#magickkate

[magickkate]

Good Evening! 🌙✨ Are you ready to infuse a dash of magic into your daily culinary adventures? Welcome to the whimsical world of Kitchen Witchery—a delightful blend of spell work, herbalism, and culinary enchantment! 🌿🧙‍♀️✨

🍲 Basic Ingredients for Your Magical Pantry:

Herbs: Rosemary for protection, basil for love, and mint for healing. Experiment with your favorites!

Spices: Cinnamon for prosperity, ginger for energy, and nutmeg for luck. Let your taste buds guide your magical choices!

Crystals: Place a few on your kitchen windowsill for added energy. Clear quartz, amethyst, and rose quartz are popular choices.

🌈 Setting Up Your Kitchen Altar:

Choose a Sacred Space: Designate a corner of your kitchen for magical workings. A windowsill, shelf, or small table works wonders!

Magical Tools: Incorporate a cauldron, candles, and small bowls for herbs and crystals. Personalize it with items close to your heart.

🕯️ Candle Magic in the Kitchen:

Color Magic: Choose candle colors aligning with your intentions. Green for abundance, white for purification, and red for passion.

Enchant While Cooking: Stir your intentions into soups, sauces, and stews. Feel the magic in every motion!

🍵 Brewing Magical Teas:

Create Tea Blends: Mix herbs like chamomile, lavender, and mint for relaxation or energy. Sip with intention and let the magic steep into your soul.

🌕 Harvesting Moon Energies:

Full Moon Feasts: Plan magical meals during the full moon for amplifying energy. Charge crystals and herbs under the moonlight for added potency.

📚 Witchy Wisdom:

Start a Grimoire: Record your magical experiences, recipes, and discoveries. It’s your personal book of kitchen enchantments!

Experiment & Trust Intuition: There are no strict rules in kitchen witchery. Trust your instincts, and let your intuition guide your magical creations.

🌻 Infusing Love into Every Bite:

Cook Mindfully: Turn cooking into a meditation. Infuse your dishes with gratitude, love, and positive energy.

Share the Magic: Share your enchanted meals with loved ones. The joy of kitchen witchery multiplies when shared!

🌿 Nature’s Bounty:

Grow Your Own: Cultivate a small herb garden or keep potted plants in your kitchen. Nothing beats the magic of using homegrown herbs!

Remember, dear beginner kitchen witch, your journey is as unique as the flavors you create. Embrace the magic in simplicity, trust your instincts, and let the cauldron of your heart stir up spells of nourishment and enchantment! 🌈🌟💖 ✨🌿🔮

#queue the magick #witchcraft #witch #reference #witchblr #magickkate #kitchen witch #sigils #college witch #beginner witch

[strawberries-n-magic]

contents

last updated April 27 2024

i reblog and save posts here for personal reference when studying and casting

beginner witchery

witchcraft basics masterpost by orriculum

simple "beginner" spells by orriculum

new witch resources by hiswitchcraft

masterpost of informative articles by grey-sorcery

important info

conspiracy theories and new age cult by creature-wizard

closed practices by thewitcheslibrary

grimoire

ultimate grimoire guide by diana-thyme

from notes to grimoire by aesethewitch

cleansing + banishing

cleansing vs uncrossing vs banishing by thespectralcottage

low energy cleaning + cleansing by heatherwitch

protection

6 types of protection magic by ambermotta

protection and warding by dumbbbunnnyy

warding and shielding 101 by magickkate

elemental veiling ritual for protection by the-inkstained-witch

wheel of the year + holidays

what is the wheel of the year? by diaryofadaringwitch

wheel of the year basics and resources by whimsigothwitch and heatherwitch

transitions between the wheel by ofcloudsandstars

easy sabbat planning guide by herecomesthewitch

low energy wheel of the year by heatherwitch

witchcraft for the new year by heatherwitch

birthday witchery by heatherwitch

hellenism + deities

hellenic polytheism 101 by heatherwitch

the structure of a pagan prayer by taking-thyme

subtle deity worship masterlist by khaire-traveler

7 virtues of hellenism by solis-lunae

psyche worship by daughter-of-beauty

ideas for worshipping psyche by starry-polytheism

catholicism + christopaganism

catholic witch tip by daught3rsofcain

christopagan spell list by secretcatholicwitch

bible magic and divination by daught3rsofcain

brief history of the christian pentagram by daught3rsofcain

mental + physical health

rejuvinating witchcraft by heatherwitch

love + glamour

spoonie sigils 2.0 by heatherwitch

chronically ill witchcraft by heatherwitch

valentine witchery by heatherwitch

valentine's day spells by orriculum

nami's list of love spells by themanicnami

spells for lust and sex by sylvaetria

spells for love, romance, and relationships by sylvaetria

nami's list of glamours by themanicnami

love and glamour spells by recreationalwitchcraft

love magic masterpost by lepuslunamgrimoire

luck + money + abundance

spells for job seekers by heatherwitch

masterpost of luck spells by awakenedchaos

baneful

curses, hexes, jinxes, and bindings masterpost by witchlingsaway

weather

weather correspondences and notes by thevirginwitch

weather correspondences by coven-of-genesis

weather spells list by heatherwitch

lunar

full moons of the year by orriculum

super moons, blue moons, and lunar eclipses masterpost by heatherwitch

dreams

nightmare prevention masterpost by themanicnami

lucid dreaming masterpost by themanicnami

crystals

crystal safety by triciamfoster

how to not kill your crystals by ambermotta

crystal, stone, and gem masterpost by cladinscarlet

green

herb correspondences by lurosebud

A-F herb correspondences by lilianasgrimoire

G-L herb correspondences by lilianasgrimoire

M-R herb correspondences by lilianasgrimoire

S-Z herb correspondences by lilianasgrimoire

wild plant lore by xnoctifers-eveningx

green witchery basics by heatherwitch

kitchen

kitchen staples and their properties by hallow-witxh

rejuvenate energy levels by coven-of-genesis

drink magic masterpost by heatherwitch

pop culture

willow's pop culture spell masterlist by themanicnami

eveelution spell masterpost by red-moon-witch

misc + unsorted

dorm/apartment safe spells by themanicnami

masterlist of lists by sylvaetria

spell masterpost by orriculum

unique correspondences by heatherwitch

travel witchery by heatherwitch

[spirituality-awakening]

mercury in 1st house, mercury in 2nd house, mercury in 3rd house, mercury in 4th house, mercury in 5th house, mercury in 6th house, mercury in 7th house, mercury in 8th house, mercury in 9th house, mercury in 10th house,mercury in 11th house, mercury in 12th house, mercury in first house, mercury in second house, mercury in third house, mercury in fourth house, mercury in fifth house, mercury in sixth house, mercury in seventh house, mercury in eigthth house, mercury in ninth house, mercury in tenth house, mercury in eleventh house, mercury in twelfth house, astrology, vedic, astrology houses, indian vedic,

#mercury in pisces #virgo mercury #magickkate

[ad-astrum]

Hello I noticed you might be doing deity readings? I’m very curious what you see (if any) for me? Thanks so much ✨

Hey there!

The deities I see are interested in you seem to be Dionysus and Minerva... an interesting split. I can’t quite pinpoint why these two are interested, but I’m sure you could figure it out better than me!

If this reading was helpful or resonated with you, please consider leaving a tip!

#moonlight-magickk

[spamzineglasgow]

(REVIEW) Not your minute turns from the blueprint: Body Work, by Tom Betteridge (SAD Press, 2018)

Denise Bonetti <[email protected]> Mon, 10 Dec 2018, 20:21 to maria.spamzine Hey Maria, Hope life’s good :) I’m just writing to see you if you’ve read Tom B’s new Body Work? There’s a paper I should be writing, but have been reading and rereading that pamphlet instead, or more like dipping in and out really, cause it's so beautifully layered and expanding that you can only take so much at a time. Don’t you think Tom’s poetry has this strange earworm quality to it? (I think he’d like the annelid comparison.) The way he choreographs words (I don’t want to use the word 'images’) makes its way into my brain and never wants to leave. He draws these, like, lateral paths of meaning so clearly that the weeds never grow back.Tom Raworth has this bit in 'Writers / Riders / Rioters' that goes:

the present is surrounded  with the ringing of ings which words have moss on the northside

like, words naturally arrange themselves into a system of semantic habit, which is so stable and stale that makes them grow moss, but also so rich and vibrant when it's exploited productively. Obviously this is Raworth so it probably also means the opposite of this and so much more, but it kinda makes me want to say that the present (poem) makes the ringing of ings deviate so well that the moss can never grow again. I’d say that his poems behave like sophisticated lines in the sand, but they're more like brutal carvings on a rock. He had a couple poems in Blackbox Manifold ages ago (I think) and there was this one bit

‘nerve truffled plume lead pickled breast’

I think about all the time (especially when I cook). It’s so smooth. Why can I not stop thinking about it. It’s cause it’s so shameless, it wants it all - the feather-light and the corpse-heavy, never perturbed, so lucid. It plays at tasting good, but it tastes of an unrealistically blank texture. A-ha! Anyway the new pamphlet is gr8, if you haven’t read it yet look at the first poem pls - ‘OCCAM OCEAN’ (sounds like an anagram or palindrome)

It all dwells in systematic abstraction but flies so close to materiality, like a mosquito buzzing around the ear ('Not your minute turns from the blueprint'). I love that ‘plate’ in the first phrase, too: it behaves like an adjective but feels nothing like it. I can't help but think it's the subject of the sentence in a parallel universe that's created by scrambling syntax. It makes me think this is the way language should always work, and that we're the fkn idiots living in the parallel universe in which syntax is scrambled in ordered to be as boring as possible. Idk - it's late and I need to go back to writing boring essay syntax 'bound to decision and the pursuit of what follows'. Lemme know ur thoughts you smart queen D xxx

Maria Sledmere <[email protected]> Wed, 12 Dec 2018, 17:30 to denise.spamzine

Dearest Denise,

Life is good thanks. I'm sitting in the attic of the law building and I can hear the construction work going on and every time I leave I look out at the skyline and slivers of infrastructural alteration. I was walking along the road earlier because the pavement was closed off for construction and cba crossing and the high-vis guy was like, 'you'll not see Christmas walking on the road like that', but I guess I misheard him saying something else because I was really engrossed in this old Slowdive album, so I just smiled sweetly. Anyway, that got me thinking back to the question of erasure, which I think is pretty vital to Body Work.Have been carrying this pamphlet in my bag for so long that the cover has started to peel and revealing speckles of white underneath, like the text itself is ready to reveal itself, and yes I was thinking Barthes and strip-tease and paratextual enticement.

So I had to google the word annelid and now can't get the phrase 'segmented worm' out of my ear/head/throat (gross!). I was thinking about what sort of stains are on the cover of this book, you know, with Hrafnhildur Halldórsdóttir's gouache/pencil work. A stain is one thing stuck to another. Gouache is a funny kinda substance that is half watery gauze, half binding, thick, gummy akin to acrylic. Wet, it will easily smudge. My thumb keeps bleeding where the skin thins, hardens, peels and sloughs off. Tom's poems are kinda mucilaginous in parts (v. insecty, molluscky, sap emission; but also they have a crispness and precision, like cuts of leaf). Things that smudge or fall in flakes. Bodies are maybe whatever we leave behind. I didn't want to mention Hookworms the band because of the singer's sexual abuse scandal BUT it seems significant that a group named after an earworm/type of parasitic larvae would have a song called 'Negative Space'. Like what we eat into in the process of making, existing, remixing. Is language a rash, the result of these parasitic inf(l)ections?

I've been to a couple of reading groups on microbiomes lately, and we were thinking through this idea of how acknowledging your bodily composition in terms of myriad genes and organisms challenges conventional, bounded notions of 'self'. What kinds of affects does this produce? There's a weirdness to that, in Mark Fisher's sense of the weird as 'that which does not belong', that which 'brings to the familiar something which ordinarily lies beyond it, and which cannot be reconciled with the "homely" (even as its negation)'. Fisher suggests that the form most conducive to rendering the weird might be montage. So I was thinking about how montage involves splicings, gaps, juxtapositions, cuts and suddenness. I mean you open the very first poem of Body Work, 'Occam Ocean', and see that its prose-poetic paragraph compacting is split in the middle by the juncture of line break and indent. And ofc the title recalling Occam's razor, the philosophic principle by which in the case of two explanations for an occurrence, it's best to go with the one that requires least speculation. Razor things down and erase speculation? What are we left with, more of the Rreal? Lately I've been hankering for cleaner prose, crisp lines, simpler solutions. The Anthropocene is all of a goddamn tangle. Do I want to follow the myriad threads or just cut cut cut -- who gets to do that?

Did you ever cut a worm in two as a kid?

Okay so I love how 'Occam Ocean' might promise, title-wise, this clean prosaic expanse (like the oxymoron of expanding ocean and occam's, which requires surely a condensing), but what we get is clustering, motion, shiver, containment. The sensual trash magickk of P. Manson! The little syncope of this thing or that, the 'maple neck', vibrating canes, 'chambered breath bowed into the driest soundboard'. These aren't like 'Latour litanies' because they are not like concrete OOO segments of things; idk, they are more about processes and mutable assemblages, emphasis on action and change, sometimes transmission, things inside things. Lynn Margulis and symbiogenesis. How things interact, communicate up close; all of a mutable, prose-poetic swallow. It's actually an incredible intimate pamphlet, don't you think? I feel inside a thing inside a thing inside a thing. I feel a vague ecological sorrow, which gnaws at introspective tendency. The clue to that, you might see, is the cutaway phrase, 'emo      Chord' in 'String Growth'. 

'Collapse all tears allowing echo retreat'; these lyric lines of 'Glissando' expression, smoothing and shimmering over cuts and junctures: a slide between notes. I used to play trombone and I wish I cld articulate linguistically what kinds of lip vibration occur when you attempt a glissando and feel it slide down your arm muscle but then also through your chest as you try to sustain a sound. It's maybe the way you glide through a scattered poem, with your eye, which is different ofc to the spikier way you'd have to read it aloud, stuck on the vowels. Stuttering. I would love to hear Nat Raha perform these poems, because she does such wonderful things with punctuation and bodily performance, a kind of grammar of breath and cough and click. Reading over the more field erasure poems like 'O--NE' and 'String Growth', it's easy to say something like ~vibrant materialism~ here, but as usual I reach for Steven Connor on noise. Return to the ear, which is 'vulnerable' and 'resembles the skin in being the organ of exposure and reception'. I love what Connor says about Levinas' perspective on 'the awareness of the vacant anonymity of being, of an abstract, encompassing sense that "there is"' being 'an experience of noise'. <3 Acknowledging that breath in the void, that is not nothing but a sparkling something, entails a sense of noise. I am here in the attic of the law building, listening to construction, the type of my fingers on the keys. Someone is murmuring of their distress. What is the difference between living and existing, and being and nothing?

Karen Barad:

'Suppose we had a finely tuned, ultrasensitive instrument that we could use to zoom in on and tune in to the nuances and subtleties of nothingness. But what would it mean to zoom in on nothingness, to look and listen with ever-increasing sensitivity and acuity, to move to finer and finer scales of detail of...?'

When she asks, 'What is the measure of nothingness?' I think surely it is a bodily measure, as everything is: 'bound', as Tom puts it, 'to decision and the pursuit of what follows'. Of course 'what follows' recalls Derrida's 'The Animal That Therefore I Am (More to Follow)', where he's just out the shower and watching his cat watching his phallus, etc. What kinds of dislocation occur. But I mean in all that grandeur of encounter, there's still anthropocentricism. Tom gives you this cinematic CUT, like the instructive 'keen SNAP' that occurs in 'Occam Ocean' to dramatise 'Still, pondsnails whir and blindly source [...] a working leaf shutter'. Soever the language enacts the slurs of the snails up close. We look for the answer to the question of ellipsis, the more to follow [what follows]: inevitable, a question. Sometimes Tom is writing about silence ('then silence confronts an earful underhand') but the music of his language does all the noise, so we just can't have nothingness: there is always a vibrational residue that speaks of something in miniature, atomic, happening.

Ofc with the ear again I am thinking of the ear at the start of Lynch's Blue Velvet and how it's covered in rasping wee insects whose hum is a sort of white noise of trauma that runs through Lumberton's suburban idyllicism.

And so what happens next is I flip open to the following page of Body Work and there is 'String Growth', one of Tom's sprawling erasure poems, which for more than a split-second resembles hundreds of crawling, shimmering ants. I actually think my earliest childhood memory is of looking down at my bare feet on the patio of our old house in Hertfordshire and seeing red ants run over my toes. Then looking up to a greying, English sky. Constantly struck by the cinematic image of that, its splicing out of time: the vividness of insects on human flesh, then milky smog of skyward nothingness. 'String Growth', the accompanying notes to Body Work tell me, is an erasure poem of the Chordoma Foundation's 'Understanding Chordoma' information page.

Erasure can expose sequences of nightmare at work in the lexis and syntax of the text on which it parasitically feeds. I am scared to go on the Chordoma Foundation's website, for fear that just reading or saying the word 'tumour' will activate some kind of malignant growth in my body. And so something of the word chord as a sonorous relation between materials (bodily, textual; textural, cellular). Chordomas are tumours often located in the spine and so I find myself looking for the undulating shape of a spine in the scatter-text of Tom's poem. My eyes cascade down textual spines. Why is it sometimes I otherwise latch upon a 'keystone' word which then extends with adjacent resonance? Musical abnormalities accumulate. Thought swells.

And yea I wonder how this fits into what you say about the poems being 'so smooth'. Like Lynch's waxen silicone ear. Because even though fragmentation makes me think of bits and jaggedness etc, there's this sheen of aestheticism to Tom's work that makes me think of gloopiness, fullness, thereness but also the glaze of potential nothingness. Like in Barad's sense, or miniaturised ecological window shopping - a la Morton's Romantic consumerism? Or do we get into the things themselves? What are your thoughts on the question of recalcitrance? Maybe cos he named a previous pamphlet Pedicure I've just got varnish on my mind. Things an insect might stick to, and be amberized in. Mm.

'[...] Phosphorus crystals may be white, red, burgundyor alight as urine passes'

I keep a stone of citrine under my pillow sometimes. It is supposed to alleviate nightmares and 'manifest abundance'. It is the colour of a rich, dehydrated piss and sometimes when I come back to bed after peeing in the night I think it's some kind of organ lain on my bedsheets, hopped out of my body, and I have to stop my heart and breathe. Is that syncope?

On the <topic of piss>, isn't there a sort of caustic quality, even to the smoothness? Like it is working at making a brittleness of its sheen? And that is what poetry is, cracking the veneer of language or something? Punctuational insects dwelling in splits and fissures? It is nice and cool in Tom's poetry, a place for thinning the self and dwelling. Even though the lexis is so rich and dense, it still seems slender somehow; there's a suppleness. Tease threads of your silk(worm).  

Was thinking about what Lisa Robertson says about 'commodiousness' in poetry and what kinds of space there are for the reader here, because I don't think there is much space at all, in the conventional humanly readerly sense. Maybe what I mean by (straw man: Romantic) lyric, which requires something of declarative expansiveness? The density and clutter of specialist language in Body Work makes me feel like a worm, trying to hook my way lusciously into a line: 'espalier's / strains unfinished by the scarp trellis' ('Body Work'), 'rooted to a middle-ground / no more than motion defibrillates'. And I become a parasite on the body of the text, which is a parasite on the body, which is made up of millions of (para)sites. Para ofc meaning side by side, which made me think of Haraway's sympoeisis (making-with) but also, admittedly, Limmy's madeup psychic show, Paraside (lalalol what you were saying about the scrambling parallel universe maybe, is that a lalaLacian Real which necessitates ululation, stammering? Complex remixing musicality of language throughout Body Work as summoning?). Going back to my incidental Slowdive reference earlier, maybe there's a shoegaze thing here, like setting up these 'noise-worlds' which shimmer indiscriminately behind/inside/through the semiotic oscillations of lyric? Is shoegaze a form of sonic gouache? Well it is certainly an ontic form of seduction, where I can't pick out the instruments of expression but I look for them hungrily in the haze. And the idea that transmission between worlds (the living/dead, human/nonhuman) might require a strain of humour (like haha but also meant in the sense of bodily humours?). For instance, shoegaze is decidedly not a humorous genre, but it sort of works on bodily humours, sometimes giving me the bends, or the blurry spaced-out feeling of having one's pleasure receptor's caressed by sound. Was wondering how YOU experienced the space and physicality of the poems -- was there anything u found FUNNY or sufficiently sultry as to produce a long and gorgeous sigh?

Mm and aren't there these tasty, cute moments of wow like 'tropic      glut' ('O--NE') and 'prism arousal' ('Body Work') and 'clamour to emboss' ('Sapling').

Come to think of it, there are quite a lot of trees in Body Work, at the very least between 'Sapling' and 'Copsing', but also resonance in 'Awning', 'Annual' (which mentions 'yield', 'Thicket', 'sky-light muddle' etc) and 'Georgel' (georgics, idk?). Something about sprawl and thread: like the action of branches as arboreal mirror for threads of viruses, threads of code?

Side note: Can a person in a crowd of people experience canopy-shyness? Emily Berry has this lovely poem about crying and canopies and language.

Ways to dwell in inertia, violence, suspense ('Poem for July') as a 'clearing' within the pamphlet? Body Work as a title seems to combine two distinct fields: car repair and alternative medicine (hence mention of plants, cancers and crystals). The question of holistic approach, therapeutics, restoration. The sheen of metal, the sheen of health. O wise one of la letteratura del contemporaneo, pray tell your thoughts on possible Ballardian comparisons? Like obv v. different but I was struck by something to do with the cut-up structures of The Atrocity Exhibition and the way erasure works in Tom's work (probably in a more precise, attentive way, like the specialist's collage of tiny skins and digits, as opposed to grander themes of mediation that explode all over Ballard's work? -- generalising for the sake of interest obv).

Longing for a 'carvery [of] / uncommoning / rave'. Some kind of party you'd give up your skin for (is skin mere synecdoche of identity here?). Maybe the rave is what you were saying about scrambling.

Anyway, I hope your essay is going well. I must go read Hillis Miller's thoughts on Ariadne's thread, maybe make a tea. I've been getting these headaches lately, dawn to dusk & beyond, like the kind you get after being swimming (chlorine headache) or after crying (hormone headache). Pressurisation. I wonder if I have a parasite in my brain? So tonite I will probs lie awake, sleepless, listening for tinnitus :(

With warmth, Maria xxxxxxx

p.s.

Of course, by the time I get to the end of rereading I realise that it's only white marks being revealed underneath because literal holes have appeared in the Body Work cover, like some kind of fungus has been eating away at the book, performing another erasure.

Denise Bonetti <[email protected]> Fri, 1 Feb, 12:15  to maria.spamzine Dear Maria, Once again my legendary inability to reply to personal emails within a reasonable 1-month window manifests itself. Invoke my Scorpio moon (?) etc. I love it when people are like 'RIGHT - enough Facebook for me, email me if you want to talk etc', because that sounds like a nightmare to me. Long live IM! Long live the short form! (quite rich coming from someone whose job at the moment, I guess, is to churn out a dissertation?)

But then you know what I was thinking - someone like Clark Coolidge, for example, can get away with long form, intense long form. Not only get away, but own that long form. That long form I'm into. Clark Coolidge drown me in words and I'm fine with it, because he never dilutes, there's never any stagnation, you know what I mean, he just goes and goes and goes and you're like !!? YES!! HOW ARE YOU DOING THIS!? He just never runs out of steam. And I'm thinking of Coolidge because you mentioned crystals as agents in Tom B. (cf. The Crystal Text, how would the crystal speak etc), and of course because both Tom B. and Clark C. are just doing mad things with language, bold things and exciting things... They are like scientists you're friends with but who (maybe) don't like to talk about their work, then one day they decide to let into their basement lab where they've been secretly working on the most complex, organic, project for years, and they're like, don't freak out, here it is:

(Sorry for terrible quality [#postinternet] First is Tom B., second is Clark C.) Body Work looks quite controlled in form, visually speaking, with its vaguely justified lines, BIG symmetrical margins.. even the scattered pages look orderly! Like the bit of 'STRING WORTH' you sent. Which going back to your erasure thing, it makes me feel like Tom B. is giving us an OXO cube of his writing, all concentrated and delicious. But then my response is - show us more!!! Which rarely happens because I am scared of long form. And email. And dissertations. I also LOVE what you said about how Body Work combines car repair and alternative medicine!! That is absolutely spot on. Like the material, pragmatic tinkering motions of his writing, the referral to structures and the intention of like, see how far we can bend them and push them, but then it is never as dry as that! Very sweet motor oil. It's very kind poetry... generous! (A word that my friend Phoebe used to describe a certain type of poetry at a party last week and I thought, very interesting). Linguistically generous because it offers so many networks of reading, but then also.. approachable? As approachable as experimental poetry of this kind can be. I'm sure like, DANIEL would not think this is approachable lol (#COYBIG #romance). Which, fair enough. But if you're a nerd for this kind of poetry, then yeah. Like this bit from 'ANNUAL'??

*Cries!!! This is like you said, healing!! I feel looked after! 'Stomach prefers sound to day-to-day camphor'!!! Honestly what is this! So touching, so simple! 

(Btw, I started experimenting with aromatherapy in my tiny room lol, do you know how to stop the water from boiling in the oil burner??) 

Thanks for sending such interesting ideas over, I have to shoot to a seminar ! PPS: I saw Steven Connor in the English library yesterday (Oliver pointed at him silently like !!!!!!!!!!) so I kind of followed him to see what his approach to book browsing is.. very natural-looking and orderly? Surprised. Love the guy. *bubble sounds*

Lots of love Maria  ��let’s see where the spirits take us’ ur the best 

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Maria Sledmere <[email protected]> 6 Feb 2019, 23:19  to denise.spamzine Dear Denise,

Makes so much sense to map your message sensibilities onto your taste in poetry! I am so torn between the percolated richness of the email, its classic deferral (omg hun I owe you a million emails!) through a sort of quantum dimension of procrastination, and in opposition the sugar rush nowness of IM. I am such a frantic typist that often I send the wrong messages or cross my wires or just gush too much, so email is probably a safe option for me. There is all too much blue in my Messenger windows...Temptation of x's and endless emojis. But such a beauty to IM and texts out of context, like I wonder how many people read your probs too late 4 a snog now :'((( as micro-fictions, versus poems. I have a whole folder of screenshots on my computer from things that happened on Facebook that I have no memory of. Something about the Romantic fragment, accumulating ruin. 

(btw) I feel like these extracts also shed light upon Body Work somehow. Biodegradables versus hard minerals and synthetic matter. Inner/outer. Flush. Tbh I think the middle one was from you?

Yes the dissertation, the dissertation as labour; it's like you have to find your scaffold first. Sometimes I feel like the scaffold in that wonderful Sophie Collins poem, 'Healers', and I write and don't notice myself and suddenly I'm so there, but the scaffold is secretly taking her bolt pins out the more I write around her. You can only be so respectful to your scaffold when she's so in the way. Gemini problems?Duality; structure/content. What is it Tom McCarthy says: 'structure is content, geometry is everything'. I want to be a wee fractal in a sequence of massive refraction. Is that how it works? Back to scaffolds, maybe we need to find the kindest mode of dismantling, and that's when you work into a form or something. And then also the more organic structures! So for CC it's the whole crystal thing, and working out of crystal logic. And then you just go and go and it's wonderful, much extravagant fractality, almost like poetry as virus, replicate replicate, grow, change. Mm, it's so good. My friend Kirsty did this mad poem about a tree, I couldn't tell if it was a story or poem, it was just branching out in a way that seemed hungry, necessary, spreading its roots. She said she wrote it in a rush! As if trees could rush! I like to think she inhabited a concentrated moment of becoming-tree, like she was a myriad in the roots or leaves. I don't think it could have happened without the tree, you know? But also the tree was almost entirely absent, it was like a ghost of form. Maybe I forgot how it goes. The lines looked like branches or something. Can you have long-form concrete? Concrete I guess by necessity is long-form. It takes a lot of energy to make. People are building houses out of mycelium instead, which is rad. Talking of roots and that, I just wrote 26k words on ecopoetics & t h r e a d s over the past fortnight and it was kind of that process, like letting a sort of tapestry take hold and I was maybe just one more thread, I was hardly doing the weaving, everything was moving around me and I wanted to wriggle into more and more gaps. Becoming-thread, perhaps. The next step is to slack and cut, which is exciting. Where to even start? 

Your description of the complex, organic project is so gorgeous. Poems slow-cooked in a lab with tender organic care. My two scientist PhD pals are always gramming these beautiful pictures of crystals they're growing or mad wave patterns on screens. And we go for lunch and I'm like what you doing this afternoon and they're like, Oh just shooting photons. And is that much different from spending your afternoon writing poems? (Yes, they'd groan). I'm just chasing bits of light. Reading Tom B's work it's this whole precision thing, the actual inhabitation of process as such, so you see the energy buzz between things. I don't mean to say simply this is atomic poetry or poetry as tool analysis. It's more a betweening. 

Isn't it super difficult to write non-anthropocentrically and really inhabit micro-relationality and also sound interesting and sexy in the way Claire Colebrook (she has that great essay in Tom Cohen's Telemorphosis) describes as 'sexual indifference', i.e. that threat to heteronormative reproduction that 'has always been warded off precisely because it opens the human organism to mutation, production, lines of descent and annihilation beyond that of its own intentionality'? Well anyway Body Work really works this way for me, it's like a poetics of sexual indifference that is nevertheless charged with desire you can't really predict, it's something in the frisson between objects and lines and coils of form. I think of crystal charge, iPhone battery (mine's always dying, Gemini trait 100%), engines. Neat miniaturisations of entropy, surge, spike and flux. When the 'I' comes in I'm like hey, what flow are you? It's actually so satisfying to quote these poems as fragments btw, they can do so much on their own as much as in poems and pamphlets, I wonder if that goes back to the accessibility thing. Like the absolute charm of a line as auto-affection: 

This bit is from 'Temper' and I go back to my point about the flush/fluster! Globe of air/your *bubble sounds*. Isn't everything held so neatly, and yet it never feels neat, it just feels sharp and sparking, this 'technical glossy finish' like a really nice car, the body paint of a poem, its prosody so tightly held it feels more surface, a selection of hues and textures. And the erotics of the text or at the very least its pleasure is the shift between bodies, synecdoche, yes you could say bodies without organs but things in themselves are also important. Maybe another poet who does this is Sylvia Legris, she writes these apparently impersonal poems filled to the seams with specialist lexis (you have to have like twelve tabs open per poem to get it), but there's an affirmative humour and energy that feels v much a personal sensibility, a deliberated skewing of world that splices the poet's agency among items, artefacts, language. I mean how nice are these poemsshe published in Granta. I feel like I want cutlery to read them with, if that makes sense. Maybe a scalpel, for the succulence. The appearance of an ear again! 

And then the beautiful metallurgy of this line from Tom, like somebody pierced my ears with perfect silver and it let all the demons out: 

I am worried about what a certain seizure would look like. When we talk about vitality is it a willing naivety towards matter qua matter, as if we could just step out of correlationism? Such thoughts for 11pm of a Wednesday night. I can't help but think of the body image that Elizabeth Grosz describes in Volatile Bodies, kind of riffing off Paul Schilder: 'What psychoanalytic theory makes clear is that the body is literally written on, inscribed, by desire and signification, at the anatomical, physiological, and neurological levels'. And yeah, cool, what about the nonhuman body also? Has anyone done a really good psychoanalysis of the object. Parsed its psychic striations (traumatic or pleasurable residues of every microbial, huh?). In fact, what about the psychodynamic model of actual icebergs? Time we started literalising the matter of metaphors, absenting 'real cultural / medium' and filling with meltwater, fire and flow. Maybe it comes down to a bead of ink, the 'intimate concentrate' which is Lucozade, hangover piss, sick pH levels. So yeah, Body Work for me is this totally seductiveintersubjective space which actually works out pretty visceral states, sometimes disembodying me into a more fractal, mineral or bacterial being. I could start talking Kathryn Yusoff and geomorphism too, but maybe enough strata for one email? Plus I'm mixing my metaphors, I'm sure, mostly because I'm still morphing, dissolving inside those lines. I think I ate too many OXO cubes.

As for your oil burner boiling, sounds like you have an overactive candle? Maybe try a cooler tealight, nestle it to the back a little to redirect the strength of the flame? I like rosemary oil for remembrance, cranberry for comfort, ginger for energy. That line about resin is so nice. I was in Crianlarich at the weekend and my friend Patrick found this massive log and he carried it for so long that you could smell the resin on his skin, it was amazing. I keep thinking about the word 'pitch' and lush tree-ness, and the Log Lady in Twin Peaks and poetry you can chew like new molasses, prior to melt. Is that how it works?

Somebody is smashing glass into a bin in my garden and probably I should just close the pamphlet...

...but it's like a delicious pdf that gives infinities...

Yours in multiples & cherryish flusters,

Maria xoxoxoxooxoxoxoxoxooxoxoxox

#review #tom betteridge #body work #Sad Press #reviews

[tylerjetbinkley]

Tin Spurs-Chaos Cathedrals-percieved next monthly release. The 9th of 12 releases spanning 1 full year between September of 2016 and August of 2017. Full set as of now: September ‘16 - picture your shadow on the sidewalk September '16 - blinded by hope October '16 - liminal status November '16 - dirdibirdi January '17 - magickk’s kick February '17 - ripoff, ripoff February '17 - important to you then, impartial to it now March '17 - the death of Tin Spurs April '17 - chaos cathedrals May '17 - ??????? June '17 - ??????? July '17 - ??????? August '17 - ??????? Follow the progression at tinspurs.bandcamp.com

[thottymcgee]

if u have another tumblr what is it?

i only hav one other blog that i use tbh, nd it’s about tarot/spells/witchcraft in general/crystals nd energies. that’s @witching-magickk (gonna change the url soon), but i have like 3 other than my main (ths one) that i haven’t used in ages.

planing to make another one just for aesthetics bc there’s waaaaay too much on my dash i’m dying to reblog but i’m not that aesthetic hoe in here. might do it, might not.

#answered

[unlockstreak-blog]

The Addictive Sliding SmartPhoness...

http://tinyurl.com/ybozeop7 The Magickk 2 is a Smart-phones. The Slide Mechanism isn’t Motorised bezel-less Smart-phones designs. The Slide Functions Reveals the Frontal Facing camera components. Is a Smart-phones ...

[magickkate]

Let's embrace the magic of seasonal eating! Here's a guide to what local foods are in season each month:

January: Root vegetables like carrots and potatoes, winter greens, citrus fruits

February: Brussels sprouts, cauliflower, leeks, winter squash

March: Asparagus, spinach, radishes, strawberries

April: Peas, lettuce, rhubarb, artichokes

May: Strawberries, cherries, peas, broccoli

June: Blueberries, zucchini, tomatoes, green beans

July: Peaches, corn, cucumbers, bell peppers

August: Watermelon, eggplant, summer squash, basil

September: Apples, pears, grapes, pumpkins

October: Cranberries, sweet potatoes, kale, squash

November: Brussels sprouts, cabbage, carrots, parsnips

December: Citrus fruits, pomegranates, winter squash, beets

You can always use the local almanac to know what is in season in your area in order to use the best seasonal and local ingredients! Let nature guide your culinary adventures and savor the flavors of each season! 🌞🌿

#farmtotable #queue the magick #witch #witchcraft #witchblr #reference #magickkate #witchy #green witch #sigils #kitchen witch

[magickkate]

🤍a simple personal cleansing spell 🤍🎧

Feeling a bit weighed down by negative vibes lately? It's time to treat yourself to a personal cleansing spell that'll leave you feeling refreshed and renewed from the inside out. Here's a gentle ritual to get you started:

🌸 Set the Scene: Find a quiet, peaceful space where you can be alone with your thoughts. Light a candle or some incense to create a soothing atmosphere. Take a few deep breaths to center yourself and let go of any tension.

🔮 Connect with Your Intentions: Close your eyes and focus on what you want to release from your life—whether it's stress, self-doubt, or anything else holding you back. Visualize these negative energies as dark clouds surrounding you.

✨ Embrace the Power of Water: Fill a bowl with warm water and add a handful of sea salt or a few drops of your favorite cleansing essential oil. This mixture symbolizes purification and renewal.

🌊 Cleanse Away Negativity: Dip your fingertips into the water and gently splash it over your face, allowing the purifying energy to wash away any negativity or stagnant energy. As you do this, repeat a simple affirmation like, "I release what no longer serves me and welcome in positivity and light."

🌿 Ground and Reconnect: After cleansing, take a moment to ground yourself by placing your hands on the earth or simply feeling the support of the ground beneath you. Visualize roots growing from your feet, anchoring you firmly to the earth's energy.

❤️ Seal in Positivity: Finish your ritual by anointing yourself with a few drops of cleansing oil or moisturizer, focusing on areas like your wrists, temples, and heart. As you do this, affirm your commitment to self-love and inner peace.

💫 Express Gratitude: Take a moment to thank yourself for taking the time to nurture your mind, body, and spirit. Feel gratitude for the cleansing energy that now surrounds you.

Remember, personal cleansing spells are all about honoring your own journey and intuition. Trust yourself and let the magic flow! 💖🔮

#queue the magick #witchcraft #witch #witchblr #reference #magickkate #kitchen witch #sigils #college witch #witchy #baby witch #baby witch tips #beginner witch #college witch tips #cottage witch #green witch #quarantine witch #witch aesthetic #witch community #witch tips #witchcraft 101 #witches of tumblr #witchcraft community #witchtok #witchy shit #witchy vibes #witchyvibes #girls with tattoos #sigil magic #tea magic

[magickkate]

A Beginner's Guide: Exploring the Basics of Witchcraft

Are you intrigued by the mystical world of witchcraft and eager to begin your magical journey? Whether you're drawn to the art of spellcasting, divination, or connecting with nature's energies, the basics of witchcraft provide a solid foundation for your exploration. Here's a beginner's guide to help you embark on this enchanting path:

1. Understanding Witchcraft:

Witchcraft is a spiritual practice that encompasses a diverse range of traditions, each with its own beliefs and practices. It is fundamentally about harnessing personal power, connecting with nature, and creating positive change.

2. Embracing Your Path:

Witchcraft is highly personal, and there is no one-size-fits-all approach. Explore different traditions, read books, and listen to your intuition to discover what resonates with you. Your journey is uniquely yours.

3. The Power of Intention:

At the heart of witchcraft is intention. Your thoughts and feelings shape the energy you put into the universe. Clarify your goals, visualize your desires, and set clear intentions for your magical work.

4. Working with Energy:

We believe in the existence of energy that flows through everything. Learn to sense and manipulate this energy through practices like grounding, centering, and visualization.

5. Tools of the Craft:

While not mandatory, many witches use tools such as candles, crystals, herbs, and tarot cards to amplify their intentions. Familiarize yourself with these tools and choose the ones that resonate with you. Intention is your most powerful tool.

6. Moon Phases and Timing:

The phases of the moon play a significant role in witchcraft. Learn about the energy associated with each phase (new moon for beginnings, full moon for culmination) and align your magical workings accordingly.

7. Spellcasting Basics:

Spellcasting involves directing energy toward a specific goal. Start with simple spells, focusing on your intentions. Remember, the more aligned your actions are with your intention, the more powerful the spell.

8. Meditation and Visualization:

Cultivate a regular meditation practice to quiet the mind and enhance your ability to visualize. Visualization is a potent tool in spellcasting and energy work. This is so important for overall focus and mental clarity.

9. Protection and Grounding:

Before delving into magical practices, establish protection and grounding techniques. This ensures you are anchored in the present and shielded from unwanted energies.

10. Building an Altar:

An altar serves as a sacred space for your magical work. Personalize it with items that hold significance for you—crystals, candles, symbols, and representations of the elements.

11. Respect for Nature:

Witches often have a deep connection with nature. Spend time outdoors, observe the changing seasons, and incorporate natural elements into your practice.

12. Research and Learning:

Knowledge is a cornerstone of witchcraft. Read books, join online communities, and attend local events to expand your understanding of different traditions, rituals, and practices.

13. Ethics and Responsibility:

Ethical considerations are crucial in witchcraft. Respect the free will of others and act with responsibility and integrity.

14. Journaling Your Journey:

Keep a magical journal to document your experiences, spells, and reflections. This becomes a valuable resource for tracking your progress and understanding patterns in your magical work.

15. Embrace Your Unique Path:

Witchcraft is an ever-evolving journey. Embrace your uniqueness, trust your intuition, and allow your path to unfold organically. There are no rigid rules—only the ones you choose to follow on your enchanted journey.

Remember, the essence of witchcraft lies in the exploration of the self, the connection with the natural world, and the pursuit of personal growth. May your journey into witchcraft be filled with wonder, discovery, and the magic of self-discovery. 🔮🌙✨

My messages are open for questions and ideas! Happy Witching!

#queue the magick #witchcraft #witch #witchblr #magickkate #kitchen witch #sigils #protection magic #witchcore

[magickkate]

Magicians! Whether you're drawn to tarot cards, crystal balls, or pendulums, there's a divination method out there for everyone. Let's dive into this long post about divination and explore everything you need to know to get started! 🌟

🃏 Tarot Cards:

History: Tarot cards have a rich history dating back to the 15th century, originally used for playing card games. Over time, they evolved into a powerful tool for divination and spiritual insight.

Early Origins: Tarot cards likely originated in the 15th century in Europe, possibly in Italy or France. The earliest known tarot decks were hand-painted luxury items commissioned by wealthy families. These early decks, such as the Visconti-Sforza Tarot and the Tarot de Marseille, were not intended for divination but rather for playing card games similar to modern-day bridges. Tarot as a Divinatory Tool: By the 18th century, tarot cards began to be used for divination and spiritual purposes. Influential occultists and mystics, such as Antoine Court de Gébelin and Etteilla, popularized the idea that tarot cards held hidden esoteric meanings and could be used for fortune-telling and self-discovery. The Rider-Waite-Smith Tarot: One of the most iconic and influential tarot decks is the Rider-Waite-Smith Tarot, first published in 1910 by occultist Arthur Edward Waite and artist Pamela Colman Smith. This deck introduced innovative imagery and symbolism, including illustrated scenes on the minor arcana cards, which revolutionized the way tarot was interpreted and understood. Tarot in Modern Occultism: In the 20th century, tarot experienced a resurgence in popularity within the occult and New Age communities. Influential figures such as Aleister Crowley and Carl Jung explored the psychological and symbolic significance of tarot, further cementing its place as a tool for spiritual insight and personal growth. Tarot Today: Today, tarot continues to thrive as a popular tool for divination, meditation, and self-reflection. There are countless tarot decks available, ranging from traditional to modern, each with its unique artwork and symbolism. Tarot readers use the cards to explore themes such as love, career, spirituality, and personal development.

💭 Uses: Tarot cards offer guidance, clarity, and introspection. Each card carries its symbolism and meaning, allowing you to tap into your intuition and explore past, present, and future energies.

🃏 Divination: This is perhaps the most well-known use of tarot cards. Divination involves using the cards to gain insight into a specific question or situation. Tarot readers interpret the symbolism and imagery of the cards to provide guidance, clarity, and potential outcomes. Divination readings can focus on various aspects of life, including love, career, relationships, and spiritual growth. 🔍 Self-Reflection and Insight: Tarot cards can serve as powerful tools for self-reflection and introspection. By pulling cards and reflecting on their meanings, individuals can gain insights into their thoughts, emotions, and subconscious mind. Tarot readings can help illuminate patterns, beliefs, and behaviors that may be influencing their lives, allowing for personal growth and transformation. 📖 Decision-Making and Problem-Solving: Tarot cards can be used to help make decisions or solve problems. Individuals can consult the cards for guidance and clarity when faced with a dilemma or uncertainty. Tarot readings can provide different perspectives, highlight potential obstacles or opportunities, and help individuals make more informed choices. 💭 Journaling and Creative Expression: Some people use tarot cards as prompts for journaling or creative expression. They may pull a card each day and write about how its symbolism relates to their experiences, emotions, or goals. Tarot cards can inspire creative projects, artwork, poetry, or storytelling by tapping into the archetypal imagery and themes depicted in the cards. 🙏 Spiritual Development and Meditation: Tarot cards can be incorporated into spiritual practices and meditation routines. Some individuals use tarot cards as focal points for meditation, gazing at the imagery to quiet the mind and deepen their connection to their intuition or spiritual guides. Tarot readings can also be used as part of ritual ceremonies or spiritual rituals to invoke specific energies or intentions. 🌟 Relationship Building and Communication: Tarot cards can be used to build deeper connections and facilitate communication in relationships. Couples or friends may use tarot cards to explore their dynamics, deepen their understanding of each other, and foster open and honest communication. Tarot readings can provide a shared language for discussing feelings, desires, and aspirations. 🧘Manifestation and Goal Setting: Some people use tarot cards as tools for manifestation and goal setting. They may pull cards to clarify their intentions, visualize their desires, and identify action steps to manifest their goals. Tarot readings can help individuals align their thoughts, beliefs, and actions with their desires, empowering them to change their lives positively.

Do's: Trust your intuition, keep an open mind, and approach each reading with respect and reverence.

✅ Set Clear Intentions: Before conducting a tarot reading, take a moment to set clear intentions for the session. Focus on the specific questions or areas of your life you'd like to explore and the guidance you're seeking from the cards. ✅ Cultivate a Sacred Space: Create a sacred and peaceful environment for your tarot readings. Light candles, burn incense or play soft music to enhance the ambiance and set the mood for your practice. ✅ Trust Your Intuition: Tarot readings are as much about intuition as they are about interpretation. Trust your instincts and the messages you receive from the cards. Pay attention to your inner voice and how the cards resonate with your feelings and experiences. ✅ Respect the Cards: Treat your tarot cards with care and respect. Store them in a protective pouch or box when not in use, and avoid handling them with dirty or oily hands. Regularly cleanse and consecrate your cards to maintain their energy and integrity. ✅ Practice Regularly: Like any skill, tarot reading requires practice and dedication. Commit to practicing regularly, even if it's just pulling a daily card or conducting readings for friends and family. The more you work with the cards, the deeper your connection and understanding will become. ✅ Journal Your Readings: Keep a tarot journal to record your readings, interpretations, and insights. Reflect on the messages you receive from the cards and how they resonate with your life. Journaling can help you track your progress, identify patterns, and deepen your understanding of the cards. ✅ Seek Learning and Growth: Tarot is a lifelong journey of learning and exploration. Invest in books, courses, or workshops to deepen your knowledge of tarot symbolism, spreads, and techniques. Surround yourself with a supportive community of fellow tarot enthusiasts to share insights and experiences.

Don'ts: Avoid reading for yourself when in a highly emotional state or seeking answers to overly specific questions. Remember, the cards provide guidance, not concrete predictions.

❌ Don't Read When Emotionally Distressed: Avoid conducting tarot readings when you are feeling highly emotional, anxious, or distressed. Emotions can cloud your judgment and intuition, leading to inaccurate readings or misinterpretations of the cards. Don't Rely Solely on the Cards: While tarot cards can offer valuable insights and guidance, they should not be seen as infallible or deterministic. Use your judgment, common sense, and critical thinking skills when interpreting the cards and making decisions based on their guidance. ❌ Don't Read for Others Without Permission: Always seek permission before conducting a tarot reading for someone else. Respect their boundaries and privacy, and refrain from prying into sensitive or personal matters without their consent. Don't Give Unsolicited Advice: Tarot readings are not a substitute for professional advice or therapy. Avoid giving unsolicited advice or making predictions about someone else's future, especially if it could cause harm or distress. ❌ Don't Fear Negative Cards: Every tarot deck contains cards with both positive and challenging symbolism. Don't be afraid of so-called "negative" cards like the Death or Tower card. Instead, embrace them as opportunities for growth, transformation, and new beginnings. ❌ Don't Ignore Your Intuition: If something doesn't feel right during a tarot reading, trust your intuition and proceed with caution. Take breaks when needed, and don't push yourself to continue if you're feeling uncomfortable or overwhelmed. ❌ Don't Become Obsessive: While tarot can be a valuable tool for self-reflection and insight, avoid becoming overly reliant on the cards or obsessed with seeking answers to every question or concern. Balance your tarot practice with other forms of self-care, mindfulness, and spiritual exploration.

🔮Crystal Ball Scrying:

History: Crystal ball scrying dates back to ancient civilizations, including ancient Egypt and Celtic cultures. It involves gazing into a crystal ball to receive visions or insights.

📜 Ancient Roots: The practice of scrying dates back thousands of years and can be found in cultures across the globe. Ancient civilizations such as the Egyptians, Greeks, Romans, and Druids all had forms of divination involving reflective surfaces or natural objects. These practices often involved seeking guidance from spirits, deities, or ancestors through the act of gazing into a reflective medium. 🏛️ Medieval Europe: Crystal ball scrying gained popularity during the Middle Ages in Europe, particularly among alchemists, astrologers, and mystics. It was believed that certain stones, such as quartz crystals, possessed mystical properties and could serve as conduits for receiving divine or spiritual messages. Crystal balls became associated with the concept of the "scrying mirror," a tool for accessing hidden knowledge and insights beyond the physical realm. ⏳ Renaissance and Occult Revival: During the Renaissance and the occult revival of the 19th century, crystal ball scrying experienced a resurgence of interest among mystics, occultists, and spiritual seekers. Influential figures such as John Dee, Edward Kelley, and Aleister Crowley explored the practice of scrying as a means of contacting spirits, exploring the subconscious mind, and gaining occult knowledge. 🌍 Victorian Era and Spiritualism: Crystal ball scrying gained popularity during the Victorian era, particularly within the spiritualist movement. Mediums and psychics used crystal balls as tools for communicating with the spirit world and conducting seances. The crystal ball became synonymous with the image of the "fortune-teller" or "gypsy" depicted in popular culture and folklore. 📚 Modern Practice: Today, crystal ball scrying continues to be practiced by psychics, mediums, and individuals interested in divination and spiritual exploration. While traditional crystal balls made of quartz or glass are still used, practitioners may also use other reflective surfaces such as mirrors, black obsidian, or bowls of water. Crystal ball scrying is often incorporated into rituals, meditation practices, or psychic readings as a means of accessing intuitive insights and guidance.

Uses: Crystal ball scrying is a powerful method for accessing the subconscious mind and receiving intuitive guidance. It can be used for divination, meditation, and spiritual exploration.

🔮 Divination: The primary use of crystal ball scrying is for divination, or gaining insight into past, present, or future events. By gazing into the crystal ball and allowing the mind to relax and enter a meditative state, practitioners may receive intuitive impressions, symbols, or visions that provide guidance, clarity, and understanding. Crystal ball readings can address a wide range of questions or concerns, including love, career, health, and spiritual growth. 💬 Personal Reflection: Crystal ball scrying can be used for personal reflection and introspection. By gazing into the crystal ball and allowing thoughts and images to arise spontaneously, individuals can gain insights into their emotions, beliefs, and subconscious minds. Crystal ball scrying can help individuals explore their innermost thoughts, fears, and desires, leading to greater self-awareness and personal growth. 🙏 Spiritual Exploration: Crystal ball scrying can serve as a tool for spiritual exploration and connection. Some practitioners use the crystal ball to commune with spirit guides, angels, or ancestors, seeking wisdom, guidance, and inspiration from the spiritual realm. Crystal ball scrying can facilitate a deeper connection to one's intuition, higher self, or spiritual allies, fostering a sense of inner peace, alignment, and purpose. Problem-Solving and Decision-Making: Crystal ball scrying can be used as a tool for problem-solving and decision-making. By focusing on a specific question or dilemma and gazing into the crystal ball, individuals may receive insights, solutions, or alternative perspectives that help them make informed choices or overcome obstacles in their lives. Crystal ball scrying can provide clarity, direction, and confidence when facing difficult decisions or challenges. 💡 Energy Healing: Some practitioners use crystal ball scrying as part of energy healing or therapeutic practices. By incorporating the crystal ball into meditation or visualization, individuals can channel healing energy and intention through the crystal, promoting relaxation, balance, and harmony on physical, emotional, and spiritual levels. Crystal ball scrying can enhance the healing process and support overall well-being and vitality. 🌟 Ritual and Ceremony: Crystal ball scrying can be incorporated into ritual and ceremonial practices as a means of invoking spiritual energies, setting intentions, or communing with the divine. Some traditions use the crystal ball as a focal point for meditation, prayer, or spellcasting, harnessing its reflective properties to amplify intention and manifest desired outcomes. Crystal ball scrying can enhance the sacredness and potency of ritual practices, deepening the practitioner's connection to the divine and the unseen realms.

Do's: Create a sacred space, cleanse your crystal ball before use, and practice relaxation techniques to quiet the mind.

✅ Prepare Your Space: Create a calm and sacred space for your scrying practice. Dim the lights, burn incense or candles, and eliminate distractions to create an environment conducive to relaxation and focus. ✅ Cleanse and Charge Your Crystal Ball: Before each scrying session, cleanse your crystal ball to remove any negative or stagnant energies it may have absorbed. You can cleanse it with smoke (such as herb bundles of cedar, garden sage, or rosemary), sound (using a singing bowl or bell), or by placing it under running water. Once cleansed, charge the crystal ball with your intention or positive energy. ✅ Set Clear Intentions: Clarify your intentions before beginning your scrying session. Think about the questions or areas of your life you'd like to explore and focus your energy and attention on receiving guidance and insights from the crystal ball. ✅ Relax and Clear Your Mind: Relax your body and mind before gazing into the crystal ball. Practice deep breathing or meditation techniques to quiet your thoughts and enter a receptive state of awareness. Release any expectations or preconceived notions, allowing yourself to be open to whatever messages or images may arise. ✅ Trust Your Intuition: Trust your inner guidance and intuition during the scrying process. Pay attention to any impressions, feelings, or images that come to you as you gaze into the crystal ball. Trust that the messages you receive are meaningful and relevant to your journey. ✅ Journal Your Insights: Keep a journal to record your scrying experiences, insights, and interpretations. Writing down your impressions can help you track patterns, themes, and symbols that emerge over time, deepening your understanding of the messages received from the crystal ball.

Don'ts: Avoid forcing visions or expecting immediate results. Patience and practice are key when it comes to crystal ball scrying.

❌ Force the Process: Avoid trying to force or control the scrying process. Allow the images and impressions to arise naturally, without imposing your will or expectations onto the experience. Trust that the messages will come to you in their own time and in their way. ❌ Scry When Emotionally Distressed: Refrain from scrying when you're feeling highly emotional, anxious, or stressed. Strong emotions can cloud your judgment and intuition, making it difficult to receive clear and accurate guidance from the crystal ball. ❌ Obsess Over Negative Images: If you encounter negative or unsettling images during your scrying session, don't dwell on them or become fixated on their meaning. Instead, acknowledge the images and release them with love and compassion. Focus on inviting positive and uplifting energy into your space. Interpret Too Literally: Avoid interpreting the images or symbols in the crystal ball too literally. Instead, focus on the overall feeling or message conveyed by the imagery. Allow your intuition to guide you in discerning the deeper meaning behind the symbols and their relevance to your life. ❌ Compare Your Experience to Others: Every scrying experience is unique to the individual. Avoid comparing your experience to that of others or seeking validation from external sources. Trust in your insights and interpretations, knowing that you are the ultimate authority on your spiritual journey. ❌ Overuse or Depend Solely on the Crystal Ball: While crystal ball scrying can be a valuable tool for spiritual growth and insight, avoid becoming overly reliant on the crystal ball or using it as a crutch. Balance your scrying practice with other forms of divination, meditation, and self-reflection to maintain a holistic approach to your spiritual development.

⚖️ Pendulum Divination:

History: Pendulum divination has been used for centuries to seek answers and guidance from the subconscious mind. It involves suspending a pendulum over a surface and interpreting its movements.

📜 Ancient Origins: Dowsing, the broader term encompassing pendulum divination, has ancient roots and is believed to have originated independently in different cultures. Archaeological evidence suggests that dowsing tools, such as forked branches or rods, were used by ancient civilizations for locating water sources, minerals, and other hidden resources. Dowsing was often practiced by individuals known as "water witches" or "diviners" who possessed a special sensitivity to subtle energies or vibrations in the earth. 🏛️ Historical References: References to dowsing can be found in historical texts and records dating back thousands of years. For example, ancient Egyptian texts describe the use of dowsing rods for finding water and minerals, while ancient Chinese texts mention the use of divining rods for locating underground sources of water. Dowsing was also practiced by European cultures during the Middle Ages and Renaissance periods, where it was used for everything from locating buried treasure to identifying witches. ⏳ Renaissance and Enlightenment: During the Renaissance and Enlightenment periods, dowsing experienced a resurgence of interest and popularity among scholars, scientists, and natural philosophers. Figures such as Leonardo da Vinci, Sir Isaac Newton, and Paracelsus explored the phenomenon of dowsing and its potential applications in various fields. Dowsing was studied alongside other forms of natural philosophy and was often associated with concepts of magnetism, subtle energies, and the human psyche. 🌍 19th Century and Spiritualism: In the 19th century, dowsing became closely associated with the spiritualist movement, which emphasized communication with the spirit world and exploration of psychic phenomena. Mediums and psychics used pendulums as tools for divination, communication with spirits, and accessing intuitive insights. Pendulum divination was integrated into seances, spiritual healing practices, and other spiritualist rituals as a means of receiving guidance and validation from the unseen realms. 📚 Modern Practice: Today, pendulum divination remains a popular and widely practiced form of divination, utilized by people of various spiritual and cultural backgrounds. Pendulums come in a variety of shapes, sizes, and materials, including metal, wood, and crystal. Practitioners use pendulums for a wide range of purposes, including divination, decision-making, energy healing, and spiritual exploration. Pendulum divination is often integrated into holistic healing modalities such as Reiki, chakra balancing, and aura cleansing, as well as used in conjunction with other forms of divination such as tarot cards or astrology.

Uses: Pendulums can be used for yes/no questions, dowsing, and accessing intuitive knowledge. They are versatile tools for divination and spiritual exploration.

⚖️ Answering Questions: One of the primary uses of pendulum divination is to seek answers to questions. By asking yes/no questions and observing the movement of the pendulum, practitioners can receive guidance and insight into various aspects of their lives, including relationships, careers, health, and spiritual matters. Pendulum divination can provide clarity and direction when faced with difficult decisions or uncertainties. 🕰️ Decision-Making: Pendulum divination can be a helpful tool for making decisions. Practitioners can use the pendulum to weigh different options, evaluate potential outcomes, and determine the best course of action. By tuning into their intuition and allowing the pendulum to guide them, individuals can make more informed choices that align with their highest good. 💫 Problem-Solving: Pendulum divination can assist in problem-solving and troubleshooting. By focusing on a specific issue or challenge and asking targeted questions, practitioners can uncover underlying causes, identify solutions, and overcome obstacles more effectively. Pendulum divination can reveal hidden insights and perspectives that may not be immediately apparent, leading to creative solutions and breakthroughs. 🌀 Aura and Energy Work: Pendulum divination can be incorporated into energy healing and aura work. Practitioners can use the pendulum to detect and assess subtle energy patterns, blockages, or imbalances within the body's energy field. By observing the movement of the pendulum, individuals can identify areas of tension or stagnation and channel healing energy to restore balance and harmony on physical, emotional, and spiritual levels. 🌈 Personal Growth and Self-Discovery: Pendulum divination can serve as a tool for personal growth and self-discovery. By asking questions related to inner thoughts, emotions, and beliefs, individuals can gain insight into their subconscious mind and explore areas of self-improvement and healing. Pendulum divination can help individuals uncover limiting beliefs, release emotional blocks, and cultivate greater self-awareness and empowerment. 🌟Spiritual Exploration: Pendulum divination can be used for spiritual exploration and connection. Practitioners can use the pendulum to communicate with spirit guides, angels, or higher consciousness, seeking guidance, wisdom, and support from the spiritual realms. Pendulum divination can deepen one's connection to the divine and facilitate a greater sense of trust, faith, and alignment with universal energies.

Do's: Establish clear communication with your pendulum, ask concise questions, and trust the answers you receive.

✅ Set Clear Intentions: Before beginning a pendulum divination session, take a moment to set clear intentions for the process. Clarify the questions or areas of your life you'd like to explore and the guidance you're seeking from the pendulum. Focus your energy and attention on receiving clear and accurate answers. ✅ Choose a Suitable Pendulum: Select a pendulum that resonates with you energetically and feels comfortable to use. Pendulums come in various shapes, sizes, and materials, so choose one that feels intuitively right for you. You may also choose to cleanse and consecrate your pendulum before using it to remove any previous energies and imbue it with your intention. ✅ Establish Clear Communication: Before beginning your divination session, establish clear communication with your pendulum. Hold the pendulum in your hand and ask it to show you a clear and accurate response for "yes" and "no" movements. Observe how the pendulum responds to different questions and affirmations, trusting the movements as indications of intuitive guidance. ✅ Practice Grounding and Centering: Ground and center yourself before engaging in pendulum divination. Take a few deep breaths, visualize roots extending from your body into the earth, and imagine yourself surrounded by a protective bubble of light. Grounding helps to stabilize your energy and enhance your connection to the pendulum and your intuition. ✅ Trust Your Intuition: Trust your inner guidance and intuition throughout the pendulum divination process. Pay attention to any intuitive impressions, feelings, or insights that arise as you work with the pendulum. Trust that the messages you receive are meaningful and relevant to your situation, even if they may not always align with your expectations. ✅ Maintain Respect and Ethical Conduct: Treat the pendulum with respect and reverence as a sacred tool for divination. Approach the process with sincerity, honesty, and integrity, refraining from asking frivolous or inappropriate questions. Avoid using pendulum divination to manipulate or control others or to pry into sensitive or private matters without their consent.

Don'ts: Avoid relying solely on the pendulum for major life decisions or asking questions that are too vague or ambiguous.

❌ Don't Engage When Emotionally Distressed: Avoid engaging in pendulum divination when you're feeling highly emotional, anxious, or stressed. Strong emotions can cloud your judgment and intuition, leading to inaccurate or unreliable readings. Wait until you're in a calm and centered state before using the pendulum for divination. ❌ Don't Rely Solely on the Pendulum: While the pendulum can be a valuable tool for accessing intuitive guidance, avoid becoming overly reliant on it or using it as a substitute for your inner wisdom. Use the pendulum as a complementary tool alongside your intuition, critical thinking skills, and common sense when making decisions or seeking guidance. ❌ Don't Forget to Ground and Close: After completing a pendulum divination session, remember to ground yourself and close your energy. Thank the pendulum for its guidance and assistance, and express gratitude for the insights received. Release any residual energy or attachments and return to a grounded state of awareness before continuing with your day. ❌ Don't Obsess Over Negative Outcomes: If you receive a negative or unsettling response from the pendulum, don't dwell on it or become overly fixated on the outcome. Remember that pendulum divination is a tool for guidance and insight, not a predictor of fixed outcomes. Trust that the messages you receive are meant to serve your highest good and empower you to make informed choices. ❌ Don't Compare Your Results to Others: Every individual's experience with pendulum divination is unique. Avoid comparing your results or interpretations to those of others, as each person's energy, intuition, and circumstances are different. Trust in your intuition and interpretation of the pendulum's movements, knowing that you are the ultimate authority on your spiritual journey.

There are other modalities that I haven't covered in depth. Let's touch a bit on each of these main ones:

Scrying: Scrying is a broad term encompassing various divinatory practices involving gazing into reflective surfaces or mediums to receive insights or visions. In addition to crystal ball scrying, other forms of scrying include using mirrors, water, fire, smoke, or black mirrors to access intuitive guidance and symbolic imagery. I touched on specifically crystal ball scrying, but there are many other types of scrying to fit your needs, the basics are mostly the same.

Astrology: Astrology is the study of celestial bodies' positions and movements to interpret their influence on human affairs and natural phenomena. Astrologers use birth charts, horoscopes, and planetary alignments to provide insights into personality traits, life events, and compatibility.

Numerology: Numerology is the study of numbers and their symbolic meanings. Numerologists analyze numbers associated with names, birthdates, and events to uncover insights into personality, life paths, and potential outcomes. Numerology can involve calculations such as life path numbers, destiny numbers, and personal year cycles.

Palmistry: Palmistry is the practice of reading the lines, shapes, and markings on the palms of the hands to gain insight into personality traits, life events, and potential future outcomes. Palmists examine features such as palm lines (e.g., heart line, head line), mounts, and finger shapes to provide interpretations.

Runes: Runes are ancient symbols used in divination, originating from Germanic and Norse cultures. Runecasters typically use sets of carved stones or wooden tiles inscribed with runic symbols. By casting or drawing runes and interpreting their positions and meanings, practitioners can gain insights into various aspects of life and decision-making.

Tea Leaf Reading (Tasseography): Tasseography is the practice of interpreting patterns and symbols formed by tea leaves at the bottom of a cup or vessel. Practitioners observe the shapes, lines, and arrangements of the tea leaves to provide insights into future events, emotions, and outcomes.

Cartomancy: Cartomancy is the practice of using regular playing cards or specialized decks (other than tarot cards) for divination purposes. Practitioners interpret the suits, numbers, and symbols on the cards to provide insights into past, present, or future events and circumstances.

Dream Interpretation: Dream interpretation involves analyzing the symbols, themes, and emotions present in dreams to gain insights into the dreamer's subconscious mind and waking life. Dream interpreters use various techniques and frameworks to interpret dreams and uncover their meanings and messages.

I primarily use tarot and pendulum divination as well as black mirror scrying, however, the basic understanding of many types of divination can allow you to become a well-rounded practitioner.

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[magickkate]

Cooking isn't just about following a recipe—it's an opportunity to practice mindfulness and connect with the present moment. Here's how to infuse your culinary adventures with mindfulness:

Begin by setting a positive intention for your cooking experience, whether it's nourishing yourself, sharing love with others, or simply enjoying the process.

Take a few deep breaths to center yourself before you begin. Notice the sights, sounds, and smells of your kitchen, fully immersing yourself in the present moment.

As you prepare each ingredient, focus on the sensations: the texture of the food, the sound of the knife slicing through vegetables, the aroma of herbs and spices filling the air.

Engage all your senses as you cook, savoring the colors, flavors, and textures of each dish. Be fully present and attentive to the task at hand, letting go of distractions and worries.

Practice gratitude as you cook, appreciating the abundance of ingredients and the opportunity to create something delicious with your own hands.

When the meal is ready, take a moment to pause and express gratitude for the nourishment it provides. Enjoy each bite mindfully, savoring the flavors and textures.

Cooking mindfully not only enhances the flavor of your food but also nourishes your body, mind, and spirit. Bon appétit! 🌿🍽️

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[magickkate]

Good day, witches! Let's talk about what not to burn in your magical practice. While fire is a powerful tool for transformation and manifestation, it's essential to use it responsibly and ethically. Here are a few things to avoid burning:

Plastic: Burning plastic releases toxic fumes and pollutants into the air, harming both you and the environment. Stick to natural materials like wood, paper, or herbs for your burnable offerings.

Synthetic Materials: Similarly, avoid burning synthetic fabrics, rubber, or other man-made materials. Stick to natural fibers and materials that can safely be incinerated without releasing harmful chemicals.

Toxic Herbs: Not all herbs are safe to burn. Some herbs can produce irritating or toxic smoke when burned, so do your research and make sure you're using safe and non-toxic herbs in your rituals. Do research what plants are unsafe or toxic to burn, especially if you have fur/scale/feather-babies.

Belladonna (Deadly Nightshade): Its name says it all. It’s lethal. Hemlock: Socrates sipped it; you shouldn’t. Foxglove: Pretty, but deadly. Mandrake: It won’t scream, but it’s still toxic.

Animal Products: Avoid burning animal products such as feathers, bones, or fur, especially if you're unsure of their source or ethical implications. Opt for cruelty-free and ethically sourced alternatives instead.

Sage, if used outside of its designated closed practice. Here's some alternatives

Cedar: Cleansing and grounding. Palo Santo: Sweet, fragrant, and eco-friendly. Rosemary: Purification powerhouse.

Remember, fire is a sacred element, so treat it with respect and reverence in your magical practice. Choose your offerings wisely and always prioritize safety and sustainability. 🔥🌿✨

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[magickkate]

As budding witches, we embark on a journey filled with magic, mystery, and profound ethical considerations. In our pursuit of knowledge and power, we're often confronted with the age-old question: How does free will intersect with our practice?

🔮 Ethics at the Heart: At the core of witchcraft lies a deep respect for the natural world and all its inhabitants. As we delve into spell work, divination, and rituals, it's vital to tread carefully, mindful of the impact our actions may have on ourselves and others. A saying I have implemented into my practice is, "Do no harm, take no shit."

🌿 Navigating Free Will: In our craft, we wield the tools to shape reality according to our desires. Yet, we must remember that true power comes not from manipulation, but from aligning ourselves with the flow of the universe. As we cast spells and work with energy, we must respect the autonomy and free will of all beings, understanding that our actions ripple outwards, influencing the world around us in ways both seen and unseen.

🌟 Empowerment Through Choice: While witchcraft offers us a myriad of possibilities, it also reminds us of the importance of choice. Each decision we make, every intention we set, carries weight and consequence. By embracing our agency and taking responsibility for our actions, we reclaim our power and become architects of our own destiny.

🌸 Embracing Balance: As we navigate the realms of ethics and free will, let us strive for balance and harmony in all that we do. Let us honor the interconnectedness of all things and cultivate a practice rooted in love, respect, and integrity. For in the delicate dance of light and shadow, we find the true essence of magic.

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[magickkate]

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