sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production
my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!
with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.
sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.
just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)
wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.
the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!
which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing. i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)
in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.
okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here
musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.
the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.
if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.
i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain
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Serendipity
"Billy wasn't sure what the creature ransacking his train car was.”
Alternatively, Billy feeds a stray and ends up with a roommate.
WC: 1215
Serendipity (n): the occurrence and development of events by chance in a happy or beneficial way.
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Billy wasn't sure what the creature ransacking his train car was. Granted, the train car wasn't in the most hidden place ever, but he had made sure to ward it against most creatures. The ward would have made one unable to see the train, and if they somehow saw it anyways, they would have been turned around. He usually was pinged if anything passed his wards, which was why he was so blindsided to see something moving around in his train car. It seemed that this one had slipped through his protections.
The creature was strange and almost hard to look at directly. Its blinding white hair moved independent from the wind and twined around its long, pointed, mint colored ears. It was also small, small enough that Billy thought it could comfortably fit into his cupped hands, and wearing some sort of skin tight suit, black with a stripe of silver along its torso. Or what appeared to be its torso, Billy couldn't really tell when its lower body faded into a long tail.
From his perspective, it seemed to be rummaging through where he usually hides his food, showing slivers of its white paws. Did it pass through the barriers he set because it was hungry?
Billy approached the creature quietly, making sure not to get too close, he wouldn't want to startle it. His efforts were in vain though as the creature snapped its head towards him. It's glowing eyes like headlights, as if staring into Billy’s soul. The green in its eyes swirling hypnotically as the creature bristled at his presence.
Billy watched, amused but vigilant, as the creature puffed up like a cat. Even going so far as to swat a couple times in his direction. So far, it was quite harmless, but the buzzing in the back of his head that he usually equated to Solomon told him to be careful.
Billy slowly dropped to his knees, mindful of the creature's reaction, and shifted his bag to his front. He shuffled through his bag and brought out the small piece of jerky he was saving for later, sliding it slowly towards the creature.
The creature tilted its head, staring at the jerky suspiciously before taking a few steps to paw at it. It apparently passed its test as it devoured the jerky surprisingly fast for its small size. While it seemed to be starving, thankfully it didn't reflect onto its body. It wasn't gaunt or thin, but actually quite plump. Perhaps it just didn't eat for a day or two?
Billy took a small step forward, then a few more when he realized the creature was focused on eating. “So,” He began softly, the creature startling as if it was just realizing he was so close. “What are you doing here, little guy?”
It stared at him silently before once again tilting its head. It was cute, Billy realized. The chubby cheeks and button nose paired with big, shiny eyes made it endearing to look at. His expression melted slightly as he took a closer look at the creature.
The creature's ear flicked as it padded up to him, paws on Billy’s knees. It let out an unintelligible sound, layered and harsh to Billy's ear, yet somehow melodious. Billy blinked, not expecting that noise. The creature looked at him almost expectantly, eyes shining brightly.
Billy hesitantly brought his knuckles closer to the creature, feeling its cold nose as it sniffed him. It was clearly unimpressed and trilled for more food. Billy chuckled under his breath as he brought another piece of jerky to the needy creature. It gobbled it up swiftly, looking up at him and once again begging for more, its eyes almost sparkling.
Billy folded under the cuteness overload and retrieved a sandwich from his bag, splitting it in half. He was worried that it would eat more than it could handle if he kept feeding it. He knew very well what that felt like.
The creature blinked at him, once, twice, before giving him a small, pleasant trill and headbutted his fingers. Billy cautiously set his hand over its silky hair? Fur? All he knew was that it felt divine, though not in the godly way.
“What are you?” Billy asked as he wove his fingers through its hair, genuinely curious on what species the creature was. He had inputted a lot of creatures in his ward but he had no clue what this one was. The tingling at the back of his head spoke otherwise, Solomon knowing very well what it was. He could transform and ask Solomon, since he couldn't really speak to him unless he was Captain Marvel, but that would just scare the creature.
It gave him a look before resuming its lunch, finishing it in record time. Apparently, it deigned him worthy of its presence on his lap as it kneaded his legs then curled up onto them. The purring surprised him, pausing when the creature gave him an impatient look when he halted his ministrations on its hair.
He resumed, of course. Why wouldn't he? It was a nice reprieve from fighting villains as Captain Marvel and watching out for himself when he was on the streets. It was just a quiet moment between him and the strange creature that broke into his home.
…He hadn't realized how lonely he was before this.
He had friends, of course. Freddy, Tawky Tawny, and the Justice League. But… this just wasn't the same. As good as a friend Freddy was, he doubted that he would be willing to just sit and enjoy each other's company silently. Freddy was a huge superhero fan and couldn't help but talk about them in excitement. Not to mention his analyses on Billy’s techniques as Captain Marvel.
The Justice League wasn't any better. They had a professional relationship, thinking of him more as a coworker than a friend. The times he tried to deepen their friendship by inviting them out, he was unfortunately turned down. It seemed that they got along better when they were in battle than not.
Billy usually went to Tawky Tawny for advice, but Tawky Tawny never turned down the opportunity to just spend time in the other’s company. Unfortunately, those times were far and few between, usually because Tawky Tawny was traveling or busy with something else.
With this creature— he’d have to name it eventually, Billy thought absently—all that was expected of him was companionship, nothing more.
Billy felt a cool paw pat his face, the creature looking up at him concerned. His eyes widened before he let out a huff, ruffling its hair. The creature let out a disgruntled chuff and phased through his hands then batted at them, settling down once more on his lap once it was done.
It hadn't been with him long, all he had done was give it some food, and it was already trying to comfort him. Admittedly, it wasn't the best comfort, it stopped once he focused on it, but it wasn't something he expected from a creature he met not an hour ago.
Billy smiled, eyes soft. Perhaps it could stay, if only for a while.
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Whipped this up in a couple hours while trying to get out of my funk
Thanks for reading!!
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Ao3
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Excuse me, I hope Im not bothering you, but I have a couple questions on some of the things you would prefer when it comes to the fandom.
When it comes to dark or twisted au's that other writers create, would you prefer something more just a real 'what if' like 'An Interesting Arrangement' from @ribbondee ? Or would you dig deeper into something that would show more of a dark side to the characters like the 'Amnesia' segment from @cartooncadet666 ?
And of course the only other question I have right now (hence why I said a couple questions) When it comes to the art style diversity, what kinds of art have you seen the fandom make and if you have any favorites, which ones do you love the most?
Not bothering at all 💙
Interesting questions. I have to start off with saying that, ultimately, what I "prefer and not prefer" about the fandom should not be an indication of whether someone's work is good or not, nor should it bar the fandom from creating whatever they want. I have my own tastes and preferences just as much as the next person, and naturally we're all drawn to work that mostly aligns with our tastes/preferences.
Your first question is whether or not I would be more drawn towards an au exploring a character's dark side, or towards one with a 'what-if' scenario. My answer to that is that it depends on the content.
I like both dark au's and what-if au's, it just depends on how well they are written, and sometimes it also depends on the characters. I know this is going to break a lot of hearts, but since Betrayus is not my favourite character, I'd feel less inclined to check out a work centred completely around him in favour of checking out a work that features my favourite characters. This is not the be-all-end-all though, sometimes a work can pleasantly surprise me even if it doesn't have my favourite characters. It really all comes down to writing.
And as for your second question, hmm. A tricky one. I'd say that most of the fandom's art styles are generally cartoonish/2D stylised, but there's a wide swath of diversity within that category. If you show me a list of artworks in the fandom then I can easily point them out and name the artists behind them (at least on Tumblr), which is great because it shows that each artist has a recognisable style. I really don't like choosing favourites though, so I'd rather show you a list of pmatga artists whose styles I really enjoy, if that's okay!
@anti-cosmofangirl
@inkteresting-art
@ninjastar107
@pacgacha
@breezoreceiver
@toad-in-a-trenchcoat
@xelys-xlys
@ghostbunnyarts
@famitendo
@polina-quail
@ask-nova-valentine
@slumbergoblin
There are others, but these are the ones I can name on top of my head and who are generally still active (or actively posting pmatga art). I'm sure there are also a bunch of hidden gems out there that I've yet to stumble upon!
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