film photography nerds i need a new film camera but i’m not sure where to start, i have a nikon f50, kodak m35, and an agfa silette. the nikon is great but too big for travelling, the kodak is not so great and the shot counter doesn’t work properly, and the agfa likely doesn’t work (i shot film on all three and got them developed at the same time and one roll had nothing on which i assume was the agfa but i will test again using only that). i need something that’s pocketable really, that’s my only gripe with the nikon, i love using it but it doesn’t work for the everyday. i’m willing to try pretty much any camera and i’ll spend the money if i need to (i don’t really have a budget, i’ll go into my savings if i have to). please recommend me cameras (and where to buy them!!) and if you need more info from me to actually give a recommendation then please message or send an ask or comment on here! thanks in advance guys!
I portrayed 120 Dutch graffiti writers with my analogue Nikon f50 camera back in 2009 and 2010 for my book and exhibition called ‘Alter Ego’ . All of the artists are legendary in the Dutch graffiti scene, some of them morw known as others. Some quit a long time ago to persue different careers, some of them made their job out of their hobbies and still jump fences on a weekly basis.
See full book, original copy from Shy digitally preserved by Graffiti Database, here:
Early this year, I got Nikon F50 as a spare camera body to use it as parts for my NikonF80. The F50 was in a bit of rundown condition, and its shutter wasn’t releasing. The display kept showing errors, and once I put a lens on it, the error was resolved, but it was still not a functioning unit. I opened the back of the camera and tried cleaning the shutter leaf with a brush. I kept at it, hoping that it would help in getting the parts moving. To my surprise, it did the trick and the sweet sound of a film camera’s shutter releasing with the film advancing sound soothed my ear. I was overjoyed to have brought a camera back to life. After a few months, I finally loaded it with Arista 200 film. I had never used this film before, and I was hesitant to use a lford film on a new camera body. The results came back today, and I was pleased with a few shots, but most of the shots didn’t have a good contrast, and there was a lot of shake in shots that should have ideally been crisp. Not sure if it was because of the camera, but I was pretty certain that I would have got these right on my Nikon F80.
I am glad to have got two shots of Girish somewhat right. As a person with a camera, the only way to shoot people well is when they feel comfortable with the camera being pointed at them. I can’t say that I have made Girish comfortable, it’s more of a resignation at his end. I don’t have a lot of photos of Girish. In this day and age where our phones are flooded with photos with facial recognition categorising them conveniently, I barely have a few photographs of a friend who is very close and holds importance in my life.
Girish was one of the first people I interacted with when I joined college. Even before I had landed there, Girish had written me an email asking if I would like to share the PG room together. It didn’t materialise in the beginning, but in a few months, Girish became our housemate. The early years of my college were when I was finding my feet in a world that was drastically very different from the world I had come from. Srishti was an antithesis of whatever I had known and understood the world to be. Girish helped me anchor myself focus on what mattered, and do so without any gloss or high-headedness. Girish lived like a monk. He owned what was needed, and did things that had a sense of delayed meditativeness. Whether it was his Adobe Illustrator files or his neatly two-columned handwritten journals, there was a mindful frugalness to his existence. He inspired me to the extent that I copied him. And the societal sense of my relationship with work is largely attributed to him. I still wish I could be more like him. Girish has no social media existence. We talk on the phone or meet in person more than we exchange texts. His emails are hearty and flow like he is speaking with you as if you are there on the other side of the screen. The saplings that grew on the side of his terrace were replanted at a farm outside of Bangalore because he chose to care deeply. To do things that you love, without a care for who is going to see it or react to it, is a sense that I would like to have towards the time I have. Because social media can be a trap. You shared what you loved, and now you love because you have to share it, or you are more busy sharing it than loving it.
I am not Girish, but I can say that there is always going to be a lasting influence of him on my life. Thankful for it.
I have been using a SmallRig cage with my Nikon Z 50 when recording handheld videos. Unfortunately, the Nikon Z 50 doesn’t use external power via a USB cable unless the camera is off. The Nikon Z fc does, but no one made a cage for it.
The Ulanzi Falcam F22 & F38 & F50 Quick Release Foldable Half Cage For Camera said it works with it and try it I did.
Pico review: it works
Short review:
I…
Nikon F50 35mm SLR Film Camera Body Only Silver w/ Strap
CAMERA DEALS: Seller: biscuittbutt (99.6% positive feedback)
Location: US
Condition: Used
List price: 24.99 USD
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YOU CAN CHARGE YOUR CAMERA, SYNC YOUR CAMERA WITH COMPUTER/LAPTOP AND TRANSFER YOUR PICTURES AND VIDEOS. IT IS 100% NEW REPLACEMENT USB CABLE STOCK IT CAN BE USED FOR LOTS OF NIKON, FUJI FILM AND SONY CAMERA MODELS SO IF UNSURE THEN PLEASE ASK FOR THE REQUIRED MODEL Details: Connect your camera to your computer to access and synchronize your pictures USB 2.0 compliant, up to 480Mbps, Backward compatible with USB 1.1, 1.0 High Quality Connector: USB A Male to Mini 8 Pin Male Length: 2 feet, 1.52 meters Brand New Compatible With (Not Limited to): NIKON Nikon 1 V1 Nikon D5100 Nikon Coolpix AW100 Nikon Coolpix L23 Nikon Coolpix L120 Nikon Coolpix P300 Nikon Coolpix P500 Nikon Coolpix S100 Nikon Coolpix S1200pj Nikon Coolpix S2500 Nikon Coolpix S2550 Nikon Coolpix S3100 Nikon Coolpix S4150 Nikon Coolpix S6100 Nikon Coolpix S6150 Nikon Coolpix S6200 Nikon Coolpix S8200 Nikon Coolpix S9100 Fujifilm: FinePix: A100, A150, A170, A175, A220, A225, A850, A860, F20, F20fd, F30, F31, F31fd, F40, F40fd, F45, F45fd, F47, F47fd, F50, F50fd, F70 EXR, F70EXR, F75 EXR, F75EXR, F100, F100fd, F460, F470, F480, F650, J10, J12, J15fd, J20, J26, J27, J30, J35, J50, J100, J110, J110W, J120, J150, J150W, J250, S700, S1000, S1000fd, S2000, S2000fd, S5700, S5800, S8000, S8000fd, S8100, S8100fd, Z10, Z10fd, Z20, Z20fd, Z100, Z100fd, Z200, Z200fd, Z33WP, Z30, Z31, Z35, Z37
CyberShot W Series DSC-W180, DSC-W190
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Aaah so i can start using vilia auto if I want a more artistic/dreamy photo, also it’s easier to carry with me. Nikon F50 is definitely less damaged, but it’s more annoying to carry
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