thomas wayne au excerpts - things that could've been part of a grander fic except there's no grander fic
thomas wayne au - an au i made last year where danny is literally just. thomas wayne. his full name was Daniel Thomas Fenton and he started going by Thomas Nightingale after he was disowned. because of course. here is a link to the first post if anyone wants to see a more in depth view of the au (its also the start of me using the ‘danny fenton is not the ghost king’ au lmao
additional info: bruce is the result of a failed cloning attempt from vlad - vlad used a combination of danny's dna and an unnamed girl (Martha's) to make him to try and balance out the ectoplasm use. this resulted in a slightly liminal but otherwise completely human and stable baby boy. Bruce is, by all accounts, Danny's biological son. Danny named him Bruce
Danny was 24 when he died, he took in Bruce when he was 16. He is, so far, a single father in this au. (But if I WERE to add martha she wouldn't be sam or a DP character but rather a separate character on her own.)
Essentially they would go as:
Martha, 19: water does terrifying things to corpses
Danny, 19, half ghost: *heart eyes* really? tell me more
they're morticia and gomez your honor
---- Like starlight -----
Bruce's father could light up a room. He was like a sun, his gravitational field could just pull you in, and before you knew it you'd be orbiting around him like one of his many planets.
He's seen it in action before, in the rare moments Thomas Wayne would allow him to accompany him to the socialite events he went to; the fundraisers; the charities. Bruce, as tall as his father's waist, would cling to his leg and watch as people drifted towards him and his star-blinding smile.
It's fitting that his father's favorite thing in the world were stars, he fit right in with them.
As an adult, Bruce has tried copious amount of times to mimic him. To try and capture a fraction of that light, that charm, in his own act - but here's the thing. Thomas Wayne wasn't made of starlight only in front of the cameras, he was made of starlight outside of it as well.
(So when older socialites laugh and tell him he's so much like his father, Bruce just thinks they are liars. They've only ever seen the Thomas Wayne his father showed them, Bruce is nothing like his father.)
In the manor, whatever room he stepped into seemed to brighten, and maybe it was just Bruce's own child-memory fuzzing it to raise his father onto a pedestal, but he stands by it. His father was a solar system, his very own galaxy. Bruce was just the lucky planet that was close enough to orbit him.
--------- arrival time ------
Ancients, ancients, what the fuck convinced Danny to ever go to Gotham of all places? Crime Capitol of the world? He's not sure, but he's been wandering around the country for the last few months, swapping between flying late at night as Phantom, and taking the busses and trains when he had the money, and was too exhausted to fly.
And of course, what convinced him to come here with his kid no less, who was just at the cusp of turning a year old? Whose curiosity of the world was growing greater by the day? Who wanted to look around and explore, and was growing tired of being held at all hours of the day by his father.
But he was going to be held, at least for as long as they were in Gotham for. He didn't trust the stuff on the sidewalks, and he didn't trust the people walking on it. Bruce was tiny, and Danny would lose his mind if he lost him in a crowd.
In his arms, Bruce whined and wriggled, pushing at his shoulders in the signature way he did when he wanted to be let down. Danny tightened his hold, and adjusted his place on his hip.
"I know, bumblebee." Danny muttered, resting his chin on Bruce's small head. His hair was still thin, but it was dark and soft, and tickled his throat a little. "But not yet, I need to find somewhere for us to stay first."
He needed to find somewhere for them to stay, permanently. He couldn't keep living like this, and he couldn't let Bruce grow up like this either. Constantly moving, homeless, unsure of when he was going to eat next? It wasn't good for him. But he needed to find a city he liked, and after that? He wasn't sure. Where did he start?
But Bruce doesn't like his answer, he whines at him, louder, and his wriggling increases. He wants down, he wants to move. They were in a new place again, he wanted to explore. He's too little to fully understand what his dad's saying. "Dada." He said, his voice thick with the accent of a child first learning to speak.
"I know," Danny repeats, stressing the word as his eyes flitted about. There was a park nearby -- maybe he and Bruce could stop there for a bit. Bruce could move around, and Danny could figure out his next move.
It was getting dark, he didn't want to be out in Gotham when it was dark. Shuffling, he moved the inside of his jacket to wrap around Bruce better. It was getting cold, too. Last winter with Bruce had been hellish - Bruce's liminality meant that Danny's immunity to the cold hadn't been passed down to him. Danny had spent all winter terrified that Bruce was going to get sick and die. He didn't want to go through that stress again, especially now that Bruce would be moving.
He hoped they could find new living arrangements soon.
---- dniwer eht klolc - clockwork's conversation ---
Laughing quietly as Bruce ran out of the room, Danny turned his attention back to the mirror, his fingers curled around the knot of his tie. They'd been planning this outing for weeks since the movie was first announced, and Danny wasn't going to let anything ruin tonight.
Humming under his breath, his hands fell from his tie and he steps back. They were leaving in half an hour, at best, but experience from the last six years has taught Danny that he wants to be ready before then.
In his reflection, the clock behind him stops ticking, and a wave of nothing washes over him, a subtle shift he's gotten used to that was the sensation of time stopping. Ticking, soft and coming from all four sides of the room, filled his ears.
Danny's smile drops. And behind him, Clockwork swirled into existence like a blackhole reversing its pull. "Don't go out tonight, Thomas." He says, his voice stern.
That wasn't happening.
He reaches up to push back a loose strand of hair out of his face. "Does something happen to Bruce, Clockwork?" He asks, his voice deceptively calm. That would be the only reason he would postpone tonight. If it endangered Bruce, then he would just have to break the news to him that they'd have to go tomorrow.
In the reflection, Clockwork's lips thinned, pressing together tersely. He looked tense, the grip on his staff was tight, tighter than Danny's seen it before in recent years. And it worried him a little.
Clockwork is silent for a few seconds, hesitant, before he finally speaks. "No, Bruce will be fine." He says, and uncharacteristic of him, he shuffles, "But--"
Ah, good then. Danny's smile returns briefly across his face. Then it could be something Danny can handle. "But nothing then, Clockwork." He says, interrupting the Ancient firmly. He leans back slightly to look over himself again in the mirror, before going to undo his tie. He's changed his mind about it.
"Boo has been looking forward to our movie all week, I'm not crushing his hopes by changing my mind last minute." In just a few seconds the tie was off his neck and tossed onto bed behind him. And Danny was reaching over the dresser beside him to grab a pearl necklace, he normally didn't wear it, it belonged to Mrs. Wayne and he inherited it after she and Mr. Wayne passed away last year. It wouldn't hurt to wear it for a special occasion like this.
Clockwork's lips tightened, and his shoulders tensed up. "Thomas," He says lowly, "Please."
...Clockwork never said please. Danny's never heard him say please in the last ten years he's known him. This... must have been pretty serious -- but, his core tugged at him. He couldn't cancel without finding the reason why. Bruce was so important to him, Danny couldn't break his heart with this without learning why. He wouldn't allow it, and neither would his core.
He hooks the necklace around his neck and turns to face Clockwork, frowning deeply. "Does something happen tonight?" If he knew the reason -- he just needed to know the reason.
Clockwork stares at him, and something that Danny can't catch appears across his face. "...I cannot tell you." He says after a long moment, his voice quiet.
That... is not the answer Danny wants. He won't cancel.
He frowns. "If something happens tonight..." He says slowly -- Clockwork said that Bruce is unharmed. That must mean Danny was able to handle it. He allows himself to smile reassuringly, and he steps forward to clap a hand on Clockwork's shoulder. "Then I will handle it, alright? I promise."
He gets no response back. Clockwork's expression unreadable as he nods silently - Danny's anxiety curls in his gut. He's being so unlike himself. But he shakes Clockwork's shoulder gently and steps around him, leaving the room.
After a minute, he feels time return to normal.
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A small spider-man 2099 reading guide
Just watched atsv and wondering where to start getting into Miguel O’Hara? Hate trying to figure out comic timelines? Well hopefully this guide can help a little bit. Please note its far from a definitive guide and could probably use some work but I'm hoping it helps someone out!
Also not including spider-verse appearances or those in most other comics, because we could be here forever listing every comic appearance and this is meant to be a quick guide
Miguel's original appearance was in Amazing Spider-Man #365, but that was more of a preview than anything else. I've split it pre-2000's and post-2000's, but listen to me if you have to pick one comic to read out of all of this make it the original 1992 run. You basically cannot go wrong with just reading 1992.
A few have been marked with asterisks because you really don't have to read them but it felt wrong to not include them on the list.
Pre 2000's
Spider-man 2099 (1992): Literally Required Reading. Keep in mind that the last two issues had different writers and are kinda disregarded by just about everyone. Issue #16 starts the crossover event Fall of The Hammer, a mini-guide to which I've included below. The Special and Annual take place in between issues but it's easiest to just read them last.
Spider-Man 2099 Meets Spider-Man (1995): It's short, it's sweet, give it a read.
*2099: World of Tomorrow (1996): At the time this was meant to close off all the 2099 plots, theres lots of other 2099 characters in here but a fair bit of Mig.
*2099: Manifest Destiny (1998): Further closure to the 2099 world, again lots of other characters but still a solid read. Basically waves away the last two issues of sm2099 (1992) in a slightly hilarious way and worth reading just for that.
Fall of the Hammer crossover mini-guide:
Spider-man 2099 (1992) #16
Ravage 2099 #15
X-men 2099 #5
Doom 2099 (1993) #14
Punisher 2099 (1993) #13
Post 2000's
*Superior Spider-man (2013) issues #16-19: Largely set up but its cool too
Spider-man 2099 (2014): You can read this without the Superior Spider-man setup but depending on your prior comic reading experience you may be a bit confused. If you're a seasoned reader and used to taking weird comic shifts in stride due to missing some random issues of a completely different comic you'll be fine
Spider-man 2099 (2015): Solid run, I don't have much to say about it honestly
Marvel's 2099 (2019 event): you are better off looking up a separate guide for this one it is not my ballpark
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to the next stage of our adventure!
digimon survive week 2024
day 7: post-game / future
personal thoughts under the cut - less about the artwork and more about shuuji and lopmon themselves. a long rambling containing major spoilers and heavy topics. will cause whiplash. proceed with caution.
other than the fact this may be boring and long-winded, cw and tw:
there will be mentions of self-harm and suicide.
if these topics make you uncomfortable, please step back.
if you're sure, then alright.
i'm aware this is a weird place to ramble about shuuji and lopmon considering the notorious highlight of their story would match the themes of day 5 (villains) and day 6 (dark & loss) better. unfortunately (ironically?) i never planned to feature them for those days, so...
pretty sure i'm not the only one feeling this, but when i discovered that a good part of the fandom seems to loathe shuuji with utmost passion, even after they claimed to have completed the game, i was confused.
the way his death happened and (understanding) the cause made me uncomfortable for a while, but never drove me to the point of hate... once i recovered from the initial shock, what i felt towards him was more pity, then respect (on truthful route).
i feel shuuji should have been one of the most appreciated characters in survive. yet it was the opposite that happened.
(between you and me though, knowing there was this discourse with the fact digimon survive is a visual novel, i'm not that surprised it turned out this way...)
from my point of view, lopmon evolving into wendimon then killing shuuji symbolizes suicide, the act of taking one's own life. it was the climax of shuuji's mental breakdown, leading him to basically self-destruct, causing damage to everyone around him and ultimately himself.
lopmon evolved, just like he hoped. but failed to do it like other kemonogami partners (maintaining control of themselves and fending off enemies). the next and final outcome was death, through his own partner actually eating him alive too.
it reminds me how when someone thought they have prepared well for something important yet it failed spectacularly, the devastation and frustration would eat them in the same way from inside. and they probably would for one second think, "i'm better off dead".
the more i pondered about it, the more it hit home, so of course, the last thing i could do is hate him, when his struggles sound similar to my own - having to rely on consistent achievements to prove your value, to feel you are worth living and not a waste of resources.
the part where shuuji went all abusive on lopmon felt like the equivalent of pushing yourself to the extreme to reach your goal, to the point of neglecting your own needs. it's like a student so absorbed in their study, sacrificing food and sleep, until their body eventually snaps and shuts down for good (...this in fact happened to one of the students at my previous workplace. she was in her last year of high school. life was just about to truly start for her when her classmate informed us of her sudden death).
even in truthful route where shuuji and lopmon survive that point, things aren't immediately nice and easy for him. you can see that he still has self-doubts, and what i think is impostor's syndrome. he could be making a great contribution to the team and still put himself down for having done "nothing".
i have found it interesting that artists and writers tend to be especially fond of shuuji. so perhaps it's not just the matter of one's upbringing - whether you were raised in a harsh, competitive environment and/or with family with (unreasonably) high standards so you can relate more easily to him - but also whether one can see just what every struggle shuuji and lopmon went through symbolizes shuuji's mental state.
out of all survive characters, i think shuuji and lopmon pulled off this thing called "surviving" the hardest, no joke. which is why i almost always gravitate to drawing them happy because that's what they deserve :')
after all this, what i also would like to say is, it's okay if a character makes you uncomfortable. it's okay if you hate a character. but never, ever bring down the character to people who like them or even consider them their favorite or comfort character. if you must, do it in your own space and only with like-minded people.
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