#not that much cathartic

[slimynematode]

after the house fire

#not that much cathartic #it's about ripping out your bones and flesh tk rebuild what was lost #and feeling like the place u live is a physical appendage that gets destroyed #it's back up now 👍 #i never really talk about it though #this is for my friends charity zine #art #my art #comic #it's cyclic as u relive the event #poetry

[unspecifiedfigure]

his ass is NOT listening

#this was cathartic to draw #like i’m moving away from stranger things (i feel it in my soul) but these two are just so familiar that i just draw them by default #i will always love warm light coming through a window though that much is evident #anyways maybe my last steddie for a while #trolls and cod here i come #stranger things #eddie munson #steve harrington #steddie #my art

[athenagranted]

the way i would pay for oliver to write meta about buck's character

#like. he Gets it. i've been thinking about buck in this ep for five days straight and he said it better in one sentence than any paragraph #i could ever come up with #people are arguing over whether buck #acted the way he did bc he wanted tommy's attention or eddie's attention or bc he was feeling left out or whatever but i don't think it's #any one thing i think it was just a general feeling of Wrongness when tommy showed up borne from thirty years of repressing his sexuality #and he tried to rationalize it as jealousy or whatever and worked through the fact that his behavior was completely unreasonable but #it wasn't until tommy kissed him that all of the rage that was trapped inside him was allowed to escape bc he finally had a name for it #he's been turning over parts of himself for years trying to find that final piece and getting more and more upset when it eludes him #n this kiss was the kind of cathartic relief that he so desperately needed bc it allowed him to understand what's been missing #anyway. oliver stark i love you so much i'm so grateful you play buck #buck #rae.txt #911

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

#mash #this was dumb but writing it was somehow cathartic for me lol #i should've done this with frank and hawkeye as foils wrt subverting masculinity bc i think that would've been much easier #but i got caught up in this honestly. it's incredibly fun to write this kind of shit #maybe i'll post a round 2 sometime #marley on mash #ship ht #mash gs #and like... it's a little bit parodic but also sincere to an extent lol. this is absolutely one way of reading all the freudian #undercurrents in the show. it's definitely silly to contrast trapper and the military to make a point about how the show depicts #masculinity especially for like 1800 words lmao but it's a very fun angle #trapper mash #hawkeye mash #long post

[prismaticpanic]

Finished it! Mwahahahaha! @angelpuns DTIYS completed! I swear I got possessed to sketch and color this lol Kid Leo AU is such a serotonin boost on bad days and has def helped me through some rough ones. I'm so happy I got to participate in this!

#nyruartstuff #rottmnt #rottmnt leo #rise of the tmnt #future leo #angelpuns KidLeo AU #KidLeo AU #dtyis #had so much fun coloring this #very cathartic

[hajihiko]

Having an angry little friend can be good when you need someone to be pissed on your behalf

#I've always found it very cathartic when people get angry over stuff I've kinda chilled about #I'm no good at being mad but I like to be bitchy on my friends behalf so they can feel the vindication without being mean lol #Fuyuhiko kuzuryu #Hajime hinata #Sdr2 #Super danganronpa 2 #Danganronpa 2 #Kuzuhina #They're talking about the Experimental Human Rights Violations #An art #I think everyone should get to indulge in punching things about their issues just as much as they should cry and laugh abt it

[beanhusk]

the doctor took donna's memories as she cried and begged him not to. she would rather die than forget. still, he robbed her of agency. he played god and betrayed her trust.

here he finds himself, lifetimes later, caught between saving a city and keeping her alive. what she wants is to give her life and save her family, save millions. why does it have to be this?

he listens this time. without argument, he returns what she lost. he honours her choice. and if she dies while he holds her, she dies remembering. smiling. the doctordonna forever.

#except she doesn't even die yayyyyyyy 🥳 #sorry for waxing poetic i am so embarrassing but i love parallels & i love subversion! #liiike. i'll choose 55 more seconds of life if i can be with you. if i can know who i am. if i can save who i love. if i'm whole. #as much as i wanted donna to be sooo angry with him #ik the episode didn't have time for that & also #this journey's end reversal felt so redemptive & cathartic i can't even complain #doctor who #donna noble #tenth doctor #fourteenth doctor #doctor who spoilers #bea.txt

[cheerioskid]

putting mcyt ponies in my pocket

#i love mlp so much #combing it with my current obsession is cathartic #solidaritygaming fanart #tangotek fanart #double life ranchers #pearlescentmoon fanart #gtws fanart #mumbo fanart #grian fanart #mcyt #mcyt fanart #mlp fanart #traditional art #my art

[ramshackledtrickster]

Sorry John Henry’s redesign in the new Disney trailer thing was bothering the shit out of me

#my art #bro idk what happened #once upon a studio #watching Disney bleed is so cathartic n I didn’t wanna post anything abt it but holy shit this redesign was bothering me so much

[moonyinpisces]

puttin’ on the ritz by moonyinpisces

rating: E wordcount: 10.1k TAGS: crack, smut, humor, roaring 20s, new york city, demonic temptation, very very silly complete

#<333 this is literally a crack fic. do not expect much from this #so so so cathartic to write #love writing the boys absolutely stupid #good omens #good omens fic #good omens fic rec #smut #ineffable husbands fic #ineffable husbands #azcrow #moonyinpisces writes

[dinzeeyz]

Self reflection

#when other!martin said that i swear my jaw dropped cause we ALL knew it but hearing him admit it out loud felt so cathartic #idk i related to him too much ok #magnuspod #the magnus archives #martin blackwood #dini art

[firenati0n]

and all i can taste is this moment, and all i can breathe is your life

by firenati0n on ao3

T | 9999

tags: city of angels au, guardian angel henry, lawyer alex, 5+1, dual pov, hurt/comfort, angst with a HAPPY ENDING! NOT THE MOVIE ENDING I PROMISEEEEEEEEEEEEE

“In all the years, across all the universes, in the midst of all these people…you saw me. You felt me somehow. A gossamer fine thread connecting us, yet you grasped and tugged and held on tight. If losing my wings means I gain you, then that is a loss I will bear with gratitude.”

Five times Guardian Angel Henry yearns for a truly human sensory experience, and the one time he feels them all at once. Or, Henry discovers the joys of humanity through Alex’s eyes, finds himself, and falls in love. Or, Henry takes a leap of faith, and Alex catches him.

xoxo roop

also i know i talked about this in literally january so tagging some folks who expressed interest in this in the past pls don't mind me <3 ilysm xoxo

@ninzied @suseagull04 @onward--upward @duchessdepolignaca03 @@candyspandemonium @anincompletelist @inexplicablymine @heysweetheart-writes @wordsofhoneydew @nocoastposts @onthewaytosomewhere @magicandarchery @celeritas2997 @cha-melodius @junebugclaremontdiaz @kiwiana-writes @eusuntgratie @bigassbowlingballhead @hgejfmw-hgejhsf @littlestar2911 @leaves-of-laurelin @tinyarmedtrex @galitzine-nick @anchoredarchangel @gltzine @getmehighonmagic @thirdeye1234 @movetoheavens @starkfridays @indestructibleheart @littlemisskittentoes @songliili @theprinceandagcd @gay-flyboys

#rwrb fic #fics #rwrb #roop writes #fic: angel au #fanfiction #another genre unlocked: hurt/comfort and angst #adding to my roopertoire #(thanks for that fun word anchor jasdkfjalsf) #i have been avoiding this wip since january #and it is finally done #and i cried every time i sat down to write it #and it is so deeply personal to me #so i hope you love it as much as i do #felt cathartic to write #i am henry fr #i need my alex expeditiously #the situation is getting rather dire

[thru-ur-alarms]

WAKE UP NEW POLENDINA LORE DROPPED

#lies of p #this tweet is sending me to an early grave #I AM CRYING SO MUCH AGJSJNX #polendina #antonia #there's so much i could say about this but. I'll save it for later. all i can say is #LET THEM HAVE THEIR HAPPY ENDING DAMMIT #I've never fangirled over a ship this hard in a while. this is kinda cathartic? but also. so sad.

[whoistrash]

Why change matters and how Amphibia did it better than The Owl House.

"Watching and Dreaming" made me cry a lot during its premiere. I was amazed and, I'd say, dazed by it. Then I forgot about it for a while. Now I finished re-watching Amphibia for the first time since TOH ended. My hype died down, and I have some thoughts. A lot, actually.

Amphibia's ending was incredibly painful and made me sob like a baby for two whole weeks the first time I watched it. That's because it was not only beautiful and heartbreaking, but truly GOOD. Brilliant, actually. I absolutely agree with a statement that any other ending would literally be a contradiction to the whole main plot, especially Anne's arc. The girls had to learn to let go in order to grow as individuals - the thing they had the biggest problem with. Saying goodbye was the only logical option, plot-wise. It still hurt like hell, though. Separating the multidimensional, against-all-odds relationships (especially my beloved spranne. Ouch, ouch, ouch). The Owl House does no such thing - everybody stays together. They live happily ever after.

Paradoxically, I think that it's the main reason why I'd choose "The Hardest Thing" over "Watching and Dreaming" every single time. I know we shouldn't really compare them in EVERY aspect, since TOH had way more things to deal with in the final episode, but the fact that Luz got to not only stay, but to freely travel between worlds as she pleases really took the whole "growing up and finding your true self no matter what the other people do/say about you" thing out the door. Luz from season one, episode one, and Luz from the finale are not really that different. Well, she certainly became more traumatised and depressed than before, but in terms of personal growth? Nope. Luz - from the very beginning - was cheerful, open, caring and very selfless, willing to literally help every stranger she met no matter how it would affect her. She had little to no boundaries, but, well, you can't argue that she was A GOOD, SELFLESS PERSON. Now, we could say that her arc here would be learning that sometimes you should put yourself before others, that you can't save everyone, that you can't trust every person you meet. And she learns it! She fucking does! She helps Philip not knowing who he will become, and then suffers from the consequences, because she helped the wrong person. And then it's all erased, when she saves Collector's life and meets Papa Titan (or whatever we call them).

I have so much to say about this. All of TOH's "villains" (Amity, Lilith, Hunter, The Collector) that were given a redemption arc literally get turned into lifeless, edgy trauma dumpsters, that suddenly loose all of their previous character, quirks and sass (well, maybe except for Lilith, she just started to express them differently, I think, but still, it was WAY too big of a change). I won't dwell on it (since many, many fans called it out already - as they should), and will focus on something different. The only one marked as irredeemable is Belos. Good. Okay. He's irredeemable, because he's a white, christian puritan who won't listen to anyone but himself. Also a genocidal maniac. That's the lesson for Luz here. "You can't save everyone. Some people are just straight up evil". And it's very, very true. But.

From all of the "villains" I mentioned before, Belos is the one that had the most reasons to, let's say, take a dark turn. Those reasons are what makes him irredeemable - he's just too convinced he's right, because, in his mind, he has evidence to prove it. But how do we learn about this? Maybe by seeing his part of the story? Maybe by learning about his brother and Evelyn, about their relationship? It couldn't be straight up awful, since Philip literally brought his brother back to life over and over again, he wanted his brother, or at least the picture of Caleb that satisfied him the most. There was more to it than only "you betrayed me and now I will hate you forever". Do we get to see any of that? No. Instead we get an all-knowing, all-doing being that literally choose Luz as "the one" for being kind and trusting, that convinces her that Belos is, indeed, a lost cause. Do you see where I'm going with this?

Luz, the person that on the literal episode two was told that there is no such thing as a "chosen one" and that she can't always hop into action to save everybody, because, it's, well, not always possible, DOES EXACTLY THAT in the finale by taking a bullet for The Collector, the, you know, very freshly redeemed and suddenly cute and funky villain, whom Luz trusts immediately. AND SHE IS REWARDED FOR IT BY BEING MADE THE CHOSEN ONE. BY A GOD-LIKE BEING THAT CLAIMS TO BE ALL-KNOWING AND CAN DECIDE WHO IS RIGHT AND WHO IS WRONG, BECAUSE OF PERSONAL (King) REASONS. Just like, you know... Belos? The irredeemable villain? And then Luz lets go of the moral dilemmas that's been keeping her up at night for the past months, makes up her mind, defeats the bad guy, learns nothing, and gets to stay in the Boiling Isles and on Earth. With her beautifully redeemed girlfriend and friends whom she kept secrets from and lied to out of fear of being ostracised (you see the pattern here, right?) for, again, months.

I love Amphibia. I love The Owl House. But Amphibia handles it's "villains", generally wronged characters and the whole change/no change thing way better. Well, maybe besides the Core - they got a bit wasted in my opinion. But still. Sasha. Grime. Marcy. Andrias. Anne herself. They learn and change. And more importantly, they face consequences and come to understand and accept them. There's no "chosen one" here. Anne gets the proposition because she's the first one to use the music box for good in literal millenia. A fact, plain and simple (not an opinion based on personal motivations), that makes sense plot-wise, and adds so, so much to Anne's arc. Because Anne from season one, episode one wouldn't care. The one from the finale cares very damn much. And that's the biggest difference.

Saying goodbye makes the message way stronger. The more I think about it, however, the more I'm starting to be afraid that there's no The Message in The Owl House to begin with. Luz learns very little, yet ends up with everything she ever wanted. There's no power behind it. The "find the right people and choose to trust them, not everyone will be your friend" and "some things are out of your control, some people are just bad" aspect is even weaker, as proven by basically the whole season 3. I will end it by my favorite quote from Amphibia, that I think about on daily basis. Have a good day, y'all.

"Change can be difficult, but it's how we grow. It can be the hardest thing to realize you can't hold on to something forever. Sometimes, you have to let it go; but, of the things you let go, you'd be surprised what makes its way back to you."

#the owl house #amphibia #watching and dreaming #the hardest thing #luz noceda #philip wittebane #anne boonchuy #sprig plantar #toh critical #kinda? #i love this show too much to fully criticize it but i had to write this #it was cathartic

[skinnypaleangryperson]

This show is so good at small little details to reveal what's going on in the characters headspace eventually. The way that he was so obviously in that blank stare and space feeling god knows what fighting a silent battle of what is probably profound suffering if you love deeply, which obviously Rick does, and then instantly bumbled up and made a little quirky joke and then smiled and went back to having that mellow but distant tired look on face, which we've seen him do plenty of times before-it just goes to show that it's all just a performance, and that he probably has been feeling this way the majority of the time.

I know that we already know that Rick is miserable, obviously, for a multitude of reasons, but this just really said in stone the extremely and deeply deeply depressed in pain that he's carrying around with him all the time.

#I feel like I'm an outcast consumer for feeling this way #but if you suffer from severe depression or from grief in some way #or alcoholism etc #these shows can be so cathartic to watch or at least as much as watching a show can be #rick and morty #rick sanchez #my baby ❤️ #I'm so content to grieve with him for the rest of my life #I don't know how to explain it but with the way that he's written I can feel the stimulation of his pain as if it's a real person or as if #it's my own. #it's probably because we both feel and love and not get over things incredibly similar ways

[cemeterything]

you know those posts about taking psychic damage from a character who's so much like you it's like getting slapped in the face with a mirror (derogatory)? current blorbo of the month is so relatable he's literally making me do therapy

#🐉 #its actually kind of horrifying how similar we are but in a cathartic way idk #i cant even talk about which character it is because it feels too personal lmao #this isnt like a kinnie thing or whatever i know hes a different fake guy from my shows im just #shocked at how much we have in common both in canon and fan interpretations. like fuck man! #anyway he made me start working on recovery and confronting how not that great my life has been #both because of the actions of other people and my own decisions. so thats cool. it sucks. but its been good for me.