I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
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Prompt 115
“Seriously old man?” the rumbling voice nearly caused Tim to jump, his eyes darting away from where Ras was sitting, the Al Ghul almost seeming to perk. It was kind of hard to miss the man… teen… being? It was kind of hard to miss the owner of the voice what with how their hair looked like it was on fire.
They motioned around at well, everything, crimson eyes looking exasperated. “Really?” They were definitely motioning towards him, interrupting Ras when he opened his mouth to talk. “No, I don’t want to hear it, I swear- Did he kidnap you?” That was definitely aimed at him.
“N-no?” Tim was feeling slightly unbalanced and may be on hour sixty without sleep at this point, if the hour long nap was counted. “I need help finding my not-dad who's lost in time.”
The being let out a strangled noise that Tim could nearly swear was almost another one, but couldn’t vocalize his slurred thoughts as the dude muttered something, motioning around as though he was tempted to strangle something or someone.
Ras cleared his throat, looking almost awkward which was how Tim knew he had to be dreaming or drugged. Probably drugged. “Jordan, how good to see you, it’s been so long-”
“Can it Pops,” the being-named-Jordan scoffed, finger pointing towards the Demon’s Head. “Moms still pissed and isn’t coming back any time soon with you still pulling this shit.”
Tim felt his brain stall, process for a moment, then process some more over what he just heard before his mouth ran before it could catch up. “Ras is married???”
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RIP Mike Wheeler’s heterosexuality
“Is being gay contagious?”
Steve stares at his phone groggily before putting it back against his ear. “…Mike?”
“Is it?”
“It’s three in the fuckin’ morning is what it is.” He rubs his nose, Mike’s words finally catching up to his brain. “Seriously, Mike? No it’s not fucking contagious, you’re not gonna get the gay disease or whatever from me. I promise you’ll keep liking girls.”
He’s a little hurt, even though he knows the question is innocent. They’ve been asking a lot of questions, like the inquisitive little assholes they are, but none of them had seemed like they weren’t okay with it. Until now.
“…that’s not what I meant,” Mike says. Steve realizes that his voice sounds shaky, even over the phone.
“Then what—“ he cuts himself off, realizing halfway through his bitching that there was only one reason Mike would call about this. “Oh.”
“Can you pick me up?”
“It’s three in the morning,” he repeats, even as he starts wondering where he left his keys. “Your mom…”
“Steve,” Mike pleads. “Please?”
He sighs. “I’m on my way.”
Mike is sitting on his doorstep when he pulls up, head in his hands. Steve doesn’t have to get out of the car, he stalks to the passenger door with all the vitriol of a boy with too many emotions to hold in, and wrenches the door open hard enough that Steve worries he’s going to break it.
“Watch it, noodle arms,” he says, trying to pretend this is normal. Maybe if he acts like it’s not well past midnight, Mike will relax.
It doesn’t work. Mike slumps in his seat, not bothering with the seatbelt. “Can you just drive?”
Steve drives. Doesn’t really know where they’re going, but it doesn’t matter. Just away seems to suffice.
He eventually pulls into a side road
“I’m scared to even touch another guy now! Because apparently hugging is gay when you’re older, and so is sleeping in the same bed, and telling your friends you love them, and…and I’m fucking scared all the time, ‘cause what if they’re right? How do they know? How can they tell by just fucking looking at me? It’s bullshit!”
“Shit, kid,” Steve says, heartbroken. “Shit. C’mere.”
He pulls him close, and Mike turns his face into the crook of his neck, shaking. His shirt collar starts to get damp.
“I don’t know what to do,” he cries. “I thought it was normal, I thought everyone was just…so scared all the time, and we just didn’t talk about it. But then you said that thing about being afraid and pushing it down, and I didn’t— I tried to ignore it. I tried so hard not to think about it, Steve, I swear I tried.”
“I know you did,” he says quietly. It hits him that he might be the only one who really gets it. Eddie gave up denying it long ago, deciding to evolve into something else for them to focus on. Robin’s a girl. Which doesn’t mean jack shit in most cases, because being a lesbian fucking sucks in a town like Hawkins, but girls aren’t as obsessive about it. Sometimes when they compare notes, Robin will just stare at him.
Mike shakes his head. “I don’t know what I did wrong,” he mumbles tearfully into his shoulder.
“You didn’t do anything wrong,” Steve says with a surprising amount of vehemence. He grabs Mike by his scrawny little shoulders, pulls him away so he can look directly into his bloodshot eyes. “Not a damn thing, do you hear me? There is nothing wrong with you, and anyone who tells you otherwise deserves a swift kick in the balls. Got it?”
Mike responds by bursting into loud, messy sobs.
Steve just keeps holding him, running a hand through his hair and soothing him gently, like he wishes someone had done for him or Robin or Eddie when they were young. Finally Mike pulls away, embarrassment starting to set in.
“Sorry,” he mutters.
“Can I tell you a secret?” Steve asks instead of a meaningless platitude he knows Mike wouldn’t accept.
Mike gives him a suspicious look. “I guess.”
“I’m scared too. All the time.”
“No you’re not,” Mike snorts. “You don’t need to make me feel better just because I’m a pussy.”
“I’m not joking,” he says. “Why do you think I dated girls? Why do you think I went through so many lengths to hide it? It’s fucking terrifying, man. But you know what makes it less scary?”
“Dating girls? Marrying a woman?”
“No.” He pokes Mike’s chest, right over his heart. “People. Friends who love and accept you. Friends who know what you’re going through, even.”
“Do you…” Mike chews his lip. “Do you think Nancy would be okay with it? With me?”
“Absolutely I do. She was okay with me, wasn’t she? And I was her boyfriend.”
“Yeah, but it’s different when it’s your family, right? Sometimes people don’t care if someone is… people don’t care until it affects them. Do you think Nancy is like that?”
He knows Nancy isn’t like that, but that's a talk they’re going to have to have themselves. “I really don’t,” he encourages. “I think she’d be really glad to know this part of you, actually. She loves you.”
“…I know,” he says, shifting uncomfortably. “I don’t… we made this dumb no secrets pact the first time the Upside-Down happened, I don’t know why. It’s stupid. But…I don’t want to keep secrets from her anymore.”
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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