight. But as they meet the few remaining people in this world along the way, there’s a definite sense she’s also going back and doing what she does best to each of them. The ending tries for sort of a fourth-wall-breaking thing but I think it was simply there as the author wasn’t sure how to end it after the cast was gone. A good read overall, though. – Sean Gaffney
Sleepy Princess in the Demon Castle, Vol. 13 | By Kagiji Kumanomata | Viz Media After reading my brief of the last volume, I feel a need to eat my words. The combination of this new volume and the currently running anime have made me realize: yes, there is real character development here. Syalis at the start of the series was a gag character who would murder at the drop of a hat. Here, while she’s still extremely flaky, she’s doing her best to unite humans and demons, even if this means completing all the Demon Lord’s paperwork—in ONE DAY. Even better, when the Cleric waffles on about his feelings for her and the reason he ran away from the castle, Syalis points out something: who she likes is her own decision. Our Sleepy Princess is all grown up! – Sean Gaffney
Sweat and Soap, Vol. 4 | By Kintetsu Yamada | Kodansha Comics – There’s a chapter of sex here, in case you were looking for that, but for the most part this series would rather deal with the sweet tensions of a young couple in love trying to negotiate how to do that and still be attentive to the other partner’s needs. Their couple-ness is now generally known to the office, though we have not quite told the parents yet—I suspect that will be next book. More importantly, they are talking about moving in together, something that requires charts and sticky notes, because these two are organized and also adorable. And they are also still very much desiring each other as well—the sex here is hot. One of the best romance mangas to come out in 2020. – Sean Gaffney
What the Font?! – A Manga Guide to Western Typeface | By Kuniichi Ashiya| Seven Seas – This is pretty much exactly what you’d expect. A young woman is told to layout a presentation, but has never done this before. While studying Western fonts, she falls asleep… and meets personifications of many of them, both Serif and Sans. Each font has a personality, they talk about themselves and their history, and then we move on. If you’re expecting Hetalia antics, look elsewhere—there’s no plot to speak of, and the fonts are not the most riveting characters. If you do want to learn about the differences between Western typefaces, though, this is a good enough guide for you, though I suspect it works even better in Japanese. – Sean Gaffney
Whisper Me a Love Song, Vol. 1 | By Eku Takeshima | Kodansha Comics – The cover of this volume is quite striking, and it led me to believe that this would be somehow different from your standard “high school girls in love” story. Unfortunately, it really isn’t. Yori Asanagi is a talented singer who fills in with the light music club band for a performance at the entrance ceremony Himari Kino is attending. Himari promptly informs Yori she’s fallen for her at first sight and Yori believes she means it romantically (instead of merely as a fan), and instantly falls in love herself. Characterizations here are shallow, particularly for Yori’s would-be bandmates, and there’s just not much going on that’s especially interesting. The one exception is that Himari’s enthusiastic appreciation for Yori’s singing is seemingly helping her to overcome some confidence issues. I’ll give this one more volume, I think, to see how it develops. – Michelle Smith
You Are My Princess | By Hiroto Kujirada | Futekiya (digital only) – Itsumi Tachibana is a scary-looking guy who secretly loves kitties. He’s surprised when the princely student council president, Seima Takajo, confesses romantic feelings for him, and suspects he’s being made fun of. After spending more time with Takajo, however, and realizing he’s the only one Takajo allows himself to be unguarded around, Itsumi’s feelings change. Plot-wise, You Are My Princess isn’t terribly unique. The guys get together, they have sex in the final chapter, the end. What makes it special, though, is Kujirada-sensei’s clean and expressive artwork, the nonverbal storytelling, and the little moments in which Takajo drops the facade and reveals real vulnerability. And also kitties. In the end, I enjoyed this cute story and look forward to more by this creator! – Michelle Smith
By: Ash Brown
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eeveevie · 4 years
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Salvation is a Last Minute Business (7/18)
Chapter 7: Romantic as a Pair of Handcuffs
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It has been a busy month for the Valentine Detective Agency—Madelyn, Nick and Piper regroup to go over all the evidence in the case against Eddie Winter. Marty Bulfinch arrives with a lead and an invitation to an event perfect for “Charmer” and Deacon. After having her partnership with the Railroad spy questioned a second time by Piper, Madelyn confides in the most unlikely of people. Later, at the Third Rail, it’s showtime for two undercover agents.
“Well, you’re about as romantic as a pair of handcuffs.” - Debby Marsh as played by Gloria Grahame (The Big Heat, 1953)
[read on Ao3] x  [chapter masterpost]
April 8th, 1958
The first signs of spring arrived in Boston not a moment too soon, alleviating the city from a harsh winter—weather wise, at least. Piper couldn’t resist using the change in seasons as a clever headline for the latest edition of Publick Occurrences— “Winter is over, but Eddie Winter isn’t.” It had been a busy month for the mob boss, who had all but taken control of all the major crime families in the city. With the exception of a few holdouts, his men had wormed their way across the criminal underground and begun to infiltrate once reputable businesses. Nowhere in Boston was safe.
Madelyn had kept herself just as occupied, juggling her work with the agency and the Railroad. Most days she would investigate leads with Nick, tracking down the necessary proof to pin Winter for his crimes. In her spare time she was partnered up with Deacon, fielding the work from Desdemona or Doctor Carrington, and the few odd job from Tinker Tom (maybe odd was putting it lightly). The two had caught a break and made contact with a surviving safehouse—Randolph—and worked to bring them back into the fold, strengthening the organization numbers. It was still slow going as the data from the Switchboard was decrypted, but she was glad to have given the group—and Deacon—a second chance.
Meanwhile, the agency had been successful in collecting the evidence that had been disappearing from police custody through their own unscrupulous means—but if there was sabotage within the precincts, their options were extremely limited. MacCready’s lead on recordings had so far been a dead end, as promising as it sounded. Nick had followed up on the rumor with his old friend Marty Bulfinch at Precinct 8 but finding physical proof of Eddie Winter’s crimes was like trying to capture lightning in a bottle. Winter’s corruption had spread through the entire government—from law enforcement to the mayor’s office—with anyone from beat cops to prosecutors offered bribes. Nobody could be trusted.
Madelyn was carefully inspecting the handwriting of a newly obtained letter, comparing the messy scrawl to the copies on hand, trying to determine if the note MacCready snatched off a drunken police detective belonged to their set. She read over the lines of text again, wishing that more than a few words in a sentence were intelligible. The most she could make out were the words sir, head, and artist. Whatever that meant. At least she could say the scribbles belonged to the same hand who wrote the other letters. Even though none had been signed, there was enough inference to say Eddie Winter had penned them all.
“He’s done it again!”
A Boston Bugle newspaper slammed down right atop of Madelyn’s work, causing her to snap up in alarm. Nick was fuming, pacing in front of her desk as a waft of cigarette smoke trailed behind his head like a halo. This wasn’t a surprising mood to find him in as of late—as they ramped up their investigation, the detective had become more stressed than ever, bordering on manic—relentless in his endeavor to stop Eddie Winter’s takeover of Boston. Late nights in the office had left his jaw shadowed, in need of a shave, and his light green eyes were dull with sleep deprivation.  
Madelyn glanced down to read over the newspaper print, frowning when she saw the bolded typeface—Boston mob leader Ron Trevio found dead. Nick paused in his footsteps and approached, reaching down to tap his finger against the article in question.
“What they don’t say is that Winter had him assassinated,” he muttered, reaching up to grab at the nearly burnt out cigarette. Madelyn scooted the ashtray she kept in her office specifically for him closer so he could snuff the smoke out. “Whoever he got to do the job blew his head clean right off, destroying the bullet in the process.”
She grimaced at the thought, swallowing down the sickly feeling that crept up her throat. Not that she doubted Nick, but she questioned what made him so confident. Trevio was a mid-level player on the mob-scene but had stayed out of Winter’s way—rumor was that he was even making plans to head east to New York. For him to wind up dead and deposed of in such a gruesome way seemed unbefitting of even Eddie Winter.
“Are you sure?” Madelyn asked, watching as Nick ran a hand through his dark hair, distraught. “We both know he’s unhinged but this…this seems brazen.”
Her partner gestured to the newspaper again. “He knows he can get away with it. He has this entire city in his palm, and this is a warning to anyone who dares to go against him.”
She considered his words, wondering if he had thought about what Eddie Winter would do if he knew about the depth of their investigation. It was likely no secret to the crime-family organization that the Valentine Detective Agency was after them, but Nick had always been considered a joke to the city—something that used to bring him shame, he was now using to his advantage to keep their work under wraps. Still, Madelyn was on edge. If Winter and his men knew how much they had discovered, how close they were to finding a smoking gun, her and Nick were as sure as dead.
“Hey doll,” her partner called her from her thoughts, and she flicked her gaze up to meet his eyes. “You alright?”
This was what she signed up for, wasn’t it? When she first came to the agency all those years ago, he didn’t just need a legal assistant, but somebody who would help him in the pursuit of justice. After Nate’s death, she wound up relying on him for similar reasons. Nick was more than her partner, but her friend and somebody she trusted with her life. She was more than ready to see the Eddie Winter case to the very end with him, even if it killed her.
She put forth a smile. “I’m fine, it’s nothing.”
Before Nick could protest, quick footsteps echoed though the lobby and the two could hear Ellie correcting their guest to the right office.  
“Oh so we’re in here for a change,” Piper joked sarcastically, taking a second glance at Madelyn’s name on the door before entering. She had a copy of the Boston Bugle and her own newspaper tucked under her arm, her bright red coat thrown over the other. As she threw herself into one of the cushioned armchairs, she let out a large sigh. “You saw the news?”
“Yes,” Nick and Madelyn answered simultaneously.
Piper regarded them both, grumbling under her breath. She tossed the papers haphazardly towards the desk, and Madelyn had to fumble to catch the copy of Publick Occurrences. The front page lacked any information on the Trevio murder, instead focusing on Mayor McDonough and his finances—sources were able to track donations to the McDonough reelection campaign back to the Massachusetts Institute of Technology—
“This wasn’t the first time a murder has occurred and we’re the last to hear about it,” she sneered, interrupting Madelyn’s reading. “Talk about a media cover-up. Police corruption is one thing, but now Winter is messing with the freedom of the press!”
Nick choked over a laugh, shaking his head in disbelief. “Of course they’d have a mole at the Bugle. Control the flow of information to the public. Spread fear through lies.”
“Don’t get any ideas,” Madelyn warned, reading over her friend’s newspaper again.
Ever since the agency had begun collecting hard evidence against Eddie Winter, Piper had been itching to blow the whistle, promising to site the two as anonymous sources. As convincing as she made it sound, and as safe as her previous unidentified informants remained, Nick vehemently denied her request. The agency and Publick Occurrences were cut from the same cloth, and it wasn’t because they shared the same building. If Piper shared any information, she’d be painting a target on her back too.
“I know Blue, I know,” she relented, looking more defeated than before. “We’re so close.”
Nick nodded, pulling a new cigarette from the pack in the breast pocket of his shirt. “We are,” he nodded towards Madelyn as he flicked at his lighter. “Let’s go over the list again.”
She shuffled through the small pile on her desk until she found her steno notebook, lined with the details of the case. With a pen, she started at the top, suppressing the memories the name conjured. “Johnny Montrano, Jr.”
Nick and Piper nodded in agreement that they could still find a way to pin Montrano’s murder on Winter, even without a witness. Based on the information she had learned from Henry, the casefile and street rumors, they could corroborate that Eddie’s old hitman Robert Cooper had been hired for the job.
“Mac said Winter’s boys have been trying to keep that one quiet from Johnny’s pop,” Piper quipped. “Maybe he’s afraid of somebody after all.”
Madelyn shrugged, continuing down the list. “Arlington Green three,” she paused. The bodies had been discovered in the sand-trap just before Thanksgiving while Eddie Winter was still incarcerated at Cedar Junction. “Doesn’t Boston P.D. want to pin this on one of the O’Malley brothers?”
“Doesn’t mean the order wasn’t given down the chain of command,” Nick said, tapping his smoke over the ashtray. “Did they ever identify the victims?”
She solemnly shook her head. “The theory is they were low-level members of the Irish crime families.”
“They also could’ve been innocent bystanders for all we know,” Piper argued. She waved her hand, encouraging Madelyn to read on.
“Arthur Black,” she spoke. “Murdered a waiter in Winter’s presence. His girlfriend was there too.”
“Claire Pozinski, what a piece of work,” Nick scoffed. “What she sees in him—”
“Money, probably,” Piper interjected. “That, or she’s got a few screws lose in the head.”
“That’s besides the point,” Madelyn brought them to attention, dragging her unclicked pen down the paper. “Black was found dead, multiple stab wounds outside one of Winter’s clubs.”
“He was a liability. Leaving him out in the open was a warning to the others,” Nick reminded, harkening her back to their earlier conversation.
She nodded, blood running cold at the next item. “Danvers.”
None of them said a word, silently nodding in agreement. Just over Christmas, right after Eddie Winter had been released from prison, there had been a shooting in a speakeasy in the small town north of Boston. Two rival gangs had encroached on neutral territory and it didn’t take long for guns to go blazing. When the dust settled, each side had their fair share of casualties, but civilians had also perished. The prevailing rumor was that Winter had sparked the confrontation, sending his men to provoke the fight. Police had closed the investigation with all responsible parties arrested, even if their leaders still walked the streets.
“Alice Lansky,” Madelyn voiced after a moment of silence. “The missing safety inspector that was found…” she shook her head, unable to form the words. The poor woman had been stuffed into a barrel, remained dissolved in hydrochloric acid. Out of all of the victims linked back to Eddie Winter’s crime family, her death had been the most grotesque.  
“I’m still trying to wrap my head around why they needed to off a safety inspector,” Nick mused, rubbing at the stubble along his jaw. “How does she fit into this?”
“Maybe she stumbled across something she wasn’t meant to see,” Piper suggested, lips falling into a straight line the moment she said the words. As if Madelyn hadn’t already been worried about meeting an untimely end at the hands of Winter’s men, now she was imagining being crammed into a metal barrel, never to be discovered again. She did her best to hide the shiver that ran down her spine.
“Other than the numerous unexplained disappearances, robberies and drug running that have been occurring,” Madelyn sighed as she leaned back in her chair. “That’s what we have so far.”
“I know we’ve been over this before but,” Piper started. “Are you sure there isn’t anybody you trust within Boston P.D. with this information? Other than Marty, that is.”
Nick smiled, shaking his head. “You must think I’m real thick if you believe I trust that snake in a blue suit, Piper.”
The reporter laughed along with him, though Madelyn held back her amusement as she noticed Ellie leading a guest towards the open office door. She straightened in her seat. “Speak of the devil.”
Marty Bulfinch stood in the doorway with a sly grin, hands poised midair as he surveyed the room. He looked disheveled as always—even the expensive, navy pinstriped suit he wore didn’t do much to hide his less-desirable features. “Nicky, you talking trash in here?”
“You can’t walk around Boston with ducks on your ties and expect people not to say something, Marty,” Nick joked, deflecting what they had been actually been speaking about masterfully.
The other man rubbed at his necktie self-consciously. “Hey now, the other guys think its hilarious.”
Madelyn grimaced, wondering when, or how Nick would’ve ever been friends with such a slimeball. Even if her partner kept him on a short leash, she had her doubts about having the police detective as an informant—it was too risky, for all parties involved.
“What brings you here, Mr. Bulfinch?” she finally questioned, motioning for him to sit in the other armchair. Madelyn knew that her politeness always seemed to unnerve him and fairly quickly his expression shifted, eyes fixating on her as he moved from the doorway to the empty seat. He looked like a nervous child, come to the principal’s office for a punishment—that is, until he flicked his gaze back to Nick.
“You know those recordings you’ve been asking about?” he said, hand disappearing into his jacket pocket before revealing a holotape—technology only used by police, the government and a few lucky hospitals—the others in the office were taken aback by its appearance. “Now, I couldn’t well smuggle a holotape reader out of the office, but, I have it on good authority that this tape has Winter’s voice on it. With some self-incriminating information.”
“You don’t know what it says?” Piper asked directly. “Is there a transcript?”
Marty glared at her, tired eyes unblinking. “Beggars can’t be choosers,” he slowly handed it over to Nick, who carefully inspected the foreign piece of data in his palm before passing it over to Madelyn. Marty shifted in his seat. “You’ll have to find your own way to listen to it.”
She had her own ideas, thinking about all of the various gadgets and inventions Tinker Tom had built and tucked away beneath the Old North Church. Of course, she wasn’t about to make the suggestion in front of their guest—for all he knew, the Railroad was a fairytale.
“I also have a lead on where ol’ Eddie might strike next,” Marty continued, fidgeting with his tie again. “Tensions between Winter and Skinny Malone have reached a fever pitch and he’s ready to have him offed.”
“That frosty, huh?” Piper chimed in, eyeing the rest of the room’s occupants. “Last we heard, Winter was allowing Skinny and his Triggermen to operate the speakeasies downtown, as long as they got a cut.”
“Skinny Malone doesn’t want to share anymore,” Marty explained, flatly. “And that made Eddie flip his lid.”
“Any idea on when the hit is supposed to take place?” Nick asked, extinguishing his cigarette. He leaned against the front of the desk, staring his former partner down. “The whole scene has been brimming with activity lately, it could be any day now.”
Marty nodded in agreement. “Skinny Malone is throwing a bash at his joint this Friday to celebrate his broad’s birthday,” he tilted his head side-to-side. “Ya’ know, the Third Rail? It’s been pulling in customers from Scollay Square ever since it opened.”
“That has Eddie Winter written all over it,” Piper remarked, leaning forward eagerly. “There’s no way he’ll make an appearance himself, though, right?”
“I doubt it,” Nick grumbled, considering the information. “Is Boston P.D. working on this? Are they going put Skinny Malone into protective services?”
Marty shrugged. “A few of us are being sent to the Third Rail undercover just in case we have to intercept,” he explained. “That’s when the offer will be made. We don’t expect Malone to come in quietly unless he feels his life is truly in danger.”
“Speaking of,” the investigator spoke, pointing to Nick. “Say the word and I can get you on the short list and inside that club.”
Nick was dumbfounded by the offer for a split second before smirking. “Undercover work isn’t really my schtick, Marty,” he said, raising his right hand to emphasize the prosthetic he wore. “Kind of hard to blend in. And don’t get me wrong but working with a precinct of cops that already hate me seems…risky.”
“I could always fill your shoes,” Piper grinned, fanning her fingers through her hair. Almost immediately the others were shaking their heads.
Madelyn softly chuckled at her friend. “Everybody in town knows about Public Occurrences, Piper. Even if you dyed your hair blonde and wore Nick’s trench-coat, you’d stick out like a sore thumb.”
The reporter slumped, defeated. That’s when Marty reluctantly flicked his gaze to where Madelyn was sitting behind the desk. He cleared his throat. “What about the dame?”
Nick raised an eyebrow, irritated that he was still going on about calling her that. “Madelyn?” When he realized what Marty was implying, he made to argue. “Marty, if you think for a second I’m sending Madelyn in with the wolves, you’re outta your damn mind!”
The danger was very real, and while Nick had every right to be upset and defensive, she couldn’t help but feel offended. It brought her back to that night in the agency, after the destruction of Ticonderoga, when he and Deacon almost came to blows. If the last month proved anything, she did her best work not cooped up in the office or behind a desk, but in action.  
“Nick,” she said his name calmly, gaining his attention. The moment he met her gaze, he knew she had made up her mind. But she could ease his worries, if only slightly. “I don’t have to go alone.”
Piper caught on to what she was inferring immediately, a disgruntled expression pulling at her lips as she sank further into her armchair. Nick remained stoic, but eventually relented as he nodded, looking back to Marty.
“You can get her in?” he asked. “Plus one?”
The Boston police detective looked unsure, meeting her gaze for a long moment. “Uh, sure,” he mumbled, before quirking his mouth up in a smile. “You better come with one hell of a disguise, ya dame.”
Madelyn rolled her eyes, and Nick took the cue, politely gesturing to Marty that it was time for him to leave. “Come on, you oaf, you better get back to the pen before they start searching the gutters for you.”
Marty let out a hearty laugh, slapping Nick on the back as he brought him into a handshake. “Don’t be shy around the precinct, Nicky. They don’t hate you—that much.”
The three were silent as he exited the room, listening to Ellie wish him farewell.
“You’re seriously going to take whatshisname to the Third Rail?” Piper wasted no time in questioning Madelyn as soon as the agency door slammed shut.
“He has a name,” Madelyn replied with a sigh. “If I can’t take you or Nick, what’s the harm in taking Deacon? Undercover work is what he’s best at.”
“Are you sure about that?” Piper mumbled, crossing her arms.
Madelyn frowned. Her friend had been upset ever since she had first met the man and learned of the deception it took to keep the Railroad a secret. The strain hadn’t eased, even as she continued to work with the organization and as his partner. It seemed the reporter couldn’t get past the fact Deacon wasn’t willing to divulge much of the truth—at least with her.
“What do you have against him?” Madelyn asked, wanting to clear the air.
“I’m just saying Blue,” Piper’s tone softened. “You seem to trust this guy a lot, but you barely know him. How long has it been? A few months? And he’s come in here and—whew—swept you off your feet like it’s damn Roman Holiday!”
Madelyn was stunned into silence, a warmth settling in her chest. She couldn’t tell if it was embarrassment, or excitement at having the relationship she had with Deacon described in such a way. But the more she thought about it, the more she realized how whirlwind it had been. Since their first meeting in the Memory Den, she had been chasing that feeling back and forth all through winter. There was an unspoken intimacy between the two, lingering touches and close calls where she was sure either one of them could’ve closed the gap and just kissed. And yet, there was also a silent boundary, an invisible line keeping them apart—she had always assumed it was her guilt, the weight of the wedding ring she still wore on her finger, the specter of a dead husband lingering above watching her every move—but now, she wondered if there was something more.
“I mean, what’s with the codenames?” Piper sighed. “Do you even know his real name?”
“I—” Madelyn choked on her words, at a loss. Her friend was right, and she was suddenly second-guessing every one of her emotions all over again.
Nick had been silent through the entire exchange, but finally spoke, reading her mind in the process. “Maybe Piper is right,” he mused with a little shrug. “But damnit if this isn’t the happiest I’ve seen you in months.”
Madelyn was flattered, especially when she noticed the way Nick was smiling at her, considering she knew how there was still tension between the two men whenever they happened to interact. But her chest felt heavy—the doubt had already started to creep its way in. Piper seemed ready to continue her verbal pestering when Nick sharply shook his head in warning.
“Don’t let it get to you,” he assured—a little too late. Still, Madelyn put forth a small smile and nodded. “We should plan for Friday.”
They had work to do.
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The conversation with Piper and Nick continued to replay in Madelyn’s head the remainder of the day and into the evening. Even on the carbide home (on which she insisted on, so that Nick could make it home at a reasonable hour for once), her mind was clouded with conflicting emotions. She couldn’t deny that she had felt livelier, more like her true self in recent months—but didn’t want to base that happiness on lies or deception. A part of her understood it was the way the Railroad operated, outside the fringes of society where dishonesty was a necessity.
“Remember, you can’t trust everyone.”
“Even you?” she asked.
“Especially me.”  
Months later, he would put an addendum to his well-spoken phrase, holding her hand as he told her he was in her corner, and always had been. As the memory came to her, all she felt was confusion. Madelyn wanted to see him, but she wasn’t sure what she would do or say, or how her feelings would shift—for better or worse? What was stopping her from acting on impulse like she had been as of late? What if Codsworth had never walked in on them that cold March evening? Would she have kissed him and sealed the deal right then? She shook her head, breaking herself free of her delusions, knowing it wouldn’t do any good to dream of what-ifs. Instead, she needed to focus on the future and what she really wanted—if only she could figure that out.
As Madelyn walked into the lobby of her apartment building, she noticed Drummer Boy at the mailboxes, sifting through various envelopes. He regarded her with a polite smile, moving to join her in the trek up the staircase.
“Have a good day at the agency?” he asked.
She sighed, trying not to sound too disgruntled. When he shot her a concerned look, she forced a smile. “It’s been very…busy. With the Winter case, that is.”
“Right,” Drummer Boy replied, letting her half-assed excuse slide. It was difficult to bluff when she was emotionally compromised, and exhausted after a long day—and hauling herself up seven flights of stairs. “I have a note for you, from Deacon.”
Madelyn swallowed down the tightness in her chest at the mention of his name. “Isn’t he in DC?”
He had been put on a special assignment by Desdemona to make contact with the southern branch—something about helping set up a new safehouse for the newfound agents and assisting with their first round of assignments. As much as Madelyn wished she could’ve joined, her obligation to the agency and the Eddie Winter investigation kept her in Boston.
Drummer Boy nodded, handing over a folded note. “I thought it was a serious correspondence, so uh,” his cheeks became red in color, which made her feel equally flustered. “I shouldn’t have read it.”
The two paused on the third story landing if only so she could scramble to read the letter, which was hardly filled with anything important, or relevant. Rather, it was incredibly lewd, and even a modern woman such as herself was turned flushed by the contents. Of course, she realized fairly quickly as the note rambled on and became more grandiose that it couldn’t possibly be real. Oddly enough, it sparked a wave of relief as she was unable to contain her laughter.
“You know he did this on purpose to get a rise out of you, right?” she chuckled, trying to give it back to Drummer Boy who waved it away, still red in the face.
“His idea of jokes sure are…elaborate,” he sighed, lifting his blue cap to run his hand through his hair. “Too much time on his hands, even hundreds of miles away.”
Madelyn regarded his words. “Do you think he’s bored?”
“No,” he answered as they continued walking up the stairs. “The opportunity to set up a new safehouse is right up Deacon’s alley. Not that he doesn’t have the experience, but to do it all on his own is a big deal.”
“He helped with HQ, right?” Madelyn clarified. She eyed Drummer Boy carefully. “After…”
He looked solemn but held back any grief. “After the Switchboard, yes.”
“Deacon’s been a big help to Dez even before the move, he does a lot more than is asked of a regular agent or heavy,” Drummer Boy mused. “You’d think he was the second in command, or the head honcho but…”
She stole another glance when he paused, seemingly in thought. “You know our history, right?”
Madelyn shrugged, taking a reprieve on the fifth story landing. “Tom once rambled off a lot of codenames to me in-between telling me how the air was going to poison me while I slept and that I needed to take the immunization shot he invented to protect myself against ‘invisible bugs’”
Drummer Boy softly laughed, nodding along. “Well, before Dez, there was Pinky Thompson. She only became leader because of a string of organizational failures under Pinky’s watch.”
“Are you suggesting that somebody might be vying for Desdemona’s position?” Madelyn questioned. “As in, Deacon?”
“No, not really,” he replied. “Deacon would never stage a coup like that. Carrington maybe, but never Deacon,” he smirked. “He’s been around…well, before my time. He was around when Wyatt and John D. ran the show, building the Railroad into the organization into what we know today.”
She found herself amused. “I always thought he was lying when he said he helped create the Railroad. Sounded too boastful, even for him.”
“Well, depending on who you believe or what you make of the records,” Drummer Boy flashed an impish grin. “Some of the agents like to think Deacon and John D. are one in the same.”
The confusion from earlier settled back into her mind, but this time, she wasn’t sure what to make of the information. This was just more conjecture—a rumor—Railroad gossip that had been passed down from agent to agent. Deacon himself had even fanned the flames, relishing in the spotlight. If anything, it only fueled the argument set forth by Piper that Madelyn truly didn’t know anything about him—about his past, about his present…about their future. Rather than anger, she felt despair—whatever had been built between them had to end, and when it did, it wasn’t going to be easy.
On the seventh floor, the two separated to their doors across the hall from one another. Almost as an afterthought, she turned back to him, motioning to her ajar door. “I prepared a pot-roast this morning, if you’d like to join me for dinner,” she offered, feeling more awkward than she meant. Even he looked perplexed. “As my neighbor, Robby. No Railroad business. Otherwise, most of it is going to Dogmeat.”
After a beat, he laughed. “Pot-roast sounds great, Hardy.”
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April 11th, 1958
Madelyn hardly recognized the woman staring back at her in the reflection of her vanity mirror as she applied the finishing touches to her makeup, searching her drawers for the perfect red hue of lipstick. Her natural golden hair had been tucked back and hidden beneath a long, wavy dark brunette wig, the soft barrels falling over one shoulder and resting across the sweetheart neckline of her dress. Gown—she could hear Jenny correcting—Madelyn reminded herself she would need to be extra careful with the borrowed garment. It would not end up in the box of ruined clothes she had ripped or stained while running around the city investigating with the agency and Railroad.
Outside her bedroom, she could hear Dogmeat happily barking, Codsworth murmuring something while a third voice laughed along. Deacon—fresh from his trip to the nation’s capital, he had wasted no time in agreeing to an undercover operation and promised a show. She hadn’t seen him since he departed—communicating through dead drops to confirm their ‘assignment’—and could feel the anxiety bubbling to the surface over her conflicted feelings for him. But that night, more than ever, she would need to suppress her emotions for the sake of the investigation and stay focused.  
She slipped her feet into a pair of strappy black heels as she stood, reviewing her appearance in the full-length mirror. The strapless gown was black, with a sheen to it that sparkled under the right light. The fabric hugged her curves (and then some), loose around her legs with a slit along one slide that was almost too high for her tastes. It was unlike anything Madelyn had in her closet, and not something she would’ve expected her partner’s fiancé to own either, until it was offered as the perfect outfit for the evening’s festivities. The only problem was that she and Jenny weren’t exactly the same size—she stretched to reach the zipper again, struggling to get the right angle to make it budge.
“Miss Madelyn,” Codsworth buzzed outside in the hallway. “Mr. Deacon is inquiring about your presence. Is everything alright?”
With a defeated sigh, she opened her bedroom door for the robot, laughing at the way his mechanical eyes widened as he inspected her appearance. “Can you work a zipper?”
“Pardon, mum?”
She gave his metal chassis an affectionate pat as she walked past him, awkwardly holding the dress to her body as she walked the short distance to the main room of her apartment where Deacon was sitting at the kitchen counter, turned towards the hallway as if he had been waiting for her appearance. Or at least she thought it was Deacon—if it weren’t for his ever-present reflective shades, she wouldn’t have recognized him. The black pompadour (which High Rise had strongly hinted wasn’t natural to begin with) was gone, replaced with a short, wavy style instead, a warm ginger in color—it matched his eyebrows. He wore a different, well-tailored black suit than he had before, black wingtip shoes looking like he hadn’t been walked a step in. Handsome was an understatement—Madelyn wasn’t sure what to make of the not-so-subtle transformation—reminding herself to remain on task.
“Need some help there, Charmer?” he asked, breaking the silence. He gestured to her dress and beckoned for her to come closer.
Madelyn approached with a small nod, finding that her tongue felt too heavy in her mouth to speak. She turned her back to him, breathing in deep and straightening slightly when she felt his fingers brush across her skin for the zipper of the dress. What should’ve been a simple and quick movement had turned into another spark between the two, his touch lingering far longer than necessary, thumb sweeping across her spine. But she didn’t move away.
“You look downright sinful.”
She glanced at him over her shoulder, hoping he couldn’t sense how nervous she was, how her skin had turned burning hot at his words. She focused on his hair, and curiosity got the better of her.
“Is that your natural hair?”
He smirked, one eyebrow arching up like he expected something a little more flirtatious from her. “Maybe.”
Madelyn twisted around to face him, resting one hand along the kitchen counter to balance herself. As Deacon pulled his hands back to himself, she noted the glimmer on his left hand and a new tightness formed in her chest at the sight of the golden band. Why was he wearing a wedding ring? At her confusion, he gestured to her own wedding band, causing her to clamp her right hand around the diamonds to hide the jewelry.
“I knew you weren’t going to take it off, even for the sake of an undercover persona,” he explained. “Figured we’d go for the easiest play in the book. Better to blend in than stand out.”
As uncomfortable as she suddenly felt, a new wave of emotions taking over her body and mind, Deacon was right. He was also far more of an expert at espionage than she was—he knew what he was doing, and as much as she didn’t want to admit it, she needed to trust him.
“We’ll need a good cover story,” she offered, nodding in agreement. Still, she anxiously twisted at the ring Nate had given her almost twelve years prior, burning against her skin. More than ever, she could feel the weight of his presence around her, the guilt compounding as she agreed to this charade—even for one night.
“What do you suggest?”
Madelyn deliberated, fidgeting with the slit of the dress before thinking of who had leant it to her in the first place. Her mother had always taught her that when in doubt, use what you know.
“I’m a nurse at Medford Memorial Hospital and you’re a retired army vet. We met when you ended up in my ward after a training exercise went wrong and I had to nurse you back to health. Sparks flew, our parents disagreed, and we had to elope. Thanksgiving weekend, 1954 in Manhattan.”
She thought about the rest of the specifics. “Catherine,” she said. Her mother’s name—not that Deacon needed to know that. “My name is Catherine. Kitty for short.”
Deacon looked stunned. “Did you just come up with all that right now?”
She softly chuckled. “Thank Nick and Jenny, give or take…the rest of the details.”  
“How romantic,” he mused. “I’d say you’re better at this than you think. A natural.”
He stood, signaling to the clock on the wall that they needed to catch a cab across town, or they would be more than fashionably late to the party. Feeling more confident than she had earlier, she smiled at him. “So husband, what should I call you?”
Deacon grinned as he laced their hands. “Dollface, you can call me Johnny.”
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The Third Rail was classier than Madelyn expected for a speakeasy, built into one of the abandoned subway tunnels downtown. Even if Skinny Malone and his gang of Triggermen—as he dubbed them—were gangsters, she had to give it up to them for the ingenuity of the idea. There was a certain kind of ambience to the place—low lighting and dark linens spread across the tables—seedy characters lining the walls with leery expressions, it was enough to make anybody fearful. Yet Madelyn felt strangely at ease, and it had everything to do with the way Deacon’s hand was resting along her waist.
For an hour now, they had been seated at a candlelit table, chairs pushed close to ensure their cover as husband and wife remained intact. Despite her comfort, her mind had been running wild, filled with questions about Johnny. Was that supposed to be an allusion to John D.? As Madelyn took a sip from her glass of champagne, she took a side eyed glance at him, fixating on his hair. She wondered if this was his way of shedding his Railroad persona and if for a little while, he could be himself without anyone knowing. The mystery of not knowing frustrated her even more—this wasn’t exactly the place to confront him for the truth. Instead she continued to sip at her drink, allowing herself one brief moment to think about brushing her fingers through the ginger waves before looking away.
A gorgeous woman adorned in a sparkling red dress crooned a slow song about love from the lit stage, her small band of jazz musicians accompanying her like they had rehearsed the melody a hundred times. Skinny Malone had introduced her as Magnolia—a starlet in her own right among Boston nightclubs, there as a special treat for his beloved girlfriend on her birthday. So far the evening had been as calm as one could expect when in a room full of drunken mobsters, with no sign of anyone suspicious, even as she sighted a few men so green they had to belong to the Boston police force.
“Kitty darling,” Deacon leaned to murmur in her ear. “We’ve got eyes on us.”
She nonchalantly glanced to find a man at the bar taking too many looks at them over their shoulder. In spite of his disguise, his fidgeting and whiskey gave him away. Marty Bulfinch. With a small smile she shook her head. “That’s a friend.”
Deacon nodded, though his lips twisted into a thin line. “Looks familiar.”
“Hmm?” she was genuinely curious, wondering how their paths could’ve crossed.
He frowned, quickly dismissing the topic. “Not now. Later.”
Madelyn continued to survey the crowd as she drank her champagne, giggling on cue when Deacon would provide her with information from the conversations he was eavesdropping on, under the guise of saying something nonsensical into her ear.
“You didn’t happen to sneak a weapon past the guards, did you?” he asked, fingers tightening along her waist as he took a long sip of his brandy.
She brushed her foot against his ankle, catching his attention so he’d glance down to wear she was hiking up the slit of her skirt ever so slightly to reveal the holster attached to her garter belt—a trick Piper had taught her after watching too many detective movies. Madelyn didn’t realize how practical it would become, the .22 cold against her skin. Deacon made a low sound, somewhere between a hum and a growl and it caused a warmth to bloom in her chest.
“If all else fails, there’s the hairpin in my curls,” she added, adjusting her dress and flashing him a knowing look.
He held her gaze, the candlelight flickering in the reflection of his sunglasses. “We both know how deadly you are with that.”
As Magnolia dedicated the next song to Skinny Malone and his gal, Deacon shifted out his seat and extended his arm to her. “Come on Kitty Cat, let’s dance.”
Madelyn took his hand and allowed him to lead her to the dance floor, her heart racing with excitement and skin tingling alive with goosebumps. Almost immediately she was transported to that first dance at the Memory Den—the electric feeling that had engulfed her body and soul. Maybe she should’ve known then that she would be enraptured by his enigmatic nature. It was inescapable, no matter how hard she tried to deny herself the truth. But what was the truth?
Deacon tugged her close as they swayed to the slow song, dipping his head so his lips were angled near her ear. “What do you think?”
She blinked, struggling to remind herself what he was referring to. Her eyes danced around their environment, looking from the pairs of dancing couples to the patrons that sat at the surrounding tables. As far as she could tell, the only people present were Skinny Malone’s Triggermen and the people Marty Bulfinch had brought from the precinct. If any of Eddie Winter’s men were in the building, they had yet to make themselves known. She didn’t want to assume they wouldn’t take the opportunity to strike, not when the iron was hot.
“Something isn’t right,” she muttered, unsure. Madelyn focused on the bar where Marty was sitting earlier, only to find he had disappeared. In an effort not to panic, she steadied her breathing, looking towards where Skinny Malone was standing, entertaining some guests near the stage. A waitress came by with a new round of drinks, just in time for the birthday toast.
Madelyn tried to lead him closer, but he wouldn’t budge.
“Easy now, kitten,” Deacon assured, the hand at her waist tightening a little. “We have an audience.”
She flicked her gaze over his shoulder to the two Triggermen on the edge of the dancefloor, muttering to themselves as they gestured to where they were dancing. With one steady breath, she slinked herself closer, resting her head against his shoulder. “We need a distraction.”
“I like the way you think.”
Madelyn looked up at him through her lashes, and felt his fingers trail up to her shoulder and then her neck, leaving a burning path in their wake. Cupping the side of her face, she could feel the cool metal band of the wedding ring he wore, reminding her of the charade they were meant to be playing. He wasn’t Deacon, but Johnny—not her Railroad partner, but her husband. If she wanted to, she could kiss him, and blame it all on the undercover assignment. It didn’t matter what her real feelings were—she could face them later—or live in this fantasy and sin for as long as she wanted.
He noticed her hesitation. “I won’t kiss you if you don’t want me to.”
She didn’t say anything, tilting her chin a fraction closer just as Magnolia finished her song. Somewhere in the distance, she could hear the sound of clinging glasses and the echoing sounds of cheers! It faded away as Deacon’s lips ghosted over hers, and she didn’t even care if the Triggermen were watching. Madelyn fluttered her eyes closed and could feel herself drifting—
A loud crash resonated through the entire club and on impulse she pulled herself away, inhaling a sharp breath as she focused her vision. For the split second she settled on Deacon’s face it was difficult to discern his expression—was he disappointed? It quickly melted away as they both diverted their attention towards the stage where Skinny Malone had collapsed, the table knocked over and glasses shattered. Madelyn was disoriented as she rushed over through the crowd of people—there hadn’t been a gunshot—what had happened?
A stocky man in a well-made, pinstriped suit was inspecting the tray of drinks that had been discarded on the floor. “Boss’ been slipped sumthin’!”
Poison? Madelyn felt the dread settle in her chest—this was unlike Winter—he always liked to take a direct approach when killing off his competition. But she had no time to question his methods when as of late, his crimes had become unpredictable.
“Move away!” she yelled over the crowd of frantic Triggermen. “I’m a nurse, maybe I can help!”
In the chaos, nobody made to stop her as she knelt over Skinny Malone’s crumpled body, pressing her fingers to his throat to check for a pulse. Frosty white foam was sputtering from his mouth and his eyes were wide, bulging. His hands were scrambling at the carpet for purchase, but a moment later they switched to yank at his jacket and tie. It was all in vein as he lie there suffocating, choking on his own tongue—there wasn’t anything Madelyn could do, even if she was a real medical professional. She gave him a sympathetic look, before noticing the thick pocketbook in the seam of his blazer. Without a second thought she snatched it, tucking it as well as she could in the front of her dress.
Skinny Malone began to struggle, gripping the arm of his nearest Triggerman. Madelyn was swept up at that time, Deacon’s hands tight around her waist as he led her away as calmly as possible.
“Time to hit the road,” he said through gritted teeth, suppressing his distress that they would be stopped in the confusion as they made their exit.
As they left the Third Rail, Madelyn felt as though their undercover assignment was a failure. Eddie Winter had gotten what he wanted with Skinny Malone’s death and was one step further in his complete take over of Boston.
It was time to play their hand.
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impossibletruths · 5 years
Text
their lives, now
A quiet morning in the park.
quentin/eliot. 1.5k. post-monster. prompted by @hetrez
He’s never liked autumn. Everything dead and dying, nothing on the air but the promise of the cold wet slog of winter. Thanksgiving is his annually appointed time to wince at family members asking prodding and too-personal questions about his health and his prospects, and his mood always takes a turn for the worse as the days get shorter and colder and darker.
Eliot, on the other hand, loves it.
“The color palette compliments my complexion,” he says when Quentin asks him why––which, Quentin’s pretty sure every color palette compliments his complexion, like the whole damn world had taken one look at him and decided to be nothing but complimentary. 
Quentin doesn’t feel particularly complimentary. He feels sort of mulish about it all, wrapped in a blanket because he runs cold, always, and maybe it’s a perfectly acceptable temperature for everyone else but his toes are stiff and he keeps shivering so fuck it, he’s a burrito this morning as he picks through a book Julia asked him to take a look at. It makes his head swim, nearly incomprehensible and written in the tiniest, thickest typeface he’s seen. Eliot drifts around him, stopping every now and then to drop a kiss on the top of his head as Quentin works his way through page after page.
Outside the wind rattles against the windowpanes, which is why they’re talking about the season in the first place, and Quentin has a headache and he’s getting nowhere with the book and it must show, because Eliot pauses whatever he’s doing––putting together rent, maybe, Kady has been complaining about it––to say, “Let’s go to the park.”
“What?”
“The park. Green things, lots of trees. Let’s go.”
“I know what a park is, Eliot,” Quentin gripes. Eliot’s clearly in a good mood, all teasing and lively and ever so slightly dickish in the way he gets when something’s going his way. Must be the changing of the seasons. “I’m busy.”
“Then come be busy at the park.”
“El––”
“It’ll be good to get out of the house.”
Quentin scrunches up his nose. It’s unfair that he’s right. It would be good to get out of the house, to stretch his legs, to see the sun for more than a quick smoke break, especially now that he’s trying to like, y’know, quit. Again.
“Come to the park with me, Q,” Eliot wheedles, and that’s what gets him, the with me. Quentin sighs, entirely for show.
“Alright, fine.” He searches for something he can use as a bookmark and comes up with the takeout menu from last week. “But I’m bringing the book.”
Which his how he finds himself taking a slow, steady lap of the park two blocks over, one hand wrapped around a paper coffee cup and the other wrapped around Eliot’s, fingers laced together. Because this is what they do now, when the world isn’t ending around them: go for walks in the park and hold hands and drink coffee while the trees rain down a riot of red-orange-bronze leaves, a defiant fire blaze of color in the face of the coming winter.
It’s–– okay, so maybe it’s not that bad. Eliot’s hand is warm in his, and he’s wearing his old camel hair coat, which Quentin likes so much more than the black, because the black reminds him of––
Anyway. Park. Nice.
They claim a bench in a patch of sunlight, bright and clear like the morning and warm across his shoulders, almost enough to ward off the chill of the rattling wind. Quentin pulls his feet up, tucks them under his thighs and fishes his book out again, determined to get something done before meeting Julia for lunch. Eliot doesn’t let go of his hand, which makes it a little trickier, but that’s nice too, the way his thumb strokes absentmindedly against his wrist, like he’s sort of forgotten he’s doing it, like it’s automatic.
Quentin steals little glances as he crawls his way through the last few pages of the chapter. Eliot’s got his arm slung up over the top of the bench, coffee cup balancing on the wooden slats, and every now and then he takes a careful little sip. His head’s tilted back, eyes closed, turned to the sun like a flower, and the wind tugs at the loose curl of his hair across his forehead. Each time Quentin looks over his heart expands like a balloon in his chest, big and helium light and close to bursting. 
He reaches the end of the chapter and carefully closes the book, blinking the floating afterimage of letters out of his eyes. He tucks it back in his bag and breathes in the winter-crisp wind, the mulchy smell underneath. Watches a girl in a bright green hat throw a ball for a small white dog whose legs aren’t nearly long enough for its body. 
Watches Eliot soak in the sunlight, near glowing with it.
Like he can feel the weight of Quentin’s gaze, Eliot cracks an eyelid in his direction, then closes it again. “Finished?”
“Yeah.” He’s gotten the important parts. And anyway, how is he supposed to focus with Eliot basking like a cat in the morning light?
Quentin brings their laced fingers up to press a kiss against Eliot’s knuckles, because he can, because they do this now, along with the walks in the park and the morning coffee and all the other easy, simple stuff in between.
Eliot doesn’t open his eyes, but he smiles, soft-sweet and wondrous. It’s Quentin’s favorite smile, maybe, this small, private joy. That this is their life, now. That this can be their life.
He sets their hands back in his lap, shivers a little as the spiraling wind picks up a handful of bright-dead leaves and scatters them across the grass. Eliot shifts at his side.
“Cold?”
“A little, yeah.”
Eliot shifts some more, stretches out and gently––apologetically, almost––tugs his hand free. Quentin tucks his own into the crook of his knees, fingers digging for the warmth, while Eliot balances his coffee cup on the bench next to him and pulls off his scarf.
“C’mere,” he says, and Quentin ducks his head so Eliot can drape it around his neck, tucking the loose ends under each other with a care he always seems to reserve for Quentin’s wardrobe, Quentin’s comfort. Quentin lets him fuss, enjoying the sunlight and and Eliot’s easy attention, and when he finally sits back again Quentin tucks his nose and chin into the warmth. It smells like Eliot. He breathes deep, balloon heart expanding in his chest.
“Better?”
“Yeah.” It comes out muffled through the wool. Eliot smiles again, that private curl of joy.
“You look like a turtle.”
“Shut up.” He’s smiling too, though, hidden in the folds of the scarf.
“A very fashionable turtle,” Eliot assures him, taking up his coffee and Quentin’s hand again.
"Oh, good. That’s definitely what I was worried about, thanks.”
Eliot hums, like, yes, I know, and settles himself back against the bench. His thumb goes back to stroking Quentin’s wrist, easy. Quentin wraps his fingers around his coffee, takes a long, slow sip. Watches the dog yoyo away from the girl and come running back. A jogger passes by, nose pink in the cold. Quentin sinks deeper into the warmth of the scarf. Takes another sip of coffee.
“I used to hate it,” says Eliot at his side. Quentin hums around the lid of his cup, a question. Eliot’s hand goes a little tighter around his, thumb stilling. “Fall, I mean. There was always–– work to do. On the––” He can’t bring himself to say farm. Quentin fills it in anyways. “And school was a nightmare.”
“Yeah,” Quentin says, because he gets that; he remembers being twelve and too-smart and different. He gives Eliot’s hand a careful little squeeze, an I’m listening, an it’s okay. "What changed?”
Eliot shrugs, a whole body thing, like he can physically cast off the discomfort of talking about his childhood. “I left. Discovered, I don’t know, the city. Fall fashion. Pumpkin spice. The incomparable marvel of not seeing a single thresher between July and November.”
Quentin understands, and he appreciates, really, more than he can say, that Eliot is willing to share that with him. That Eliot trusts him with himself, all of it, even the parts he doesn’t like, even the parts he’s ashamed of.
But.
“Pumpkin spice? Really?”
His eyes crinkle, a not-quite smile. “Don’t judge.”
Quentin snorts, just a little. Eliot loosens at his side.
“I’m just saying. It’s not all bad.”
“It’s not,” Quentin agrees. It’s not, because he has this, their life, where they go to the park and hold hands and tell honest truths in patches of sunlight, where he wears his boyfriend’s scarf where it gets cold, where they drink coffee and watch little white dogs bound after old tennis balls, where the whole world can stop for just a moment so they can breath it in, together.
So, okay. Yeah. Maybe autumn isn’t entirely terrible after all.
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