#slatkine

[garadinervi]

«La République des lettres» – revue mensuelle, Editor in chief Catulle Mendès, Alphonse Derenne éditeur, December 20, 1875, Slatkine Reprints, Genève, 1971, [«La République des lettres», Première série 1875-1876, Deuxième série, Volumes 1 et 2, 1876, Tome I] [Bibliothèque nationale de France, Paris]

#graphic design #art #philosophy #poetry #music #magazine #cover #magazine cover #la république des lettres #catulle mendès #alphonse derenne #slatkine #bibliothèque nationale de france #1870s #1970s

[shredsandpatches]

Presented without context. Not that context makes it less weird.

#this album apparently has no faust content #but i think this still gets the tag #faustcore #i got this from leonard slatkin's facebook

[maximalismdaybyday]

Source

#sitting room #intermediate #victorian #howard slatkin #patterned walls #blue couch #maximalism #home decor #interior design

[majikdog]

"Fantasia For Strings: 4.Allegro moderato- Meno mosso"- Originally Hans Werner Henze (1966), The National Philharmonic Orchestra- Conducted by Leonard Slatkin (1973)

#The Exorcist #Music #Horror #Hans Werner Henze #The National Philharmonic Orchestra #Leonard Slatkin #perfect for the ending credits #really alluded to the story not being quite over

[clamarcap]

Of Rage and Remembrance (Corigliano 85)

John Corigliano (16 febbraio 1938): I. Of Rage and Remembrance, ciaccona (composta sulla base del III movimento della Sinfonia n. 1) per voci e orchestra su testo di William M. Hoffman (1991). This is the season of stone: Dead leaves on a garden wall, Dried berries in bone-cold air, A brittle moon, An ashen sun. Bear it, Bear it, you tell me. This is the season of stone. Was there a time before…

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#James Shaffran #Jason Stearns #John Corigliano #Leonard Slatkin #Michael Accinno #Michael Forest #Michelle DeYoung #NAMES Project AIDS Memorial Quilt #National Symphony Orchestra #Robert P. Baker

[blueribbonbaby]

👆🏻

#maude apatow #gracie abrams #blake slatkin #oliva rodrigo #iris apatow #euphoria #lexi howard #conan grey

[gwydionmisha]

The Scientology Scammer: Reed Slatkin

#Reed Slatkin #Scientology #Scams

[graciesgoodriddance]

Gracie Abrams is the woman who i aspire to become when i’m older. she really makes me feel so heard and makes me feel so comfortable. her music is so poetic, and so relatable. i love her.

@gracieabrams

#gracie abrams #gracie #jj abrams #taylor swift #harry styles #blake slatkin #graciemadigan #i miss you im sorry #feels like

[elpodermediagroup]

Conozca las categorías más importantes en los Grammy

La mayor condecoración en cuanto a premios musicales nos referimos, llegará el próximo cinco de febrero al Crypto.com Arena en Los Ángeles, Estados Unidos, donde los artistas más destacados del año competirán por llevarse la estatuilla que los reconocerá como los mejores. Beyoncé, Adele, Harry Styles, Kendrick Lamar, Lizzo, Bad Bunny y Brandi Carlile son algunos de los artistas  compiten entre…

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#“Abcdefu” #“Don&039;t Shut Me Down” #“Voyage” #ABBA; “30” #ABBA; “Easy on my” #Adele #Adele Adkins & Greg Kurstin; “God did” #Adele; “Break My Soul” #Adele; “Music of the spheres” #Adele; “Un Verano Sin Ti” #Anitta #Bad Bunny #Bad Bunny; “Renaissance” #Beck Muni Long #Beyoncé #Beyoncé; “Good Morning Gorgeous” #Beyoncé; “Good Morning Gorgeous” (Deluxe) #Blake Slatkin & Theron Makiel Thomas; “All Too Well” (10 Minute Version) (The Short Film) #Brandi Carlile #Brandi Carlile con Lucius; “Woman” #Brandi Carlile; “Music of the spheres” #Brittany Fousheé #Coldplay; “Special” #Coldplay; " Mr. Morale & the big steppers” #Conozca las categorías más importantes en los Grammy #Crypto.com ArenaBeyoncé #Diana Gordon #Doja Cat; “Bad habit ” #DOMi & JD #Dwayne Carter

[migueldelaguila]

Looking forward to this Saturday’s premiere of #Malambo’s #flute #orchestra version by #ChicagoPhilharmonic  #LeonardSlatkin conductor #DemarreMcGill flute at a #GalaConcert closing the #NationalFluteAssociation 50th Anniversary #Convention 2022 #NFA -  7:30 #SymphonyCenter #Chicago- https://www.nfaonline.org/convention/special-events/gala-concerto-concert

#Chicago philhramonic #leonard slatkin #miguel del aguila #demarre mcgill #malambo #concerto #flute #orchestra #chicago center #nfa #national flute association #2022 #gala concert

[parfumery-wiki]

Wisteria Blue (eau de parfum) Nest Nose: Laura Slatkin

Floral

This ethereal floral eau de parfum is created by combining watery notes with the essence of French wisteria and the richness of Bulgarian rose and imperial jasmine.

Behind the Scent: During a trip to Charleston, South Carolina, Laura Slatkin was especially enamored with the delicate beauty of the wisteria trees. Seeing their cascading flowers adorn the city's historic homes inspired her to create this gorgeous, uplifting fragrance.

Key notes: Wisteria, Watery notes, Bulgarian rose, Jasmine

#Nest #laura slatkin #eau de parfum #floral #wisteria #watery notes #bulgarian rose #jasmine

[garadinervi]

Stéphane Mallarmé, Pages oubliées, «La République des lettres» – revue mensuelle, Editor in chief Catulle Mendès, Alphonse Derenne éditeur, December 20, 1875, Slatkine Reprints, Genève, 1971, [«La République des lettres», Première série 1875-1876, Deuxième série, Volumes 1 et 2, 1876, Tome I] , pp. 23-27 (text here) [Bibliothèque nationale de France, Paris. Communauté d'agglomération Lisieux Normandie, Médiathèque communautaire André Malraux, Saint-Martin-d'Hères]

#graphic design #poetry #magazine #stéphane mallarmé #la république des lettres #catulle mendès #alphonse derenne #slatkine #bibliothèque nationale de france #communauté d'agglomération lisieux normandie #médiathèque communautaire andré malraux #1870s #1970s

[jung-koook]

231021 - producer blake slatkin on instagram

#jungkook #jeon jungkook #bangtan #bts #instagram

[maximalismdaybyday]

Source

#bedroom #intermediate #opulent #blue walls #patterned walls #howard slatkin #maximalism #home decor #interior design

[deathlessathanasia]

„As Slatkin has observed, there are several echoes in the Iliad of the power that Thetis once wielded in an earlier epoch, and there is one famous passage in which she declares her unhappiness at her present state: Hephaestus, is there now any goddess, of all those that are in Olympus, who has endured so many grievous woes in her heart as are the sorrows that Zeus, son of Cronos, has given to me beyond all others? Of all the daughters of the sea he subjected me alone to a mortal, to Peleus, son of Aeacus, and I endured the bed of a mortal, though greatly against my will (Hom. Il. 18.429–434). This stands in contrast to a passage earlier in this book (18.57–60) in which Thetis implies a happier domestic ambience for the young Achilles than this bitter outburst suggests. We see glimpses of a past in which Thetis appears to have helped to raise Achilles in Phthia and in this same passage she grieves that she will never welcome him back there. But these elements stand in tension with the obvious signs in the epic that she no longer resides with Peleus on a habitual basis.

Homer’s lack of clarity on the current state of relations between Thetis and Peleus is part of a more general vagueness about her marriage and the question of why the goddess married a mortal. The situation is not clarified by the single reference to the wedding of Peleus and Thetis in the Iliad, which comes in the final book, shortly after the epic’s only, and equally elliptical, reference to the judgement of Paris, which was, of course, the event that linked the wedding directly to the Trojan War. Hera complains to Apollo that Hector should not be treated with the same honour as Achilles: Hector is a mortal and was suckled at a woman’s breast, but Achilles is the child of a goddess whom I myself brought up and reared, and gave as wife to the hero Peleus, who was dear to the hearts of the immortals. And all of you gods came to the wedding, and among them you too attended the feast, holding your lyre, you friend of the wicked and perennial traitor. (Hom. Il. 24.58–63)

In this self-serving speech, Hera insists that it was she rather than Zeus who gave Thetis to Peleus, which flatly contradicts Thetis’ own account above. Hera naturally gives no indication that the match between the couple was anything but happy, for that would spoil her point. Homer seems, however, to hint that Hera is actively suppressing her knowledge of the negative outcomes of the match. To be a proper antithesis for Hector, who suckled at a mortal woman’s breast, Hera ought next to specify that Achilles suckled at the breast of a goddess. But Hera does not say that, which is telling. It seems that she has suddenly remembered the tradition that Achilles never nursed at his mother’s breast at all. Hera quickly attempts to remedy the emerging flaw in her rhetoric by asserting that she herself nourished and raised not Achilles but Thetis. Whether or not this claim is true, the failure of the parallelism with Hector and Hecuba betrays her effort to cover up a botched rhetorical gambit. Hera produces her assertion that she reared Thetis precisely because she cannot claim that Thetis suckled and reared Achilles. Even in this context, where Hera, as the goddess of marriage, presents an entirely positive, optimistic view of the union of Peleus and Thetis, traces of its unhappy consequences bleed through to the surface willynilly.”

- Peter Heslin, Secrets and Lies: The Power of Thetis in Roman Culture, in The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century

#the iliad #thetis #peleus #hera #quotes #excerpts

[clamarcap]

Tournaments

John Corigliano (16 febbraio 1938): Tournaments per orchestra (1965). Saint Louis Symphony Orchestra, dir. Leonard Slatkin.

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#John Corigliano #Leonard Slatkin #Saint Louis Symphony Orchestra #Youtube