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#like how i interpret them if that makes sense
shall-we-die · 2 days
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Hey! I have to say I love your work. Especially your weekly letters. I just love them❤
Secondly can I request "who fell first and who fell harder" between the reader and the JJK men. You know the one with the you fell first and he fell harder or you fell first and you fell harder.
-🌼
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{Who fell first?
Who fell harder?}
☰[Main list]•⊰ Jujutsu Kaisen
↬[A/N]•⊰ Thanks for your kind words lovely anonymous 🧡🧡🧡
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[He fell first and harder]:
Itadori Yuji
Yuji definitely seems like the type of guy who would fall in love hard. He'd probably focus a lot of attention on you, constantly worrying about you and thinking about you. How he'd show those feelings is up for interpretation but I'd imagine he'd be pretty caring and maybe even a bit possessive. He tries to keep his cool but he can't help but feel excited inside. It's like all of a sudden the world seems brighter, and everything is just a little bit more exciting. His heart is pounding in his chest and he can feel butterflies in his stomach. It's a feeling like no other. He'll be your sweet puppy forever.
Gojo Saturo
When Gojo falls in love, he would initially be quite conflicted about his feelings. On the one hand, he would be excited about the prospect of being with someone he's attracted to and who is attracted to him in turn. On the other hand, he'd be very nervous and anxious about risking your friendship and potentially causing the relationship to become awkward if things don't work out. Gojo's feelings would be a mix of joy, excitement, and nervous butterflies in the stomach. He would be constantly thinking about you and fantasizing about your future together. Although it is possible that he will never tell you anything so that you are not in danger and will keep your love in his heart forever.
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[He fell first, you fell harder]:
Nanami Kento
Well, when it comes to falling in love, he always keep it to himself. He's not one to express his feelings outwardly, especially if it's something as complex as romance. However, if he was to fall in love, he would feel a sense of warmth and contentment. He would be content just being in your presence and would want to protect you at all costs. However, his emotions would remain hidden, as he believes it's important to focus on being a responsible and dependable individual in all situations. He is a man of few words, so he does not express his feelings outwardly. However, he can still show his love through actions such as protecting you from danger and providing for you financially. He is also a very loyal and dependable partner, so he would never betray your trust. You know for sure, seeing his charming face, the way he talks, the way he treats you and is a true gentleman, your heart is melting every moment. Sometimes you feel that he can also hear your heartbeat. After you confess and show him affection, he will finally warm up a bit and show more feelings. He makes you fall in love with him more with his every move.
Inumaki Toge
Inumaki Toge usually acts calm and composed. However, when he falls in love, he becomes very shy and his heart beats faster. In the beginning, he may not understand his feelings completely, but he gradually becomes aware that he has a special feeling for you. He may get nervous when he sees you and try to avoid eye contact. He may also try to hide his feelings in his facial expressions and may seem aloof and distant. As he gets more comfortable with his feelings, he may become more open and start to smile more around you. Seeing the person he likes, he's excited and happy. He's not good at expressing his feelings very well, so he often uses his gestures and other methods to show his feelings. He might be shy at first, but after he gets used to it, he can be very outspoken. Even though he knows expressing his feelings is not his strong suit, he will try his best to show his love and devotion to his partner. After you notice the feelings and signs that he gives, you feel that you are interested in him. He is funny and kind and always treats you well. However, sometimes he gets frustrated and depressed because of his communication problems, and it hurts your heart. He is the sweetest part of your life that you get addicted to after a while. Just like an addiction to sugar and sweets.
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[You fell first, he fell harder]:
Sukuna
He cannot believe your feelings easily. First, he thinks you are crazy and ridiculous. He doesn't want to kill you for some reason though, and tries to put up with you. Even though if Sukuna really fell in love, he would never admit it. After a long time seeing your stupid smile, when faced with a love situation, Sukuna's heart would race, his face flushed, and he would become extremely defensive and angry. He would try to hide or mask his feelings with bravado and aggression. He would act as he didn't care about you, and he would hide his true feelings behind his ego and arrogance. When Sukuna finally falls in love, he feels confused and unsure about how to express his feelings. Initially, he may try to ignore or deny his emotions, but gradually, he starts to open up and express himself, though often in a very aggressive and assertive manner, as is typical of him. However, underneath the intimidating exterior, Sukuna experiences a range of emotions including tenderness, love, and vulnerability that he doesn't often show.
Geto Suguru
When Geto fell in love, he felt like all the sadness in the world has descended over him. Everything in the world became darker than before. He's... angry. Sometimes, when he thinks about you, he loses control and starts daydreaming. He doesn't know if he wants to confess or not, but he definitely knows that he loves you. Geto was just passing by the window and saw you reading a book with your hair gently swept by the wind. It was something as simple as that. At that moment, there was no reason why he should fall in love with you or even notice you. But he did. And it was a deep fall. Geto's eyes widened at the sudden realization and his face flushed. As he saw you again, the only thing he wanted to do was to touch your hair. But you were definitely the one who fell in love with him first. You were the one who blushed when you saw his dark hair or even hid yourself from him. You weren't going to confess to him. Your world was completely different. But now, he has feelings for you too… although it's not clear which of you will admit it first.
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[You fell first and harder]:
Megumi Fushiguro
You develop feelings for him at the first meeting. A mysterious boy who has a pleasant face but is cold. You must have had a secret crush on him for a long time. And definitely, when he realizes his feelings for you and accepts you, you will feel like you are over the moon. I must say, he loves you too, but you're the one whose heart melts with his every move. As someone who is typically reserved, Megumi may not openly portray his feelings when he falls in love. However, when he truly cares for someone, he may show subtle signs of compassion and consideration for them. For example, he may go out of his way to protect or support the person he loves, or simply spend more time with them. As he gradually develops deeper feelings for someone, he may become more expressive with his emotions, sharing his thoughts and feelings in a way that is meaningful to both him and the person he loves. Overall, Megumi's reaction to being in love is one of caring and protection.
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beautifulbows924 · 1 day
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Common Ground
Act One!Astarion x Gender Neutral!Reader
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Masterlist
Word Count: 650+
A/N: This fic is sort of a combination of a few of the (comparatively) similar requests I received, along with one particular scene that’s been running wild and ping ponging around in my brain for far too long. I somehow convinced my partner (who could not care less about fanfiction, but adores me) to proofread this for me. So any complaints should definitely be addressed to them—as I was, unfortunately, far too sleep deprived to read over this anymore than I already have. As always, I hope you enjoy—feel free to leave any feedback you have in the comments, and happy reading! :)
Warnings: Angst, intentional allusions to past SA (the circumstances are left purposefully vague), concerning both Astarion and the Reader, writer will often suddenly break off into unexpected poetic tangents, a smidge of fluff—if you squint, & perhaps a bittersweet ending (depending on how you interpret it?)
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“Darling”, Astarion carefully poses his words, “Are you certain that you’re quite alright?”
You’re terrified. He can see it. Your pulse is visibly thumping beneath your skin, and there’s a tremor to your hands he’s certain wasn’t there before.
But why now?
You’ve told him you trust him, demanded the others leave if they weren’t willing to accept the gift that is his company, and mere seconds ago offered yourself to him as a meal—to what you, with both intimate knowledge and first hand experience, know is a hungry vampire.
He would be questioning your sense of self preservation, or alternatively, your sanity. If he wasn’t awed by just how quickly you’ve managed to sway your companions' loyalty.
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It takes a moment for you to notice he’s asked you a question. But once you have, you nod.
He sighs, clicking his tongue at you. That vacancy behind your eyes, it’s unnerving, too familiar. “Don’t lie, it doesn’t suit you. What is it?”
Your gaze shifts, opting to search for what must be a rather interesting spot somewhere behind him.
Two breaths in.
Two breaths out.
Astarion falters. That may have been harsh—if your continued silence is anything to go by. Perhaps, he should have left the lie to rest.
“Dearest”, he works to intentionally soften his tone, shoving past the honeyed lump that rises in his throat, thickly coated with syrup. This little manipulation won’t be ending in a hand naively held between his as he leads you down unassuming crypt steps.
He knows that.
“If you’ve suddenly changed your mind about”, he gestures vaguely between himself and your neck, “I’m sure I can make do with whatever animals find themselves unluckily situated in this part of the forest.”
Humble or selfless certainly isn’t his favorite role to play, but if he wants you to be his personal guard, it seems he may have to make an exception.
“No!” You blurt out, swallowing thickly at the raised brow he sends in your direction, mouth suddenly very dry, “I—It’s not that. I swear to you.”
He tuts, “Ah, but it is something. Hmm?”
You nod again, frustrated tears building in your eyes as each attempt at an explanation falls flat.
“No, it couldn’t—it”, Astarion makes a rather exaggerated motion with both of his hands, clutching his chest in theatrical shock, “Was it Gale?”
You huff, but it’s more exasperated than annoyed.
The left side of his lips lifts.
You drag your own roughly between your teeth.
“Earlier, you made a comment about being quiet, not wanting to disturb my rest”, unsteady hands bury themselves in the fabric of your pants, “Those words, the sudden realization that someone…anyone could have access to my body like that while I slept”, your head slumps forward, “The last time—I can’t.”
Two breaths in.
Two breaths out.
Astarion’s fingers slot into place beneath your chin, tilting it upwards to look at him.
And suddenly all you can see are the differences.
Everything he is appears less forced. No longer are you merely an audience and he an actor, but equals. Those that have found a common ground built upon the cruelty of others.
Far too accustomed to it.
There’s a raw familiarity held within your expression Astarion can’t quite discern.
Perhaps, in another life, someone cared for him. Once. To look at him with such fondness.
He wonders if he deserved it, then.
He allows the hold he has on you to become lighter and lighter, until his arm returns to hang at his side.
You hear a weary sigh, then, gently, “For what it’s worth, I’m truly sorry.”
A small smile flutters across your lips, light and without expectation. It’s a kindness he hasn’t yet learned how to navigate—and certainly has not earned, but he yearns for it all the same.
“Thank you, Astarion.”
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kifkay · 2 days
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Winx & Specialists Dynamics that are so Precious to me
it makes sense that in the show, winx and their non-boyfriend specialists don’t interact much. but!! i’m very insane about codependent found families, and I want them all to love each other. so here’s my take on some tet-a-tet dynamics:
rare pairings:
Musa & Timmy: childhood frenemies. they used to go to the same middle school on Melody, and as type-A tweens do, had an intense, “you’re the only person I match myself to” kind of rivalry. they lost contact after Timmy moved away, chilled out considerably, reconnected in Alfea and had a wonderful banter-filled friendship since. because of how fast they slotted back into a friendship, some of their classmates genuinely thought they were siblings.
Tecna & Riven: got up from a rough patch. from “I dislike you but we both love Musa, so we have to be civil” to “you have more depths to you than I expected” to “now that I understand you, I can’t help but admire certain things about you” to “bitch, you are the only person who is as weird and clueless as I am, ARE YOU READY TO GO TO THE ARCADE AND ANNIHILATE KIDS FOR SHITS AND GIGGLES”
Flora & Brandon: little sister, older brother vibes. of similar temperaments and views, they enjoy spending time over a cup of tea — talking about everything and nothing. it’s therapeutic, almost.
(no one in the group knew that Brandon and Flo were good friends. once, when the two had to team up during a mission, Bloom couldn’t even finish saying: “it would be a good opportunity for you to get to know each ot-“, before the specialist-fairy duo were re-creating the most complicated and choreographed hand shake ever. jaws were on the floor.)
Aisha & Brandon: they are sporties, and they like doing sport things together! they don’t talk aside from exchanging brief encouragements and advice while out, preferring to spend their time in companionable silence. sorta like those dads who never talk to their buddies, but somehow have the strongest and longest bonds ever?
Helia & Bloom: artist besties. Bloom drags Helia out on picnics, where they practice observational drawing (and tiktok trends that Bloom desperately wants to reenact but none of the winx are good at arts); Helia responds by taking her out to see art museums in Magix. it’s a fun dynamic of Bloom being the bubbly gold retriever, and Helia being her black cat.
Tecna & Sky: they didn’t have much of a relationship until year 4. somehow, they both got really, intensely into weaponsmithing and built a joint workshop. they found that they enjoy working alongside each other and value each other’s insights. sky goes to tecna when he needs frank, un-sugarcoated advice, and tecna accompanies sky on hikes and other spirited adventures, for “bonding activities” (because he told her she doesn’t get out of her comfort zone enough). it’s a relationship of deep mutual respect.
Sky & Stella: childhood friends. they knew each other as children and enjoyed playing together (which is how Stella also knew Brandon pre-Red Fountaine). at least, until Stella was unofficially banned from Eraklyon because shenanigans, and they lost contact. they still jokingly call each other “My Lady” and “My Lord”.
Stella & Nabu. Both are flirty and extroverted people, who enjoy the spirit of showmanship. They have a friendly rivalry going of who can fluster the villain of the week the fastest.
canon bf-gf dynamics (dating in canon, open to interpretation otherwise):
Bloom x Sky: liked each other since the first meeting; bonded over being the friend group moms. (on unrelated note: bloom gentle parents her friends, while sky goes all exasperated cig mom on his team and repeats things like: “you better go to sleep right now, or so help me Dragon I will take away your Owl pilot privileges-“)
they are not the most outwardly affectionate couple of the winx, yet they are so wordlessly devoted to each other. sky will follow bloom to the ends of all dimensions, when she gets a calling from powers as mystical as she. bloom will always believe in him and see him as his own man, unlike the many who see him only as his father’s son. they were entwined by fate, long before one had met the other; yet, there’s the trust, the respect, the faith so strong — that could have only come from friendship forged and tested by fire.
Stella and Brandon: the hottest power couple; sole reason behind 60% of all student fairies/specialists/witches queer awakening.
they banter all. the. goddamn. time. these dorks are speaking a whole different language.
they are also most comfortable in each other’s company, being able to be their genuine, less polished selves. stella and brandon are both performers bred and born, playing the roles of a noble princess and a knight. it’s nice, to have a safe reprieve from all that acting.
Aisha and Nabu. their love was one that sneaked up on them. their distance, set by their discomfort at the idea of an arranged marriage, bridged as they transitioned from being reluctant comrades to friendly rivals to unwilling friends to best friends to “if someday the moon calls you by your name, don’t be surprised — because every night I tell her about you”
Tecna and Timmy: partners in crime, ride or die, sunny faith in each other — even when the other person doesn’t believe in themself. I have a whole post about them, go read that ;)
Flora and Helia: they are so. they are. they-
icons. the most romantic couple, the one that sets the standards, the one that gives their friends advice. they are extremely attentive to each other’s needs and tender with each other’s feelings.
flora can recite helia’s poems in her sleep, and trace his drawings with her eyes closed. helia brings mielle presents every time he stops by. flora has tea with helia’s dad every other tuesday; she keeps note of every time helia and saladin are supposed to meet up, to be able to whisk helia away after and distract him from his troubles. helia knows how to care of flora’s plants, and sends her lovingly assorted gift baskets semi-regularly.
Musa and Riven. their relationship is push and pull, is joy then sorrow.
it’s all in a drag of a cigarette, in the vortex of a starless night, in the hoarse laughter. “of all the people in the world, why did it have to be you?” she’ll say and smile.
“ ‘m afraid we’re doomed, lover,” he’ll reply, faux-casually, and smile back. both of them know it’s the truth.
their relationship was not built to last, not for the lack of love or try. maybe they were too similar — both headstrong, unbending, bleeding hearts. maybe they were just different enough not to understand their hurts. nevertheless, it was not built to last — but neither of them would ever bring to regret it. love prevails, no matter in what form in comes, or something like that.
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bolithesenate · 3 days
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Hi! For some reason it wont let me ask from the blog I want it to, which is why the random name, but I really love your stuff! Quick question - what do you think would he Dooku/Sifo Dyas/Jocasta/Jaster’s main rule(s) for Padawans/foundling-child-thingy?
Sorry if this is boring or smthing its just Ive decided your word on these things is law!
Thank you!!! Xxxxxxx
eyyy!! never apologize for blessing my inbox with asks! especially not about the blorbos!!
Now, I'm not entirely sure on what you mean with 'what their main rules on children' are.... but that just means my answer gets to be more elaborate.
Sifo-Dyas:
In my head he is the most child loving of the bunch. He would THRIVE on taking a Padawan and honestly I could even see him have a biological child most out of all four of them. But he bars himself from either because of his visions – since there's no telling on how they would interact with a Master/Padawan bond or smt similar he isn't willing to risk a child's wellbeing for his own desires.
That being said, he lives all the more vicariously through Dooku and Jocasta when they take Padawans. (As well as visits the Crèche any day he can) In any universe he and Jaster are a thing he definitely tries his best to be of assistance there as well, even if just as a long-distance-father. He doesn't care if someone claims it's attachment. Raising children is only good and just and if he can help in ANY capacity he will do so and you'd have to kill him first to make him stop.
(And even then his Force ghost probably would find ways to meddle)
Dooku:
Dad-in-denial-supreme.
His stuck-up ass will loudly proclaim he doesn't like children and that they are too noisy and erratic and then turn around and immediately take the next best street urchin under his wing. Provided they look at a lightsaber with even a modicum of interest.
I mean, considering the NUMEROUS apprentices he has in the different flavors of canon (Rael, Qui-Gon, Komari, Sev'rance, Grievous, Assaij, Savage) this man simply is MADE to teach.
In fact, people wiser than me (hi Jess), have famously said that he'll actually go stir-crazy if he doesnt have someone to drill in makashi.
He isn't the best at emotions, but that's what he has Sifo for. And also he WILL offer each and every one of his Padawans/Apprentices/pseudo-children a place in House Serenno's actual lineage, even if just to spite his dead father and brother. But only after they turn 18/are knighted. Whichever comes first. (similarely to Jaster, he refuses to paint any more of a target on a child's back than strictly necessary)
Jaster:
As absolutely child-loving as most Mandos are. He would have adopted many more children already if not for the target that his existence as Mand'alor paints on them.
So while he tries to find them good homes, unless he is directly responsible for them or honor bound in some other way to adopt, he might refuse to say the words (even if it pains him gravely).
In any universe where he's in a relationship with the rest of the blorbos, you better bet he sees their Padawans as his foundlings-by-extension. Even if all the Jedi WILL argue that it is not the same (except Sifo, Sifo can has and will support this interpretation of the Master-Padawan bond until his dying breath). Although, again, he might not ever make it official. Politicians have many enemies. MANDALORIAN politicians doubly so. That isn't beneficial for a child's health long-term.
In any universe where he never gets to be Mand'alor tho he has like 10 foundlings MINIMUM.
Jocasta:
Last but not least. For her, children/padawans were a very distant thought most of her life. Biological ones she would never have in my opinion – either she's infertile to begin with or she got a permanent solution to prevebt pregnancy early on.
And while she did eventually take on three Padawans (yes, Olee counts even if she was stolen from her), she always considered them more students/peers than children in the familial sense. She just isn't very maternal in any capacity, but that is fine.
While she isn't involved a lot in the child-rearing aspects of whatever kids the other three drag along, she very much IS always up for bending some rules in favor of her precious nepo-niblings. Being the Head Archivist lets you get away with quite a bit.
Especially if it ultimately benefits the kid in question academically.
I hope the answer you were looking for is in here, otherwise let me know! I'm always up for talking more about the blorbos!
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Hi! I am writing a story and planned the basic locations such as rooms it will be set, but I'm struggling with how to connect them. It will be set in a castle but I don't seem to be able to make a full map for the place, so I wanted to ask if you have any tip regarding this? For example how can I describe the scenery and scenes in a way people can imagine it, but don't have the problems when I say another newer information in connection to how something looks/placed which can destroy someones view completely that they'll need to reimagine it.
Fleshing Out Castle Layout
It sounds like you need to do some research on castle layouts. There are many castle layouts available online, but you may want to start with looking at real castles that match the type of castle you're imagining, then see if you can find a layout online for it. Knowing the proper names for different rooms and how they're usually laid out will help you tremendously.
Also, it's important not to get too bogged down with describing your location. Readers will never imagine exactly what you're imagining, no matter how much effort you put into the description. Your goal as a writer is to create a sense of place by giving them a few details that allow them to create their own interpretation of the setting in a way that works with what needs to happen. (See: The 3 Fundamental Truths of Description)
Happy writing!
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Oh! the notebook idea is very neat!! So, to take it towards a darker turn, imagine the character seeing the last double spread of the notebook, and every single name in the notebook is our own?
Maybe this was like partway through the healing process where we aren't death seeking anymore but we aren't okay still (hope that makes sense)
Many ways have a great day!!! <3
Oh fuck I didn't even think about how many pages would be just our own names.
Cause in my head before the healing process is that any names written near the end of the list are from them assuming the characters were trying to kill them.
BUT NOW I SEE IT AND OH MY LORD THAT'S SO....the tingles in my brain.
Cause highkey I can see the creator being gifted a new notebook by one of the characters (maybe Neuvillette or Wriothesley since they give me the vibes of being most likely to do it) as a way for them to write out their feelings. And it would read normal at first, but as the pages went on you can see moments of them relapsing. And it would be very scary if any of the characters ever read it cause the pure fact that their god can be as emotionally broken as an ordinary person would really fuck up with your religious mind.
At least I would think so since gods are always considered to be above man in terms of...well everything, even if we consider the more petty interpretations like Greek gods.
Wait...god that makes Sumeru seem like the worst nation to ever being healing at for me because while they would have top notch psychological knowledge....good lord I know some of those characters would probably be questioning way too much and be way too pushy in order to force the healing to be done asap. LIKE ITS WITH THE BEST INTENTIONS, but just geez. Anyway putting a pin in that-
Back to the actual topic yeah this definitely is a very interesting idea that I honestly never considered. So thank you and others for giving me the idea because DAMN the potential. Potential my beloved.
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jemmo · 3 months
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
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sysig · 3 months
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Ah, childhood memories (Patreon)
#Doodles#UT#Handplates#Sans#Gaster#Having such clear external-view memories of what happened when they were young would probably give Sans a lot of ammunition lol#Not that they'd know any different - their poor memories honestly :( - but having such clear memories in places would have to be weird#Most people have childhood amnesia to an extent! Tho it's hard to say when that would've applied to them anyway with their sped-up growth#Not to mention the trauma#And it's possible that doesn't apply to Monsters to begin with lol - but it's all a moot point anyway since these are their only memories!#It's sad to think of how much of themselves are missing forever since Gaster didn't experience them :(#This is what happens when you get behind on your work >:0#I really wonder what their lack of memories/restoration of memories would do for their like/dislike of certain things!#Like how Papyrus says that sitting with Sans in his lap makes a lot of sense as to why it was so familiar and comforting#But also that knowing makes it sad as well :( Knowing recolours their understanding and interpretation!#Knowing Why makes things make sense but does it actually Help? It's a tough question - certainly it hurts in the moment#The little things Gaster has infected for them and for himself ♥ Like taking notes! Like chess and sweets and spaghetti and lab coats#And dark sweaters and cigarette smoke and hugs and intelligence - how many pieces of all of them have A Feeling attached#How many more have A Memory - and even more than that A Memory Lost and unrecoverable ughhh ♥#But the little things they can hold on to hehe <3 Like pinging Gaster for what they all know and remember#Why does he even keep coming over if he knows the reception he'll get? Lol#Feels particularly self-loathing and goes to get bullied as penance pfft
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mishapen-dear · 10 months
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thinking about the elections tonight... bad, cellbit, baghera, and forever are four candidates who are devoted to the island- more specifically, to the residents of the island. They care for the eggs, and they care for each other, and the way they exhibit that care through their primary presidential strategies is fucking fascinating.
Bad is who I watch the most, so I know him best. He's a classic mother hen. He doesn't like to take risks with the eggs, and he likes to prepare. If there's any sort of variable that could hurt an egg then he wants to control it. They have a stable relationship with the federation right now- it's not great, but they know the parameters. Don't trust cucurucho. don't follow cucurucho. send the eggs to NINHO every time there's a threat. the time of day changing means you need to run. Other than that they're p okay and roughly safe. But adding a president could potentially change everything. What if the president makes a rule that makes it easier to kill the eggs? And what about the way a president could cause tensions between the players to rise even higher? The dynamics of the island could change drastically. It's safer to neutralize that threat before it ever becomes a threat. It's easier to stop a war before it can start.
Baghera's primary concern is the way the election is designed to pit the residents against each other. All of them know that the Federation is a threat and she, like Bad, is focused on not letting them hurt more people. But, unlike Bad, she's less resistant to change. If the power is spread to multiple players rather than just one, it will be harder for the Federation to corrupt any one of them. Each time before the Federation has gotten to someone it's done so by isolating them. Felps, Cellbit, Jaiden- they've all spent a lot of alone time with Cucurucho. A council isn't just to consolidate the ideals of the island; a council would protect the players themselves. Sure, there might be disagreements and arguments, but they've had those before (and they're having them now!) and there's no reason to think they wouldn't be able to get through them again.
I hit a bit of a wall with Forever and Cellbit's pov here. Everything I know about their plans are from the debates and paraphrased discussions that have been translated here on tumblr, I'm going to talk less about their explicit plan and more about what the result will entail- a single president who takes responsibility for the island. It seems to me like they've recognized the presidential seat as the powerful opportunity that it is, and they want to take advantage of it. Here's some extra personal speculation but, adding rules, adding or removing mods, proposing public works, enforcing laws- those are just the abilities that are listed. Those are incredible opportunities to make the Federation take action, which is more than they've had before. We've seen before that the Federation isn't perfect; the Federation makes mistakes.
By working with the Federation, by making them take action (in a semi-controlled, semi-predictable way) you open them up to more opportunities for them to fuck up (while benefiting you). And, maybe, one of those fuck ups will be the key to taking them down. Maybe they could reopen ender chests. Maybe they could open the nether. Maybe they could learn why the Federation is holding an election in the first place. It's possible to do all these things with Baghera's plan, sure, but that's not a guarantee and, if someone like Bad is on the council, there's absolutely no way to be sure it would get done. And, if there's a council, then that opens up everyone on the council to the Federation's wiles. If there's just one president, then that's where the Federation's focus will be. By using a single person to build a relationship with the Federation, they only risk that single person. By electing ministers instead of a council, they can ensure that the island residents' needs are being heard while placing the federation's focus on that one person. A point can be made that they've done that before- with varying results. like kidnapping. selling your soul. etc. But! overall, I think they've gained more than they've lost by singling out one person. Because of them, we know that Cucurucho can't be trusted. We know that the Federation has a series of tunnels underneath the island. We know that the Federation not only has some sort of cryo technology, but had some unknown reason to use it. We know that there was another person working with Cellbit to take care of Felps (theorized to be ElQuackity), so we know there's at least one more Fed that isn't Cucurucho + blank-faced workers. There's been risk, but there's absolutely been rewards. This is just a very long meandering way to say that their plan to sacrifice Forever to the presidential seat reminds me very much of Cellbit's plan to sacrifice himself to the federation. They're saving their friends by potentially damning themselves and I, for one, think that is cool as hell.
they all care about each other so much. bad's plan means taking on no more risk. baghera's plan means spreading that risk evenly to stand strong together. and cellbit and forever's plan means taking the risk onto themselves so they can reap the rewards for others. am i reading too much into things? no this is tumblr and this smp is about LOVE and i really genuinely think that their election plans are a fantastic example of just how much they love each other
#qsmp elections#qsmp#qsmp analysis#again i haven't been following cellbit and forever's exact plan too closely but i've gotten the sense that their pushing of public works is#just to get people to vote for them and the true reason they want forever to be president is to infiltrate the federation#if that's not it tho feel free to let me know i'd love to know these cubitos reasonings#but with my interpretation i like the silly little extra headcanon of mr cell “sold his soul to the cops” bit#subconsciously sacrificing forever to the feds and pushing him into corruption#which ALSO makes the forever-killing-cellbit-to-kick-him-out-of-the-running plan Even More Tasty#'what if i let you kill me. what if destroying me destroyed yourself. what if i have already destroyed you on purpose and you forgave me#now what if i dont mean it when i do it again'#if anyone wants to examine the other candidates (or these same ones) and figure out how their election strategy is an example of their love#please do#i don't know enoguh about the others#but i know that gegg is love-turned-grief burn-the-world-down#and foolish is love for Item. love for cloud. love for being a silly#i don't know etoiles' plan for if he gets elected but i know he also deeply loves the island and the residents#him and his security <3 and the care packages for new players <3 and the way he Craves Violence but absolutely refuses to hurt anyone who#doesn't deserve it. most guy of all time#personally i want foolish to win because i think it would be really fun#but i think that any of them (even the candidates i don't know) would be a Fantastic president#we're going to get some good roleplay any way it goes so ill be happy :3#the only mechanic thing i want is for them to open the nether but that feels like a given for anyone so im not worried about it tbh#ty for coming to my tedtalk#hello if you're reading this tag. i see youre just as un-normal about these characters as i am. or you just like to read. respect either wa
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doodoodinklefart · 5 months
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ended up watching a bunch of the jjk audio dramas and then decided to draw them from memory (sorry nobara for parting your hair wrong). i love these bozos theyre all so dumb!!!! i think the main trio are so cute and silly together.. they play off of each others personalities so well idk how to describe how much i enjoy watching them interact. this is how the shibuya arc ended yw gege
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okitanoniisan · 1 month
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new rgg fans will never know what they missed back in ye olden days of the fandom (like, 2019), doubly so now that scott strichart's deleted his twitter and jon riesenbach's privated. twitter was so fucking fun and then whatever-the-hell at sega of america happened and caused a fucking snowball effect and now we have shitass localization and resulting discourse that makes every release nigh unbearable, misinformation, confusion, people complaining about "bad writing/mischaracterization" not realizing it's because of the shitass english loc, i'm sitting here like jesus christ these loc bitches massacred saejima's character voice, people will never see him as he was intended, as original yakuza 5 localization Correctly painted him, and now they're coming for kiryu. god help us. we used to be a proper fandom. before everyone was subjected to the remastered localizations and shaky eng characterization. no one had even played yakuza 3-5, people still called morning glory "sunshine" orphanage, kiryu was our only protagonist and people still called him "boring", it was beautiful...
anyway gaiden uses affective instead of effective because the current localization team is full of careless dumbasses who don't give a fuck about ensuring they're using correct english grammar and this is not an isolated incident
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#ada speaks#ive been playing through the series again from 0-5 and. yeesh#it goes from LIFE IS GOOD. LOC IS GOOD. to. oh.#yakuza 5's original localization is near perfect and they couldve made it better but instead#they opted for the cost cutting approach and decided NOT to retranslate and instead#just fucking. re-localized the localization and SO much is wrong. so much.#im playing simultaneously with a friend (myself on ps3 them on pc) and seeing the differences#and it happens in y3r and y4r too where#the original line is localized > the remastered line takes it and runs with it bc they have no original translation context#ie. in 3 rikiya says he likes 'wild' dancers. (re: strip club) it gets localized to be him liking 'aggressive' dancers.#in 3 remastered he says he likes AGGRESSIVE DOMINEERING WOMEN and that gets his Gears Turning#or. in 5 shinada says that uno is 'a little sad up top' re: his hair. and 5 remastered he says 'kinda mopey'#because they misunderstood the original english loc and so. completely fucked up the line to mean something else entirely#its like broken telephone#the same is SOMEHOW also happening in 8... i dont know HOW but somehow it fucking is#meanwhile im revisiting zero and going OH YEAH GOOD CHOICE. THAT MAKES SENSE. GREAT WRITING. WOW THAT'S AN A+ INTERPRETATION OF THAT LINE.#i miss the old loc team so bad. bring me back.#its mostly frustrating because i can see the shitass eng writing and still enjoy the game beneath it (unless it's not voiced.) but#i feel so bad for everyone flying blind and forced to take the loc at face value#its been like this since lost judgment but the main story was Fine (if a bit rushed) because. scott was still doing his thing#the substories in lost judgment also felt like they were of the same calibre (shit.) as remastered and. idk.#it seems like its been a shitshow at SoA behind the scenes for Years#and it shows.
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rookflower · 1 year
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the horrifying implications of Cinderpelt as a pawn of Starclan- trying everything she can to unsuccessfully stop her apprentice from leaving because she's terrified of the internalised idea of "failing" her clan and her job due to her impending death, while unaware that the entire Crowpool situation is intentional by Starclan for their own benefit to initiate the Power of Three prophecy and that her death in itself is to be Leafpool's motivation to stay- the idea that the stars, the ancestors and family and friends she devoted her life to always meant for her to die young and hopeless and were willing to manipulate her emotionally for the best outcome for them- is alone a piece of her character that's infinitely more heartwrenching and tragic and interesting than "she actually had a crush on Firestar and she's sad she can't date him :((" and I'm so mad that the latter is her primary legacy instead of any interpretations of her as a character that go beyond boring forbidden romance #17 that was barely even implied to begin with
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reliablejoukido · 3 months
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Someone just gave me a shit sandwich comment on a fic and it’s like… don’t do this. Don’t do this to me and don’t do it to other people.
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quohotos · 10 months
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I think it's hilarious how Suzanne Collins has such vibrant, deep characters but we only get useful descriptions of some of them. Like, we know every inch of Ripred, it's clear that she knew excatly what that dreamy beast was supposed to look like, but there's absolutely no consensus on the bats, especially Ares. My writers' group and I have been trying desperately to figure out just how big the bats are, but there's not a lot to go off of. Their carrying capacity is important for all the logistics, but weather they can carry a whole boat or just three kids and a cockroach is always up in the air. It doesn't help that Ares, the one we get to see the most of, is just legendarily jacked. He can carry a whole ass Ripred (who again, we have clear descriptions of, he's six feet tall and jacked to hell and back as well). So okay, got it, the bats are huge as well, but then we get all these descriptions of them just vibing in enclosed spaces, and when Ares gets arrested it only takes two people to carry him to trial. Are the Regalians just also incredibly jacked? How many body builders are there down here? We also just never get to know what kind of bat Ares (or any of the other fliers for that matter) is. It really is just left up to the artist's interpretation. There's cover art of him as a microbat, a flying fox, some weird amalgamation of both... there are no wrong answers. I love seeing all the fanart here because we can't agree either so we just get a big buffet of different beautiful bats to look at.
The only concrete bat descriptions we get are that they all have bright, vibrant, and diverse warrior-cats OC pelts. You got your adorable tabby bats, your zebra bats, evil red bats, and edgy loner black bats.
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roselleasly · 6 months
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found a scrapped platinum bones sketch and redrew it
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[click for better res]
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bronzebasement · 8 months
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Ok I'm gonna post some doodles and sketches of varying levels of effort and quality I've done in class through these last couple days
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