American hard rock band Guns N' Roses was formed in Los Angeles, California with an original recording lineup of lead vocalist Axl Rose, lead guitarist Slash, rhythm guitarist Izzy Stradlin, bassist Duff McKagan and drummer Steven Adler.
Current Members
Axl Rose - lead vocal, 1985–present
Duff McKagan - bass, 1985–present
Slash - lead guitar, 1985–present
Dizzy Reed - synthesizers, 1990–present
Richard Fortus - guitar, 2002–present
Frank Ferrer - drums, 2006–present
Melissa Reese - synthesizers, 2016–present
Former Members
Izzy Stradlin - guitars, 1985–1991
Rob Gardner - drums, 1985
Tracii Guns - guitars, 1985
Ole Beich - bass, 1985 (died 1991)
Steven Adler - drums, 1985–1990
Matt Sorum - drums, 1990–1997
Gilby Clarke - guitars, 1991-1994
Robin Finck - guitars,1997–2008
Josh Freese - drums, 1997–2000
Tommy Stinson - bass, 1998–2014
Chris Pitman - synthesizers, 1998–2016
Buckethead - guitars, 2000–2004
Brain - drums, 2000–2006
Ron "Bumblefoot" Thal - guitars, 2006–2014
DJ Ashba - guitars, 2009–2015
Studio albums
Appetite for Destruction, 1987
G N' R Lies, 1988
Use Your Illusion, 1991
The Spaghetti Incident?, 1993
Chinese Democracy, 2008
Live albums
Live Era, 1999
Compilation albums
Use Your Illusion, 1998
Greatest Hits, 20074
Video albums
Use Your Illusion: World, Tour – 1992 in Tokyo, 1992
Garden of Eden: Strictly Limited, 1993
Don't Cry: Makin, 1993
November Rain: Makin', 1993
Singles
It's So Easy / Mr. Brownstone, 1987
Welcome to the Jungle, 1987
Sweet Child o' Mine, 1988
Paradise City, 1988
Patience, 1989
Nightrain, 1989
Knockin' on Heaven's Door, 1990
You Could Be Mine, 1991
Don't Cry, 1991
Live and Let Die, 1991
November Rain, 1992
Knockin' on Heaven's Door, 1992
Yesterdays, 1992
Civil War, 1993
Ain't It Fun, 1993
Estranged, 1993
Since I Don't Have You, 1994
Sympathy for the Devil, 1994
Chinese Democracy, 2008
Shadow of Your Love, 2018
Absurd, 2021
Hard Skool, 2021
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“I wasn’t a fan of the music so much. I was just a fan of Axl and his vibe. I remember seeing him on MTV in that feather boa. Melissa always tells me it wasn’t a feather boa, though. But I saw him wearing one of those things Dave Navarro aways wears with his shirt off. Axl is wearing it with this spandex.
I saw this video where Axl was yelling at the audience, “Hey, can someone get that guy? Fix that!? No? Fuck it! I’ll fix it!” And he dives into the audience. I was like, “Holy shit, this guy is rad. What the hell?”
(…)
Like I said, I joined the band because of that attitude and because of the aura that was like Led Zeppelin. I loved it. Everyone else was sitting there, freaking out, like, “Oh my God. Axl is two hours late!” I was sitting there eating an ice cream like, “Who cares? Maybe we won’t even play! That’s even better! As long as the money comes, who gives a shit?” I totally felt like the chaos never died. I was so into the vibe of that. He might have been brilliant. He might have freaked out onstage. I was into it.
I totally remember the Philadelphia one. I was in the hotel. I kept calling the tour manager. I was like, “Hey dude. Do I need to come down yet? Do I need to play this show? What’s going on?” He was like, “Just stay there.” I was like, “Something’s weird.”
We had just played Madison Square Garden the night before and killed. I look over and there’s Beyonce and Jay-Z and Chris Rock, and they’ve loving it. We did a great show. Here we are now in Philly and we don’t know where Axl is or what’s happening.
I’m loving it. I’m literally eating pasta like, “This is cool.” I get a text from Mix Master Mike’s wife. She’s like, “Brain, are you guys showing up? They’re throwing things and yelling at Mix Master Mike. He’s been playing the same DJ set for about an hour and a half.” I’m like, “Dude, I don’t actually know.” We finally get the call that he’s not coming. They went, “Everyone go home. This is the last show.” I was like, “Oh, shit…”
If he didn’t feel like playing, for whatever reason, he just wouldn’t show up. He knew it would likely invite a consequence like a riot or a cancelled tour, but he didn’t seem to care back then.
That’s on the biggest level. And I’m not saying it’s right, but that’s kind of like the stories I’d hear about Bernie Worrell and George Clinton getting into their shit. He’s willing to throw it away. In the end, I don’t know. I saw Bernie towards the end when I heard he was sick. I went to one of his last shows. In the end, I don’t know if it’s worth it.
But now Guns N’ Roses show up on time, Melissa tells me. They play for four hours and it’s the most amazing show. So go figure. But I kind of dug it. I have the stories. I have the experiences. I can play the fuckin’ drums — that’s boring.
(…)
When I got in, it was just a lot of trial and error regarding what we were going to make, what style of music. It was a new band. Also, Axl takes his time anyway. And now because it’s this whole new thing, it will be twice as long. Then it became almost like a folklore. It was like, “Now it’s gone this far, it might as well just be $12 million, $13 million. Ten years. Let’s go for the record.” I don’t know. [Laughs.]
(…)
I just loved the fact that I was in Guns, but I was doing other things, like taking golf lessons every day and learning computers and programming and orchestration and music theory. And then you get a call like, “Hey, Axl needs you.” I was like, “This is the closest I’m going to get to the Zeppelin thing. Who gives a fuck? Make it go forever. This is the coolest thing, that it took 10 years.”
(…)
I had the joke in the studio one day when they were playing the playback. I said, “Dude, I think the zeroes and ones are getting worn out.” It was played so many times and there’s ten different hard drives and “that’s in the vault somewhere, we have to go get it.” There was just so much labor.
I agree with a little bit of that. When I listen to it, it has its thing. Is it how I feel when I hear Appetite? No. Is it how I feel when I listen to Use Your Illusion or The Spaghetti Incident? No. But it has its own thing. It’s very dense and very electronic-y and very metronomic. It’s got that.
(…)
Bucket just struggled with the politics behind it. Bucket was a true musician in that he just wanted to play. He’d be like, “Why does it have to be so hard? Why can’t the album just come out?” I was basking in it: “That’s part of the gig, dude.” He wasn’t feeling it. We had a little bit of a falling-out. He was like, “It seems like they’re just getting off on this.” I was like, “It’s not that I’m getting off on it. I’m just trying to let it be what it is. I’m not going to be able to change it, obviously. So I might as well get what I can get out of it.”
(…)
Each tour had their own little thing. They all had chaos. Every three days, you never know what was going to happen. We had some of the best shows, some of the worst shows. It was all kind of this rollercoaster. That kept it interesting to me.
(…)
But in the end, if we started at 1:00, the show would finish at 4:00. And Axl would give everything into that show. I’ve never seen that fuckin’ dude wimp out ever. If it starts at 1:00 am, that show is going to finish at 4:30. And even if you’re asleep, he’s still screaming.
(…)
It really was, for me … The fun of Axl and the attitude kind of went away. I found myself like, “Here I am playing ‘Nightrain,’ doing the cowbell part. There’s something else left for me in music, and it’s not this.” Everyone is always like, “What happened? Were they jerks?” No. Mainly for me, it was that I wanted to do something else with my life.
(…)
That’s the beauty of what I love about Axl. He let us go in there and reconstruct and fuck with the files, and even his voice, and play with them. We put some crazy techno beats and electro beats and Wu-Tang beats and all this kind of stuff, and allowing us to do those halftime shows with the remixes. It’s why I still work with them. It’s moving forward for me, musically, in that sense.
Will it ever come out? That’s when it hits the corporate side of stuff. Now Slash and Duff are back. Are they into it?”
“5. "Scraped" (from 2008's Chinese Democracy)
Even on an album that serves up industrial metal, trip-hop and glam rock in equal measure, "Scraped" is a doozy. Nothing can fully prepare your body for the blunt-force impact of a half-dozen Auto-Tuned Axls roaring out of your speakers in the song's acapella intro. From there, "Scraped" settles into a pummeling funk-metal groove, with Rose delivering self-empowerment mantras (a rarity for the frequently dour or introspective frontman) in a pinched, heavily processed mid-range voice. There's also some bizarre vocal clipping at the 1:19 mark — God only knows if it was an egregious editing mistake or a bold artistic statement on Rose's part.
4. "If the World" (from 2008's Chinese Democracy)
Guns N' Roses previously covered Wings' "Live and Let Die," the title song to the 1973 James Bond film. So, it makes perfect sense that Axl Rose would release his own fictional Bond theme 17 years later. What makes less sense is its wild amalgamation of trip-hop beats, flamenco guitar, synthetic strings, electro-funk pulses and bluesy piano tickles. "If the World" is one of the most out-of-character songs Guns N' Roses ever released, but Rose's 150-percent vocal conviction and lush, atmospheric production make it endlessly fascinating nonetheless.
3. "Oh My God" (from 1999's End of Days soundtrack)
Any lingering doubts about Axl Rose's evolving musical interests were promptly squashed when he emerged from his half-decade seclusion with "Oh My God," which evokes Nine Inch Nails and Marilyn Manson, and appeared on the End of Days soundtrack alongside the likes of Korn, Limp Bizkit and Rob Zombie. Squalls of guitar feedback, cavernous drums and Rose's hyper-distorted wail dominate the blistering industrial-metal track, punctuated by a catchy dance-beat bridge and a few snatches of playful clean singing. Taken at face value, "Oh My God" is a fun, pulverizing oddity, but it was a disappointing and underperforming comeback. Slash even said in 2000 that the track "convinced me that my departure had been a wise decision, and that Axl and I were definitely no longer on the same wavelength musically."
(…)
1. "Absurd" (2021 single)
Say what you want about the first original Guns N' Roses song in 30 years to feature Rose, Slash and Duff McKagan, but it's certainly not a misnomer. Originally written during the Chinese Democracy sessions and performed in 2001 under the name "Silkworms," "Absurd" is a clobbering punk-metal maelstrom full of pulverizing drums, choppy riffs and some of the filthiest, most repellent lyrics of Rose's career. Oh, and then there's the mind-boggling ambient interlude breaking up the tumult, because why not? "Absurd" is brash, distasteful and a laughably illogical choice as a comeback single from the semi-reunited GNR lineup. In other words, it's classic Guns N' Roses.”
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