#one of the more things i want to learn and improve is how to make backgrounds ugghhh
I know this is gonna be mushy and overly emotional and I'm sorry for oversharing a bit, but I feel like it's necessary to put into words what rewatching We're All Doomed means to me personally. I watched the kiswe premiere event live and it was one of the most fun nights I've had in a while, even though my life felt extremely hopeless at the time.
And, look, here's the thing: when the WAD premiere dropped, I had completely given up on improving things. In fact, I was very much in the 'doomed' mentality. I had long accepted that there was no way my life would get better. So Dan's message really resonated with me: it's easy to settle for being at rock bottom and thinking that's all there is for me. I was happy to see Dan doing better, but deep down I didn't truly believe his words either, not really. I did want to, but I wasn't quite there. And I don't believe them all the time, as he himself said he doesn't, and doing the show many times hammers the point home into his head.
After experiencing it, I thought maybe, just maybe, I could stop only embracing the void, but start having the courage to exist as well. Putting myself out there more, trying to make a world for myself in which I'm not the :/ emoji all the time. So I applied for the jobs, I wrote what I wanted, I unapologetically embraced the nerdy things and the fandoms I enjoyed. I decided I can choose happiness in the smallest of ways, even when it sounds silly and unimportant. Because it isn't unimportant really if it means something to me.
Rewatching the show last night showed me how much it changed my life and the big leaps it helped me take in life. I have so much more to learn, but I keep telling myself to be brave (lmao sorry had to sneak the Phil reference) and have the courage to exist. Really truly exist out in the world, not hidden inside my room. And sure, some days are harder than the others, some days I really don't like myself at all. Even in those days, though, I tell myself: all I have to do is have the courage to exist.
I went in to watch WAD with no expectations, and I feel like the message of appreciating the little moments was so monumental, it truly absolutely had a huge impact in my own life. I have a job now, and some financial stability. To be honest, I never thought I'd get this job, I might not even have applied if I wasn't in this mindset. In so many ways, Dan and Phil have profoundly changed my life, and I think WAD is just one of those big examples.
I doubt the real humans Dan and Phil will ever understand the impact they've had on this world, but I'll forever wish them the best. I'll always support them, because their creations have irrevocably changed me as a person, and as much as I like joking around and stuff, I'm just thankful that we share this existence, and we get to have fun and be forever changed by it.
Thanks @danielhowell, you'll never know how huge the impact of this show was, but I am truly crying writing this and I hope one day I get to tell you in person how much you inspired me to keep going when no one else would.
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Just wanted to say thank you so, so much for writing Fate's Favourite. I actually found and loved your blog before I ever found that fanfic, and it was a delight to know it was written by you, and it's so clear how you've improved. But Fate's Favourite will always have a part of my heart, because it's the first story I've read that just has a platonic friendship that feels as equal as a romantic one without being romantic? And as a lonely aroace that means everything. EVERYTHING. (1/2)
(2/2) I had a conversation today that reminded me that I'm never going to have the queerplatonic relationship I want that I've always wanted since I was a child, and how it makes me want to write one so much more, but then I've never managed to write the story I've wanted to write my entire life because I'd always be afraid of being accused of queerbaiting or people just going, 'but it's actually just a gay romance this isn't what friendship looks like' and just. Thank you for Fate's Favourite.
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Wow. FF is a blast from the past!
You are very welcome.
Apologies for the long, self-indulgent reply.
That story was one of the first things I ever properly wrote and my first (maybe second?) truly long-form story ever. I thus have a soft spot for it, even though in terms of craft and technique I can't so much as look at it without seeing all my numerous beginner flaws and cringing and can't bring myself to actually point people to it. Much improvement since then, as you say!
(An excellent reminder that writing is a learned skill.)
Anyway. The other interesting thing about that story is that I wrote it before I'd ever heard of asexuality or realised that was what I was. I was a very confused teenager being bombarded with this pressure to have crushes and date people and all that general societal messaging we have about romance being the most important thing ever. Especially in YA.
So I'd go home after school and write that story.
Obviously it's more unhealthy than what I'd want for myself in my real life, but the sheer intensity of feeling and importance of the platonic main relationship was something I had also never seen before but craved. And still crave, honestly. So I feel ya.
As for queerbaiting...
A lot of readers at the time told me they viewed the story as 'pre-romance'. AKA, it's a romantic relationship and they haven't realised it yet for whatever reason. They mostly didn't mean that badly, I don't think.
(Although I sometimes think though that if the term 'queerbaiting' was as broadly known and misused then as it is now that I would have been mercilessly lambasted out of ever writing again! And I wouldn't have known how to articulate the fact that wasn't, actually, what I was doing. I think we need to be kind to new writers. I think 'content creator' is gutting something vital in the ecosystem. But that's another rabbit hole.)
So I've been there. It happens. But other people's bad takes didn't change the story and what it meant to me as a lonely ace teenager or what it meant to you.
I have had readers before make a similar comment to you about how it was the first time they got to see something so important to their heart portrayed.
That matters so much more than whatever people say about your writing who don't need it.
Which is why we have to keep writing the stories.
Even if it's clumsy and raw. Even if it's the first thing you've ever tried. Even if it's (especially if) it's a messed up fantasy straight from the most primal part of your brain.
If we don't write it, it won't exist.
And that's so much worse.
The nay-sayers can come to the party, but it wasn't thrown in their honour.
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A step not forward but to the side.
First off, this family time tale is a nice idea.
Shorts is a good idea too. Filling in gaps without having to commit to a story, but that's also the issue and has been for a long while.
Though it's nice to have the sisters enjoy a day together, we gloss over what little we were offered in the first place.
Millie
The Millie episode in season one had the family be tough farm folk who were open about their disappointment at Millie's choice of partner and lifestyle, which truly didn't have to take away from Millie but it did because that was all their entire yet breif content and throughout these scenes, as is now usual, Millie had zero to say on the matter. It was up to Moxxie to find an excuse to finally stand up to the parents after making all the effort, though the impression of bridges burning thankfully wasn't there, Millie still had nothing to contribute.
Fast forward to this short and Millie has nothing to say on any matter. Moxxie not getting a mention doesn't make it more of a Millie story when Millie yet again has no argument for her frowned upon choices even when they're bought to her attention...
Why couldn't she defend her job?
Why couldn't she defend her choice to move?
Also for us...
Why didn't we learn why Millie moved to the city and why this particular place?
Did she leave home abruptly and why?
Did she always give the impression of wanting to be elsewhere?
When did Millie discover she loved spar days, shopping and clubs and why don't we know these things?
Dispite her lack of anything to say, I was impressed by Millie not feeling guilty about leaving the farm, but again this could be yet another example of nothing to say (if only at atleast one of the 'also for us' questions had been addressed)?
Sally
BS on Sally running that place alone, this is yet another example of pushing blame onto someone else to make a character seem nicer and more innocent, this show has a history of doing this, Stolas is sad because of Stella and (somehow) to a lesser extent Paimon being one example but there's one better. What we saw was a close knit family who were united in their bafflement at Millie's choices yet happy to see her, Sally was the only one who's judgment come across as fairly harmless teasing in the two lines she got, but now their parents are useless, the brothers are of little help, nobody else was around and Sally is sad because of this. It's reminiscent of Ozzie and Fizz exuding confidence, a love for lust and enjoyment at grudges (was the Fizzbot programmed to pick on Blitzø), the same two who happily mocked Millie, Moxxie and Blitzø, now push the blame for their unhappiness and work choices onto Mammon just as we meet him.
We really could have dwelled more on how much they miss one another and how much they have in common.
Sally coming across as a fish out of water didn't work neither, she dressed similar to Millie in the first place and again after the out of place dress scene that didn't even fit this series (maybe Hazbin), she never come across as rough and unglamorous.
Lastly Moxxie
Moxxie silently slipping past them unnoticed, apparently happy that his wife is happy to me isn't sweet, it's like he can't be comfortable in his home when Millie has her known to be hostile towards him for no good reason family over, that even so much as a greeting before leaving them alone ruins things. Had Millie and Sally been asleep this would have been exactly what was intended, sweet.
Has anything improved?
A side step this was.
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On power creep, card games (mostly as an example) and gacha. Also how to prioritize what characters/cards to try and get. Kinda felt the discussion around power creep in the context of gacha is often kind of... incendiary and not very helpful, we are all here to have a good time.
So, this was mostly some stuff I have been thinking about in relation to Arknights, because I do not play Star Rail as seriously and play no other gachas then those two. I have played the yu-gi-oh card game since I was a little kid (some of my earliest memories is learning the game from my brothers or playing Kaiba the revenge on PC) so I am coming at this from a primarily TCG perspective and with the prior background of "has played game which has been made unrecognizable by power creep, and still loved playing it."
So obviously, this already predisposes me to not see power creep as the biggest deal.
So... first of all, the incentives that causes power creep!
Well this is pretty straightforward, the way a trading card game or a gacha makes money is by making you want to spend money on new cards/characters. You also need to have a solid team or deck as a whole, usually you cannot just brute force your way on a single powerful card or character. As a result to prevent players from just getting one strong team/deck and then never updating again is why we end up with power creep, since the option of just outright banning cards tends to piss people off even more and is straight up not a thing they do in gacha games.
As a result, since players will usually not want to spend money/pulls on a character who will not improve their team/deck, especially when its so often chance based what you even get, it means that to make people keep pulling packs you gotta upgrade the power over time of new units.
Generally the developers want to keep this at a slower pace, since it feels bad if someone gets a great character/card and then one month later they are weak, and if people feel like what they put in do not pay off they will not keep playing. But occasionally there are bigger bursts of power creep to kind of bring the state of the game to a new level, often brought on by accidentally making something too strong, at least that is how I think this goes from my experience.
But for example, if when Typhon came out her damage was worse or just on par with Rosa, how many would have pulled for her? Sure you´d get some who would because they like her story, personality, design, etc. But not that many would have if we are being completely honest here.
This is not to say that power creep cannot be a problem, especially if too severe, as already touched on earlier it feels really bad when your favorites no longer hold up. I just want to highlight that it is an inherent part of the game that cannot really be avoided.
It can also add a big pressure to feel like you have to keep up by getting all the new characters or cards, which can cause a lot of stress due to the random nature of who you get. Which is where the other thing I wanted to talk about comes in....
You do not need every strong or limited character. And in fact you wont use most of them because you have finite team space.
In a trading card game you focus in on a playstyle you like, or a few if its affordable enough, and then focus on building and enhancing those instead of getting every good card in the game. I think this is the healthiest way to view it in a gacha too.
Prioritize who suits your playstyle and your team, or to fill weak spots you got (or you just like as a character of course). You do not need all the top tier characters in the game. You can skip multiple top tier characters in fact and still do just fine, these games are not balanced around the assumption you have *every* single one of the best characters or cards.
And in fact, having to slowly make adjustments to better suit your needs is, to me at least, one of the most fun parts. And a lot of the strategy and fun of these kinds of games disappear if you have access to all the strongest options and can just brute force things.
It is not healthy for your mental state to fret over having to have all the best options and it makes the game less fun, to me at least. These games assume you only have maybe half of the top tier options, and you can beat pretty much everything with that if you put some effort into strategizing, which is fun~!
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I FINALLY COULD DO SOMETHING DECENT than publish sjldjaks ToT It's not the comic (god i forgot how difficult it was to clean them up haha)
BUT buuuuut it's something else, you know IIII LOOVVE truffula flu sooo i have a small project (smaaaaalll) in mind I DON'T PROMISE ANYTHING because it's difficult JASJJAJ but well whatever, HELLOUU GUYS again, how is everything here??!?!
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My headcanons for the named trio in The Cursing of Chateau Castle series:
Josephandre is a big bear. It just fits for him I think! He gets he/him pronouns, and as a way to make him a liiiil more relatable for Mira, he'd have two craft types (Rock type being his main one and paper craft for the other). Battle style wise, I think it fits him to be more of a self-sustaining tank. He buffs defense, heals, and puts up shields. For his weapon, he'd use his fists like Isabeau. He'll be the second fastest in the trio.
Lady Irene-Janine-Kanine looks like an elegant noblewoman on the outside but she has vibes similar to Euphrasie! She gets she/her pronouns. Her craft type is Paper. Battle style wise, she's more on the offensive side, a main dps kind of thing. Most of her skills focus on buffing attack and speed, she'd have an item that helps regen her hp a lil bit and her chosen weapon is an umbrella. The tip is a sharp blade so it's used like a spear that has a hidden sword in its handle. Open it, and it becomes a shield! That'd be one of her skills too, although it's only applicable to her. She's the fastest one of the trio.
Pierre-Jacques-Erneste looks like a nobleman and carries himself as such! He gets he/they pronouns. Their craft type is Scissors. Battle style wise, he's more of a debuffer, skills focusing on weakening the enemies, slowing them down, poisoning them. Their weapon is a sword dagger, though he doesn't seem to be able to handle it well, how clumsy! But he Is a nobleman so it makes sense! Oh but... why doesn't he have a title? They're the slowest one of the trio, how strange, he seemed to be faster than Lady Irene-Janine-Karine that one time though.
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thinking about friends i left on bad terms with whom i can never go back but who i still love. But I wasn't a great person then, wouldn't even call me a good person. I'm glad to see them thrive.
Feels bittersweet to look back at things I still have from them. I wish I was a better person then. I wish I could have been better for others. But also then I wouldn't have met the people I have.
I hope they don't think about me, ever. Feels somewhat bad to be able to look back and see the good moments we had and the good person they were, because I don't think they could do that. And also I don't think I deserve that.
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Maybe I'm just desensitized from dealing with like cptsd probably ocd neurotic soup unchecked for my whole life and finding ways to just phase out the chatter of it but seeing ppl here talk abt moral ocd and stuff in a way where they refuse to be reminded of racism or anything is baffling to me. Like I don't get how that's helpful for you, instead of separating thoughts and morals from yourself and your actions you're just going oh no my religious ocd is triggered when ppl talk about me having privilege or benefitting from systemic oppression so therefore I'm never going to interact with marginalized people who talk about it ect ect ect. Or proship ppl being like it's too hard to take a stance against incest and age gap ships so they're just no holds bars for it now. Like again maybe I'm being mean, being online is hard I do think the way ppl talk is especially triggering for ocd and the whole born good born bad self flaggelation for forgiveness stuff never be wrong takes especially eat at me but they are symptoms ultimately and letting it box you out from ways you can actually genuienly improve as a person feels wildly unhelpful to me. Sitting with guilt and understanding what is real harm thats been done by you and actual bad things you believed and what is the brain chatter is crucial.
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Eïdjar my beloved... a cellshaded commission for Escapado-draw over on dA!! Esca proposed a challenge to work with interior decor/furniture, hence the more elaborate background — learned a lot working on this c: also just overjoyed to draw this lad again (´▽`ʃ♡ƪ)
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fhjmsdfhjglks feeling kind of frustrated at a lot of things
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i woke up early today and am way too energised my brain is like spilling in circles but I still have not the right energy to be coherent or focus on actually doing anything with it
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i think I just need to stop clinging to and getting so attached to people
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OK. OKAY. YOU GUYS.
I am LOVING the fucking chocolate guy’s netflix show! It’s FANTASTIC! Anf hold on to your fucking boots y’all cause it’s actually not what I was expecting at all!
Do you miss the gentleness of the Great British Bake-Off? THIS SHOW IS SO KIND AND GENTLE! For fuck’s sake, NO ONE GETS KICKED OFF! No. No, Listen to this! When they lose the first challenge (a pastry one), the punishment is... They get private lessons with Amaury to help improve what brought their scores down instead of competing in the second chocolate challenge.
When the one black lady contestant messed up the first challenge I was super bummed and like, OF COURSE. But NO. She got lessons! She struggled! she worked hard! and she won a later challenge! GROWTH MY DUDES! They are there TO LEARN and GROW and Maybe Win a Big Prize!
They ALL get to stay and keep doing their best! and at the end the one who did the best overall is the one who gets the money prize!
Look at this lovely line up! they make COOL LOOKING FANCY THINGS! Amaury tells us how he does some of the fancy things he does! They OFFER TO HELP EACH OTHER WHEN THEY FINISH EARLY AND GET PROPS FOR THAT! (not taunted for not using their own time better). The set up even kinda makes the one who is like, I’m in it to win it, is the villain and doing bad. The rest who are like, I’m here to learn and grow and maybe make friends! AUGH YOU GUYS!
Amaury is soft spoken and kind, and has a pretty voice and a pretty smile and that’s nice to watch too. The chefs are talented and artistic and they actually give the THE TIME to make nice things! It’s not “Wham out some half-assed garbage in 2 hours so we can shotgun the production and laugh at your garbage” like most cooking shows nowadays. NO! 14 hour challenges! They’re still hard, but they get to actually make cool stuff! fancy stuff! Stuff I want to look at and cheer for them!
The episodes average 38 min and aren’t a huge time commitment, the first episode being the longest one, and there are only 8 total so it’s not like you have to really get in for the long haul. \
WATCH IT! Pump it! we need more cooking shows like this and less that are sad and mean!
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Incidentally, I resent the fact that most web traffic comes from mobiles in this day and age.
Incidentally, I also resent Tumblr Live being A Thing. The degradation of the mass mind continues.
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This is just a personal pet peeve of mine but i feel like a lot of online art tutorials overstate the importance of stuff like guidelines to get “correct” anatomy every single time and while those are typically really good handgrips for beginners we should also tell beginners about gesture drawing. Like maybe i’m being too animatorbrained here but being able to pump out a pose in anywhere from 15 seconds to 2 minutes and quickly move onto the next drawing without lingering on every little mistake is a really really good way at getting good at drawing people proportions quickly. If you make mistakes fast you learn from them fast. So here’s a little exercise:
Sit down, grab some reference images, draw ten poses in twenty minutes (or do ten poses in ten minutes if you’re feeling adventurous or confident) and take a step back and look at your work after the fact. Be sure to move from drawing to drawing quickly once your timer is done. Pretend you’re in a model drawing class and the model has already changed pose whenever your timer hits - finish up whatever lines you were drawing, move on to looking at what the model is doing now.
You will make a lot of shitty drawings, of course, but that’s not so bad. You only spent a minute or two making each one. Focus on the drawings you do like, and look at them as a whole.
Look at all the drawings together and how they fit together on the page. Look at little details and lines you’re proud of. Take note of things you found difficult to get right in such a short time. Take note of the things you liked doing. Do the exercise again, and focus in on the things you want to improve or explore.
Maybe you want to focus on how the torso conveys its weight on the legs. Maybe you want to focus on how shoulders and arms bend around the neck. Maybe you want to focus on how to convey depth on the torso. Maybe you can learn something more about how to draw a body if you only draw using sharp lines and angles. Maybe you can learn something more if you only draw using squiggly, overlapping lines. Maybe you can learn more about how to draw a body if you only fill out the shadows with thick, quick lines. Congratulations! You’re not just learning how to draw a body, but you’re now also exploring your tastes!
This is a fine exercise to do alone, but it’s a lot more fun to do as an activity with a small group so you get to discuss the art you made together.
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