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#she used to have in her life
abadarkade · 6 months
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No one's talking about the gut wrenching emotion of "I used to dance... I used to dance" and I won't stand for it
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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umblrspectrum · 26 days
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hi heres art so you pay attention to me now go read the tags
#ive been rewatching episode 7 like its the only thing on youtube and made note of many things#first off. the solver can only have one host. nori mentions skyn wants to kill off all the other solver hosts (with the dds) and disregards#the idea of both uzi and doll being its current host when they get chased#plus the main solver possessions only occur when skyn is out of the picture (the fightt in ep 7 is only after n decapitates “tessa”)#solver uzi is possible too but i dont count her cause she doesn't have the yellow#personal theory is that its more an instinctual response to overheating or something and not full on possession#second off nori calls the solver cyn. how does she know that name#cyn was on earth and only showed up to copper 9 recently and i presume nori's been here her whole life#it probably wasn't the other dds cause none of them made it down and they're all more savage beasts#since cyn specifies n's team retained their personalities and that makes me think the other teams didnt#also also we should've immediately questioned tessa arriving in the same type of pod as the mds when they were revealed to not be sent by j#im running out of characters also the people who dont like when i use tags like this can bite me#murder drones#murder drones nori#artori? that sounds cool#ill probably just stick with nori though#i have so many solver heart refs now#art#episode 7#murder drones episode 7#murder drones episode 7 spoilers#using the same black for shadows as my lineart doesn't work when i have to draw thin things over it#murder drones spoilers
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chrollohearttags · 3 months
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meg baby, I promise we’ll all look the other way if you decide to strangle that chimera ant built bitch. I promise we won’t say nothing.
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moongothic · 4 months
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Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.
At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little
You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)
Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right
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So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?
Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)
Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)
Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass
Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)
My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?
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Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO
So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.
Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.
Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))
But like, once they set sail to Alabasta...
Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.
But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.
But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)
Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.
The only question is, how would Robin take that?
Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good
So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.
Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.
And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.
What's she going to do?
EDIT: I wrote a sequel post, enjoy
#Moon posting#OP Meta#Sir Crocodile#Crocodad#Nico Robin#THIS POST WAS AN ACCIDENT. I DON'T KNOW HOW THIS HAPPENED. WHY DID I WRITE THIS. WHAT DEMON POSSESSED ME#I'm sure someone's written this already right#Right#Surely this fanfic already exists#Please tell me it exists#I dunno what to tell you I am not immune to a Juicy AU#Anyway on a more wholesome side of things: Robin accidentally calling Crocodile ''dad'' and he just inhales and swallows his whole cigar#Nearly chockes to death. Gets burns on his throat.#Robin feeling less alienated because of her DF ability because Croc has seen weirder AND is made of sand himself#If anything if they're literally by themselves then Robin being able to literally lend a hand to Croc at any time could be extremely useful#Like. In regular life situations. 'Cause Croc only has one hand. And Robin as many as she wants. Perfect duo.#(Also if they were travelling on like a small ship then it'd probably be built for a Tall Motherfucker like Croc right)#(Robin's ability would just make the ship more accessible to her and Croc would find that independence good)#Robin still gets a codename because Croc can't have anyone realize who she is. Maybe she even wears like a mask or summin' in public#If Crocodile's openly trans and the news of him transitioning recently broke out. Like. No avoiding that convo eh#Baby Robin's like ''...I read in a book once that some reptiles can change sex but I didn't know crocodiles could do it too''#''💦.../Humans/ can't do that normally either''#''Hmmmm. Weird. I don't think being a girl would suit you though'' // ''...I'll take that as a compliment''#I just. I think they could have really cute interactions if they warmed up to each other after a little while#And I'm Extremely Normal about that
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theminecraftbee · 5 months
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Etho and Grian are back at base, hysterically laughing over their achievement. Cleo sits inside, staring, as the two of them talk about getting a wither and a warden to fight, and tries to figure out what she feels about it.
In some ways it's not their fault. Task made them do it and all that. Plus--
Well, it's not like she and Etho are losing hearts anytime soon. They've both done a damn good job keeping themselves from dying. A benefit, Cleo thinks, of deciding to team with Etho this time. Between the two of them, they'll largely only do chaos they can recover from. Maybe this is their game. Maybe this time, Cleo manages to stick with someone until the very end. It looks like it. It looks like...
Grian, of course, is the confounding factor.
She wasn't going to turn him away. He needed allies. They needed someone a bit better at actually doing damage than herself or Etho. It's mutually beneficial. And, besides, he's weirdly lovable, in an inherently kind of dangerous way. A little like loving a bobcat someone had accidentally raised as a pet cat until it got a bit too big and stinky and murdery for them. Like, yeah, he shouldn't be domesticated and he's not, really, in any sense of the word, but it's a bit sad to watch him try to survive on his own now, right?
Hah. Maybe that's what Scar managed to do to him. Would explain a lot, really.
Anyway, he's her bobcat now, which is the problem.
See the thing is: Cleo understands Etho. It's why finally deciding to be partners for once felt... right. They're similar flavors of people. Scared, mostly. Survivors, but not in the 'will stab anyone' way that like, Martyn is. Loyal, although Cleo has no delusions that Etho is as loyal as she. And scared. Has she already said that? Scared. It's important to the kinds of things she and Etho are. Like... mountain lions, maybe. Mountain lions that have been around just enough people to know how dangerous they are. Like that.
God, she's only doing cat metaphors. Bdubs really is turning them all into furries.
Anyway, the point is, Grian isn't scared.
And that... terrifies her.
That's scarier than anything else. Because, see, Cleo wants to survive. But more than that, she wants her partners to survive. And she and Etho, the two of them are doing well. Better than most people. They're green and they have so many hearts.
But Grian? Grian's yellow and not afraid and goading Etho into not being afraid too. It's not their fault, exactly, Cleo thinks. They both had hard tasks. They didn't have a choice, Cleo thinks.
But. But.
She doesn't know what to do, if Etho gets convinced the humans down the mountain aren't scary. She doesn't know what to do if he gets too close. She doesn't know what to do if he gets hurt.
Because she--she doesn't think she can learn to stop being scared, anymore.
But she also doesn't know how many times her heart can stand to lose someone.
Did you know--wild cats are social? They have a reputation for being loners, but mountain lions, they're social. They don't do well being alone. They don't actually hunt solely alone. That's the important bit here. They seem independent, sure, but actually...
Anyway. This is Bdubs's fault. For making her a furry, apparently.
She watches Grian and Etho scheme together and sits back and breathes and tells herself that Etho isn't going to stop being afraid anytime soon. That if push came to shove, he, at least, would retreat back, and that maybe the two of them could convince Grian to retreat too. Safe from hunters. Safe from red.
Maybe safe from hurting each other, too.
(She's not so sure about that part.)
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poorly-drawn-mdzs · 3 months
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The girls are plottinggggg
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#Realizing she was supposed to have an upper lip mole was a cold slap in the face. So sorry ma'am. I won't forget again.#They are evil dumbass 4 evil dumbass and I think we are all missing out on the sheer potential of the comedy between these two.#They have way too much power and are using it for the wrong reasons - which makes them truly great villains.#And when things don't go their way they become piles of whining sludge.#Wang Lingjiao is forever fascinating to me even though we only get crumbs about her.#She's a servant girl who's greatest asset is her beauty and her attractiveness.#Meaning she's had a life being in the gaze of people with significant positions of power over her.#I can't help but read her childishness and petty tantrums as someone who has finally been given the chance to not feel powerless.#If she was a more virtuous type we might 'like' her more but honestly...I don't think she would have survived to this point.#WLJ has only known power hierarchies her whole life. Probably accused of seduction before she even understood what that meant.#I love contrasting her with mianmian because they have similar(ish) backgrounds but different approaches to moving forwards#But WLJ's story is about flying too close to the sun and mianmian's is about going too close to the water.#Like the sea mist dragging her down into complacency - all the sect powerplays are mandatory to 'go along with' if she wants to climb-#-the social ladder. Yet she is the cautionary tale (and a foil to JGY as well) she leaves before sacrificing her own morals.#Mianmian flies away with her wings only slightly plucked while those who sacrificed everything to reach for the top crash and burn.
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how about that uhhhhh Fantasy Julie. she gets her sword <3 no one can take it from her <3
rambles:
SIKE you get an extra, lower quality doodle
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SIKE AGAIN here's the rambles
yeah... i caved and gave her a tail... I'm Not Sorry! it's cute! i wanted to stick with her sorta flower motif - it's stronger in her princess look, since I imagine that when she was part of the royals she was very blatantly flower power based. it was her Thing!
but a Julie free of her noble shackles... she deserves her big sword. like yeah, she has flower magic, but who needs it when she has a Giant Blade??? on the royalty vein, and if we're classifying "rainbow monster" as a species, i feel like horn size/curve would be a status symbol of some kind. maybe Julie would have kept her horns filed short. but if she ran away from that life... longer horns! i like to imagine that they'll keep growing until she has a pair of Extra Weapons attached to her head! curved forward like mammoth tusks maybe!
i imagine that like Frank, she goes with minimal armor - range of movement over protection, yk? some scale mail over her front, a thick leather flower over her chest w/ scalloped leather pauldrons, wrist armor and metal knuckles! i'd think that the faux-suspenders include a back sheath for her sword... i wish i'd thought of that Before i finished the little ref! i don't feel like going back and editing!
i imagine that she was forced to cut her hair when it got caught in something (a gelatinous cube, mayhaps). it didn't look good! don't let anime and Mulan fool you! cutting your own hair with a blade will not look nice! but someone - Eddie, probably, he's good with scissors i'd assume - cleaned it up for her. and hey, it didn't look bad! plus, Julie probably liked being able to just tuck up her long strands into her hat when she's feeling a bit more like a Julius than a Julie!
it's been a fun challenge transforming their canon outfits into a similar variation with fantasy flavoring and twists! i want them to suit the setting but still maintain Themselves! Julie's was tough i gotta admit. i was messing around with the princess look and the fighter look side-by-side. it worked better when i sat back and thought "fighter Julie is Julie unrestrained. that version would be more aligned with her canon look"
i wanted her princess form to look Restrained! she has to be a ~delicate flower~, a noble woman, pristine and poised and very much a princess. soft colors, poofy clothing, bright white gloves that are not to be sullied. carefully bundled up hair! jewelry! that dress must be Heavy and hard to move in! her tail must be so cramped under there!
but Julie Unleashed? violent pinks! rose gold accents! short skirt so that she can sprint and Kick! fun boots that she can be active in and delight in watching them get dirty! her hair is free to whip in the wind and get caught in things! fun straps and Deadly Accessories! a sword that she stole from the royal armory on her way out the window! she has forearm wraps both to match Frank and to support her wrists!
#yessss this was mainly an excuse to draw jules with short hair and a tail. i do not apologize#i like to think that poppy has a bottomless bag that she's too scared to use herself#but everybody keeps things in there#julie keeps her hair-hiding-hat in there and some pants and a cape for that Julius Vibe#(yes i could have gone with julian. but julius makes me think of orange julius and. yum)#i've said in initial rambles that i think that julie has Mild plant magic#I TAKE THAT BACK SHE'S SO FUCKING POWERFUL#i think she could hold her own against wally here tbh!#she wouldn't win if home had the reins but yk! it would still be Close!#but why would she use boring magic when she can slash punch kick#she can definitely talk to all plants. like im carrying that over thats so cool#trees warning her of an ambush... trodden-on flowers pointing her in the direction of her quarry...#roots arching out of the ground to trip anyone about to beat her in a race#scribble salad#wh fantasy au#so in canon julie left The Cave#which. fuck is that supposed to be a reference to plato's cave? ok no now's not the time for speculation#so she left the cave to seek out a life of her own#so i imagine that she left the royal life for much the same reason! she didn't want to sit on a throne in a poofy dress and lead!#she wanted to Adventure! see the world! be unrestrained!#i imagine that her repeated sneaking out is how she met frank - then when she ran she went to him cause she knew he wanted to leave#and she went 'hey im ditching this joint wanna come' and Of Course the answer was yes!#adventuring duo that never regret it for a second!#also as im making refs im adding them to a Lineup. which i'll post when ive collected all the pokemon (neighbors). size refs!!!
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enter-the-bogman · 1 year
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Reading through the Tortall books in publication order is funny because you start with Alanna “the village healing woman taught me all she knew” going off to become a knight, and end with Numair “world’s most powerful mage” as young Arram Draper first learning magic at the Carthaki university. Because of the 40 intervening years and five(?) different series further developing the Tortall universe, the magic system is now SO much more complex.  Arram is learning an elementally-based, heavily theory-dependent form of magic where conceptual power is applied to physical objects or energy constructs. His teachers make him develop skills in non-magical areas like juggling, jewelry making, and gardening so eventually they can safely guide him through complicated applications of magic. In comparison, Alanna complains that Duke Roger is spending too much time on theory in order to prevent her and her peers from learning “actual magic” and becoming his rivals. And then she throws purple light at things until they explode or she passes out! We also learn from Arram’s misadventures that most of “magic” is creating methods of applying, storing, and accessing power so the user doesn’t drain their own life force and pass out or die. Alanna uses NONE of these techniques; instead, she pulls her magic directly out of her own life force, thinks about what she wants it to do, and hopes she reaches that goal before draining herself. She even (sometimes) factors in the impact of magically draining herself of energy while attempting tasks that require both magical and physical endurance (such as when deciding how much magic to spend warming herself when making her blizzard hike to claim the Dominion Jewel.)
For one thing, this makes Alanna insanely powerful. In In the Hand of The Goddess, she breaks open Roger’s magically locked door (presumably designed by Roger himself-- an immensely strong and well-trained sorcerer) by shoving her own magic into it until it MELTS. This builds an Alanna who decided magical theory was useless at age 12 because she has an immense access to magical potential energy, and who never learns the basic life-preserving models of magic usage that are taught in intro-level classes. She doesn’t have an interest in learning more sophisticated forms of magic, except in healing, which she cared about enough to learn non-magically. So when she heals, she uses magic as a guide or a supplement, rather than depending on it and then draining herself.  Since she isn’t attempting complex magic, most of the time the limitations of drawing directly from her own life force doesn’t impact her that much. The things she does magically all have much more efficient alternatives, but they require an understanding of magical theory and ability to store energy that Alanna never learned! If she wants to do larger spells, she just keeps feeding energy into it until it breaks or she does. 
The intervening series and Numair’s story makes Alanna’s simultaneously more and less believable. It now makes sense why everyone with even a slight understanding of Alanna’s type of Gift gets angry at times and tells her she’s using magic irresponsibly. (Before, we only understood Alanna’s side of the argument: “Well, I didn’t die and it worked, so calm down.” !!!) The fact that she never actually dies and only rarely is seriously harmed through her own magic use now requires some suspension of disbelief!
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turtleblogatlast · 1 year
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[ cw: (temporary) piercing / ]
AU starts here!
Previous | Next
I’d imagine Cassandra wouldn’t make a big deal out of Leo’s newfound abilities tbh
And yes, she is in fact wearing her full fight ensemble under her clothes tyvm
Bonus:
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backpackingspace · 9 months
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listen listen I think Tim and Sasha should be in their 40s. And then you just have this obviously 20 something year old who's now THEIR BOSS claiming is 38 as if they can't spot a fresh out of college baby a mile away
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yuwuta · 4 days
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yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 
#atp i need to shut and write the omega verse fics that consistency plague my mind#but while im here time for my obligatory megumi mention bc i mentioned dogs teehee#yes megumi attack dog hes megumi grumbly yes megumi bark bark bite bite BUT BUT BUTTTT#megumi is also used to like... hm........ taming? having? caring for? people in his life and also literal (divine) dogs#so for him yes he bites and barks#but he also... he gets confused if YOU dont follow him around like a puppy bc everyone else in his life has so why not you?#gojo's always been the annoying yapping pomeranian chewing on his arm even if he didn't ask#always in megumi's space even tho he didn't ask but he learned to deal with it#won't admit it but knows that too much attention is better than having someone who couldn't give a shit about you#yuuji is the golden in everybody's life and megumi is no exception#unmovable unshakeable and incredibly addictive even if he doesn't mean to be#and very very attached to the people he cares about so yeah yuuji is loud and annoying but he's also loyal and megumi respects that so fine#nobara is like... she decided she liked megumi and was upset about it so she bit his ankle and he tried to kick her off but she has too muc#pride to get shaken off by someone as scrawny as megumi and somewhere along the way megumi became impressed that she was still there even i#it hurt a bit and she was a little rough it's not like he was worse so fine whatever she can stay too#so if you like... if you dont hover around megumi if you dont pry if you dont prod then he has to be the dog smh#now he's gotta bite for your attention and nudge you and how annoying. he's gonna keep doing it tho. as long as he has to#or until you learn to fall in line and accept your leash too whichever comes first n e way.... anyway.............#somebody's pampered omega always gets what he wants megumi complex is showing......#this was about yuuta right? ok i'll put his tags now....#juju#jujutsu kaisen smut#jjk x reader#jjk smut#jjk fluff#jujutsu kaisen x reader#yuuta okkotsu x reader#yuta okkotsu x reader
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weirdprophetess · 1 year
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love that in a time of people trying to write teenage girl characters as relatable by making them mention tiktok or whatever harrowhark is by far the most realistic and actually relatable because shes a complete wreck. in gideon the ninth she's lying to everybody in her community and secretly carrying everything on her own back. she's a bitch to everybody because she's at her maximum of stress at all times. in her own book where she's the title character she's depressed as shit hanging onto a malicious sword with her fingernails even though it makes her throw up. she's emotionally distressed in at least 8 ways at all times and has no idea why but so dissociative she barely feels it and god is trying to kill her. honestly what is being a girl in your late teens except god trying to kill you
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 
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So the general Idea is that you and Joel are happily married before the outbreak. 
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him. 
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 
he isn’t sure if he’s saying it to his daughter or himself. 
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 
“We’re gonna find her, but not there.” 
So Joel searches. for the first year spent in the world post-outbreak its all he did. 
He became a smuggler because of it. 
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 
But it’s Tommy that asks him to give up. Not in those words of course. 
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 
“You think she would have wanted this for you?” 
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 
All he can do is nod. 
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 
It begins his new life. One that empty and cold but one he can live. 
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 
“You hurt one of mine, I hurt one of yours. That a fair deal?” 
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 
“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 
“One.” 
The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 
“Two”
Wait. No, they both do.
“Three.” 
Twins. Jesus fucking Christ you had twins. 
“Four.” 
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 
Your voice softens just for a moment. “You okay, Duke?” 
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 
“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 
#joel miller x reader#joel miller x you#i had an idea of something similar for tommy but on outbreak night he uh. abandons you instead of getting separated from you#because. angst :D#people say nice things#this was incredibly generous of you anon thank you so so much!#i may get myself a little starbucks drink this week now because I havent had starbucks since like january 1st lol#joel reeling from taking in all this information and also realizing he suckerpunched HIS OWN KID#id like to apologize for all the grammatical issues with this. this is just a bulletpoint word vomit to get my thoughts on the page before-#-beginning the actual fic. also I have to do a midterm tonight and this is my treat to myself hehe#but yes. joel getting separated from his wife on outbreak night and having to accept that shes probably dead#meanwhile youve lived this entire life without him because you think HES dead ad raising your boys all on your own#which just- further digs into his insecurities about failing in his role as a protector#he couldn't save sarah. he can't save ellie and he couldn't even save you#he thinks about you pregnant and alone. fending for yourself in a world full of infected and raiders and his chest grows tight again#this is all followed by Ellie going >:O 'you KNOW THIS PSYCHO?'and then joel immediately snapping at her to WATCH HER MOUTH#because that kid has no filter and he has to explain that youre his wife#anyways joels wife is a badass mfer who also maybe has a little garden and some chickens that you and your boys take care of <3 yeah .#reunion tag#ill be using that for this specific couple because I dont have a fic title yet but if anybody has suggestions!
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lelelego · 8 months
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had a dream and drew it :o)
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cocogum · 1 month
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Yugo: “So yeah, in the end I no longer have my child body, I defeated and accepted my alter egos who have been ruining and messing around with the world, I saved Nora with some friends, I told our mother to leave if she wasn’t going to do anything, I became king of the eliatropes once again, and I got married to my childhood friend/crush which is why we got a last name now-”
Yugo’s old incarnations: “WE GOT LAID?!?!??”
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