so you should go vote to tie the gemini w/ @cupcakeslushie's feral!leo because i think they'd be friends, actually, and here's why-
the gems spend most of their time fighting in the nexus, slamming on the 'survival instinct' button, which happens to be right next to the 'animal instinct' button. as a result, they are far more Creechur than their typical posh personas would have you believe. so they got 🤝 solidarity
... so long as no one else is around to see, i mean.
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I think what a lot of tumblr-only people are missing about twitter failing, is that it was always a better website when it came to small businesses, instant world event news, fact checking, having users from all over the world, being a source for disaster relief information or warnings, and anything else to keep people up to date with going ons.
Sure, tumblr has many users from all over, but the website is still largely english biased and not nearly as widespread as twitter. I know a lot of news and knowledge comes in on here too. I've learned a lot and see a lot of donation posts in regards to world events, but its nothing like twitter unless you know who to follow. Not to mention, half the news I got here, was days later and from twitter to begin with.
Seeing that being taken away in favor of hate speech and enabling abusers (with the recent potential of getting rid of the block feature over there) and pushing blue user comments to the top (aka elon's weird fans), drowning out anyone else on popular posts, sucks! It sucks for the world and small businesses. because there's really no alternative to it right now.
The site's running rampant with spam and scammers and its becoming more and more unusable by the day. And some people think it's silly to be upset over it or "you shouldn't have all your eggs in one basket" well there only is one basket! This is literally people's livelihoods people seem to be making fun of anytime a change happens that breaks the site and people post all their socials.
And everyone from every country is talking about different websites they're considering, and its splitting up our connection to the world. And surely he knew who this was hurting with every decision.
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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
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There are SO many cool interactions and lore things we can look forward to now that Rubius says he'll come back to QSMP (not only as an angel / demon, but potentially as a human too!), but that little detail reminded me of something:
Even though q!Vegetta and q!Rubius were mutually interested in each other wayyyy back in the beginning of the series, as an Angel / Demon, Rubius said he can't have relationships with humans because it's against the rules.
But a bit ago on stream, Rubius said that he's thinking about having a "human" side so he can build and do more things on the server as a regular player. I'm excited because this means he can have more casual interactions with people and we can see him interacting with his friends more (and he can experience The Horrors), but also...
I think we're in for some very interesting drama in the next few weeks.*
* ( Assuming Rubius doesn't get harassed off the server by toxic shippers and weird fans of the Eggs again. Please be nice to Rubius and welcome him back kindly, he's a very cool guy and his character is SO interesting )
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I had asked James to write a bit about what 72 Seasons meant to him. But even before we received that, Lars shared that James did say one thing he thought was particularly interesting, which was “prisoner of childhood.” So Lars was the guy who distilled a lot of what James had to say into a phrase that became extremely powerful for us creatively. It was a brilliant synthesis of all the ideas behind 72 Seasons in three words.
-David Turner about the concept art and design of 72 Seasons
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