I URGENTLY needed to draw Orson last night
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SORRY FOR TAGGING YOU A MILLION TIMES LMAOOOO ON DIFFERENT SOCIALS @rennybu
A Mucha redraww with Orson Hawke and Fenris for an art exchange event!!
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but why did Orson have to get his whole ass out in Nightcall that's all I'm asking. and then he has the nerve to say it's cold outside, bro you are double cheeked up on a stormy New Zealand beach and for what
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Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version, here's a 2017 version.
As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.
Cymbelline: Here's the 2014 one.
Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.
Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.
Measure for Measure: BBC version here. Hugo Weaving here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.
Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.
Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!
The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
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Podcast #176: Un Chien Andalou (1929) and 2022's Sight & Sound Exiles
Podcast #176: Un Chien Andalou (1929) and 2022’s Sight & Sound Exiles
Welcome to Episode #176 of The Swampflix Podcast. For this episode, Brandon, James, Britnee, and Hanna discuss four films that recently fell off the Sight & Sound Top 100 list, starting with Luis Buñuel & Salvador Dalí’s landmark surrealist short Un Chien Andalou (1929).
00:00 Welcome
02:44 Resurrection (2022)05:40 The Innocents (2022)07:17 After Blue: Dirty Paradise (2022)10:00 Please Baby…
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Orson Hawke for @rennybu !! Artfight has been really fun this year :)
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[edit: fixed up some goofs on the bracket]
ooooooooooooooooooh what if i made a looney tunes character tournament?? what then huh????
this will be a huge tournament with 64 participants. the first half on round one will be this thursday 6pm est and polls will only last 1 day. most of these were randomized but some of the match ups were really unfair so i had to intervene a little. there will also be redemption rounds if i feel like it maybe
insp: @character-of-all-time @furryfaceoff @gotalittletoosilly @bunnyrabbitbracket @bestanimatedmovie
written match ups in undercut
revival round
round 1A
1. Bugs bunny vs wile e coyote
2. Sylvester vs porky pig
3. michigan j frog vs elmer fudd
4. marc anthony and pussyfoot vs penelope pussycat
5. Nasty canasta vs the guys from loonatics unleashed i dont remember their names
6. Babs bunny vs granny
7. Honey bunny vs babbit and catstello
8. Hippety hopper vs barnyard dawg
9. Road runner vs pete puma
10. Yoyo dodo vs henry hawk
11. K-9 vs merlin the magic mouse
12. Clyde bunny vs hector the bulldog
13. Tweety vs taz
14. Hugh vs sniffles the mouse
15. Cool cat vs tina russo
16. Sylvester jr vs hugo the abominable snowman
round 1B
17. Daffy duck vs marvin the martian
18. Queen tyr’ahnee vs petunia pig
19. Lola bunny vs pepe le pew
20. Cecil the turtle vs claude cat
21. Gossamer vs foghorn leghorn
22. Ralph phillips vs melissa duck
23. Witch hazel vs squeaks the squirrel
24. Charlie dog vs egghead
25. Hubie and bertie vs plucky duck
26. Speedy gonzales vs proto bugs
27. Rocky and mugsy vs aoogah
28. Three little pigs vs yosemite sam
29. Orson vs moo goo-guy pan
30. Beaky buzzard vs eggbert
31. the goofy gophers vs buster bunny
32. frisky puppy vs gabby goat
round 2
33. bugs bunny vs sylvester
34. michigan j frog vs marc anthony and pussyfoot
35. loonatics vs granny
36. honey bunny vs barnyard dawg
37. road runner vs henry hawk
38. k-9 vs hector the bulldog
39. taz vs sniffles
40. tina russo vs sylvester jr
41. marvin the martian vs queen tyr’ahnee
42. lola bunny vs claude cat
43. foghorn leghorn vs melissa duck
44. witch hazel vs charlie dog
45. plucky duck vs speedy gonzales
46. rocky and mugsy vs yosemite sam
47. orson vs surprise opponents ralph wolf and sam sheepdog
48. goofy gophers vs frisky puppy
round 3
49. bugs bunny vs marc anthony and pussyfoot
50. granny vs barnyard dawg
51. road runner vs k-9
52. taz vs sylvester jr
53. marvin the martian vs lola bunny
54. foghorn leghorn vs witch hazel
55. speedy gonzales vs yosemite sam
56. ralph wolf and sam sheepdog vs goofy gophers
round 4
57. bugs bunny vs granny
58. road runner vs taz
59. marvin the martian foghorn leghorn
60. speedy gonzales vs ralph wolf and sam sheepdog
semifinals
61. bugs bunny vs road runner
62. marvin the martian vs speedy gonzales
finals
63. bugs bunny vs daffy duck vs marvin the martian
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Psyco (1960) Alfred Hitchcock
Il mago di Oz (1939) Victor Fleming
Il padrino (1972) Francis Ford Coppola
Quarto potere (1941) Orson Welles
Pulp Fiction (1994) Quentin Tarantino
I sette samurai (1954) Akira Kurosawa
2001: Odissea nello spazio (1968) Stanley Kubrick
La vita è meravigliosa (1946) Frank Capra
Eva contro Eva (1951) Joseph L. Mankiewicz
Salvate il soldato Ryan (1998) Steven Spielberg
Cantando sotto la pioggia (1952) Stanley Donen e Gene Kelly
Quei bravi ragazzi (1990) Martin Scorsese
La regola del gioco (1939) Jean Renoir
Fa' la cosa giusta (1989) Spike Lee
Aurora (1927) Friedrich Wilhelm Murnau
Casablanca (1942) Michael Curtiz
Nashville (1975) Robert Altman
Persona (1966) Ingmar Bergman
Il padrino - Parte II (1974) Francis Ford Coppola
Velluto Blu (1986) David Lynch
Via col vento (1939) Victor Fleming
Chinatown (1974) Roman Polanski
L'appartamento (1960) Billy Wilder
Tokyo Story (1953) Yasujirō Ozu
Susanna! (1938) Howard Hawks
I 400 colpi (1959) François Truffaut
Gangster Story (1967) Arthur Penn
Luci della città (1931) Charlie Chaplin
La fiamma del peccato (1944) Billy Wilder
L'impero colpisce ancora (1980) Irvin Kershner
Quinto potere (1976) Sidney Lumet
La donna che visse due volte (1958) Alfred Hitchcock
8 1/2 (1963) Federico Fellini
Ombre rosse (1939) John Ford
Il silenzio degli innocenti (1991) Jonathan Demme
Fronte del porto (1954) Elia Kazan
Io e Annie (1977) Woody Allen
Lawrence d'Arabia (1962) David Lean
A qualcuno piace caldo (1959) Billy Wilder
Fargo (1996) Joel e Ethan Coen
Il mucchio selvaggio (1969) Sam Peckinpah
Moonlight (2016) Barry Jenkins
Shoah (1985) Claude Lanzmann
L’avventura (1960) Michelangelo Antonioni
Titanic (1997) James Cameron
Notorious - L'amante perduta (1946) Alfred Hitchcock
Mean Streets (1973) Martin Scorsese
Lezioni di Piano (1993) Jane Campion
Non aprite quella porta (1974) Tobe Hooper
Fino all'ultimo respiro (1960) Jean-Luc Godard
Apocalypse Now (1979) Francis Ford Coppola
Come vinsi la guerra (1926) Buster Keaton
In the Mood for Love (2000) Wong Kar-wai
Interceptor - Il guerriero della strada (1981) George Miller
Il lamento sul sentiero (1955) Satyajit Ray
Rosemary's Baby (1968) Roman Polanski
I segreti di Brokeback Mountain (2005) Ang Lee
E.T. - L'extraterrestre (1982) Steven Spielberg
Senza tetto né legge (1985) Agnès Varda
Moulin Rouge! (2001) Buz Luhrmann
La passione di Giovanna D'Arco (1928) Carl Theodor Dreyer
La vita è un sogno (1993) Richard Linklater
Bambi (1942) David Hand
Carrie - Lo sguardo di Satana (1976) Brian De Palma
Un condannato a morte è fuggito (1956) Robert Bresson
Parigi brucia (1990) Jennie Livingston
Ladri di biciclette (1948) Vittorio De Sica
King Kong (1933) Merian C. Cooper e Ernest B. Schoedsack
Beau Travail (1999) Claire Denis
12 anni schiavo (2013) Steve McQueen
Il matrimonio del mio migliore amico (1997) P. J. Hogan
Le onde del destino (1996) Lars von Trier
Intolerance (1916) D.W. Griffith
Il mio vicino Totoro (1988) Hayao Miyazaki
Boogie Nights (1997) Paul Thomas Anderson
The Tree of Life (2011) Terrence Malick
Agente 007 - Missione Goldfinger (1964) Guy Hamilton
Jeanne Dielman (1975) Chantal Akerman
Sognando Broadway (1966) Christopher Guest
Pixote - La legge del più debole (1981) Héctor Babenco
Il cavaliere oscuro (2008) Christopher Nolan
Parasite (2019) Bong Joon-ho
Kramer contro Kramer (1979) Robert Benton
Il labirinto del fauno (2006) Guillermo del Toro
Assassini nati - Natural Born Killers (1994) Oliver Stone
Close Up (1990) Abbas Kiarostami
Tutti insieme appassionatamente (1965) Robert Wise
Malcolm X (1992) Spike Lee
Bella di giorno (1967) Luis Buñuel
The Shining (1980) Stanley Kubrick
Scene da un matrimonio (1974) Ingmar Bergman
Pink Flamingos (1972) John Waters
Frank Costello faccia d'angelo (1967) Jean-Pierre Melville
Le amiche della sposa (2011) Paul Feig
Toy Story (1995) John Lasseter
Tutti per uno (1964) Richard Lester
Alien (1979) Ridley Scott
Donne sull'orlo di una crisi di nervi (1988) Pedro Almodóvar
La parola ai giurati (1957) Sidney Lumet
Il laureato (1967) Mike Nichols
Dall’articolo "I 100 migliori film della Storia del Cinema secondo Variety: 1° Psyco, 5° Pulp Fiction, 33° 8 1/2, 45° Titanic" di Antonio Bracco
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Ewa Krzyzewska and Zbigniew Cybulski in Ashes and Diamonds (Andrzej Wajda, 1958)
Cast: Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zaztrzezynski, Adam Pawlikowski, Bogumil Kobiela, Jan Ciecierski. Screenplay: Jerzy Andrzejewski, Andrzej Wajda, based on a novel by Jerzy Andrzejewski. Cinematography: Jerzy Wójcik. Production design: Roman Mann. Film editing: Halina Nawrocka. Music: Filip Nowak.
The plot of Ashes and Diamonds is simple: A group of men carry out an ambush on a road in the countryside only to discover that their intended target was not among the men they killed. So they return to town to plot another way of assassinating the man. The youngest, most volatile member of the group discovers that the man has taken the room next door in the hotel, but while waiting for his opportunity, his flirtation with a pretty young woman turns serious -- they begin to fall in love. Still, renouncing that chance at happiness, he follows through with his mission: He kills the man, but before he can make his escape from the town he is gunned down. It could have been -- probably has been -- the plot of a Western, a gangster film, a spy thriller, or a war movie. But because it's a film made in Poland during the Cold War, and the story it tells is set on the very day in 1945 when the Germans surrendered, it's an intensely political film, not just in what's on the screen but also in what went on while it was being made and released. I mention this because while I want to think about movies in purely aesthetic terms -- i.e., assessing the quality of acting, writing, direction, camerawork, etc. -- it's almost impossible to approach a film like Ashes and Diamonds without taking so-called "external" factors like politics and history into consideration. If you try to watch it without knowing anything about the political situation in Poland in 1945, with the Germans retreating, the Soviets advancing, you'll miss half of the motivation of the characters and most of the intensity of the conflict. And if you disregard the fact that Poland in 1958 was a communist country, you can't understand why the plot to kill a communist leader was such a touchy subject for Andrzej Wajda to handle in a film -- and why the way he handled it was so audacious. It's a film that asks you to do your homework. On as pure an aesthetic level as I can get in thinking about the film, it's visually fascinating, with some splendid deep-focus cinematography by Jerzy Wójcik that pays homage to Gregg Toland's work on Citizen Kane (Orson Welles, 1941). Wajda was quite open about the influence of Welles on his filmmaking -- like Welles, Wajda wanted sets to have ceilings -- but he also expressed a love of American gangster movies and film noir, citing Scarface (Howard Hawks, 1932) and The Asphalt Jungle (John Huston, 1950) among his inspirations for Ashes and Diamonds. The American influence is probably most felt by viewers today in the performance of Zbigniew Cybulski in the role of Maciek, the young assassin. It's a showy, jittery, almost over-the-top performance that validates Cybulski's reputation as "the Polish James Dean." Wajda initially resisted casting Cybulski, wanting a more traditional actor for the role, but once Jerzy Andrzejewski, his co-screenwriter and author of the novel on which the film was based, persuaded him to hire Cybulski, Wajda realized that the handsome young star would attract the younger audience the film not only needed to succeed, but also to educate this audience about their country's past. He even gave in to Cybulski's demand that he be allowed to supply his own wardrobe -- not at all the kind of clothes that a young Polish partisan would have worn in 1945 -- including his signature sunglasses. (A line was inserted to explain that Maciek wore them because he had damaged his eyesight by spending too much time in the sewers of Warsaw during the uprising of 1944.) But Wajda added some idiosyncratic touches of his own to the film, including the bullets setting fire to the jacket of one of the unintended victims of the ambush, and some ventures into symbolism like the upside-down crucifix that looms over Maciek and Krystyna (Ewa Krzyzewska) when they visit a ruined church and the white horse that wanders the streets of the town near the film's end. Maciek is shot in a field where white sheets are drying on clotheslines, and when he clutches one of the sheets to himself, his blood shows through -- even though the film is in black and white, this is a reminder that the colors of the Polish flag, like the one the hotel keeper takes out to wave at the film's end, are white and red. Wajda also delighted in the ambiguity of Maciek's death scene, one of Cybulski's most extravagant moments, which takes place on a garbage heap. For the communist censors, he observed, this could be interpreted as the fate of rebels against their rule, while young would-be rebels could see it as the state treating them as garbage.
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THE 100 MOST POPULAR AMERICAN ACTORS OF ALL TIME ! (BASED ON INDIES SUBCONSCIOUS ASSESSMENT OF THE HIGHEST INFLATION-ADJUSTED WORLDWIDE GROSSING AMERICAN FILMS OF ALL TIME !) (1900-2022)
👇
http://www.imdb.com/list/ls520917541/
1. .Harrison Ford
2. .Michael J. Fox
3. .Charles Chaplin
4. .Bruce Lee
5. .Cary Grant
6. .Jackie Chan
7. .Gary Cooper
8. .Macaulay Culkin
9. .James Stewart
10. .Clark Gable
11. .Clint Eastwood
12. .Sean Connery
13. .Peter Sellers
14. .Marlon Brando
15. .Humphrey Bogart
16. .Tom Hanks
17. .Mel Gibson
18. .Steve McQueen
19. .Leonardo Di Caprio
20. .Martin Sheen
21. .Orson Welles
22. .Gary Oldman
23. .Fred Astaire
24. .Robin Williams
25. .Kirk Douglas
26. .Eddie Murphy
27. .Keanu Reeves
28. .Jim Carrey
29. .George Clooney
30. .Gregory Peck
31. .Charles Laughton
32. .John Cleese
33. .Hugh Grant
34. .John Travolta
35. .Roger Moore
36. .Charlie Sheen
37. .Gene Hackman
38. .Douglas Fairbanks
39. .Daniel Radcliffe
40. .Tommy Lee Jones
41. .Christopher Plummer
42. .Al Pacino
43. .Rowan Atkinson
44. .Henry Fonda
45. .Peter O’ Toole
46. .Albert Finney
47. .Timothy Dalton
48. .Brad Pitt
49. .Michael Keaton
50. .John Wayne
51. .Steve Martin
52. .Christopher Reeve
53. .Pierce Brosnan
54. .Walter Pidgeon
55. .Michael Douglas
56. .Brendan Fraser
57. .Christian Bale
58. .Dustin Hoffman
59. .Johnny Depp
60. .Jeff Goldblum
61. .Michael Caine
62. .Robert Redford
63. .Danny De Vito
64. .Jack Lemmon
65. .Dan Aykroyd
66. .Ethan Hawke
67. .Ronald Colman
68. .Jon Voight
69. .Kevin Bacon
70. .Mickey Rooney
71. .Sylvester Stallone
72. .George C. Scott
73. .Peter Ustinov
74. .Jack Nicholson
75. .Robert De Niro
76. .Arnold Schwarzenegger
77. .Bruce Willis
78. .Morgan Freeman
79. .Walter Matthau
80. .Richard Gere
81. .Spencer Tracy
82. .Colin Firth
83. .Martin Lawrence
84. .Tom Cruise
85. .James Cagney
86. .George Kennedy
87. .Richard Burton
88. .James Woods
89. .Patrick Swayze
90. .Kevin Costner
91. .Gerard Depardieu
92. .Rex Harrison
93. .Fredric March
94. .Woody Allen
95. .Mike Myers
96. .Charles Boyer
97. .Daniel Craig
98. .Montgomery Clift
99. .Robert Downey Jr.
100. .Chevy Chase
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genuinely a fan of taking the “mistakes” i made in my first DA2 run and looking at them from Orson’s character perspective, like, i messed up the timing on Isabela’s personal quest and so once she left she did Not come back, even tho they had high friendship. Orson struggled with balancing his work/life balance and could at times be very shallow and forgetful, and in trying to fix that aspect of himself (after Isabela’s departure) and put in more effort for his friends and open himself up to be trusting, just puts himself in a position where he much more easily gets used by Anders Because friends Help each other, even when the other is obviously withholding information, otherwise they might leave on a boat and never come back! Except this time it was not the boat
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Hey, I'm really enjoying your Noirvember posts. I was wondering if you have a top 10 noir films you'd recommend for new noir fans (like me lol). Thank you!
Hello! Thanks so much! Glad to know you're enjoying my noirvember posts ❤️🥰
Here is my Top 10 noirvember recs:
1. Gun Crazy (dir. Joseph H. Lewis, 1950)
2. They Live by Night (dir. Nicholas Ray, 1949).
3. Laura (dir. Otto Preminger, 1944).
4. The Maltese Falcon (dir. John Huston, 1941).
5. Double Indemnity (dir. Billy Wilder, 1944).
6. The Killing (dir. Stanley Kubrick, 1956)
7. Leave Her to Heaven (dir. John M. Stahl, 1945).
8. The Lady from Shanghai (dir. Orson Welles, 1947).
9. The Hitch-Hiker (dir. Ida Lupino, 1953).
10. Niagara (dir. Henry Hathaway, 1953).
Extras: Sunset Boulevard (dir. Billy Wilder, 1950), Victim (dir. Basil Dearden, 1961), The Big Sleep (dir. Howard Hawks, 1946), White Heat (dir. Raoul Walsh, 1949) and Cast a Dark Shadow (dir. Lewis Gilbert, 1955).
Hope you enjoy them ❤️
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3, 6, 10, 22, 24, 27, 28
3. Any old school favorites (pre-70s)?
A very broad question. To mention some:
"Shanghai Express" dir. Josef von Sternberg
"The House Is Black" dir. Forough Farrokhzad
"Cléo from 5 to 7" dir. Agnès Varda
"The Trial" dir. Orson Welles
"The Hitch-Hiker" dir. Ida Lupino
"The 400 Blows" dir. François Truffaut
"Rocco and His Brothers" dir. Luchino Visconti
"The Red Shoes" dir. Michael Powell and Emeric Pressburger
"The Third Man" dir. Carol Reed
"Double Indemnity" dir. Billy Wilder
"Ajantrik" dir. Ritwik Ghatak
"Bicycle Thieves" dir. Vittorio De Sica
"Pather Panchali" dir. Satyajit Ray
"Viridiana" dir. Luis Buñuel
"Accattone" dir. Pier Paolo Pasolini
"Black Girl" dir. Ousmane Sembène
"Uski Roti" dir. Mani Kaul
"Black God, White Devil" dir. Glauber Rocha
"I Am Cuba" dir. Mikhail Kalatozov
"The Hand" dir. Jiří Trnka
"The Fireman's Ball" dir. Miloš Forman
"Daisies" dir. Věra Chytilová
"Meditation on Violence" dir. Maya Deren
"The Battle of Algiers" dir. Gillo Pontecorvo
"Andrei Rublev" dir. Andrei Tarkovsky
"Shadows of our Forgotten Ancestors" dir. Sergei Parajanov
"Boy" dir. Nagisa Oshima
"Persona" dir. Ingmar Bergman
"Love and Crime" dir. Teruo Ishii
"The Insect Woman" dir. Shōhei Imamura
"La perla" dir. Emilio Fernández
"Cairo Station" dir. Youssef Chahine
"Throne of Blood" dir. Akira Kurosawa
"Touch of Evil" dir. Orson Welles
"Paper Flowers" dir. Guru Dutt
"The Passion of Joan of Arc" dir. Carl Theodor Dreyer
"A Page of Madness" dir. Teinosuke Kinugasa
"Tokyo Story" dir. Yasujirō Ozu
"Chikamatsu Monogatari" dir. Kenji Mizoguchi
"Les Enfants du Paradis" dir. Marcel Carné
"La Grande Illusion" dir. Jean Renoir
"Bringing Up Baby" dir. Howard Hawks
"Rome, Open City" dir. Roberto Rossellini
"City Lights" dir. Charlie Chaplin
"Monsieur Hulot's Holiday" dir. Jacques Tati
"Sunset Boulevard" and "Some Like It Hot" dir. Billy Wilder
6. Favorite movie from the 90’s?
Some of them:
"The Apple" dir. Samira Makhmalbaf
"Crows" dir. Dorota Kędzierzawska
"A Moment of Innocence" dir. Mohsen Makhmalba
"And Life Goes On" dir. Abbas Kiarostami
"The Piano" dir. Jane Campion
"Days of Being Wild" dir. Wong Kar-wai
"Irma Vep" dir. Olivier Assayas
"Vive L'Amour" dir. Tsai Ming-liang
"Humanité" dir. Bruno Dumont
"Beau travail" dir. Claire Denis
10. Favorite animated movie?
Already answered this.
22. Favorite Disney movie?
"The Lion King"
24. Movie that makes you cry every time?
"Call Me By Your Name"
"Brokeback Mountain"
"Portrait of a Lady on Fire"
"Aimée & Jaguar"
"The Farewell"
"My Sister's Keeper"
among others.
27. Top 5 actors?
Tony Leung Chiu-wai
Shahab Hosseini
Marcello Mastroianni
Song Kang-ho
Jean-Louis Trintignant
28. Top 5 actresses?
Cruel question, but I'll go with:
Isabelle Huppert
Setsuko Hara
Smita Patil
Anna Magnani
Hedieh Tehrani
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Top Books Of 2022
nothing really to say about this list this year mostly i was incredibly busy. i read 117 books total, made up of 57 physical books, 5 ebooks, and 55 audiobooks. maybe 7? books total were graphic novels/poetry collections/children's books etc
best of the best in my deeply skewed opinion were
Braiding Sweetgrass by Robin Wall Kimmerer
Songmaster by Orson Scott Card
The Story Girl by L. M. Montgomery
Pachinko by Min Jin Lee
The Inverts by Crystal Jeans (UNDERRATED THE REVIEWS R TERRIBLE BUT I FUCKING LOVED THIS SORRY)
H is for Hawk by Helen Macdonald
Treasure Island by Robert Louis Stevenson
The Master and Margarita by Mikhail Bulgakov
Project Hail Mary by Andy Weir
The Chalet School At War by Elinor M. Brent-Dyer lol
i realise this may be a confusing list because some of these are Objectively Excellent and some are hm not. but there you go. bye im late for a party
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658 to go
The Kingdom (1994, dir. Lars von Trier, Morten Arnfred): It's really frustrating to me that no matter how unlikable I find von Trier as a person, I've yet to see a film by him I didn't love.
BlacKkKlansman (2018, dir. Spike Lee): Incredibly engaging, tense, funny, enjoyable film. Then the Charlottesville epilogue hits and it's like a punch to the gut.
Housekeeping (1987, dir. Bill Forsyth): This movie has all the ingredients to be a favorite of mine but something's missing in the execution.
The Awful Truth (1937, dir. Leo McCarey): I'm sure it says something about American society at the time that romantic comedies starring divorced couples were such a thing.
The Magnificent Ambersons (1942, dir. Orson Welles): This movie was notoriously "ruined" by the studio, though it still has its defenders who say it's on par with and even greater than Citizen Kane. I'm not one of those people but I can definitely see how it had the potential to be much better if not for the editing.
The Nutty Professor (1963, dir. Jerry Lewis): I find Jerry Lewis charming kind of in spite of his style of comedy, and every movie of his I see I grow a little bit fonder of him. Artists and Models is still my favorite, though.
Ariel (1988, dir. Aki Kaurismäki): I'm not sure how to describe the worlds Kaurismäki creates in his films. Bleak and hopeful at the same time, beautiful not in spite of but kind of because of their ugliness.
The Big Sky (1952, dir. Howard Hawks): I was a bit fatigued with movie watching at this point, so I definitely didn't pay this film the attention it deserved. I like Douglas Kirk, that's about all I retained.
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