Here's the thing:
I can empathize with Emma to some degree. At the end of the day, she's just a girl with an intense crush on Itsuomi and constantly makes her feelings known to him hoping that one day, he'll feel the same way. Just peek high school girl behavior.
HOWEVER...
It has been literal years and Itsuomi has made it clear more than once that he is not interested and he's now in a relationship with Yuki. And Emma refuses to get the hint and even went as far as to try and make up a lie about spending the night with Itsuomi to chase Yuki away. So when she's at her job crying about how Itsuomi "ghosted" her over text, it's hard for me to feel even remotely bad for her.
Again, I feel for her on the "unrequited love" front. But for everything else, she needs to move on.
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I love horror/thriller/survival manga, but reading them can be so frustrating because there's always that one fuck who acts as a comically evil antagonist who makes things harder for everyone else. This is especially the case in death game/survival manga, which are like contractually obligated to have someone who is unrepentantly evil and fucks over everyone else.
But the protagonists are always like "Noooo, we need to work together with them! If we kill them we'll be just as bad as them!!!" No bitch, gang up on them and fucking murder them lmao. Stop pissing me off.
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there’s one version of an f/m/m triangle that crops up so often I’m surprised there isn’t at least a tvtropes/vernacular name for it. Miyokichi/Kiku/Shin. Molly/Fitz/Fool. Asuka/Shinji/Kaworu. Futaba/Taichi/Touma. not-really-but-you-could-shove-it-in-here Luthien/Beren/Finrod. Utena/Touga/Saionji is a twisted spun-on-its-head version of it. Specifically comprising:
masculine male character A: either is the protagonist or a character on to which male viewers can project.
female character B: a secondary character and A’s official love interest, often kept apart from A by story/circumstance/gender roles. Shows some resentment of the trials she’s put through by the story in being A’s lover such as being shoved to the side, cut out of his life, or put in danger.
less masculine male character C: another major character, A’s devoted sidekick, feminine and/or conspicuously cold toward women or sexuality, somewhat ill-used by A but not resentful about it, as a contrast to B.
The dynamic is used pretty equally by female and male creators, though probably with different purposes. Outside the story, there’s a clear explanation for how the roles are divided: men are main, women are peripheral. Obviously the female love interest has to be on the margins of the story. Obviously the male main character has to have an ally in-story who can bounce dialogue back. Any human person has to have a best friend (for men, has to be male) and a lover (for men, has to be female). The major character male bestie and the minor character female gf is the minimum character dynamic you need to sustain the main character as a believable construction.
Except within the story, the dynamic begs far too many questions. On B’s part: her other half and love interest uses her for sex once every few chapters and dumps her to go off on another plot-relevant adventure. She’s kept in the dark, talked down to, pushed away, and distrusted. Her place at her sweetie’s side is occupied by Some Dude and no matter how much she puts into their relationship, she’s always going to be a prize for after the mission. Why does she stay with him? What could possibly attract her about this bestubbled grunt machine whose passion for the sword outmatches anything she’s given him?
On C’s part: he gets used as an emotional support crutch, designed to service his best friend’s every need at the expense of his own goals or story. He’s a housewife, he’s a domestic, he does every thankless story task with a smile because he has to provide the exposition/set up the plot/set the plan in action that carries the main male character to victory. He doesn’t have a love interest of his own, meanwhile the most important person in his life is obsessed with a woman he barely speaks to. Why should he care so much about someone who only takes? Why is he committed to this one-way friendship? What does he think of taking the backseat, providing support, submerging his own will for the sake of a person instead of an ideology?
On A’s part: if he’s a red-blooded heterosexual male character who pursues a woman as is acceptable, why does he dig himself so deep in with his designated ally? Through dialogue and because he has to in order to show the audience, he exposes his heart and soul to C and keeps him in his pocket for as long as we are watching, so why then does he cast him aside so easily? He invests the most time and energy into his relationship with C, cultivating love and loyalty there, but he draws the line so firmly in the sand that the audience is sure he’ll never, ever step aside for one minute to follow the friend. Why does he choose a man for his emotional battery? Why doesn’t he communicate with his supposed partner? Why does he choose to use B and C for sex and solace respectively, and why don’t they ever mix?
The gender dynamics wrap around to simple: women aren’t up to being equal partners to a cool guy, so you need a male wife to do everything for you and appreciate the protagonist’s sick abilities. romance with a man is perverse and impossible, so you need a female love interest to prove that the protagonist isn’t gay and fulfil the audience’s needs. But in-between all of that you could ask some interesting questions of the spoke character, A, the male protagonist whose actions are taken as normal. the question being: bro. what’s wrong with you
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10 dance is the most confusing manga ever but only because one chapter they're like "fuck I'm so in love with him" and then next they're like "it's impossible. I can't love men" then the next chapter they're making out and then the next chapter they're like "hmm but what was that REALLY?" and then the next chapter they're like "I've finally found you, my one and only." and then the next chapter they're like "see? it was absolutely impossible for either of us to be attracted to men" and then the next chapter one of them sleeps with another man anyways and doesn't bat an eye while he still MAKES LOVE SMITTEN MOONY EYES AT THE ORIGINAL GUY AND I JUST AHHHHHHHHHHHHHH
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My main problem is that I like shounen anime but I always HATE the mean boy rivals. Hated sasuke, hated bakugou. Cannot fucking stand those assholes. I don’t even really care about either series anymore but my hatred for them remains.
It is a bit of a played trope. In older shounen I’m usually more annoyed by the protagonist. Midoriya is far less annoying to me than characters like goku, naruto, luffy, etc. though.
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I do find it weird when I see people being like “but he/she’s a background character!! why are they getting involved!! they mean nothing!! what’s even the purpose!!”
Like idk man let’s refer back to
“Everyone is the protagonist of their own story. You were never a side-character.”
and
“This is the story of how we all became the Greatest Heroes.”
and
“Inventions are the support classes way of being Heroes.”
I mean it is continuously said over and over that anyone can help in their own way, they can be their own kind of hero (even without actually being in the profession), and even if they’re not front-and-center they are still making progress and doing something for their friends/team
Like yes I understand that for some reason you don’t like background characters being given the spotlight but you have not been reading this manga if you’re wondering why background characters are getting involved
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hey ya!!! how are you feel about hxh is back!! what is your expecting for new chapters? 🥴
it's been a minute, so this reply is way too late i think but...how unwittingly apt that you chose dramatic chrollo for the gif tho
i am expecting i have to hurry up on my pending fics before we find out [spoilers] actually [spoilers] and [spoilers spoilers] so [spoilers spoilers spoilers] and kurapika and the phantom troupe [spoilers spoilers spoilers spoilers] and they all die together like togashi promised us they would, the end
that all said i'm glad hxh is back! can't wait to not see leorio even once in the next however many weeks before the series goes back on hiatus again
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