#maybe his attraction is sincere but given his track record i am not a fan lol

[incorrect-ikevamp-quotes]

Hot take: Vlad is more Tragic than Comte, He had to witness the downfall of humanity, his friend didn't believe him, he ended up losing his friend, he can't trust anyone, in his bday story it's revealed that unlike Comte who was confident in telling mc he's a Pureblood, Vlad Is scared of revealing that he's even a vampire, he feels like MC will leave and be scared of him. Vlad is tragic, not excusing his trigger fangs but he's definitely hella scared of anything regarding humans.

Comte rt mild spoilers and Vlad spoilers!

Er...sure? Idk I don’t really subscribe to the whole pain is on a measurable scale, or the whole false equivalence thing? I have no doubt that Vlad has seen his fair share of fear and tragedy in life; it’s kind of the nature of being alive in general. 

I guess the way I understand fear and anguish is that there is an acute arrogance to believing that you are the only one to feel or understand those things. And I’m pretty against the idea of condoning violence as an appropriate response to any kind of emotional struggle. Sometimes people just react, and I understand that, but there is a lack of self-awareness and control that becomes dangerous for surrounding people. I will offer that I understand he has his reasons and his narrative, but I sincerely doubt my sympathy will extend beyond that point. That being said, I fully respect other people enjoying his rt or character conflicts--everyone has their thing, man! I don’t mean this in any kind of disparaging way for people. But on a personal level, I really can’t get too close to his content without having Bad Times Man^TM

Also I’m a little confused about Comte not believing him, if I understood the ask right? I’d have to double check, but I’m fairly certain Comte rejects his methods, not necessarily his fears. Comte is upsetti because Vlad suggests a kind of surveillance state to ensure that human beings never enact large scale violence on each other. And while I agree human beings are both violent and stupid, there is an acute extremity that is both alarming and inappropriate in terms of humane reactions to the future in sight. Comte rejects Vlad’s plan and says something along the lines of “purebloods are not gods, we’re not kings.” Comte understands that not only is this not the most productive response to the perils of the future, it is an actively destructive and dangerous path to tread. The moment you dehumanize another person/species--the moment you brand them as lesser by definition--that is a hinge point. Either you de-escalate, understand that the people you are afraid of are more than just cold-blooded animals, and find another way to try to diffuse the situation--or you massacre and control others to no avail, repetitively begetting a cycle of hatred that inspires even more destruction. Perhaps it’s extreme of me, but I’ve read too many historical accounts and seen too much pain in the world to understand Vlad as anything less than someone that needs to be stopped. I hope that such a healing can happen gently, but if it can’t--innocents come first.

I stand with Comte on this one. We all have our fears, our loneliness, our insecurities. What matters is how we choose to cope with them, and others are not responsible for teaching us that no one life is above another in value.

I’m sorry I can’t really engage abt Vlad, but I’ll do my best to respond to questions about him and portray him as accurately as I can in my memes!

#asks #ikevamp #ikemen vampire #ikevamp vlad #ikevamp comte #ikevamp saint germain #ikevamp spoilers #er im sorry if this ask sounds a little serious but vlad hits a little too close to home for me to be comfortable;;; #i have never really vibed with the idea that people are 'more sad' because they don't know how to stop being actively harmful #learn. grow. make an effort like everyone else with an ounce of maturity. #i think everyone deserves to have help when they need it ofc #but i dont think other people are responsible for your making good or smart decisions for your own health #esp at 400+ yrs old #you're old enough to know better #maybe he needs time to figure himself out but i have no desire to be his therapist #additionally i find it INCREDIBLY unnerving that he hates humanity but only accepts MC? #given some of the unique things she's capable of doing/comments on the quality of her blood i........have suspicions to say the LEAST #maybe his attraction is sincere but given his track record i am not a fan lol #but i also know i can be v harsh and impatient so pls dont let this discourage you #this is just my take #rambles

[honeytae]

Do I even matter to you?

okay this is the first fight i’ve ever written so i’m a little nervous and don’t know how good it is. i hope you all like it, please let me know your thoughts on it!

tags: @ahgasearmyfan

genre: angst, fluff

word count: 2.4k

You sighed as your stomach gurgled, trying to sort through the last of your mail as you made your way to the kitchen.

“I know, I’m getting to you.” You reprimanded the loud noises, setting the stack of envelopes down on the counter along with your phone so that you could focus on making something to eat before you completely starved.

You had just arrived home from another day of work, grateful to be home although you were by yourself again. Taehyung had been working for months on his first mixtape, wanting to perfect each track as much as he could for his fans.

He’d already spent countless hours in the studio, recording and producing until he physically had to go home and get some sleep. He was so grateful for your support, never complaining once about his time being so consumed by his work ethic. 

You truly didn’t mind him being so focused. Taehyung’s dedication to the things he loved was something that first attracted you to him, and you were ecstatic when he first told you that he was working on a project of his own. You’d now gotten into the habit of bringing him meals to break up his day, drawing him away from work for an hour to rest his mind and ease his stress with your presence.

Your phone vibrated on the counter top, making you set the pot you’d filled with water down onto the burner quickly in an attempt to get back to your phone and answer the call. You smiled as you saw Taehyung’s contact displayed, swiping your thumb across the screen and lifting the phone up to your ear.

“Hey, baby.” The gentle croon of his voice sent immediate comfort throughout your body, the sweet tone in his voice lifting your lips into a smile and the slight rasp from recording all day making your heart thrum a little harder against your chest.

“Hi, Tae.” You responded, leaning your elbows against your kitchen counter as your eyes watched for the water to bubble so you could put the noodles for your dinner into the pot.

You heard a clicking in the background, the definitive sound of his finger pressing on his computer mouse meeting your ear.

“Still working, honey?” You asked, getting a hum in reply from your boyfriend. 

“Yeah,” he sighed, obviously stressed as he leaned back in his chair. “I don’t know when I’ll be home tonight, sweetheart. We had a mandatory meeting about the comeback, scheduled a few things. It took a lot of time from my day and I still need to finish this track,” He trailed off, making you shake your head in a firm rejection of his words despite him not being able to see you.

“Baby, you don’t need to explain yourself. It’s okay.” You assured, putting the phone on speaker as you set it down to pour the ramen noodles into the hot water.

He sighed in relief, whispering a soft “thank you” in response to your understanding. 

“Can I hear anything about the comeback?” You raised your brows, Taehyung giggling at your childlike tone before humming teasingly.

“Well, they booked the comeback show for September third. We figured we’d give both Kook and Namjoon their birthdays off, you know?”

You furrowed your brows, confusion setting in as you comprehended the date he’d just said.

“September third? As in the third day of September?” You asked, hoping that he had just said the wrong date out of exhaustion the first time.

“Yeah,” He trailed off, confused about your reaction as he retreated his hand from the computer mouse and into his lap.

“Taehyung, that’s the day of my cousin’s wedding. Remember? I told you months ago.” You said, tone angry as you felt aggravation build up inside of you.

Taehyung’s face dropped in realization, bringing his hand up to push the hair off his forehead as he sighed, muttering a soft “fuck” before addressing the situation.

“I’m so sorry, baby, I forgot-“

You cut him off with a scoff, blinking away tears as you shook your head. 

“It’s so reassuring that you can just forget about me so easily. Do I even matter to you?” 

His eyes narrowed, eyebrows furrowing in a frustrated expression. He had no idea where this was coming from, your anger radiating off of you in waves that traveled through the weight of his phone in his hand.

“What the fuck does that mean? You’re insinuating I don’t care about you right now?” He spoke angrily, but the hurt underlying in his tone at your doubt caused your chest to tighten.

You brushed it off, feeling bad for hurting him but fuck, he had hurt you too. 

“Whatever, Tae. I’ll just have to go alone. Again.” You internally cursed as your voice broke, conveying your true hurt emotions despite trying to cover them up with a strong angry tone.

Taehyung felt his heart wrench in his chest at your upset tone, realizing just how much his forgetfulness had pained you. 

“Baby,” He began to plead before you cut him off.

“I gotta go. Bye, Tae.”

You managed to pull the phone away from your ear and hang up before you erupted into sobs, hating more than anything when you fought with Taehyung but not being able to disguise your true emotions about the situation.

Taehyung sat in his chair for a while, staring at the black screen of his phone. His fingers plucked at the skin of his lip, an anxious habit of his that he’d had since he was a boy. 

He felt terrible; he was in the wrong here, no doubt about it. You had taken the initiative to ask him in advance if his schedule was clear that day, he’d given you a solid yes as an answer, then turned around and made plans that coincided. You had every right to be upset with him.

He lifted his phone up from his lap, pulling his manager’s contact up and pressing on the number, raising the phone to his ear. He was going to fix this.

You sniffled into the couch cushion, burying your face in an attempt to muffle your crying. Could he really forget about you that easily? You knew he had a lot going on lately, but this hurt. Maybe you were overreacting, but you felt more than uneasy that you could slip from his mind so easily.

Taehyung wanted to give you time, but he also wanted to fix this immediately. Taehyung had a massive heart, and even if he upset his worst enemy, he’d still feel upset about it. However, this was you. His favorite person on the planet. The love of his life. And you were hurt by something he’d done, which absolutely shattered his heart.

You’d been crying for nearly a half hour when you heard a light knocking on the door, causing you to sit up and look toward the area that the sound had come from. 

You pushed yourself off the sofa, wiping your tears and walking to the door slowly. You twisted the knob, opening the door to reveal your distressed boyfriend. You were shocked to see him, removed from the studio and on your doorstep.

You could see the frown on his face, looking like a kicked puppy as his pout intensified when he noticed your swollen red eyes. 

He’d made you cry. He wanted to reach out to you, he wanted to hold you and comfort you. But he held himself back, not knowing if you wanted his touch at the moment.

“It wasn’t locked.” You said softly, avoiding contact with his eyes as you glued yours to his t-shirt clad chest.

“I know,” he exhaled, reaching a hand up to his head to run his fingers through his hair, “I just didn’t know if you wanted me here.” 

Your heart dropped at his confession, lower lip trembling out of your control making Taehyung’s eyes burn with tears.

You pushed yourself forward into his chest, Taehyung wrapping his arms around you reflexively and sniffling as he buried his face into your neck.

“I’m sorry, I’m so sorry.” He rushed, hugging you tighter as he felt your frame shake in his hold.

You stood in each other’s embrace for a few moments, comforting each other while simultaneously reassuring each other of the love you shared.

Taehyung unwrapped his arms from you, hand holding your wrist as he led you to the couch. He sat down on the edge of the cushion, patting the space beside him for you to sit as well. 

“I’m going with you. And I know that’s not necessarily what this is about, but it’s where it started. I’ll be there with you.” He said, eyes sincere as they searched your own for a response.

“What do you mean?” You asked, trying to register how he could possibly be going with you to the wedding when he had to be at a comeback show the same day.

“I told them I can’t attend that day. They pushed it back a week, said they’ll blame it on family matters. Which is what this is. Because you matter, you matter more than anything to me.” His voice broke at the end of his sentence, causing you to shuffle toward him until he was pulling you onto his lap.

“Tae, I didn’t mean that. I know I matter to you, I just,” you struggled to process the words to describe your thoughts, because you knew you were wrong. Taehyung showed you each and every day that you were his everything, and you had no right to question that. Taehyung looked at you intently to listen to your explanation. 

“I was upset when you said you forgot. I took that as you forgot about me, and that hurt.”

Taehyung nodded his head, placing his hand on your jaw as he held eye contact with you. There was a seriousness in his voice, emotions swirling in his red rimmed eyes.

“I understand that. I could never forget about you, though. All day, guess who I’m writing songs about? You never leave my mind.” He said softly, his words making you tear up for an entirely different reason than before.

“I am so, so in love with you and I’m sorry I can be an asshole sometimes.” He chuckled humorlessly, swiping his thumb against your cheek to collect a stray tear from the skin.

You shook your head, arguing “You’re not an asshole-“

“Today I was. I’m sorry I forgot about the wedding. There’s no excuse. No matter how busy I am, I will always make time for you and I know lately I haven’t been doing so well in that category. I’ll be home more, I promise.” He cut you off, his apology genuine without the earlier humor.

“Baby, I’m not upset about you not being home, I understand. I love that you’re working so hard. Do I miss you sometimes? Yes. But it’s worth it when I see you so excited about creating music of your own.” You assured him, cradling his jaw in your hands as you stroked his hair back from his face.

He sniffled, eyes glistening with new tears and you pressed your lips to the skin under his eyes. You could tell he was beating himself up for his mistakes, and that was the last thing you wanted him to do. 

“I’m sorry I let it work me up so much and I’m sorry I took it out on you. Everyone makes mistakes but not everyone fixes them like you do. You never fail to make an effort and I appreciate that so much. I love you.” you pouted, swiping at the tears falling over his lash line with your thumbs.

“I love you so much.” He said firmly, smiling for the first time that evening as you nodded before meeting his lips in a soft kiss. 

“I know. Now come on, I made dinner earlier and your stomach sounds like you’re growing a monster inside of it.” 

He laughed, following you as you lifted yourself from his lap to walk into the kitchen.

He felt himself relax for the first time today as you finished making the noodles you’d started to cook earlier, helping you pour the soup into two bowls and bringing them to the dining room table as you followed behind him with chopsticks.

“Hey, did you finish that track?” You asked curiously as he placed the bowls down onto the surface of the wooden table.

He shook his head, turning to face you and cupping your jaw as he squeezed your cheeks affectionately.

“The track will still be there tomorrow.” He said, making you cock your head to the side in slight confusion.

“So will I.” You pointed out, Taehyung nodding as he pressed a kiss to the tip of your nose. 

“I needed to make sure of that.” He responded, smiling sadly before you crashed your lips onto his. 

His breath hitched in his throat as you leaned forward to kiss him deeply, eagerly reciprocating as you slipped your tongue into his mouth.

You broke apart from him, breathless as you soothed the red skin under his eyes with your thumb.

“Always. I’ll always be here.” You affirmed, making Taehyung squeeze you to his chest tighter.

“Thank you.” He said genuinely, kissing the side of your head before nestling his face into your hair.

It was then that Taehyung’s stomach growled angrily again, causing you to chuckle and step back from him, gesturing to the bowl sitting in front of the chair on the table.

“Come on, let’s eat.” You said, pulling out your chair and moving to sit down as your boyfriend did the same beside you.

You sat there for a while, stuffing your faces with noodles and filling each other in on the things you hadn’t been able to talk about considering the recent sparse amount of quality time you’d had together.

Taehyung told you about all the new things he was trying in the studio, and you reminded him how proud you were of him. He listened intently to your stories about your coworkers dilemmas, giggling at the funny details and jaw dropping comedically at the shocking parts.

Eventually you both grew tired, trudging to the kitchen to put your bowls in the sink before heading to bed.

And with a soft exchange of “I love you”s, a sweet kiss, and the promise of him being by your side, you happily fell asleep in his arms.

#bts #bts writing #bts fanfiction #bts imagine #bts imagines #bts angst #bts x reader #taehyung #taehyung writing #taehyung fanfiction #taehyung imagine #taehyung imagines #taehyung angst #taehyung x reader #imagine #imagines #fanfiction #writing #angst

[jimmyflemion]

Hi everyone. The Spiritual album is here. Damaged Goods  / Sinned in Reverse. Out now! Finally. Our album that has been talked about in interviews & the works for the last 30 years. Today digitally available everywhere. Always had it in mind for this to come out as an album in album form (who knows, maybe someday?) but now that it has been finished this seemed the perfect time for its release. Over the last 9 years all the song versions were listened to meticulously, chosen, vocals & instruments added & recorded, the theme of the story & running order placed in a schematic theme, mixed, mastered & the artwork went through several renovations until today as it stands in its completed form. Whenever it seemed like it was finished & patience had given out, there was that voice saying that when the time was right it would be ready. Why are any of us here? Our spirits, our souls, the learning, the forgetting, the remembering. What is my purpose? Is it something other than what I think it is? Am I supposed to be helping in some other way? I often ask myself these questions. Music always has given me hope to figure out these things & be good with myself & my choices, helping me to make sense. I often think of my sins & sins of omission words I feel I should have said or shouldn’t have said. The life I’ve led, previous lives. Being honest with myself & others & communicating my feelings freely & openly. Reflecting how my life would have changed dramatically. Often pointing the finger & not owning up to my own part in things. We all play a part in the communion. I’ve judged so much in my life. Through my own faults perceived through my own judgement, I become more & more conscientious & conscious & not so much on autopilot. For those I’ve hurt through my own neglect, I offer my sincere apologies. To be good with yourself & your pure refection brings peace. Myself & my brother were The Frogs. We grew up together, played & wrote songs entwining a world revered & a world despised & quickly scribed them with quill, in the end giving you the listeners your own choice in choosing where your heart aligns. From seeing both sides of characters as well as taking an honest look at ourselves, there began an introspection as to who we are as humans & it made its’ way into the work. We uncovered a society of depravity we had no intention of joining. Although given somewhat of a view of the music biz here & there from a ringside seat, in fact we were never invited to the party for we posed a threat in seeing through your false idol’s bullshit. We were different, we didn’t fit in & in retrospect a very good thing to be, working in our favor. But alas however cool or punk or whatever someone might think that might feel it took on an aura of loneliness. We were outsiders, who still in a way wanted for our ego’s sake (remember this is show biz, it takes some sort of ego to continue on, year after year) to be appreciated or make some sort of a living at this game. However, looking at things now, there really was never anything we missed out on, knowing how proud he was of me & I of him & what we set out to do through our creativity. I am reminded by a beautiful princess who once upon a time told me, we are all frogs. We are God’s children that keep getting turned into frogs & under the spell of the witches. The Frogs, the band represents all the frogs of the world. The Frogs, the band are the narrator, the storyteller as in the fairytale. The Frogs have their sweet revenge by flipping, showing the people thru song their own judgements of what beauty, evil, cruelty & perception of what is truth or not. You are the judge. It’s always been up to the listener of the message what they were to receive from it to learn or unlearn. Like a lot of music itself, it’s multilayered, multidimensional, the listener gets to decide what it means. We are all frogs, right & wrong, good & bad, ugly & beautiful, loving & hateful, mean & kind. We have a choice. Thru our own experience, we can heal & help to shine our light or to stay in the darkness & continue to judge all of it or accept & return to all that is within us which is love. & somewhere within all that we must not forget what they do to frogs in school’s biology class, cutting them open, dissecting removing parts showing children that it is ok in the name of science & men who eat & destroy the lives of children. Becoming comfortable with these ideas as if it’s cool or gross, not really understanding what they are doing. That which was once life, God’s creation lie there on the table, it represents us thru the fairytales. Being manipulated, being blinded from the day of our birth that we should be okay with all this and yet that is the great big lie too. The world you, we know/knew & the people of it that revel & cling to darkness remain at that vibration until they subscribe to the light. The light is for all yet some have an allergic reaction to it due to their disposition & judgement of the collective creation. The Frogs, myself and my brother spoke the truth about everything the 3rd dimensional world holds & ascending dimensions above. Together we were not puppets, poseurs, plagiarists or frauds, follow the long lost line of money, our trail is short. Those who hijack the heart will find & attract those of like. There remains nothing to be taught or learned for the kingdom of heaven is within, pretty simple. It’s easy to innerstand, if one makes a concerted conscious effort to spread love as opposed to their fascination with fear & pornographic obsession with death, which spoiler alert walks hand in hand with life. The music we created has nothing to do with “satire”, in fact at times there is no rhyme & reason & in times needed there is rhyme & reason. A fool auditions for a song, a wise man dresses up in costume, the world’s zoo comes to life & appears & disappears in illusion or what some call magic or a critic appears on notice to define art. There is a floodgate of material & songs to peruse & at times it makes the most sense to corral them conceptually. I used to be so concerned on being comprehended correctly to my liking but matters not. If I must spell it out, see how the Phoenicians, use their created language & words in plain sight, with the word spell to cast spells. In conclusion, the words with respect to the music are laced with wisdom. There is no other way. The goal, the direction, the soul purpose being co-creating beautiful sounds, energy & vibrations with the maker. In appreciation of creation. The heart beats, the world turns, the divine nature of the soul is changeless, without wavering, it answers the call of protecting & nurturing the mutual life force. Love avoids competition as it stands in its own sovereignty. ‘Tis the very common ground we all share & vibrate to. No one else can control our destiny, that which we were put on this plane, planet earth to fulfill. There was a shared mission only Dennis & I shared. The understanding & meaning that music in the right hands transforms the soul. Caging people, labeling, putting them in boxes, thinking these monsters own you is the absolute antithesis of love. The angels provide the roadmap, speak to them, I’ve spoken in song about freedom, having loved the show “Born Free” growing up under the Leo sign. I pray someday people that are real will find like minded humans & the fake actors satisfied with their empty empathy will have a true awakening. Judge much, yes but ‘tis a lonely world full of ghosts. So on a lighter note, as we float higher, what have I learned in all these years later 9 since Dennis has passed. What I’ve always known that I am so beyond blessed & grateful to have had him as my brother, how much love, care & detail he put into every moment of his life, how much he gave & how everything was a gift, how much he cherished life & being in everyone’s presence. His heart was always in the right place. An angel. Finally this album is the final Frogs album (the spiritual album that has been promised for years) 32 tracks, (number 5) Dennis & I were both number 5’s in our life paths. “damaged GOoDS / sinneD in Reverse” Damaged Goods / Dennis in Reverse In reality this album could not have been completed without the help of our dear friend Bjorn Thorsrud (additional production, mastering & editing) Dennis always wanted to have Bjorn work on this album & when he offered to help it was a GODsend. I devoted my heart & soul into this record & when I finally completed it on the final playback, I broke into tears, my only wish was for Dennis to be proud & happy with this record as a testament to The Frogs legacy. This album is in 432 hertz, the highest energy that governs the universe, vibrates with the earth’s heartbeat, the golden ratio, divine proportion. We made music because it brought us joy & made life such a wonderful experience. The telepathic musical communication Dennis & I shared is innerstood, felt inside. With regards to words they would have you say understood, but none of us is beneath or under where any other human soul stands, we are all equal & equally divine. I love Dennis with all my heart, always have & always will. I am so happy & thank creation so much that I was able to be here on this day to fulfill Dennis & my dream for you to hear this our final Frogs album. This album is for you all the fans who drove all over the country to come to our shows, stood in line, supported us at our merch booths. We started out having fun playing music together in the garage, writing songs in our bedrooms, had absolutely no idea any & all of this would have happened, well it couldn’t have happened without you our fans, we love each & every one of you for showering us with your love all of these years. This album is dedicated to the fans. Love,         Jimmy

[flashhdtv]

Episode 7 8 | Mr. Heart — Ep.7 8 [ENGSUB-BL]

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.

#comedy #drama #romance

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[ENGSUB] Mr. Heart Episode 7,8 (BL) Korean Drama Romance 2020

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.

#drama #romance #comedy

[flashhdtv]

‘Episode 7, 8’ | Mr. Heart Ep.7, 8 [EngSub] Korean Drama BL 2020

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Episode 7 : http://watchepisode.online-tvs.com/series/386736/1/7

Episode 8 : http://watchepisode.online-tvs.com/series/386736/1/8

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.

#comedy #drama #romance

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[ENGSUB] 'Mr. Heart' EP 7 & 8 On Viki's

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Episode 7 : http://watchepisode.online-tvs.com/series/386736/1/7

Episode 8 : http://watchepisode.online-tvs.com/series/386736/1/8

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.

#drama #romance