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nexyra · 3 years

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I got an ask for Qrow Branwen so here it comes !

My fav ship(s) for the character

I think my favorite ships for Qrow are Cloqwork and Fair Game ! Cloqwork lacked screentime in terms of canon content of course, but I love the potential here. I also have a things for shipping the sad men together xD There are a lot of REALLY great Cloqwork fanfics out there and I love seeing people write about these two <3 It's in the details but I think there's something interesting here. With Qrow who is convinced to be a curse, who came from such a harsh background... And with Ozpin who is so convinced of humanity's inherent goodness and that anyone deserves a chance. At the same time they're both very complicated people who I think would interact in cool ways. Ozpin is wise but does have a mischievous streak that I think also helped in making them both get along. Qrow is much more perceptive than he appears and that's also good for dealing with someone as secretive as Ozpin.

Fair Game also had a very good start ! The relationship was admittedly a bit tilted toward Qrow's recovery in the show, but they were nice to see together. Clover was perceptive & caring as well as patient. All great qualities for a relationship with Qrow, who has a hard time breaking down his walls and a shot mental health. At the same time, Atlas is very professional, straight-to-the-point and I think Qrow is a real breath of fresh hair in that environment. He brings a different viewpoint to the table, he's very loyal & caring and it's clear that his sass amused Clover greatly. We didn't get to learn enough about him, but Clover's VA hinted that Clover's trust was a fragile thing and he wasn't a fan of showing vulnerability. Qrow, who gives everything he has in all his relationships, would have been a great balm for that uncertainty. So yeah !

My least favorite ship(s) for the character

There are, of course, any & all ships between Qrow & the kids or Qrow & Salem's team. But outside of these obvious "nope", I'll have to go with Jailbirds. This is COMPLETELY personal but I have a really hard time liking Robyn's character as of V7 end/V8 so I'm barely interested in her dynamic with Qrow. I did appreciate her talking down Qrow from revenge because he was only doing it for his own sake but... That's about it. I find her way too abrasive (hidden behind her shiny Robinhood looks). And whereas Clover (imo) was pretty good at getting Qrow to face his issus head-on & building him up, I feel like Robyn relies more on humour & deflection... Which is an art Qrow is already acquainted with, and not the best coping mechanism for him. Aaaand I just feel like she put Clover down several time in order to lift Qrow up. That, plus the queerbaiting controversy, plus her having indirectly participated to Clover's death... The ship makes me a bit uncomfortable.

My fav & least fav platonic relationship(s) for the character

My fav platonic relationship for Qrow is his bond with Ruby ! I really hope they bring it back because these two were GREAT together. Ruby's admiration was adorable. Qrow's nonchalent but clearly protective streak. They care about each other A LOT and I really loved them together. I hope they can have more moments together like back in V3-V4 or V6.

I'm not sure what my least liked platonic relationship would be. Saying Robyn again feels like beating on a dead horse but I don't really have a problem with any other ones. They're all, if not kind & good for him, at least interesting (like Raven)

My favorite thing about the character

The combination of his sassy/cynic personnality and how loyal & caring of a person he actually he is. Qrow is rough around the edges, leans easily into banter but he cares so damn much. He fit so easily next to Ruby's peppy enthusiasm in Vol 1-3, and then he was just an incredible badass and yet so damn vulnerable human in Vol 4-6. I liked that about him. How all the pieces fit together

My biggest criticism for the character

Well I have 2 things to say about that. First : V7C12 With Friends like these. What the fuck was this episode qkfazkfhkgh Qrow's brain was nerfed SO DAMN HARD, I was genuinely pissed while watching the episode. This was just a string of dumb decisions from everyone except Tyrian. But I digress -

In a more general sense, I'd say... putting Qrow in the sidelines. Him falling further into depression was a sound decision. It was interesting and fitting of his character imo. But I feel like they tied "Ruby having enough of his alcooholism" and "Ruby growing away from adults" in a way that kind of.... just put Qrow to the side and doesn't allow him to do much. In V6 finale, Qrow expresses understandable concerns about their plan to steal an airship, but instead of dealing with that Ruby's frustration with his cynicism is aired out and... the timing kind of makes the whole thing weird becaus Qrow isn't allowed to disagree with their plan ("we'll do it with you or without you") and then has to trust Ruby and let her go which AGAIN is a great moment in itself. But all that put together just like... rid Qrow of his function as a parental figure because Ruby is the leader now and he's just... kind of following along.

When was their writing at the peak according to me (ex : best season)

Okay for this one Q, I'll have to go with Vol 4 and Vol 6 for very different reasons. V4 was great because we really got to get to know Qrow. His complicated relationship with Raven. How BADASS his encounter with Tyrian was I freaking loved it. What his semblance and how it shaped his life. And it also let him be vulnerable through the poison & seeing Ruby repay his care was very nice.

Vol 6 for fleshing out, taking his issues & drinking more seriously. Showing more hopelesness and cynicism, and that he had a real drinking problem and he wasn't just a fun drunk. Plus the loss of faith in Oz showed how much Qrow needs stability and secure certainties to orbit around despite his nonchalant personnality. But I like it a bit less because it was the starting point of putting him on the side kind of.

A song I think fits them & why

Ship in a Bottle (Steffan Argus) ➸ A song about being alone in your fight, in the sense that your life is like a sail on the ocean and you are the only captain, the only one who can choose what to do with it. At the same time, there are several mentions of a "captain" as if the singer/Qrow adresses someone else. It's reminiscent of his relation with Ozpin or Clover : speaking of a deal, of being honest and sharing what's on your mind. Qrow thinks too much, he's scared and he sinks more & more as he delves into his cynicism (V6). Qrow cries, things get worse, the mention of the glass echoes his struggle with alcooholism. And the Scarewrow loses his brain, "lose touch with all the things that made [him] feel sane."

+ Problem child (Simple Plan) The Star song (Amanda Palmer) Would anyone care (Citizen Soldier) Wasted (8 Graves)

A headcanon to make up about them

Qrow didn't have the most normal childhood and because of that he had to learn a lot for Ruby & Yang. Notably, Qrow had absolutely 0 notion of what was an appropriate presents for young girls. As a result, he tended to simply bring back from his travels whatever shiny thing might have caught his attention. Could be a weird flower. Could be a pretty knife. Or even junk that his corvid brain latched upon.

Tai designed a look(Tm) that Qrow learned to recognize as "No, not appropriate." After a while, Yang learned to mimick it (but rather at random, she didn't really recognze what was appropriate and what wasn't). Ruby always liked his presents though.

What I would change about them if I was making a re-write

I CLEARLY would rewrite V7C12 so that Qrow & Clover keep their brains kzjhfkqhzk There were ways to reach the same conclusion without like... having a Qrow-Tyran team-up which was REALLY weird

I see 2 main possibilities to stick close to canon content - After the crash, Tyrian gets free but he keeps playing dead for a bit. Since there is no 3rd menace, Clover and Qrow's argument devolve into a fight as seen in canon. At one point, Clover manages to briefly disarm Qrow. They discuss for a bit, you can even put the exact same dialog as in the ep. Then Tyrian takes action, moving out of the shadows to kill Clover with Qrow's discarded weapon. Braincells saved. OR - Instead of having Qrow & Tyrian outright team up, Tyrian just... keeps instillating doubts in their mind. Qrow & Clover are temporarily allies in taking Tyrian down but because of this, they don't TRUST each other which cause missteps and make them less effective. At one point, Qrow tries to attack Tyrian who is behind Clover. But because neither Qrow nor Clover really have faith in the other at that moment (and because Tyrian is poisonning their mind), Clover automatically steps back or aside. He doesn't entirely trust Qrow. Because of this small hesitation, Qrow's attack fails. Tyrian manages to disarm him. Tyrian uses Qrow's weapon to kill Clover. There could even be some message here about the lack of Trust & letting Salem divide friends... something of that caliber in any case 🤔 It can even parallel V3 where Qrow did the same thing with Ironwood & Ironwood refused to stand aside even if he thought Qrow meant to attack him... Could lead somewhere ! Like, in V3 Qrow had faith that Ironwood wasn't to blame. Only Ironwood feared that Qrow blamed him, but Qrow knew & trusted that Ironwood wasn't to blame. In other words, Salem didn't divide them. Here, Qrow & Clover let Tyrian get into their head. And as a result Clover dies. "Together we stand, Divided we fall"

My guess for their MBTI/Enneagram

I'm still mulling on it right now but I think he might be some kind of ISTP 416. He has some weird 7ish behaviour but his need to orbit around someone/a goal, his relationship with Oz, how close he stuck to Tai & Summer sounds closer to 6 fix. He wants people to go home to. Certainty and security. His independance definitely is there but seems emphasized moreso out of necessity.

One aspect that I think would be nice to delve deeper into ? (optional)

I'm not sure mhmmm maybe his relationship with Summer ? It would be both cute & interesting. As well as finally giving us insight into who Summer was

#rwby #qrow branwen #rwde #rwby thoughts #send asks #cloqwork #fair game #v7ch12 #with friends like these #v7 spoilers #character song #enneagram #mbti #rwby rewrite

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betweenthetimeandsound · 3 years

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Three Minutes to Eternity: My ESC 250 (240-231)

#240: Joci Pápai - Az én apám (Hungary 2019)

"Hallom őt, az ő szívét a húrokon Látom őt, múló idővel az arcomon Az ő hitét büszkeség vallanom Ezeregy dalból ezt az egyet dúdolom, dúdolom"

"I can hear him, his heart on the strings I can see him, bearing the passing time on my face I’m proud to confess his faith Of a thousand and one songs this is the one that I hum"

If there's anything I love at Eurovision, is when someone sings a song from their soul. And in both of Joci's entries, he does just that.

Az en apam is a bit more sedate than his first entry (which will come soon enough), but it's calming and serene with substance. The lyrics, talking about his relationship with his father, is a touching and poetic tribute, one that people should really speak to their loved ones that care about them.

It's just a shame this song was the one to break Hungary's impressive qualifying streak; I thought they were on a path to win soon (though not with this one...). And they left the contest too; hopefully they will steer the ship back to more open waters and come back.

Personal ranking: 5th/41 Actual ranking: DNQ (did not qualify)--12th in the first semi-final in Tel Aviv

#239: Anna Vissi -- Mono i Agapi (Cyprus 1982)

"Η ζωή μας περνά, κι ότι φεύγει πονά Πίσω δε γυρνά, κι όμως κάτι μας κρατά"

"Our life passes by, and whatever leaves, we’re in pain It doesn’t come back, but something holds us together"

In most cases, the first entry somebody has sent in the contest is their best, with a number of exceptions here and there. Anna is one of them; I never liked her first entry, but her other two are fantastic.

Mono i agapi is quite lyrically simplistic--it talks about how love remains between two people, as the world changes around them. But the melody has a very loungy sound--I've heard it being compared to a James Bond theme. While I don't hear why it would be the case (other than the alluring mystery of this piece), it does give a calming vibe, and stands out in the rather mediocre field in 1982.

Personal ranking: 3rd/18 Actual ranking: 5th/18 in Harrogate

#238: Yardena Arazi -- Ben Adam (Israel 1988)

בן אדם הוא רק בשר ודם,” אבק פורח במדבר, בן אדם, בדרך העולם, כצל עובר, כחרס הנשבר "

“A human being is only flesh and blood, Dust flying in the desert A human being, in the way of the world Like a passing shadow, like broken pottery"

Yardena's time at Eurovision 1988 is best known for the anecdote where she goes to a fortune teller who said that song #9 would win that contest. When the draw occurred, Israel was slotted into that place, but was shafted up to #8 when Cyprus withdrew from having an already-released song. #9 would go to Ne Partez Pas Sans moi, which would end up winning and make history thanks to its singer.

This ends up taking away from the song itself; Ben Adam is reminiscent of older folk songs, but it takes off with its own character and flair. I also love the lyrics, which recognizes humans as flawed, without berating them as such. (We need a little bit more of that in the internet world, haha)

The flurry towards the end of the song was well-executed too, and the instrumentation is just fantastic. It feels like one was in a festival!

Personal ranking: 2nd/21 Actual ranking: 7th/21 in Dublin

#237: Amandine Bourgeois -- L'enfer et moi (France 2013)

“Tu m’as fait pleurer à vif Mon cou porte encore ta griffe J’aimais échanger de peau”

“You made me cry a lot You can still see your mark on my neck I used to like exchanging skin”

I love the dark sensuality of this song—with its blues influences, it tells a story of a relationship gone awry, but does so with sophistication. It starts out with a slick guitar line, which later devolves into a full on outrage against the lover at question.

The harshness of this song probably clashed with its opening spot, which is why it’s so underrated. Or it was because of Amandine’s styling...

Either way, it has grown on me since I watched the 2013 contest, and it gets the right vibes going...except with the lyrical story...

Personal ranking: 5th/39 Actual ranking: 23rd/26 GF in Malmo

#236: Ambasadori -- Ne mogu skriti svoju bol (Yugoslavia 1976)

"Ne molim da se vratiš Al’ molim te da pamtiš Voljela tebe samo sam ja”

“I’m not begging you to come back But please remember I only loved you”

Ambasadori was one of Yugoslavia's biggest groups, and they have a long list of who's who in the Bosnia music scene. I'm not familiar with their other music, but Ne mogu skriti svoju bol definitely highlights their artistry, along with the dark-pop take Yugoslavia had in 1970s Eurovision.

This song was initally my fifth place of 1976, but it has steadily grown until it became my fourth (knocking out Portugal in the process) The instrumentation conveys a dark mood, despite the upbeat strings and the poppy sound. There’s a grooviness in it to contrast the sullen lyrics, mourning for a lost love. It definitely stands out in the crowd; along with Ismeta's lack of makeup.

It got rewarded with a second-to-last place, which is way too low for this. And Yugoslavia withdrew for five years, and came back with a new sound...

Personal ranking: 4th/18 Actual ranking: 17th/18 in Den Haag

#235: Zibbz -- Stones (Switzerland 2018)

"Sins of the father make us fall And I can’t do anything about it"

2018 had a number of staging errors which cost several countries qualification. In Stones' cases, this wasn't the case.

Corrine has incredible stage presence, with a sense of strength and attiude as she struts on the stage. She definitely adds substance to this powerful pop-rock song, fighting against bullying in all corners of society.

To further that, she lights a flare at the bridge, which definitely hits the tone of the song home. Plus, it was an awesome moment to behold.

Basically, Zibbz did everything right--great song, thoughtful message, simple but impactful staging, and it still didn't qualify...While it has outgrown me a bit, it's still a total jam.

Personal ranking: 9th/43 Actual ranking: DNQ -- 13th in the first semi-final in Lisbon

#234: Kalomira -- Secret Combination (Greece 2008)

“An open book An open book, well, I'm sorry, I am not Sometimes I'm acting like a lady Sometimes woman, sometimes baby.”

"You maybe an open book Spongebob, but I'm a bit more complicated than that"

One third of the female-bop grouping in the 2008 contest, Secret Combination takes Greek instrumentation and American production to produce quite the gem. I could imagine Britney Spears singing this, but I also thought of the Cheetah Girls when I was listening to it. With a bit of sweetness and a touch of sexiness, Kalomira plays the different roles well--and has a cute moment when the book actually opens, revealing her in a really nice silvery dress!

Personal ranking: 7th/43 Actual ranking: 3rd/25 GF in Belgrade

#233: Avi Toledano -- Hora (Israel 1982)

"וגם ההורה, ההיא עם הה”א קולה עוד עולה, קולה לא נדם"

"And also the Hora, the one with the Hey Its voice still rises, its voice has not been silenced"

Israel had a particular style with songs from the 1980s--they are usually really energetic, with fun choreography in which everyone joins along. It makes for good results and good energy, especially when it's done well!

Hora seems to embody it in many ways, from the celebratory lyrics to the fun dancing across the really tiny stage in Harrogate. It combines Israeli folk music with a sense of joie-de-vivre, celebrating the nation (which as you will see later, may not work today...)

Avi earns himself a strong second place, but he would write something even better the following year (again, will come later)!

Personal and actual ranking: 2nd/18 at Harrogate

#232: Raphael Gualazzi -- Madness of Love (Italy 2011)

"Ma vedrai un altro me in un sogno fragile Riderai come se non ti avessi amato mai Cercherai un altro me oltre all’ombra di un caffè"

"But you’ll see another me in a fragile dream You’ll laugh as if I had never loved you You’ll look for another me beyond the shadow of a coffee"

Between 1994 and 2010, Italy withdrew from Eurovision, with only one participation in 1997. Nobody knows why, with reasons ranging from the rise of a televote to Italian disinterest in the contest, but they were certainly missed. Thanks to the late Rafaella Carra and a bunch of other circumstances, Italy came back in 2011, and they did so in style.

"Madness of Love" is frequently overlooked amongst Italy's post-comeback entries, as some of us aren't into jazz. I don't listen to the genre often, but I like this song particularly. It's flirty and sweet, under a very sophisticated soundscape which reminds me of a 1920s speakeasy. And while people are put off by Raphael's vocals, the way he lets himself go at the end of the chorus is definitely a highlight.

Basically, it's one of those runners-up that should've won against the winner of its year. But it was nicely made up for ten years later.

Personal ranking: 2nd/43 Actual ranking: 2nd/25 GF in Dusseldorf

#231: Anneli Saaristo -- La dolce vita (Finland 1989)

“Minä sammutin elämän janoa vaan Minä osasin onnea anoa vaan Jälkeen kaiken nyt saatan sen sanoa vaan La dolce vita”

“I was just quenching life’s thirst I knew how to plead for happiness After everything all I can say is: The good life”

La Dolce Vita sounds more stereotypically ”Spanish” than “Finnish”, because of its flamenco influences versus the dark pop or metal we expect from the country. Apparently, a lot of Finns travel south for vacations, which makes a bit more sense here.

Either way, it springs a bit of life and joy into a dark heart. It embraces life in its tropical vibe and Anneli’s deep vocals, and conveys a comfortable mood. Apparently, it was also known for Anneli's slight choreography, but I only noticed her standing during the instrumental.

It would be Finland’s last top ten result for many years, but the 7th place it got in Lausanne was deserved (and they should've done better, actually!). A fitting send-off for their long-time conductor Ossi Runne (RIP).

Personal ranking: 3rd/22 Actual ranking: 7th/22 in Lausanne

#esc 250 #eurovision song contest #esc top 250 #esc hungary #esc cyprus #esc israel #esc france #esc yugoslavia #esc switzerland #esc greece #esc italy #esc finland #three minutes to eternity #vintage eurovision

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popculturebuffet · 4 years

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The Loud House Reviews: Schooled!

Season 5, and regular coverage begin! The loud house finally moves into a new year chronologically: Lincoln and Co move up to Middle School but find themselves seperated when LIncoln accidently signs up for the wrong class and ends up with a mean teacher and frienemy chandler, and then ends up commuting to a Canadian school instead. The Canada part is more believable than a middle school not having multiple teachers for multiple subjects frankly but more ranting on that later. Meanwhile in order to get Lori moves on to college only to find every dorm is a comedic set piece, and Lynn Sr and Rita try to get Lily ready for pre school by potty training her. Finally in all this chaos Leni ends up attending pre school. Again still more believable than the single class thing. Ramblings about well guess, how amazing it is the show has lasted this long in this day and age, my thoughts on Lynn Jr being kind a obnoxious. 50% chad and my lessened hatred for rusty. Which again I assure you is more believable than the single class nonsense. Back to School, under the cut.

Welcome readers new and old to regular coverage of The Loud House! Couple of reasons for that. The first is, like amphibia, so I don’t fall behind as I tend to procastinate and let episodes of shows pile up, and i’m tired of it. The second is that I feel we need more Loud House content on this site that’s not loudcest, people shipping sam and lincoln soley to try and get back at the show for having a gay couple, and some weird stuff I can’t quite unwrap because i’m old. And keep in mind I understand 50% chad just fine.. look at him.

So yeah I have a feeling young or old, i’m not the only one scared to go int here and hopefully I can give ya’ll something fun to look forward to or worth sifting through it.

Now i’ve covered the show before.. 4 times in fact, having covered Brave the last dance as a one off way back and having covered ALL THREE SALUNA episodes during pride month. So check those out if you want my previous thoughts on the show as a whole, my faviorite character and her special lady, and me ranting about rusty/.. and we’ll get to him. But i’ve got a lot to talk about, some of it not directly about the episode so pitter pat er let’s get at eer. The first thing I want to talk about is.. how big an occasion the show is. It’s not only at 5 seasons but it recently got renewed for a 6th and still has a movie on the way.. as I hope so does rise of the teenage mutant ninja turtles.. please don’t let that movie have been canceled, that show went from okay to leaving me wanting more of my mad dogs... but yeah getting back on track they’ve offically reached...

And that’s.. incredibly rare ESPECIALLY for nick. I mean yes spongebob will never die, and the fairly oddparents died way after it should’ve, but for the most part nick is a giant tire fire of dickheads when it comes to running a network. They have an absolutley ghastly habit of canceling a show as soon as possible, and if they already commissioned season 2 shuttling it to sister network nicktoons to die a quite death. They expect every show to become an overnight sucess, or else and it’s a freaking disgusting practice. And it’s still going: I mean just to bookend it, around the same time loud house started, we got the utter classic Harvey Beaks. The show had a sizeable audiences and what kids I showed it to loved it but because it wasn’t doing spongebob numbers Nick shuttled it to nicktoons then yelled at it’s creator for daring to be upset they you know.. moved his show to their designated graveyard without telling him and ended the show without giving them notice to change the ending. The final episode still WORKS as a final episode, but it wasn’t INTENDED to end on a bittersweet note and I blanme that on nick. The bookend part comes from the fact that about a month before this Rise of the Teenage Mutant Ninja Turltes ended it’s run.. on Nicktoons, with no fanfare and like Harvey fans likely only knowing thanks to scheduling, had it’s final season cut in half so they had to rush the pacing of the final few episodes to wrap up as much as they could, AND the cancelation reason was the always reliably stupid “low toy sales” excuse. The odds of a show surviving on nick, nevermind thriving are very slim and even outside the nightmare factory that is my once beloved childhood network, most animated shows last around 3 seasons. Disney channel usually cuts htem off around 4, and cartoon network around 3 if their that nice, with utter classic OK KO being one of the latest victims of the cancelation bug, and steven unvierse only got a 6th season after essentially being canceled and having to rush the ending, only THEN getting to go back and fill in the cracks with Future and the Movie. And unlike fellow network loved show that’s gone on for a while, Teen Titans Go, the Loud House is still a pretty good show. It has it’s bumps, we’ll talk about some of them here and i’ve talked about em before, especially the “”With the casagrandes mini” which could’ve easily hurt said show but thankfully didn’t. It’s grown, going from being about the one boy among ten girls to being about all 11 kids, AND their parents and making earnest attempts to make once hated characters like Lori and Lola fully fleshed out.. it’s been more 50 50 with lynn, but more on that later. My point is the show’s tried to evolve, to grow out of having a simple status quo and actually let things change and it’s refreshing when a lot of comedy shows refuse to. The show CAN be hit ore miss in quality, but hte misses have become less cruel and the hits have become that much more impactful.

Not only that but the show surivived the seeming impossible of it’s creator being revealed to be a sexual harassing creepy asshole who hopefully gets his dick sanded off for all eternity when he invetibly ends up in hell or whatevers next. Screw him but good on Nick for firing him swiftly, one of the few times in the last few years i could really say that about them and not be sarcastic, and good on the crew for carrying on easily without him.

My point is.. it’s nice to not be attending another show’s funeral. After rise and then venture bros, it’s NICE to have a show surivive and carry on and decide NOT to rest at this stage and stay in it’s comfort zone but shake things up a bit. It’s nice in this stinkhole of a year to have something to celebrate, and yes i’m aware a back to school specail is ill timed, for obvious reasons, but it was likely in production long before covid and I can’t fault the writers for wanting to give kids an escape, nor for doing the quarntine special earlier to help them talk through it. So congrats loud house you earned it. Now that’s out of the way, the not resting thing.. the thing that has me covering the show, and had me exxcited for this episode.. is that they decided to shake things up a lot by moving all the kids up an age and moving Lori up to college. And what makes this work.. is this wasn’t something they just sprung on the audience. it would’ve worked with that after 4 years of the same age and general stuff.. but season 3 started setting it up with Lincoln and Clyde’s middle school visit and Lori’s college interview, both things i’ll likely cover ventually, while Season 4, after the mini series, had most Lori episodes focus on getting her ready for it: From her senior year, to Leni realizing she’d be gone and being panicky over it, to her working to get a car, which she rides off in this episode. The show dedicated one of it’s few arcs, and probably the only non-romantic one outside of Ronnie Anne and Bobby moving to their spinoff, to this.

They were all in on this and there was no turning back, and shaking up the status quo like this is a risk as some viewers fear change and run from it like cowards> Me.. I loved it. I loved the idea of taking Lincoln to a new school, giving him and his friends new stuff to do and new challenges to face, having Lori move away, have Luna learn to drive, have Lisa enter kindergarten, Lily say more etc. And there’s even things I didn’t think of that two upcoming episode synposis suprised me with: birthday episodes, though it’d be best to spread them out but i’m hoping strife of the party isn’t the only one, and the power vacum: Can Leni take over for Lori.. should she? Should Luna or Luaan try instead. Do they even want to? it’s all good questions. It’s a simple but small change that helps change up the show for the better, opens up new avenues while not salting the earth for the old as demonstrated by half of the upcoming episdoes for the next two weeks being ones that could’ve been done at any point in the show.

So yeah my hype was at maxium, helped by the fact I love one hour specials of shows: “Change Your Mind” “Reign Storm”, all three ducktales have done so far with “Let’s Get Dangeorus” likely adding to that list.. it’s usually a great time for shows to go all out, show waht they got and tell deeper stories. So the big question all this has been leading up to: what did loud house, 5 seasons in,k with a clean slate and tone sof potetial do with their premiere? Well let’s take a look shall we? This episode is divided into 4 plots, one of which is really a plot inside a plot but still technically 4, all centered around school starting: Lincoln and Co have their first day of middle school, Lori is moving to college after all that setup, and Lily is finally old enough for daycare. And Lynn Sr is having a slow motion breakdown at first, he gets out of it quickly, because understandably he’s feeling mealcholy about not only having all his kids in school but having his first leave him. Sure he still has a full hosue but it’s still rough having one of the few constants in your life , a chaotic life at that go. So each one focuses on one of them. THe fourht if your curious has Leni accidently end up in Lily’s pre school and is comedy gold. More on that in a minute. This is actually one of the episodes problems as only Lincoln’s plot and Lori’s plot feel like they naturally dovetail, while Lily’s plot feels like an eleven minute episode that was bootstrapped to this one either to get her into daycare faster or to pad it out to an hour along with parts of the Lincoln plot. It’s till not a BAD episode, but it dosen’t feel quite as cohesive as it should, or as big in scope being an hour long, with most of the loud kids outside the four with plots not getting more than a cameo, though Lisa gets to be the best part of LIly’s plot, and Lynn.. we’ll get to her. It’s not great. I do GET why they did this, as trying to focus on ALL of them at once is nigh impossible and it let the stories breathe better, but it still feels weird that none of them have a reaction to lori being gone and frankly I think the stronger story would be to have had lily potty train LAST season, and then focus this on Lori leaving, the family adjusting, and have Lincoln’s middle school woes be the b plot. Now granted we have a full season to rumninate on her absence, and how it effects the others, so it’s not the hugest lost, but i feels like a waste of the extra time to just pile three episodes into one when a half hour could’ve done the same and saved you two half hours for later. It’s not terrible, but it could’ve been better. Now i’m done moping about the special as a whole for a second let’s break down each plot one at a time.

The A-Plot: Lincoln Took off to Canada the Other Dayyyyyyyyy The plot is very simple and the adds and summary sadly telegraphed it.. which didn’t help because it’s very clear from the episode Lincoln getting sent to canada is a wacky twist and not supposed to be in the adds. I mean I can’t blame them it’s in half the episode, but it still would’ve been funnier if they kept it as a suprise. And yes if you didn’t know about this episode LIncoln gets sent to canada which is somehow not too weird for the show. So Lincoln and Co are starting high school. And now’s as good a review as any to TALK about Lincoln’s supporting cast. I did a bit during my review of Brave the Last Dance but feel it’s a good time to talk about them again update opinons and what not. I do feel like they sometimes blend into each other a bit much and shine best when one of them is given the spotlight to play off the others instead of all playing a supporitng role. It’s why I like “Pasture Bedtime” and “brave the last dance” so much: They let the characters breathe while still giving one some extra focus. As for each indivdiually.

Clyde as I said there i’ve come around on: Early on how tolerable he was was a coin flip: he could be an adorable, somewhat awkard, sheltered kid but one eager to help his friend with his various schemes, as he is now only with a love of baking which is even better. But he could ALSO be a creepy little bugger who either had a freaking anime nose bleed and fainted when Lori was around, or tried to break her and Bobby up, Bobby who is not only the nicest character on BOTH shows in general but was extra nice to Clyde despite all this. Granted I think my boy was too dense to realize Clyde was being a one man asshole parade, but still. It dosen’t help that with Savino’s later ousting for doing the same shit but as a grown ass man. Thankfully he has done a complete recovery and the Lori bit was thankfully dropped and with Bobby gone, he couldn’t hurt my baby boy anymore, so they moved on to other parts of him. Plus I love his dad’s not just for the obvious being gay dads but for being good characters in their own right.

Stella is easily my favorite of the group, i’ve gone on about her before and Haley Tju does a wonderful job with her, and she feels a bit more three dimensional than the rest of the non-clyde members of the group. Not fully, but still a bit more than the one trait they get and hopefully like our next one up and clyde, she actually gets to start showing up outside of lincoln’s friend squad team episodes.

Liam is easily my second faviorite. I”m aware he’s not the most complex boy: He’s a farmer, and he knows how to tame animals.. that’s about what he’s used for.. but he’s a sweet enoguh kid he makes it work. And frankly said trait works for him because shockingly, out of all of lincoln’s non clyde friends he’s shown up the MOST in stories not involving Lincoln, and even in one of those lately not involving hte rest of his friends. No really, he popped up in racing hearts in season 3, and Senior Moment and Snoops On Last season. It’s not a TON of episodes overall but compared to the rest of them it’s very noticable and I love it. More please.

Moving on to the ones i’ve bitched about... Zach. Yeah.. my thoughts can best be summed up as this.

I mean.. Lincoln’s friends, even the more cheerful ones are capable of feeling defeat and pesimsim, if you want one to downtalk people you have rusty, and “has a tatoo , likes antqiues and belives in cryptids” aren’t really great quirks. If they did more with them or used them OUTSIDE of his episodes sure, but otherwise .. why is he here other than not wanting to explain his absence? Sure he plays off rusty.. but Stella could easily do his role as that and even then they don’t use him for that enough to really justify being him around. Either have a point with him or quitely write him out.. Star Vs, for all it’s flaws, leanred this as far back as season 2 with alphonso and ferguson, AND when people qutestioned where they are actually brought them back to properly write them off and gave them closure in the episode they gave the rest of the echo creek cast the same. Just pick one. And if you want him to knock rusty down a peg fine, just do so. And now Rusty.. my old nemisis.... and things have changed. Do I still LIKE Rusty? nope. Just.. nope. I don’t. He’s still a skeezy little idiot.. but I realized that unlike LIam he at least has a purpose in the group: He’s the Micheal Kelso. Granted UNLIKE kelso, they don’t go the extra mile and have his friends poke fun at him, but this isn’t that kind of friendship, and with Lynn now around more and Chandler now likely going to be the same, there’s more opprotunites for someone outside the group to rightfully insult the little moron. And if their not going to.. I realized I could. I realized I ENJOY insulting him, taking the piss out of his unjusitfied ego, and just having fun making fun fo the little goober. And more than that.. I realized he DOES have redeeming qualities. He’s a genuinely good friend, he loves his friends dearly and has no trouble showing affection despite his misplaced swagger. I may mock the kid, and I will again.. but he’s not a bad person and will likely grow out of being a dipweasel, just not on screen. I realized having a deep abiding hatred of him just wasn’t good for me when simply mocking him constantly does the trick. There are other, more important things to get pissed about. Rusty isn’t that important. But he is good joke fodder and unlike the show with Zach I refuse to pass up an opportunity.

But yeah now that’s out of the way, the basic setup here infuraties me. It’s for mildly stupid reasons, but ones i’m going to go to bat for: Lincoln dosen’t get into the same class as his friends. As in their still treating this like elementary school and having everyone in the same class for every subject. That.. that’s not how middle school works. that’s not how any of this works. They don’t lump groups of the same kids into one tract of classes, even electives like cooking or forced ones like PE, which thanks to my autisim I was allowed to attend a diffrent kind of PE that wasn’t an utter fucking nightmare. And you may say “Well Jake your a near 30 blobby shell of a man and things change” which is accurate but they haven’t changed that much. Girl Meets World was only 6 years ago. And while they DID have Cory as the only real teacher they USED, he was still shown to be their history teacher and it was lampshaded sometimes how he wasn’t their only class. And yes I know a lot can change in 6 years, the hellscape we’re in proves that, but just simply ASKING my middle schooler nephew if this is still how that works.. and yup it is. Now it could be diffrent by region, but for the most part the conseus seems to be on diffrent teachers for diffrent subjects. And again as Girl Meets World shows, it’s not THAT complicated. Just have one teacher you use for everything or have a home room. Why do this, why. Just why exactly. Why. You barely used actually in school classes for plots anyway and mostly did stuff around the edges like crushes or lunch or dodge ball. Speaking of which where is Girl Jordan. Where IS she? Anyways, my point is this, especailly as a ned’s declassified school surivvial guide on this very network,f fan really annoys me and takes me out of things.. And the thing is they COULD’VE still done this plot just had the gang all adjust, not just lincoln, to not being in the same class togehter. Have them have to do various classes WITHOUT having each other to rely on. You could even have chandler and mr. bohlmer show up. But the way they do this just..d osen’t really make sense and just feels lazy. And if there were good jokes i’d be fine with his but their aren’t. IT’s just a mean teacher and Lincoln being picked on by a moron for the first half while his friends struggle to function without him. It’s just sad and not in the well written, well thought out way. Then we get to “This needs to be an hour” portion of the plot as again the above could’ve EASILY worked for the full hour but because they instead went with this, they had to think of something else... and went with something bonkers that at the very least is entertaining: Lincoln, after convincing his teacher for a transfer, which I did like as he uses his head: He sees his teacher wants something diffrent for lunch and paper airplaners her a cupon for his dad’s restraunt then talks himself into an off campus lunch to talk her into a new class.. and winds up transfered to canada as she well meaningly did so he can’t get out of. And while I thought this was just wacky exageration having him commute.. turns out .. nope. While I don’t know if any school would actually have a student commute to Canada rather than jsut stay there turns out Royal Woods is in michigan and Michigan is across a lake from Ontario.. so yeah.. they did their geography research but not their middle school one. Weird ain’t it? Anywho, I ended up liking this portion... and not just because it has canada gooses, which means i can use this.

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And if you have a problem with Letterkenny you got a problem with me and I suggest you let that one marinate. But yeah we get an ENTIRE number playing into canadian stereotypes and it’s clear this show is rather than using them for a cheap laugh just exagerating things for fun and a slight nudge to canadians, who I clearly love. It feels less like “oh ha ha canada” and more like if the great white north was stretched over 15 minutes but still worked.

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It’s just good fun. And they also again have an entire musical number full of canadian sterotypes and expressing love of this great country which I hope to visit some day.. and possibly live if this country countinues to get worse. It just feels nice and more creative than the first half. It’s still not FANTASTIC, but it works somehow and Ic an’t explain why. Eventually LIncoln tries to get kicked out, fails then plans to blow the hockey game for everyone and calls on his friends to help, sending them all to canada wh ere they get lost in the wilderness. There is a funny bit where Stella’s gps literally freezes over and zach acidently smashes it as well as Rusty’s “Moustache” one pathetic hair because why should his moustache be anything else freezes off. and given even with me being less vitrolic his suffering is my catnip I enjoyed it. We also get a cute sequence of them runing the ice and rusty failing at anything because of course he does, while Liam both tames a moose and slathers them in grease to swim across because of COURSE he does. Of course he does. IT’s just a refreshing jolt of energy after the first half. But we do get a really damn good scene after htey fail.. besides the fact Rusty’s head is frozen, which would be funny even if it wasnt’ happenign to rusty, that just makes it go from chuckle worthy to giant uncomfortable laugh worthy, where Lincoln gives up: They’ll still be firends and he’ll still come visit but it’s best he just adapt to his new life instead of try and fight so hard against it and he’s starting to enjoy canada. It’s a well acted and sad scene that ends with a huge hug from clyde and another bit we’ll get to in a second. But because having LIncoln in canada would be hard to maintain for a few seasons, and because as degrassi shows me the odds of him getting nearly beaten to death, caught in school shooting, stabbed in a parking lot or ending up in a kevin smith film which back then was a treat but now is a coin flip, are very high. Seriously he dosen’t want to end up in moose jaws, he instead gets banned from canada for three years for refusing maple syurp... which is also fucking hilarious just for it’s sheer rediculousness. Who dosen’t love canadian maple syrup? So the ballance is restored, Liam has moose now, and Lincoln actually gets the trailer heat turned down because he asked.. this plot was not very good as I made clear and drags the specail down and it’s in part because there were other joke and character opprotunites iwth ACTUAL middle school and instead it just comes off as another episode of “Smack lincoln around because tha’ts funny right” and wastes good opprotunity. It’s not all terrible, the canada jokes worked becuase they felt like they were in good fun and more a loving jab at canada instead of just using stereotypes for sterotypes sake, and given the loud sisters started as basic character achtypes it fits the shows tone. So canada part good the rest a huge disapointment. Also before we move onto Lori: Lynn.. was utterly terrible this episode. The girl one, obviously. Lynn Sr is usually a delight. Yeahhh while I don’t hate her like some do, I do find her to be REALLY hit and miss: she’s either an enjoyable additon to the episode, an intresting lead.. or an obnoxious nightmare who makes everyone around her suffer and is used for gross out gags.. which if nothing else it’s good their using a girl for it but it dosen’t make it actually funny? And here she’s Hall Monitor and a giant terror to everyone INCLUDING THE PRINCIPAL and it feels like a waste.. other episodes have had her be lincoln’s mentor when it comes to his shift to middle school and when the time comes where that would be utterly useful... she’s instead just a jackass because they coudln’t think of something better to do with her and it’s another disapointment. The B-Plot: Lori Loud and the Infinite Comic Set Pieces This plot was better but likely would’ve worked better in a shorter episode to me if i’m being honest, but it’s grown on me the more i’ve thought about it.. plus it has Bobby!

I haven’t really had a chance to mention it since most Loud Houses i’ve covered are after his exit and he only really shows up in lori episodes and I haven’t covered the Casagrandes yet.. but I love this idiot. He’s sweet, charming, kind, a good boyfriend, a good big brother, and a caring individual. Sure he’s dumb as a box of hammers, but he’s a good kid and post season 1 he and lori have good chemstiry. And he was easily one of hte biggest draws to the spinoff for me which has fleshed him out nicely with his work at the Mercado, showing he is good at something. He’s just a great character and i’m glad to see him back on the mothership, even if he doesn’t do much and at most just keeps coming back to help Lori move at a moment’s notice. But it feels less like her being selfish and more like him being selfless: Sure she’s asking a lot.. but he probably gets that moving away from home and into a strage place is hard for his lady and just wants to help her be happy and settle in. Because he’s the best.

As for why Lori keeps moving part of it is the fact that the dorms at fair way are insane comic set pieces and I am here for it. She starts out at the silent dorm, which just.. no. No on that no. Then moves to the driving range dorm which is exactly what it sounds like and is a hilarious hurricane of balls. “Sigh” Archer if you would.

And the sand trap dorm, which just has a giant bunch of sand in the closets for some reeason.. presumibly to keep darth vader away. And yes I get it’s supposed to mimic a sandtrap but theni t should be all around like the other dorms. It’s goofy, it’s dumb.. and I can’t help but laugh at it and the fact that Fairway apparently is so intense about golf they train students via having them live on certain hazards like this was an anime... and I would totally watch a spinoff about lori that was her undergoing anime golf battles. And I hate golf. Plus put bobby in there.. he can be on two shows. Make it a diffrent world but with dragon ball z golf battles. But eventually Lori comes crying home after breaking down, like any college student living away i’m told.. and that’s where the dovetail I mention comes into play. Lori overhears lincoln’s pep talk and decides to go back and face the exesntial nightmare that is her dorm life, giving her brother a sincre hug and thanking him for uknowingly helping her. It’s a really sweet moment. It’s why her plot works for me.. it has the emotinal weight that feels lacking from the main plot. It’s a bit repetitive, but frankly that’s the show’s bread and butter at this point and i’ts more a case of which repettition works better sometimes. That one moment saves the plot form being unwatchable and Lori moves into the water hazard floor of the dorms, and is finally ready. And while at first I thought the exagerated dorms lowered the punch of things.. it really dosen’t. From what i’ve heard Dorm life isn’t easy, and being away from home is even harder. My mentally anxious self would’ve broken down within days. Their just taking it up twenty notches because loud house. The real issue is lori being homesick, which I do feel could’ve been handled better, but for what hit is it’s okay. Not as good as it couldv’e been but still better than the a-plot. But it’s a nice bit of character stuff: it shows usually in control Lori out of her element and trying to adapt and hopefully we’ll see more of her this season in that context. And more of bobby, may he reign forever. Okay one more.

The C and D plots: Leni and Lily Go to Preschool This one won’t take long, thank god. Lily goes to preschool, the loud parents, after some empty nest.. enjoy having the house to themselves for the first time in years. They actually have TIME with no kids and just the two of them to goof off and, presumibly off screen, boink like rabbits.. granted that’s how they clearly usually do it given they have 11 kids but still. But Lily gets sent home for popping herself, and they have to teach her to go it’s eh aside from a few bits. As I said Lisa is the best part of this as Lynn Sr and Rita yank her out of school, with Lisa responding to Cheryls worries abotu her missing school with a dry “I think i’ll be fine without finger painting”. The resolution, or at least the start of it, is genuinelly clever. Turns out Lily KNOWS how to use the potty, she just dosen’t want to go to school yet, and the Loud Parents.. actually take this well, confronting her with it but gently, understanding she may not want to leave the nest and letting her stay.

Meanwhile Leni ends up in preschool in the shuffle of not having Lori around to guide her one brain cell. Which is honestly hilarious and her outfit for the episode is fucking dope.. I honestly wish she’d wear her hair in a ponytail more often and the jacket is nice. I wish this was her new outfit.. like they could make it green so she’s not stepping on Lola wearing pink, but it’s a nice change of pace. But yeah it’s hilarious, especially since neither she nor the actual professionals notice and it has a nice bit of subtext on tumblr noted: She may be regressing, or simply enjoying little girl school because she misses her big sister and it’s easier than navigating a scary world without her best frined. To dig into it a bit myself we’ve seen in previous episodes that Lori is her rock, who she goes to when she has a problem in her solo episodes, who she relies on. Sure they fight over a closet but they depend on each other. We saw how worried Leni was about loosing her last season, and now she’s lost her and dosen’t know what to do without her. It’ll be intresting to see more of. Or it’s because while she’s a capable young woman she’s also as dumb as a box of hammers like her future brother in law> you make the call. Eventually Leni gets sent back, and bemoans missing all the fun of preschool.. which gets Lily to go as she gets a trampoline, and the nest is finally empty.. also Leni goes back for a few more bounces. Yeah I love this kid. She’s sweet, kind, and hilariously moranic and voiced by LIliana Mumy who along with Carols is easliy part of my stable of voice actors. So yeah the family’s moving on, etc etc, and this review is finally over. Final Thoughts: This episode was okay. It reaks of wasted potetial, but it’s a fine enough one hour, it jsut couldv’e been MORE with such a long run time and the lily and leni bits would’ve fit better in a seperate episode. It’s not TERRIBLE but it’s just an okay start to the season and a waste of good stories and good laughs in places. Still the show’s had worse, it’s just okay overall. Not TERRIBLE but it could’ve been FANTASTIC. Next week Leni deals with the lori power vaccum and Lincoln and Clyde snoop on the neighbors. Until then you can find other loud house reviews on my blog, hit me up iwth an ask for suggetsions or a dm to comission an episode you want to see me cover and until then, GO TEAM VENTURE. Play us out servo

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forestwater87 · 4 years

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Ok this is super embarrassing but you’re one of my favorite writers in this uh.. whatever this blogosphere is so!! I wanna try and take a crack at writing my own fanfic but.. I got no idea where to even start. Any advice?

Oh man, I feel awful about this! I didn’t know my inbox had any new messages, so some of these asks have been sitting here for . . . some time.

Anyway, first off thank you very much! Secondly, the most obvious advice is just, you know, “do it.” But that’s infinitely easier said than done. I started writing fanfic when I was around 10 years old, so overthinking it wasn’t an issue, since I thought I was the world’s greatest writer. Assuming you’re not 10 years old and as blind to the concept of literary criticism as I was . . . well, the first step is obviously getting an idea. EDIT: Holy shit, this is long. I’m gonna have to break this bad boy up with headers, like it’s a real blog post or something.

Getting Ideas/Inspiration

I don’t know if you already have something you’d like to write about or if you’re still at the “gee that looks like fun” level of fanfic ruminating, but if you’re having trouble coming up with ideas, turning to the existing fandom is a great place to start!

1: Filling in fandom gaps: I’ve found a lot of my best fic ideas by looking through what already existed and seeing where there was something missing; when I first started writing for Camp Camp, literally only @raenbowsofficial created anything for Gwenvid -- it didn’t even have a ship name yet, and I’m pretty sure the 3 people into it were still throwing “daven” and “gavid” around as well -- so there being zero other fics for it meant that if I wanted it to exist, I’d have to be the one to write it. (That’s also nice if you’re kind of insecure, because when no one else has tried the idea you’re interested in, you have no pressure to compare it to anything else.)

Also, you could take a popular/already existing concept and write it the way you’d like to see it, if the existing fanfics do something with the story or characters that you’re not thrilled with. That’s handy because it gives you a general blueprint to work off of in terms of tropes and broad story beats, while letting you explore something new. Obviously, don’t rip off someone else’s fic note-for-note, but being inspired by someone else is a great way to kickstart your creativity! If you do have a specific author or story that you’re using as a jumping-off point for your own writing, I would strongly recommend linking them in your author’s notes at the beginning or end of the fic, and maybe gifting the story to them! You don’t have to, since the creation is entirely your own, but it’s still always nice to acknowledge the people who inspire you the most.

2: Fandom inception. If you want to be a little more direct and literal, there’s always the option of writing fanfic of a fanfic or fanart that you really love, if there’s a universe or story idea that you like, and you want more of it. As long as you give credit and notify the original creator, I think you’d have no issues in terms of fanfic etiquette, and I imagine they’d be honored to have inspired your own writing. Fandom is a very collaborative experience, after all, and we’re all in this together! :)

3. For more general “I have a vague idea of what I want to do (the ship, or maybe a tiny plot bunny) but I’m not sure where to go with it,” my biggest recommendation is music. Especially folk indie-rock music, which is 90% angst and 100% haunting. And again, looking at fanfic/art is a great way to get inspired -- I have a tendency to put up a particularly good or emblematic piece of fanart/fic in another window when I’m working on something tricky to write, just for something to stare at when my ideas start running dry (shoutout to @doritofalls, @ellohcee, and the aforementioned RA for being my go-tos when I need to stare at something pretty to feel inspired; there are absolutely others, because this fandom is filled with absurdly talented people, but those 3 are my heroes of inspiration and if you SOMEHOW don’t already know them, fix that immediately).

Wow, that’s a lot and it’s literally just all about getting an idea . . . which you might already have. Yikes. For the sake of people who have to scroll past this, let’s put the rest under a cut:

Fleshing Out the Idea: An Ode to Outlines

Some people are able to just sit down and write something incredible from a vague idea, and the story just builds on itself without any sort of planning or organization to guide them along the way. These people are named Cipher/Campernetics, and we hate her for being unfairly talented.

For the rest of us, outlines are essential.

My outlines tend to be insanely specific, because I’m very afraid of letting a single idea slip through the cracks, and I build on them over time as I get increasingly sure of where the story’s going. The early outlines tend to be extremely vague, with lots of “and then something happens” connecting major plot points. An example for a current WIP I’m doing right now:

(Seriously, “Julia and everything”? Future Forest is going to be so pissed at current Forest when she reaches that point and realizes she has no idea what she’s doing)

And as the story starts to take shape and a plot eventually forms -- they tend to take at least 10 chapters to materialize, but they do generally show up! One of the great things about fanfiction is that plot is largely optional, though, so no worries if you’re starting without a full story idea -- I find myself writing more and more details down, if for no other reason than that I want to make sure I remember what I was thinking when I finally get to that scene (because I have absolutely gotten to a point in a story and forgotten what I’d had planned. It sucks). Here’s an example from another fic with pretty significant spoilers if you can figure out which one it is oops:

I’d recommend keeping your outlines pretty simple, at least to start with: words and phrases, rather than whole-ass sentences like the above. The complexity will develop as your ideas do, so no need to wrack your brain trying to write out the entire story in bullet form.

I use the bolded ideas as stepping stones, more or less; I’ll write out the piece of the story that each line represents, which can be as little as a sentence or as much as 4 or more chapters (RIP my most recent long-running fic), then delete that line and move on to the next.

Bolding them isn’t necessary, but it does make it easier to differentiate at a glance what needs to be written. If you keep everything in the same hundred-page Google Doc like I do, this is very important.

Your outline doesn’t have to be well-written, and you can 100% use fillers like “and then something happens here.” I do that all the time -- again, another completely different story:

Now, the vaguer things are, the more annoyed Future You will be when it comes time to write whatever it’s bulleting -- there’s a reason I haven’t updated this fic, and it’s because I have zero idea what the everliving fuck “Pinky-and-the-Brain-ing all over the place” means -- but it’s really good for when you’re first getting started sketching out the vague outline of your fic. The more you panic trying to figure out all the twists and details at the very start, the less likely you’re ever just going to sit down and write the damn thing.

(This might be why I don’t write plot-heavy stories, to be fair. Mystery writers very well might have to have it all planned out from the get-go, and I’d recommend chatting with someone who’s a bit less “coffeeshop AU” and a bit more Agatha Christie for that kind of advice.)

Knowing When to Post

There are people that exist, who have amazing self-control, who can wait until their entire story is written and then release it in sections, at regular intervals, until the story is completed.

I am not one of these people, though I try to be with literally every single fic I’ve ever written.

Personally, I do this until I reach a point where I get stuck and need validation, and then post what I have in a giant chunk and then don’t update it for several months. This is almost universally known as the worst way to write fanfics, both in terms of getting interaction from fans and keeping readers from wanting to kill you, and if you have the ability to write the entire thing and sit on it until it’s ready to be shared, you are a hero.

Alternatively, if you can actually stick to a set schedule of writing it as you go and still update with a new chapter every X days, you are not human and I’m terrified of you, because if you find a way to weaponize this power you will rule the world.

Honestly, a good rule of thumb? Post it when you’re ready for people to read it, whether it’s done or not. Not all works will get done, and it seems mean to deny people the delicious little stub you’ve written even if you’re not going to finish it. When you’re happy with what you have -- or are so tired of looking at it that you need to post it or you’ll throw your computer out the window -- just do it and let out a sigh of relief, then either take a few days before going back to writing or just jump in immediately like a goddamn masochist.

(I have tried to get far enough ahead that I can start posting the already-written stuff on a schedule, figuring by the time I’m caught up I’ll have completed the entire story and won’t have any awkward gaps. Ahahahahahahahahaha that has never once worked.)

If you’re not certain about your writing, get a beta! The fandom is full of talented people who’d be happy to read over your work, and if the person you ask doesn’t have the time or spoons, they probably have a few ideas of other people you could reach out to. You don’t need a beta, but it always makes me feel better to have another set of eyes look over my writing before posting, and my beta always catches things I completely missed. Plus, you get a nice taste of that sweet, sweet validation we all crave.

This . . . is a bad guide. Just in general. The advice is . . . not good, and I think it’s largely useless. But I keep trying to think of useful things to add to it and coming up empty, so I hope something in here helped, and if you’d like to bounce your ideas off of someone, feel free to shoot me a message! Talking ideas over with friends is a great way to flesh them out as well, and I am happy to be anyone’s fandom friend.

#ask forest #forestwriting #legit no one is going to read this and i'm not saying that to judge anyone #in fact i'll lowkey judge you if you DO read all of this because why #Anonymous

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rpgmgames · 6 years

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August’s Featured Game: Shroom Soup

DEVELOPER(S): Shroomy ENGINE: RPGMaker 2000 GENRE: Adventure, RPG, Psychological Horror WARNINGS: listed here (may contain spoilers) SUMMARY: You play as Arnika, a gloomy teenage girl. Perpetually tired, you live off excessive sleep, lime juice, and instant soup. You look into the vortex forming in your cup of said soup, this time mushroom flavour. Next thing you know, you are in an entirely different world where everything, from buildings to people, is being devoured by fungi. It seems like you have no choice but to walk on... Your journey involves exploration, puzzle-solving and battles.

Download the demo here!

Our Interview With The Dev Team Below The Cut!

Introduce yourself! Hello! I am Shroomy, and I still haven't figured out which one of my nicknames I should go by, but I use "uboaappears" for art and "toxic shroom swamp" for games. I have a bachelor's degree in biology since two weeks ago and like everything surreal, gory and gay. Nice to meet you. I have been in the community since about 2012, and that might be also when I first wanted to make a game - a Yume Nikki fangame, because YN brought me here. I messed around with the engine for a long time, and certain characters and ideas gradually mutated to whatever this is now.

What is your project about? What inspired you to create your game initially? *Shroomy: It's about making a cup of instant soup and accidentally going on a very weird adventure. ...Okay, actually, it's a coming-of-age story with an emphasis on mental health, relationships, and toxic flesh-eating mushrooms. The idea came to me when I made myself an instant soup once. For some reason, I thought it would be cool if there was a portal into another world in the cup. That's how it started. (I was also into drawing mushrooms growing on people at the time, so that naturally made its way into my Awesome Game Idea.)

How long have you been working on your project? *Shroomy: ...A while. It's enough to say that I graduated from both high school and university with it. But to be honest, I didn't really do much with it until about two years ago. Right now I tend to think of the time before that as trial and error, playing around with ideas and learning to use the engine. I feel a little self-conscious about how long it took me to come up with a coherent story, but that might be a good thing. Since this is quite a personal game, it helped to grow as a person. I think it made for a more interesting and mature work than it would be otherwise.

Did any other games or media influence aspects of your project? *Shroomy: I feel like I take little bits of inspirations from everything. But I'd say Yume Nikki and Re:Kinder were the biggest game influences. Maybe Hello Charlotte, too - the minimalistic world gave me some food for thought :> Design-wise, I think my current (character) style is a lovechild of Danganronpa, Killing Stalking and something else I am not sure about. Maybe just me.

Have you come across any challenges during development? How have you overcome or worked around them? *Shroomy: I think the biggest challenges for me have always been centered around the lack of free time, the lack of energy or the lack of motivation. Some people manage to juggle life and gamedev, but I get exhausted really easily, so it's hard. This is an ongoing issue. I tend to try and free up a day just for relaxing and creative stuff. I've also started using the Forest app for focusing on things, and sometimes use it for gamedev as well. At the beginning I found it frustrating that my skills (in pixel art, for example) didn't match what I wanted to create. That one was improved by - you guessed it - making a lot of pixel art. Making and scrapping a bunch of tilesets for the game. It's as simple as practice and learning how to get the most out of your art program. (It also helps me to make a detailed sketch of a map before I start working, or at least brainstorm the main elements of it.) Another challenge was the incoherence of the story. Originally I wanted to make something really vague and open to interpretation, but... that actually didn't give me enough material to work with. In the end, I played around with the characters, tried to write them some backstories that no one was going to see, and somehow ended up with an actual plot..? Shocking, I know! And the final thing is putting gameplay into the game. To be honest, the puzzles in the demo were pretty random on my side, I just thought them up on the spot. In subsequent locations I tried to make them relevant to the game's themes and/or hint towards the story.

Have any aspects of your project changed over time? How does your current project differ from your initial concept? *Shroomy: For one thing, the current project has a story and a plan, even if the story is presented in quite an obfuscated way. The original concept was not much more than an idea of a shroomy world. The characters also have a lot more depth and pain to them than they used to. The locations have changed a lot as well, to the point where most of the original ones don't exist anymore.

What was your team like at the beginning? How did people join the team? If you don’t have a team, do you wish you had one or do you prefer working alone? *Shroomy: My team is mostly just me. At the beginning it was a young and naive me, and now we have a slightly older and better-at-art me. After I started my dev blog, I was contacted by Tommuel, who now helps me with sound design and music. And my old friend Robin has made a few NPC sprites for me, and might give a hand with more pixel art in the future. They're not really involved with other aspects of development, but I really appreciate their help anyway! I prefer to keep most of this game to myself - it feels too personal to share, plus I'm a bit of a perfectionist.

What is the best part of developing the game? *Shroomy: I would say it's putting my work out there and sharing it with the world. I'm also really proud of how much I've grown as an artist and writer through developing this. I got attached to this story and this world, with all of its fun, weird and sad details. It's also been really fun, amazing even, to get to know other devs and make friends through being part of this interesting and creative community. I owe some wonderful friendships to it.

Do you find yourself playing other RPG Maker games to see what you can do with the engine, or do you prefer to do your own thing? *Shroomy: I definitely play other games for inspiration, it helps me a lot. Though I try not to make things "just like" other games, but make it a transformative learning experience instead.

Which character in your game do you relate to the most and why? (Alternatively: Who is your favorite character and why?) *Shroomy: I feel like I have been through stages. At first I was Arnika, then Lina, now I feel like I'm turning into Arthur. I guess I put my traits into all of them. (Does that mean that Bernard is the next stage? I'm /so/ ready to transcend humanity, finally learn how to do maths and become everyone's favourite character.)

Looking back now, is there anything that regret/wish you had done differently? *Shroomy: I think the biggest mistake I made was jumping straight into making a game without thinking it through or considering the scope. In the end, the lack of planning set me back a lot. Admittedly, I was young and excitable, so I guess it was a learning experience? I didn't really know how to write stories or plan long-term projects, but over time, I somehow built up those skills. I think it's good to have a clear-ish idea of what you want to make before you start, and maybe start with something small. (So basically, do the opposite of what I did.)

Once you finish your project, do you plan to explore the game’s universe and characters further in subsequent projects, or leave it as-is? *Shroomy: Aha. Actually, yes. I have accidentally started writing two sequels already. They will be small games focusing on other characters' perspectives (as opposed to Arnika). I'm not actually touching them yet though, only making some notes and writing scripts. Perhaps by the time the first game is released I'll have enough material to comfortably work on them.

What do you look most forward to upon/after release? *Shroomy: Fan reaction, I think? To be honest, I'm not really sure. I think I'll just be enjoying the incredible dopamine rush after finally setting this child of mine free to explore the world and infect people's brains with all the shroomy memes it contains. (Also will probably get off the internet for about a week from the anxiety.) Then maybe being free to work on other things, indeed. And posting spoilery concept art >:D

Is there something you’re afraid of concerning the development or the release of your game? *Shroomy: I am a little worried about the reception of the game's subject matter. If you looked at the list of warnings, you might have an idea what I mean. Sometimes it feels dangerous to explore certain themes in your stories, because people misinterpret depicting something bad as promoting it, for example. But that's why that list exists. I'm just going to let people know straight away that I explore dark themes in this project and I'm not going to hold back on how I do it. Creativity should flow freely, I think. (I am also a little worried about the ratio of my free time vs. gamedev time and /when/ I will finally be able to release it, but... Thankfully, I'm the one in charge of that.)

Do you have any advice for upcoming devs? *Shroomy: Take some time to make a plan for your project, start small, fail faster, and aim for something finished before you aim for perfect. Make a system for organising your files. Back up often, and on a different drive/cloud than your game is on, preferably several. Most of all, make something you would love to play! And don't be too hard on yourself.

Question from last month's featured dev @blackcrystalsrpg: What are your game dev pet peeves?? *Shroomy: I dislike the fact that sometimes I want to have made a game more than I want to make a game, but to have made a game you need to go and make the game. ¯\_(ツ)_/¯ But there's no escape from fate, so... go, go and make that game happen!

We mods would like to thank Shroomy for agreeing to our interview! We believe that featuring the developer and their creative process is just as important as featuring the final product. Hopefully this Q&A segment has been an entertaining and insightful experience for everyone involved!

Remember to check out Shroom Soup if you haven’t already! See you next month!

- Mods Gold & Platinum

#rpgmaker #indie games #pixel games #rpg maker #rpg maker 2000 #shroom soup #gotm #game of the month #gotm august #august 2018 #august #2018 #interview #game making #game dev

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wonderfulworldofmichaelford · 6 years

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Disenchantment review

Matt Groening is the kind of guy who really knows how to parody the trappings of a genre really well. He did it to the American sitcom with The Simpsons, he did it for sci-fi stories with Futurama, and now he sets out to do it again with his high fantasy black comedy on Netflix, Disenchantment. Considering the former two are two of the greatest cartoons ever made - and it is pretty easy to argue that The Simpsons is in fact the greatest cartoon ever made - this show has a lot to live up to. Or, well, it does if you wanna be all snobby about it.

I feel like despite this show having only a single season so far, everyone and their grandma are gonna be trying to compare this to Futurama or The Simpsons, and I feel at this point it’s really unfair. It’s like comparing a newborn baby’s accomplishments to those of The Beatles. Of course, that begs the question of how this show is on its own. Well, let me tell you after summarizing the plot:

The story is set in the kingdom of Dreamland, and sadly there is no Kirby to be found here. But much like Kirby, there is a fat bastard king running things, King Zog, who has his hands full being a terrible parent to our heroine, Princess Bean (it’s short for “Teabeanie”). Bean is a rebellious, alcoholic troublemaker with a heart of gold - think if Bender and Leela had their personalities mixed together - who alongside her two friends Elfo the awkward, goodnatured, dweeby elf and Luci the snarky demon goes on all kinds of magical, alcoholic, and hallucinogenic misadventures in her kingdom. Laughs are had, villains are thwarted, friends are made, and drugs are taken. You know, the usual. It sure SOUNDS like your typical adult comedy, but it’s not quite that bad.

Like I said, it’s really unfair to compare this to Groening’s other work at this stage. However, it’s pretty obvious that a lot of his characters here take up the archetypes of characters from his other shows. Bean has elements of Leela and Bender, with her badassery and can-do attitude of the former with the rowdy, alcoholic, and cynical nature of the latter. Elfo has elements of Fry, with his general dumbness and naivete, and appearance-wise he strongly resembles Bart. Luci has the personality of Bender in the opposite directions; where Bender was loud and rowdy, Luci is soft-spoken and aloof. And Bean’s half-brother Prince Derek is basically blue Ralph Wiggum. Of course, they’re not straight-up ripoffs or anything, they’re still identifiable as their own characters and they have unique traits to make them unique and interesting.

Let's look at our main trio: Bean is a pretty enjoyable heroine, and feels kind of odd amongst adult animated shows for being a female character who gets to be in the same sort of situations you’d find someone like Homer Simpson or Peter Griffin or Rick Sanchez. She gets drunk, fucks up a lot, and is generally just a fun character. I’m not going to make some bold claim that she’s the first female main character to ever do this or whatever, but I don’t know, adult animation seems so dominated by male fuckups as our protagonists that it’s nice to see anything with a leading lady being a fuckup. Comedy should be egalitarian. Elfo is also pretty enjoyable, what with his naive nature and just generally how upbeat he seems to be all the time, though I will say his characterization is a bit of a roller coaster this season. He starts out as a miserable, horny elf who wants to get away from all the happy sappy crap his kind does, and then he ends up dropping a lot of this to become a sweet, bumbling dope with a crush on Bean. He’s a good character, but it feels kind of awkward, almost like halfway through the first episode they decided to write Elfo differently. They do a good job at keeping him consistent the rest of the season, though. Finally there’s Luci, the little shadow demon voiced by Eric Andre. The fact he’s voiced by Eric Andre should tell you that he is the best character in the whole show, but his design is absolutely great too, being a simple two-dimensional shadow creature. He doesn’t even feel like he belongs in a Matt Groening show in the best way; it’s nice to see him branching out, especially when a lot of characters on this show look similar to a lot of the characters on his other shows (though there’s at least an equal amount who don’t look like a typical Groening creation; Luci is just the biggest example due to being a character we spend a lot of time seeing). The supporting cast is rather colorful and enjoyable too, and really help flesh the world out. Some standouts include Tess the eyepatch-wearing giantess; Queen Oona, Bean’s amphibian stepmother; Odval and Sorcerio, two members of the court who are constantly aiding Zog in his magical endeavors; and Prince Merkimer, a self-absorbed prince voiced by Matt Berry AKA George the Volcano of Volvic fame.

Now, the show’s greatest strength is its serialized nature and tight continuity. Groening has proven in shows like Futurama he can create really well-done story arcs, though of course that show was very episodic and had story used sparingly. Here, there is definitely an overarching story, and while some episodes may seem like simple episodes at first, elements of them all come back into play in the finale. It’s frankly impressive, especially since a lot of the elements that appear are ones that you’d see as one-shot things in just about any other adult comedy these days. For weaknesses, I do have to say this show is not gut-bustingly funny or anything. Sure, it has its moments, and the black comedy is definitely a lot better than that of its contemporaries, but it’s definitely a show better for story and characters than the humor. Still, there are a lot of funny gags, just don’t expect to be rolling on the floor throughout each episode.

Disenchantment is a show with a hell of a lot of potential. It had a wonderful first season that started out a bit awkward but steadily improved to an incredibly done finale that is already twisting a lot of what we know and setting up some serious stakes for season 2. For now, I give this show an enthusiastic recommendation. If you’re looking for a show that parodies fantasy tropes the way Futurama did to sci-fi, here you are! If you’re looking for a serialized adult comedy that actually tells an ongoing story while also being accessible as an episodic series if you choose to, here you go (Rick & Morty should take notes)! This show does a lot of things better than its contemporaries, and I’m looking forward to seeing it grow even bigger and better with its next season.

#review #tv show review #Disenchantment #Matt Gorening #adult animation #season 1 #animation #comedy #black comedy

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curestardust · 5 years

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this is a seperate sequel to Aikatsu with a new cast and story | more character and plot focused

Aikatsu Stars! changes some things up compared to its previous season, for better or worse.

Aikatsu S1 seemed to focus on introducing as many new girls as possible. This worked for making sure that everyone found their “best girl” but was also a drawback as basically as soon as a specific girl’s arc ended you may not see them perform again for the next 50 episodes. Stars is vastly different. We have a set cast of characters and only get a few new ones introduced when the anime has spent enough time fleshing out the original ones. Almost none of the important characters get forgotten and dissappear for long periods of time. Which is great if you found a favourite character. IF, you did.

In Aikatsu S1, we didn’t have anyone with an “offensive” personality. They were all tolerable and you could easily get used to them. Stars! is different and starts out on the wrong foot. We get our main, Yume, who is a typical ditzy blonde. This immediately made me uncomfortable because the reason I loved Ichigo was because they didn’t force her into those typical main character tropes. Then we have her best friend Koharu, who basically gets showed into the back, making her somewhat irrelevant for the first half of the anime. And then we get introduced to the rest of the main cast; Laura, Ako and Mahiru. The problem? All 3 are a certain level of tsundere. Ako is 100% one, Mahiru is like 50% and Laura 30%. This was NOT a good decision. As I said, the first half of the anime mainly focuses on these 4 and as someone who doesn’t like the tsundere character type I got annoyed by their behaviour numerous times.

Fortunately, this gets better as the anime goes on. As we enter the second arc, the attention somewhat shifts on a new group fo characters and everyone goes through a lot of character growth. Still, I feel like they spent way too much time before committing. For example, Ako’s main character development happens around episode 80...of the 100 episodes. Like...

There’s also a bigger focus on the overarching plot. In Aikatsu, the story mostly consisted of smaller challenges like auditions and units with there not really being a bigger end goal. In the first half of Stars! the main plot is preparing for the S4 Selection and in the second half for the Aikatsu Rankings. There’re plenty of side stories and fillers but in the end the anime always comes back to advancing towards the main plot.

There are less songs and performances in Stars! which is kind of a bummer, however the songs are all amazing as usual and their performance dresses and stages are even prettier and more detailed than in Aikatsu.

The original season was a simple weekly wind down with minimal stakes, cute characters and pretty performances. Aikatsu Stars! becomes more of an actual story. If you go into this right after the 170 episodes of Aikatsu, it’ll be kinda weird. But as the anime goes on, the characters grow and form friendships and the plot keeps you interested. You don’t need to watch Aikatsu to enjoy this season as they’re almost completely seperate. [7/10] (x)

Recommend: HELL Yeah! | Yes | Eh??? | Nope | This anime killed my parents

if you want: MICROBIOLOGY / to know the inner workings of the body / charming cast of characters / creative writing

I’m finally delving into the plentiful Summer Season offering, starting with “Cells at Work!”

I didn’t even take me a second to add this to my PTW. Science? Hell yeah. Overly dramatic portrayal of science in anime form? HELL YEAH. I’ve always been a sucker for stuff like this and I just couldn’t skip it.

So, how was it? Eh...there’s good and bad and seeing how popular this anime is, this review might get me killed but here we go anyway.

First off, let us get the small stuff out of the way. The music is fine but nothing remarkable. The animation is uh....questionable. The artstyle itself is a bit weird but it is not something I judge but the movements of the characters is so...uncanny at some places? Just watch the opening where it opens on the 2 main characters running and there’s just something wrong there. Fortunately, this problem isn’t very noticable most of the time as the anime uses a lot of quick cuts between dramatic stills and short action sequences. Still, the animation and the art is, also, just fine.

There’s no overarching plot, which is neither good or bad. The episodes are well....episodical. Very much so. One episode ends with a seemingly deadly antigen invading the body but the next episodes don’t even mention it.

I feel like it is also important to mention that if you’ve never studied biology in depth IN ENGLISH then some episodes can get insanely hectic. Whenever there’s something happening with the body, there’s a new antigen or a new cell showing up, the show stops and a very nice female voice explains what they are and what they do. However, there’s so much science lingo in these explanations that 50% of the time I was like ???????? BUT this doesn’t mean that the anime is completely incromprehensible, especially if you don’t particularly care about the real life explanations and just want to see some action.

So, why is Hataraku Saibou so popular? From what I’ve seen, there are mainly 2 reasons: the cast and the creativity. It is clear that the writers have a deep knowledge of the base material and they also love it. I see some fans reading about microbiology, trying to connect the things that appear in the anime with their real life equivalents. From just one look, “Cells at work” looks like some mindless fun somewhat based on the inner workings of the body but, no, this shit is DETAILED.

And the cast. People seem to be in love with the 2 main characters’ personalities and relationship (oh the shipping!). There’s also a nice secondary cast of characters surrounding them. The designs are all very distinct; White Blood Cell U-1146′s full on white body gear and Red Blood Cell AE3803′s Red cap and jacket are already quite iconic and easily recognizable.

Listen, I personally didn’t get into Hataraku Saibou. It was a fun, educational albeit somewhat mediocre one time watch for me. BUT I’ve been part of big fandoms before and I can see the appeal. The cast is charming, the world is vast and the writing is full of creativity. If you’re even slightly interested in this anime, watch it! And hey, maybe it will suck you in just like it did with a bunch of other people. [6/10] (x)

Recommend: HELL Yeah! | Yes | Eh??? | Nope | This anime killed my parents

if you want: (quite weak) horror/thriller / RPG maker game adaptation / unique chemistry between main characters / somewhat religion themed??

Gotta say that it’s been a while since I’ve seen something as incompetent as Satsuriku no Tenshi. This anime is an adaptation of a “horror” game that was created with RPG Maker. Now...people are capable of creating some great games with RPG Maker, I’ll not deny that. However, I’m pretty sure that everything that was lacking in the game got transferred over to the anime itself. I watched some short gameplay videos and the first thing most will notice is the quite weak dialogue.

I’ll start with the few positives I found. The story itself is quite intriguing, as it is the reason I gave this a watch. The chemistry between the main characters are unique and I didn’t find it sexualized either however the fandom generally seems to ship them which makes me wanna vomit as Rachel is 13 and Zack is 20 so it’s....ughhghghgh.

The Opening and especially the Ending track are quite nice and uhhhhhhhhhhhhhhhhhhhhhh... yeah. Now let’s talk about the BAD.

Character designs are incredibly generic and resemble a 12 year old’s DeviantArt OCs. The OST would be alright however the same tracks repeat over and over and over again and it drived me up the wall! The dialogue is incredibly bad. The characters have the exact same conversation at least every episode if not multiple times in an episode. And they lack pauses. As soon as the action stops someone starts talking even if what they’re saying is irrelevant and could’ve been left unsaid.

However, the worst offender is the pacing. The creaters of this anime completely failed in adapting a video game into a series. If you’ve played RPGs you’ll immediately notice the patterns the characters follow. Enter Room. Dialogue prompt which gives you quest. Go somewhere. Pick item/push button. Go back. Dialogue prompt. Repeat. There’s even a segment where they are solving a puzzle and while that part of the story was quite tense as important information was being revealed, I can imagine this working SO MUCH better in the game itself, where YOU are the one solving the puzzle while YOU are under pressure. In the anime version a huge part of the appeal is lost and it’s basically like watching an animated gameplay.

I’m seeing people praising this anime. I don’t get it this time, at all but whatever. Personally, I’d not recommend this anime. It’s a drag and a waste of time. (3/10) (3/10) (x) (x)

Recommend: HELL Yeah! | Yes | Eh??? | Nope | This anime killed my parents

#dusty reviews #aikatsu #aikatsu stars #hataraku saibou #cells at work #satsuriku no tenshi #Angels of Death #Aikatsu Stars!

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