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#mike weiringo
makeminebronze · 1 year
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February commemorates 60 years of Stan Lee's least favorite FF character, The Impossible Man! (Well, according to a few interviews. I think Impy grew on him over the years...)
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tomoleary · 1 year
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Mike Weiringo - Original Cover Art for Wizard Magazine
https://comics.ha.com/itm/original-comic-art/covers/mike-weiringo-original-cover-art-for-wizard-magazine-undated-looks-like-spidey-s-in-big-trouble-now-fan-favorite-artis/a/808-5516.s
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xmencovered · 1 month
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Rogue #1 / Published: November 1994 / Artist: Mike Weiringo
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evandorkin · 6 years
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Story page I contributed to the Mike Weiringo TELLOS tribute.
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michaelminneboo · 7 years
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Cover of Overstreet’s Fan #22 by Mike Weiringo. Colours by Jeff Dillon.
(April 1997)
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comicnate · 4 years
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Spider-Man by Mike Weiringo
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cryptocism · 5 years
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You ever check out Mike Weiringo's DeviantArt? (The guy who originally came up with the design for Impulse.) It makes me kinda sad to see that some of his last drawings of Bart it was clear he wasn't happy with what DC did to the character in the mid to late 2000s. If you click on some of his drawings of Bart he talks about it in the descriptions.
yeah he did some great art, and we’re in agreement on bart. theres some elements about johns’ teen titans and flash: fastest man alive i liked - but a lot of it was just so divorced from what id interpreted as fundamental about the character. (also ageing him up in order to change his character, only to kill him off when he wasn’t popular enough was just... idk i wasnt a fan)
theres echoes of that dissonance in the newest flash annual too... maybe the writers assumed that bart and wally were close but i dont remember that being the case in preboot - even when bart was kid flash, wally was never his mentor. everything else is bart allen original flavour though and tbh im just so hyped hes back i dont really care that much abt retconned relationships between first cousins
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Spider-Man Community: Interview with Robert MacQuarrie Part One
#SpiderMan Community, an interview with a fellow fan, @RDMacQ: the man, the myth, the legend. Part 1 of our interview. part 2 comes out tomorrow.
This blog wouldn’t be possible without my encounters with various individuals over the years who played a part in shaping my thought processes, through arguments, debates, disagreements, and accords. I greatly enjoyed collaborating with Kaitou D. Kid in our two part discussion about No Way Home. To that end, I hope to do a series of exchanges with members of the Spider-Man Community. Today’s…
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thecomicon · 6 years
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The Ringo Awards Final Ballot Is Open For Pro Voting Now
The Ringo Awards Final Ballot Is Open For Pro Voting Now
In September, the second annual Mike Wieringo Comic Book Industry Awards will be presented at Baltimore Comic-Con, and the awards have officially completed their nomination process, finalizing the ballot.
The nomination process included both fans and comic professionals, and many nominees were submitted. Now, the final voting is ready to commence on the 2018 Ballot, and this process is restricted…
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theflashcollection · 5 years
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It’s a homage to one of the greatest Flash cover of all time
The Flash #123
Pays homage to the Flash #123, the Flash of Two Worlds.
This great homage by Mike Weiringo (RIP) is signed by writers Mark Waid and Brian Augustyn. Art for this issue is by Paul Ryan (RIP)
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paulsebert · 5 years
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Hey I see Mike Weiringo is trending and...
Oh...
Oh no.
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makeminebronze · 1 year
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May brings us 60 years of one of my favorite Spider-Villains, The Vulture!
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ask-cloverfield · 2 years
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That crummy page of Sue talking about Reed isn’t from Marvel Knights I don’t think. Its a mini series by Grant Morison iirc. Theres a lot thats rough about it. Id recommend the Mark Waid Mike Weiringo Fantastic Four though
The mini series was from the Knight’s imprint, but not the Knights ongoing (which has been really good based off the stories I’ve read so far)
And thanks for the recommendations I’ll try those next
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ivan-valladares · 3 years
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When I get stressed out illustrating or drawing, or when I get stuck, I do what I call “ink exercises” on pencils by artists that I like; to explore what I can add to their vision with my ink.   I'm talking about pencils from artists of the stature of Adam Hughes (@atomhues), Frank Cho (@frankchoartist), Mark Schultz, Ryan Sook (@rsookart), Arthur Adams (@arthuradamsart), Stuart Immonem or even some who are no longer with us, like Mike Weiringo.   It is not a question of knowing how I work as an Inker, because I do not consider myself as one, but a lover of inking and working in black and white; to which I can add techniques such as gouache or effects. The great Javi Fernández (@javifernandez_comic) knows a lot about the latter, with highly polished inks that even works with manga screens (patterns).   Sometimes those ink exercises get out of hand and end up in illustrations with gouache, and even in color, at first in digital, and now, traditional.   Thus, I am going to introduce you to some of those exercises and how they have ended up in completely unexpected works. #inkexercises #ejerciciosdetinta #inkwork #inkworks -------------------------------------------------------------------------------------------------- (ESP en comentarios) https://www.instagram.com/p/CPbUaV6hOTY/?utm_medium=tumblr
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evandorkin · 7 years
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THE MIKE WEIRINGO TELLOS TRIBUTE vols 1 & 2
Over 200 artists contributed interior pages to this two-volume comic (I have a page in volume 2). All proceeds of this two-volume, 500 pg GN series go to benefit the ASPCA, a pet charity of the late artist Mike Weiringo. The books can only be ordered through the publisher/organizer, and it’s a limited offer. 
More info and ordering info:
www.mikewieringotellostribute.com
https://mikewieringotellostribute.com/get-the-books/
Please RT and help spread the word, if you could. Thx!
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jimintomystery · 6 years
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Can you tell me about your favorite Fantastic Four storylines? And/or why you like them in general. :)
There’s something kinda dated and hokey about the Fantastic Four, and for me that’s part of the charm.  Attempts to modernize the concept miss the point that it’s a product of its time, between the Atlas era of monster mags and the Marvel age of superheroes.  The whole idea that the solution to any problem is to let a scientist run the whole show is straight of a mid-century B-movie.  So is the notion that a hero needs no support beyond their best friend, a love interest, and a kid brother.  It’s a set of concepts and genre conventions that aren’t likely to be revisited in this day and age, which works in the FF’s favor for keeping them unique.
The team suffers a little from being around so long that fandom sees it like an institution--stolid, traditional, unchanging.  The appeal is easier to see when you consider that much of the original concept was designed to challenge the superhero cliches of the time.  Reed and Sue’s idyllic marriage feels more provocative in terms of rejecting the assumption that a hero has to keep his love interest at arm’s length.  The Camelot veneer of Marvel’s first family is a little less treacly when you know the team was designed to squabble because Gardner Fox’s Justice League members never disagreed about anything.  They’re never gonna top the Avengers or X-Men in terms of angst and character flaws, but the Fantastic Four were designed to approach being superheroes the way real people would, and in the hands of a good writer they do.
I don’t think it’s going to shock anybody that my favorite runs of Fantastic Four are by Lee & Kirby (vol. 1 #1-102), Byrne (vol. 1 #232-295) and Waid & Weiringo (vol. 3 #60-70, 500-524).  Those are the periods where it felt like the FF were firing on all cylinders.  (I also liked Matt Fractions run of doing the Fantastic Four with Mark Bagley and the Future Foundation with Mike Allred, although that seems like an outlier since the classic Reed/Sue/Johnny/Ben team weren’t the main attraction for me there.)  It’s tough to point to specific stories or arcs like I probably could with the Avengers, and I think that’s because the comic is at its best when it’s more about a general mood and aesthetic than any particular mission or conflict.  If you read the Waid/Ringo run I think you’ll see what I mean.
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