Dancing in the Dark Invisible to Mortal Eyes
Lawrence Paul Yuxweluptun
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Penticton, British Columbia
19-Sep-2018 | R. Clark-Martin
#0022
Postcard
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three graces on a hot day
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(via Seafood Fettuccine) Lemongrass imparts a floral citrus note to this seafood fettuccine, harmonizing with wine and balanced by cream.
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Quail Statue, Keremeos BC
-Rob604
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If you're planning on travelling to the Shuswap/Okanagan right now for 'vacation', then please, do not. You are not welcome right now. Keep traffic as much to a minimum as you possibly can while locals and families try and figure out their next steps to safety and security.
Meme under the cut because I've been crying for hours.
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Kellys R Large Ovoids
Lawrence Paul Yuxweluptun
from the website:
The ovoid form is often used to make patterns and figures in traditional Salish art, a people from whom Yuxweluptun is descended, in addition to his Okanagan heritage. In this work, Yuxweluptun abstracts the ovoid by removing its layers and presenting it as a complete and separate entity. He challenges the way in which Indigenous art is represented and judged in a formal, Euro-centric context. By doing so, he reclaims his right to construct an Indigenous identity outside of colonial narratives.
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Penticton, British Columbia
11-Jul-2018 | R. Clark-Martin
#0063
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Lakeside camping at Okanagan Lake Provincial Campground.
Peachland, British Columbia
1958
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