for the wip ask meme: cover story!
Thank you for this ask (from this WIP game)! a couple of folks have asked about this one. It's the Ted/Trent spy-AU-in-a-Notting-Hill-bookshop-AU, which stalled because the premise got too unwieldy and the literary references got out of hand. (It did have a playlist I was quite fond of, with a number of Kinks songs including, presciently, A Well Respected Man). Because I am unlikely to ever finish it, I thought I'd just fic amnesty the whole thing here, so:
Cover Story
Trent is about to wind up stocktaking when the door to the bookshop bangs open. “We’re closed,” he calls irritably, and then he turns and sees who it is.
“I got something of a reading emergency,” says Ted Lasso.
Trent takes him in: breathing hard, collar askew, perspiration plastering a lick of hair against his forehead. In his hand is a gun. Trent recognises it as a Heckler & Koch P30L.
Trent ought to be going for his own weapon right about now. Instead he says: “So it is you.”
“Yep,” says Ted.
“I knew it,” hisses Trent. “I fucking knew it.”
“Boy, you sure do like to be right about stuff.” Ted pauses, then staggers. Trent sees that he is favouring his left side, and that the shirt beneath the puffer jacket is darkening with blood.
“Ted,” he begins, “wh – ”
“Like I said,” Ted grits out, “emergency.” And then he collapses in the middle of Trent’s bookshop.
Five weeks earlier
“You wouldn’t happen to have the latest John le Carré, would you?”
Trent has to climb a little ways down the ladder to see the man speaking to him. It’s one of the American tourists who wandered in after lunch. There are always Americans underfoot these days, trawling the aisles of the bookshop as if in hope of a meet-cute out of Notting Hill. Trent, as a rule, finds Americans tedious and does his level best to avoid them in all his lines of work; he achieves this in the bookshop by hiding in the stacks and leaving them to the tender mercies of his assistant. Unfortunately, this appears to be a particularly persistent specimen. Trent descends a few more rungs and braces himself.
“Is that the one with Brexit?”
“The one with the bookshop.” The American has a very distracting moustache. He looks almost exactly like a slide Trent once saw in Disguises 101: How Not To Overdo It. He is also wearing multiple layers beneath his puffer jacket, like some sort of Midwestern matryoshka, even though the shop’s heating is working perfectly well. Trent is automatically suspicious of customers with many layers, lest they are shoplifters. But a shoplifter would not go to such lengths to gain his attention.
“If you mean the posthumously published one, it’s not yet in stock. Shipping delays, I’m afraid.”
“Ain’t that a pity,” says the American. “I was sold on the premise. A bookshop that’s secretly a base for spy shenanigans? Tell me you don’t want to see how that turns out.”
Trent removes his glasses, keeping his expression bland. “You could put in an order, but if you’re not in town for long then I daresay there isn’t much point.”
“Oh, we’ll be here for a while. Long vacation. Thought we’d take it easy, like the Eagles would say. Though this ain’t Winslow, Arizona.”
“You can place an order with Miss Bowen at the counter,” says Trent, after he has cast about for a response to that string of gibberish and come up empty.
“You bet I will. If I could just – ” The American reaches out, and Trent almost breaks his wrist on instinct, but he simply brushes past Trent’s sleeve and pulls a secondhand copy of Call For The Dead off the shelf. “Maybe we ain’t see the last of le Carré, but at least it’s a first.”
“Ah, ha,” says Trent, to mask his surprise that they even have a copy of Call For The Dead in stock. It’s probably languished in here for years, unsold. “Good eye.”
“Well, I thank you for the consultation, Mr…”
“Crimm. Trent Crimm, The Independent.”
“Well, Trent, I appreciate you. Keep fighting the good fight.”
Trent blinks. “Against…?”
“Amazon,” says the American brightly. “Which, as an American, I apologise for.”
“Er, quite,” says Trent. “Sorry about Brexit, and all that.”
The American’s name on the order form is Ted Lasso, which makes him sound like a fictional character. He collects his bearded friend from the philosophy section and they depart, engaged in a discussion so animated that Lasso walks into the shop door, rebounds with no perceptible damage and continues his argument without missing a beat. Trent and Miss Bowen watch them go, mildly perplexed.
“Is he a subscriber? I don’t recognise either of them.”
“Just an ordinary customer, from the looks of it. He wanted to talk about books.”
“I suppose it must happen from time to time, in a bookshop,” says Miss Bowen dryly.
Trent crosses to her side of the counter, which is built in such a way that a customer, standing in line, would not be able to see what her hands might be doing. He leans down casually to check the automatic shotgun mounted under the countertop.
“He was talking about the new le Carré. It’s about spies in a bookshop, apparently.”
“Oh,” says Miss Bowen, eyebrow raised. “Is it now?”
“Yes,” says Trent. “We ought to get hold of it quite quickly, I think. In case there’s been a breach.”
“Come now.” She turns to him sharply. “Le Carré couldn’t have written a novel about us. I mean, he’d never been in the shop. We’d know, wouldn’t we?”
“I daresay we would, Miss Bowen. But put in the order anyway.”
“Certainly, Mr Crimm. And did you want new grenades on top of that?”
“I did, yes, thank you for reminding me.”
“Of course.” A pause. “We are quite sure that man wasn’t a subscriber, are we?”
Trent scoffs. “What, that guy? Come on.”
*
Trent’s childhood dream was to own a bookshop. He thought of bookshops as places where you could read all day and avoid people, which seemed like paradise. However, his family being who they were, his skills being what they were, the job market for English degree-holders being what it was – he spent a year at odd ends, haphazardly weighing the pursuit of postgraduate studies against attempting to break into the publishing industry, until finally he gave up and took the path he knew had always been there, lying in wait for him. He became a spy.
It was another fifteen years before he revisited the idea of the bookshop, in the wake of his abrupt and unceremonious retirement from the Circus. Cleis was one and a half years old by then, and he knew he must find something, for her sake – he had promised – even though he could not stomach the thought of going out in the cold again. He was mulling over his various options – heaven forfend he wind up in something horrible, like insurance – when his mother dropped by for tea and said peremptorily: “Mae is retiring, don’t you know?”
Mae – the only name anyone ever knew her by – was a veritable battleaxe who ran the Crown and Anchor, a pub that doubled up as the London station for agents of every stripe working in or passing through the city. The stations, by the unspoken rules that governed their universe, were neutral ground; they served every agency and freelancer without question and in turn brooked no conflict within their confines. To move against a station was to move against the combined powers of the rest of the agencies. Nobody had tried it in Trent’s lifetime.
“Oh?” said Trent. He was only partially listening to his mother; most of his attention was focused on trying to get Cleis to keep her yoghurt in her mouth. “Who’s taking over, then?”
His mother fixed him with the glare she had honed on some of the finest intelligencers this side of the Atlantic, as well as his teenage self. “I rather thought you might throw your hat in the ring, dear.”
Cleis mawed at her in surprise and dribbled watery yoghurt down her bib. Trent sighed. “I’ll talk to Mae.”
Mae thought it was a ridiculous notion to run a station as a bookshop. “You wouldn’t catch half that lot dead in a bookshop,” was her take on it. “Who has time for reading these days? And you’ll have to get in books! Actual books!”
“That’s rather the idea, yes,” said Trent. “It can’t be harder than maintaining a liquor licence.”
“Well, it’s not like I was going to hand the tender over to anyone else,” admits Mae. “What will you call it, love?”
Trent considered. “The Independent. Because that’s what it is.”
Even Mae had to admit, a few years in, that it was working out quite well. He’d even managed to sell some books.
*
“How’s the le Carré?” Miss Bowen asks, amid her reshelving. “Are we in trouble?”
“I don’t think so.” Trent is perusing Silverview at the counter, book in one hand, the other on the rifle. “The bookshop’s in East Anglia, and the protagonist hasn’t the first idea how to run it.”
“Oh, well then,” says Miss Bowen. “It will put nobody in mind of us at all. Is it any good? I’m always wary of these late discovery manuscripts. I don’t think I ever got over the disappointment of Go Set A Watchman.”
“It’s unevenly weighted. Makes you miss him at his best.” Trent turns a page. “Still, I’m glad he didn’t go gentle into that good night.”
He tenses as the shop bell rings, then sees that it is Keeley Jones, resplendent in a fluffy yellow coat. “What can we do for you, Miss Jones?”
“Trading in,” sings Keeley. “On Jamie’s behalf.”
Trent takes off his glasses and gives her a forbidding look. “What, has he gone and lost the lot again?”
Keeley winces. “Only some of it.”
Trent sighs. “Let’s get it processed in the back.”
Jamie Tartt is one of the stars of the agency known as the Dogtrack. He’s also aggravatingly cocky and spectacularly laissez-faire with his equipment; Keeley’s always in here, making apologies for him having thrown his Glock into a volcano, or something. Trent has no patience for the likes of Jamie Tartt. One already has so many people trying to kill one in this line of work, but there he is, giving even more people reasons to want him dead.
The back room is behind a reinforced steel door that can only be opened using either Trent’s or Miss Bowen’s fingerprints and a passcode that changes every day. The passcode is in fact a rolling alphanumerical series that progresses through the entirety of Hamlet, and if anyone ever cracks it, Trent will be very impressed by their grasp of Shakespeare. In the back room, Trent lays out the remnants of Jamie Tartt’s mission kit and purses his lips.
“To lose one dart gun, Miss Jones, may be regarded as a misfortune. To lose both looks like carelessness.”
“Oh, you needn’t have a go at me, I’m proper mad at him myself. You know what he did last week? Tried to murder Roy Kent. Roy Kent!”
“What, for work?”
“Not even that! Some kind of fucking…pissing contest.” Keeley makes a noise of exasperation. “Some days it’s like we gave a bunch of five-year-olds guns and let them loose on a jungle gym. You know what I mean?”
“I’ll just put it on his tab,” says Trent. “Which is astronomical, by the way.”
“I’ll chivvy the folks at the Dogtrack to send you a cover. Only they’re rushed off their feet this week – you must have heard.”
Trent has heard, but it always serves one in intelligence gathering to pretend to know less than one really does. “What’s happening over there?”
“The Mannions are going to war,” says Keeley, her voice lush with the juice of gossip - another reason why Trent likes having her in the shop. “The whole Dogtrack’s splitting up. Christ, but it’s a mess down there.”
“Who’s Jamie backing?”
“Hasn’t decided. Rupert’s putting it about that the whole agency’s going with him, but word on the street is that Rebecca Welton’s brought in someone from abroad to take him out. They’re saying it’s an American.” She sucks in an excited breath.
“Why would you bring in an American for that?” demands Trent.
“Beats me. It’s going to keep us all on our toes for a bit, to be sure. I reckon it’s some Tom Cruise type, all Mission Impossible Jack Reacher like. But nobody knows for certain.”
“Surely not,” says Trent. “You at least must have some idea, Miss Jones.”
Keeley flutters her eyelashes at him. “Who, me? I’m just a humble secretary.”
“Of course you are,” says Trent. “And I’m just a poor bookseller.”
Keeley slants a sly look at him. “You haven’t seen any Americans around, have you?”
“We get Americans in the store all the time. Just this morning we had a Mrs Glenda Johnson from South Carolina complaining that we don’t have a café in the store.”
“Yeah,” says Keeley, “fairly sure it’s not Mrs Glenda Johnson. Isn’t there a Costa two doors down?”
“Precisely,” says Trent. “Americans.”
They return to the front of the store, the afternoon light streaming across the polished wood floors and touching the book covers. “It really is awful pretty, when the light’s good,” says Keeley, running a hand across a row of Sally Rooneys. “You know what you ought to do? You should do #BookTok.”
“That,” says Trent, “is the single worst suggestion I’ve ever heard.”
Keeley laughs. “Give me a pot of money and some Madeline Miller and I’ll do it for you. I’ll make you so famous, you’ll be beating influencers off with a stick.”
“Just tell the Dogtrack to pay for your boyfriend’s damage.”
Keeley sticks her tongue out as she swings out of the shop. “If you see the American, you’ll tell me first. Won’t you?”
*
“Tell me a story,” says Cleis. They’re curled up in her bed, her tiny frame pillowed against his side.
“You’ve had two already.”
“But I want another.” Cleis looks up at him, her eyes clear and green as the sea. “Tell me about Maman.”
Trent stares up at the glow-in-the-dark stars that speckle her bedroom ceiling. Tell me about a complicated woman, he hears Coralie say in his head. She sounds slightly amused. This is an anachronism, of course. Coralie never lived to see the Emily Wilson translation of The Odyssey. She would have loved it.
“Where do I start with your mother?”
“Was she very beautiful?”
“Yes. She knew exactly how beautiful she was and what to do with it.”
“Do I look like her?”
“The spitting image.” Even at four, Cleis looks so much like her mother that Trent will sometimes look over at her, in the middle of something mundane like making dinner or brushing her hair, and the resemblance will strike him like a punch to the gut.
Cleis is pleased by this. “What else?”
“Well. She loved old poems, and she was a lot stronger than she looked, and she wasn’t scared of a thing. Never listened to anyone either.”
“Not even you?”
“I like to think she listened to me a bit more than most other people,” allows Trent, “but even that wasn’t very much.”
Cleis kneads her quilt between her small hands. “Why didn’t she come back?”
Trent swallows. “She couldn’t. She had to save everyone.” Including me, he doesn’t add. Instead he says: “She loved you more than anything in the world.”
“How do you know?”
“She told me so. It was the last thing she said, before – ” Trent stops. Cleis is silent.
“Go to sleep now, chouette.”
It’s another hour before she drifts off to sleep proper. He sits in the dark, her hand tucked in his, until she does.
*
“So that’s your subscriber number, which you should quote in all correspondence with us and over the phone when placing orders. Orders placed within less than twenty-four hours of pick-up will be subject to last-minute fee increments. Is that understood, Mr Rojas?”
The lush-haired young man beams at Trent across the counter. “Si, entiendo.”
“Book club notices are posted on the board to the right,” Trent goes on. “Those are for freelancers, I don’t vet them personally and you attend book club at your own risk. This is for your first assignment.” He hands over a copy of Roberto Bolaño’s 2666. Dani Rojas makes to open it; Trent slams it shut. “Don’t open your books in the store.”
“Okay,” says Dani, wide-eyed. He hefts the book experimentally in his hand. “It is very heavy. Does it have a happy ending?”
Trent snorts. “It’s a Bolaño, what do you think?”
Dani nods cheerfully. “I thank you for this, señor. Literature is life.”
“I mean, it actually isn’t,” says Trent, “which is sort of the whole point – but never mind. All the best, Mr Rojas.”
Dani leaves, whistling. He passes Roy Kent on his way in. “He’s not the American, is he?” says Roy, not quite sotto voce to Trent.
“I rather think he’s Mexican,” says Trent. “Are you all still going on about that? I’d have thought you’d have worked it out by now.”
“Nah,” says Roy. “No idea who it is. Mrs Mannion – that is to say, Ms Welton – is keeping her cards close to her chest. Old Rupert’s foaming at the mouth. They say he’s got hold of some kind of leverage, but fucked if we know what.” He studies the noticeboard. “Anything good at book club?”
“What, are you freelancing now?”
“Reckon I might as well, since it’s all going to shit at the Dogtrack.” Roy frowns at A Moveable Feast, Wednesday 8pm; A Gentleman In Moscow, Thursday 7pm; and Vengeance Is Mine, All Others Pay Cash, Thursday 9pm. He points at the last. “Where’s that one again?”
“East Java. I hear Indonesia’s nice this time of year.”
“Right, let’s give it a go then.”
Trent scribbles down a number on a Post-It and hands it to Roy. “Call it and burn it. You know the drill.”
“Cheers.” Roy regards Trent, brows thickly furrowed. “You’ve seen the American, haven’t you?”
“No comment.”
Roy grunts. “Bet you have. You’re just being a prick about it, as usual.”
“Whoever it is, they’re probably out in the community already,” says Trent. “Bravely or stupidly.”
“Stupidly,” decides Roy, stalking off.
*
The problem with The Independent is that, despite Trent’s best efforts and the imminently prophesied demise of brick-and-mortar bookselling, it still continues to be a fairly popular bookshop. Trent has no idea why this is. He puts zero effort into the window displays. He shelves the books in no discernible order, so it is virtually impossible for a customer to locate anything. Sometimes he even leaves terrible TripAdvisor reviews for himself, to discourage casual browsers and tourists. And yet the shop continues to see customers – not subscribers, actual book-loving civilians. People keep popping in to have opinions on how Trent should run his bookshop, to complain that he doesn’t sell stationery or upbraid him for not carrying the latest Stephenie Meyer or insinuate that he should hold poetry readings (of their poems) in the store. It’s a marvel that Trent has gone all these years without shooting anyone in the face.
Still, the shop has regulars somehow. There are the subscribers, and then there are normal people who just show up and spend ages browsing, even though Trent has made sure there is nowhere comfortable for them to sit. There is the elderly gent who pops in nearly every morning to thumb through books and point out printing errors to anyone unfortunate enough to be in proximity. There is the teenage girl who spends afternoons seated cross-legged in an aisle, reading The Sandman in instalments. And then there’s Ted Lasso.
“Why’d you call it The Independent?” Ted wants to know. He’s come back to pick up his copy of Silverview, and despite having achieved this with little incident, has nevertheless once more sought out Trent where he is dusting the shelves.
“Because it is an independent bookstore,” says Trent, who is in fact sweeping for bugs. He finds one planted atop a birding guide and surreptitiously crushes and pockets it. “Can I help you with anything else, Mr Lasso?”
“I was wondering where I might find your Graham Greene.”
“I believe we have The Quiet American somewhere in the shop, if you can bear to wait while I excavate it. Though,” adds Trent, “you are a distinctly unquiet American.”
“You can say that again,” says Ted cheerfully. “You wouldn’t happen to have a copy of The Third Man, would you?”
Most people haven’t even seen The Third Man, let alone are aware that it was based on a Graham Greene novella. “You know your spy fiction, Mr Lasso.”
“Call me Ted, won’t you?”
Trent drags the ladder around the corner and retrieves The Third Man from a high shelf near where the ceiling dips. He looks down, head tilted, at the man beaming up at him from the foot of the ladder. You’ve seen the American, haven’t you? Ted Lasso does not look like the kind of American called in to bring down the head of an agency. He looks like a caricature of an American. He has worn the same pair of khakis every time he has set foot in this shop and it is likely he does so without irony. Yet Trent has the feeling that something is off, the way that shots in The Third Man are framed at a slight angle so that the city looks like a painting knocked askew.
Ted clears his throat. “Kinda staring there, Trent. Makes a fella wonder if he ain’t got toothpaste in his moustache.”
Trent hands over the book. “Why are you here, Ted? Really?”
“First thing I always do when I land in a new place is find a local bookstore,” says Ted brightly. “Tells you a lot about the town, your local bookstore.”
Trent takes off his glasses. “And what, pray, have you learnt from this one?”
“That nothing is where you think it’ll be,” says Ted. “But it sure helps if you ask for directions.”
“Perhaps you should ask him if he wants to get coffee,” says Miss Bowen after Ted has left. “Isn’t that why you hired me? So you could have more of a social life?”
Trent pinches the bridge of his nose. “I hired you so that in the event of a terrorist attack on the shop, we wouldn’t be short-handed.”
“I’m glad you did. It was this or go back to teaching kindergarten.” She raises her voice sharply as a man in a denim jacket emerges from behind a shelf and shuffles towards the door. “Stop right there!”
“Uh,” says the man intelligently. “What’s this about?”
“We have CCTV in the shop, you know,” says Miss Bowen. “So we’d appreciate it if you didn’t leave the shop with Jonathan Franzen stuffed down your trousers.”
The man leers. “Like to come over and check on it yourself, love?”
Miss Bowen meditatively flicks open the boxcutter she was using to trim plastic wrap. “You know, I just might.”
The man hastily removes the Franzen. “All right, no need to get all shirty about it. I’ll just put it back then.”
“The fuck you will, we’re not touching that again,” says Miss Bowen. “You’re going to leave twenty quid on the counter – with your other hand, mind – and then you’re going to back out the door and never come back.”
“Can’t do that in kindergarten, can you,” remarks Trent after their errant customer has complied and made himself scarce.
“There’s something to be said about the job satisfaction in this place,” agrees Miss Bowen.
*
Trent arrives at his parents’ just in time to see his daughter stabbing his father in the front garden.
“Ah! Ah! Alas!” cries his father, sinking dramatically into the grass as Cleis bashes him joyously with a foam sword. “You’ve got me, dread pirate!”
“Did you kill grandpa, chouette?” says Trent as she greets him by thwacking him on the shins with her sword.
“Three times,” says Cleis modestly as she is scooped up.
“She’s a bloodthirsty one.” His father is rising ponderously to his feet, brushing grass stains off his knees. He dotes on Cleis in a fashion that was distinctly lacking in Trent’s own childhood. Trent still cannot get over the incongruity of it – the legendary Chester Crimm, scourge of the Stasi Circle, playing pirates on the lawn with a four-year-old. He does have the eyepatch for it, Trent reflects.
His father turns his good eye towards Trent. “Sell a lot of books today, son?”
“Hilarious,” says Trent shortly. “Where’s mum?”
“Getting her hair done.” They head back into the house. “What’s this I’m hearing about an American at the Dogtrack?”
“Christ, I’m sick of hearing about the American. How’d that even get to you?”
“I was at poker night with the old guard. It’s all everyone’s talking about, the Mannion split.” His father pulls a beer from the fridge and hands it to Trent as Cleis makes for the living room television. “Never liked Mannion. Did you know he tried to get off with your mother, back in the day?”
“Ugh,” says Trent faintly.
“That was before he got mixed up with the Welton girl, of course,” says his father with the alacrity of the generation who can get away with calling Rebecca “the Welton girl”. “The agencies are such a shitshow these days. You know, back in my day – ”
“By all means,” says Trent mordantly, “reminisce about the Cold War, dad. What a splendid time that was.”
“You know what I mean,” his father grumbles. “People just got divorced and got on with things. Didn’t go about involving Americans. You’ve not seen the American, have you? Why are you laughing?”
“I’m just thinking of the rhyme,” says Trent. “From The Scarlet Pimpernel.” At his father’s blank look, he recites: “They seek him here, they seek him there, those people seek him everywhere! Is he in heaven or in hell? That damned elusive Pimpernel.”
“Damned!” exclaims Cleis from the doorway. “Damned, damned, damned!”
Trent stares at her, aghast. “Now look what you’ve done,” says his father.
*
Ted isn’t in the shop today, though his bearded friend has put in an appearance. He has only ever been referred to as Beard, and Trent is coming round to the idea that it might actually be the man’s Christian name, because who even knows with Americans? He’s browsing in the back, which is fine, and has been engaged for the past fifteen minutes in a conversation with Jane Payne, which is not so fine.
“Should we say something?” Miss Bowen wonders.
“We are The Independent,” says Trent. “We have a policy of non-interference.”
“I mean, she’s literally toxic. Did you see the photos from her Dubai job?”
“No. Jesus. Why are there even photos?”
Miss Bowen shrugs. “No idea. Everyone’s been sending them around in the group chats. Did not know you could get blood that colour.”
“Miss Payne can do what she likes, provided she does it outside the shop.” Trent pauses. “Though you could ask him if he wants to get coffee.”
“No thank you,” says Miss Bowen. “I have no wish to be stabbed in the pancreas by Jane Payne.”
They are distracted by the shop bell. Trent is surprised and slightly disconcerted to see none other than Rebecca Welton bearing down upon the counter in all her glory. The agency heads rarely visit the shop in person; Trent typically corresponds with Mr Higgins for the Dogtrack’s interests.
“Ms Welton. What can we do for you?”
“I’d like to see your Canterbury Tales special edition,” says Rebecca without preamble.
Trent blinks. “Certainly. This way.”
In the back room, he opens the case where the Chaucer collection is stored. Rebecca begins looking it over critically. She hefts a rocket launcher experimentally, testing its weight. “Which one is this?”
“The Wife of Bath. Gives you five shots.”
“Hm,” says Rebecca approvingly. “I rather like the sound of that.” She inspects the double-barrelled shotgun dubbed the Man of Law and the poison darts of the Pardoner. “I’ll take the lot for the rest of the month.”
“That’s a lot of firepower,” says Trent bluntly. “You’re not trying to kill your husband, are you?”
“I don’t know why you’d say that, Mr Crimm. Though I suspect he might be trying to kill me.”
“Is it all for you? Or is any of it for the American?”
“I’m sure I don’t know what you’re talking about,” says Rebecca, expression immaculate. “Do invoice Mr Higgins.”
*
“Darling,” says Trent in long-suffering tones, “please get out of the tree.”
Cleis responds by clambering to a higher branch. She’ll be a while. Trent sighs and puts his hands on his hips, gazing out across the green. It’s a pleasant Sunday morning in the park, though it doesn’t stop him from tracking every jogger and picnicking couple in the vicinity, combing the milieu for hands in pockets and inside coats, calculating distances and trajectories.
His gaze moves across and catches on a lone jogger making his way up the path in their direction. That’s Ted Lasso, he’s sure of it: head down, shoulders hunched against the bite of wind off the water, but there’s no mistaking that moustache. As Trent watches, he raises his head and their eyes meet. He does a very convincing double-take. He’s either genuinely surprised to see Trent here, or his acting skills are commendable. That Trent can’t tell says a lot. Then his face splits into a broad grin.
“Hey there, Trent Crimm, The Independent!”
“Hello, Ted Lasso from America.” Trent eyes Ted as he jogs over, beaming affably. He waves his hand awkwardly. “You…live around here?”
“Oh yeah, Beard and I have digs around here. Like to come out for a run on the weekends.”
“Your vacation is stretching on rather,” Trent informs him.
“Oh, we picked up some work,” says Ted evasively. “Thought we’d stick around, make hay while the sun shines. Though you ain’t got a whole lot of hay around these parts. Not like what I’m used to, at any rate.”
“What sort of work do you do, Ted?”
“Human resources,” says Ted blandly.
Trent removes his glasses and fixes Ted with a searching look. Ted meets his gaze, perfectly amiable. Trent narrows his eyes. Ted doesn’t blink. The whole effect is ruined when Cleis leaps out of the tree unannounced and tumbles onto him.
“Oh for f – ” Trent bites off invective as he staggers. “For the last time, my love, climb down.”
“But this is faster,” says Cleis innocently. She appears to notice Ted, and peers at him curiously as Trent sets her down.
“Well hey there, sweetheart,” says Ted. “What’s your name?”
“Cleis.”
“Fais attention,” says Trent, more sharply than is his wont. Cleis stiffens and tucks herself behind his knee. She always takes her cues from him, and he realises too late his body language has been telescoping an ease with Ted that he should not have brooked. She has never introduced herself to a stranger before.
Ted must pick up on some of that, because he stops short of coming over, instead maintaining the distance between them and crouching down till he is at Cleis’s eye level. “That’s a real pretty name,” he tells her. “It’s from a poem, ain’t it?”
“Sappho.” Trent’s throat feels tight.
“Yeah, that’s the one,” says Ted. “Like a small golden flower. Did you name her?”
“No,” says Trent. “That was her mother. She's – she liked the classics.”
On Trent’s first mission to Morocco, he was paired with a young agent with a French accent and a Classics degree. The former was nearly imperceptible except when she was under pressure; the latter was of no use whatsoever on the mission, any more than Trent’s own English degree was.
“You’re gay, aren’t you?” she said after they had spent four minutes making out pointedly in an alcove to distract the security guards of the Casablanca mansion they were breaking into.
“I’m afraid so,” said Trent, picking a lock.
“That’s a relief. I was worried I was losing my touch.” The lock clicked open, and she whistled appreciatively. “Sing to me, Muse, of the man of twists and turns.”
“The Odyssey? Really?” Trent was secretly delighted that he was no longer the only one pretentious enough to quote classics during a field op. Or Casablanca in Casablanca, even.
She winked at him. “I think this is the beginning of a beautiful friendship.”
Her name was Coralie Chénier, though they called her “the Owl”. Trent used to envy her this; everyone, despite his best efforts, referred to him as “Chester’s boy”. Then came the Cuba incident, which was such a bloodbath that it earned Trent the moniker “the Jackal”. After that he decided monikers were overrated. At least they matched: the Owl and the Jackal.
Coralie was an orphan – the service preferred either orphans, or those to the manor born, like Trent – and so for the ten years they spent in the field, he was the closest thing she had to next of kin. It was him she told first about Cleis.
“The father?”
She waved a hand dismissively – not in the picture, then. She did not say who it was. Trent knew it to be a crowded field.
“Are you keeping it?”
“I shouldn’t, should I? It’ll take me out of the field for a good stretch.” But he already knew, from the way she rested her hand over her still-flat stomach, that she would.
“I could marry you, if you liked,” he offered.
She laughed. “That’s the sweetest thing any man has ever said to me, darling. But I think I’ll be just fine.”
The last thing she said to him, before she pulled out her comm and charged back into a building rigged with explosives, was: “Promise me you’ll look after her.”
“There must be another way – ”
“I’ve got to do this, Trent,” she said, too gently. “Make sure she knows how much I loved her. All Croesus’ kingdom.”
“I promise – ” but by then she was already gone.
“I’m sorry,” says Ted, bringing Trent back to the present. His hand tightens on the shoulder of Coralie’s daughter.
“Thank you,” he says, for lack of anything better.
“Heck of a poem,” Ted adds.
“Oh yes,” says Trent. I wouldn’t take all Croesus’ kingdom with love thrown in, for her.
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freeman's mind notes part 11, e51-55
e51
rock dust = health hazard. No naps here
finds the idea of breathing ether good
wonders if he can delete his employee status at Black Mesa
thinks in 205X Walmart will have turret guns in the parking lots. To deter shoplifters
perpetually bothered by the incompetence of others
chess does NOT prepare you for being surrounded
compares himself to a knight in a chess metaphor
hes STILL hungry
the plantweb around the snark balls is gross
thinks he's probably safe from alien viruses because they're just that unfamiliar with human bodies
thinks the snarks are imprinting on him
would not make a good babysitter
his first impulse to seeing kids run around is to throw nonlethal things at them
he was firing a BIT faster than reenactors with muskets. They fire once a minute. Twice if they're really fast. It's pretty impressive ngl
finds alien grunts' armour impractical and stripper-like
"yay!"
wants to use the snarks for animal fights
slime mold IS valuable excuse you
threatening the aliens with not giving them fungus
still scared they'll teleport inside him
isn't happy he's functioning with the force of an entire army. It sounds cool but he has to do EVERYTHING or DIE
"peekaboo"
STILL searching for a map
ponders eating the aliens and his only concern is how to cook them
e52
thinks the military should give out a psa for gun owners to shoot aliens in black mesa
underwater mumbling my beloved
bleugh,,
snarks? no. Popcorn bugs
has apparently forgotten the mechanics of the turrets
the illusion of free choice (westward tunnel - westward tunnel)
wouldn't be surprised to find he's been walking the longest possible route around the facility
pretty sure the icthyosaurs have been on earth longer than the rescas
he's that "hold it buddy! you lost your chance!" meme rn
yells WORMS
"bah."
THE WORMS. WHAT NOISES ARE THESE
he doesn't drink THAT much that's what the pills are for
very tired of his explosives not doing all they should
fun fact actually being underwater when an explosion goes off is worse than being on top of the water even if it's closer. That'll collapse your organs with the shockwave
"GAAAAAH."
will take any opportunity to use his rocket launcher
"a lesser man might keep moving blindly, but I am a man of vision and I have seen more rockets . . . Now I can keep moving blindly."
thinks the guard job must be boring without him to spice things up
stutters out a tune similar to march of the gladiators
thinks an elevator is a trap. Walks in after considering this
robots won't take over the world but he thinks others wish they would. Also their battery life is bad
e53
starts the episode by singing poorly
the elevator WAS a trap this is a radioactive roach motel
admits he's scared. the radiation freaks him out so badly
funny noises :3
through the power of hypnotic suggestion and a tank
okay I will be frank he has just gotten gradually more unhinged over time but it really did ramp up after the ambush
mimics Xen turret noise
THIS is why he's such a good theoretical physicist. He solves problems that shouldn't exist
not familiar with media involving aliens invading that are just kind of stupid. Show him Invader Zim right now
watched a documentary of Chernobyl. Remembers it decently. Annoyed the headcrabs are distracting him from it
got SLIMED
we should drop stray dogs and badgers into a warzone.
thinks humans are better at invasions than xenians. We do have practice
thinking about not having a tank depresses him
e54
new intro! room adjacent to the rocket launch room. wikipedia room.
engineering are pretty extremist folks
NINJAS. Occam's shuriken. When the answer is elusive the answer is ninjas
ninjas understanding quantum mechanics was a controversial part of freeman's dissertation
"you can never prove the absence of ninjas, only their direct presence" i say this so often
the ninjas from yesterday were hazy in his memory
can't even be sure if the ninjas he's shot are actually dead
confused at why the lights are still on when the ninjas have night vision goggles
he's sure ninjas will be his death. wouldn't be surprised.
wants to nuke the place as soon as he's out
door opens. He goes to explode whoevers behind it immediately
doesnt want to do shit for others rn
gluon gun,, hey would Gordon call the gauss gun it's proper name or "Tau cannon"? He's subversive. He'd like the syllable of "gauss"
blood on his suit and it isn't coming off :(
abandons some scientist to his own shenanigans
e55
checks to see if anything followed him down the elevator
Loves the gluon gun
blue energy is superior to green energy and beams
considers Black Mesa a redundant bit of nonsense so that no one person knows all of what's going on
listens to the VOX
deduces a guard killed another human. Keep up that everyone wants you dead thing
thinks some people thrive in chaos a bit too much. Sir you're like that too.
"I needed a reason?"
drops the gluon gun due to weight/ammo consumption concerns
the constant metal groaning noises bother him so much
groans at the vortigaunt almost teleporting inside him
hates the references to dimensions. Wants accurate terminology.
I do not know who Buckaroo Banzai is
[growls]
the concrete dust REMAINS a breathing hazard
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