Daughter of the deep. It surfaces in search for love.
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🌷・°.🩰·☆*:.。.o(≧▽≦)o.。.:*☆.∴✩·🌷・°.🩰·🌷・°.🩰·☆*:.。.o(≧▽≦)o.。.:*☆.∴✩·🌷・°.🩰·🌷・°.🩰·☆*:.。.o(≧▽≦)o.。.:*☆.∴✩·🌷・°.🩰·🌷・°.🩰·☆*:.。.o(≧▽≦)o.。.:*☆.∴✩·🌷・°.🩰·
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finally managed to get a copy of the super rare "Grief Pet" game from 2012, it was released around the time as the first 2 movies and it’s hard to find any info on it, so lucky to have found one of the few copies!!
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"Can you accept the risks and responsibilities?"
— Puella Magi Madoka Magica The Movie: Walpurgisnacht Rising
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I also found a new way to read Madoka after my latest rewatch. The friend I was showing it to pointed out that even the simplest of actions are super exaggerated and I thought “huh, they usually do that in stage plays when so the audience in the back can see better” ex:
Then I realized: this is on purpose. The way the whole story is told is privy to a stage play.
The very first things that happen are the curtains opening and Madoka entering centre stage.
The sets, too. Ik the chairs are symbolic but it also is very much spread out like it’s on a stage
Especially the shadow play with Kyubey, it’s a common thing utilized in stage plays.
Most of all, Walpurgisnacht is LITERALLY THE STAGE-CONSTRUCTING WITCH.
Walpy puts the play in action by killing Madoka and Mami in the first timeline. From then on, Homura is forced to act out the same play over and over again helplessly for times lines and time lines. Her lines become scripted, she’s become an actor and in the theatre witches play.
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