Ghost who's gone prematurely grey due to his lovely past (and Soap who doesn't mind)
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Katya / Goncharov
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Some inside job art! Mostly just trying to figure out how to draw these two
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Lookin' at Askr's injured art and realizing it's basically just him with holes in his spandex........ thank you FEH for this one thing...
(also I normally draw Hrid and his attempts at adopting siblings so happy holidays to Hrid, he gets to be thirsty as a treat.)
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Okay so realistically speaking, giving birth is an excruciating, painful nightmare, and from the few Crocodad fics I've seen most people seem to prefer to write realistic pregnancy and make Luffy's birth a (physically) painful thing. Because it makes sense, it might be more relatable for some writers that way etc, and that's perfectly fine (like genuinely, it's not an issue at all, this is not a critique or a complaint)
God I don't know how to make this segue- Have any of you watched Ore Monogatari!! (My Love Story)? It's a great early 2010s romantic comedy series, funny as hell, super cute and sweet, would reccomend, but that aside. During the series the protagonist Takeo's mother gets pregnant and she ends up giving birth to Takeo's baby sister. And it's that scene, where Takeo's baby sister is born, that I keep on thinking back to whenever I wonder how Luffy's birth might've gone.
Takeo and his mother alike are Sturdy Motherfuckers. Like absolute gigachads, borderline superhuman, it's great and it's funny as hell. And because of that near superhuman nature...
Takeo's mother goes to give birth at 4:15 pm. And she has finished giving birth at 4:16 pm. One fucking minute is what it took for this woman to bring a child into this world. An absolute legend
The screencaps do not do justice to how fucking funny this is in the actual episode
And so like
Like we know Crocodile's been through absolute hell, being an amputee and all. And as Domino told us at the entrance of Impel Down, we also know the man did not even flinch when forced into Impel Down's traditional 200 Celsius cleansing bath (or 392F)
So Crocodile has better pain tolerance than the average person. Like, you might have to put in a bit of effort to cause him actually hurt. So if giving birth to Luffy was an absolute cakewalk for Crocodile, not only would it make perfect sense in-universe and be completely in-character for him, but also
It would be objectively funny as hell
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i guess i have to say it a million times since people insist on being dense: gale is just as much of a victim as the other companions. this isn't the trauma olympics. everyone has been through shit and deserves healing and redemption.
gale is not the self entitled, manipulative abuser people are painting him as. he's a lot of things, but nothing so heinous. he was groomed by a goddess who has a history of preying on wizards that threaten her power, and as a result, gale's ambition and faith was what drove him to discover the netherese orb. what he did was for mystra - in his mind, it was to prove his love by restoring her missing power - and by extension for the betterment of mortals. his actions were never malicious or selfish, in fact he puts himself so low on the priority list it's pretty much non existent. he was never going to use that power to usurp her, but mystra definitely saw it like that, which is why she didn't hesitate to present suicide as his only solution. he never crossed her personal boundaries in the way people are twisting it, he only wanted to cross the boundaries she put on wizards and their power.
people who insist he's all of these things and more clearly only spoke to him once or lack the reading comprehension to see past how much of an unreliable narrator he is. i can understand first impressions might put some people off, but you can say the same about the other companion introductions. i don't like comparing but since people insist on doing it; gale is one of the easiest companions to get along with just by being a good person, yet his honesty and selflessness makes people think he's secretly evil? while the companions with the capacity to be evil don't even try to hide it? how are people being so backwards about this? it's genuinely baffling and tiring to see people continuously spit out incorrect takes all too confidently.
no one is forcing anyone to like him, but it's unfair to completely mischaracterize him because you refuse to learn critical thinking. i promise using your brain is not as scary as it seems, or you can just. not talk about things you don't understand.
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Zutaras are really the original self-insert, "we understand the story soooooo much better than everybody else" girlies and they just never moved on
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I think if we are to do marginalized communities good, it'll help to remember that often, marginalized people who seem to be "forgotten about" in the mind of bigots aren't being treated well by them either - so many marginalized people are forcibly erased and made invisible. That is not a neutral action; it is a form of violence. Not all violence will present itself in the extreme of facing physical violence. The core of any violence against marginalized peoples will often come from a similar level of hatred for them. That's why it's so important to combat all violence, even the forms of violence you don't perceive "as harmful" as other forms.
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the confession alone is more than enough to throw erin completely off guard, but it’s the sound of the all-too-familiar voice, echoing in the foyer of her two-bedroom condo again, after what feels like an eternity, that makes the muscles in her legs stiffen and the hair on the nape of her neck stand up. her natural instincts urging her to pull him into a hug, assure him that everything will be okay in the end, pretend he’s still hers and she’s his — that it’s the two of them against the world, the way it used to be a few years back. oh, how easy it would be to forget about everything and… but the more rational part of her wants to just stand here, linger in the doorway for a while longer, and pretend she hadn’t heard him, wishes the ground beneath her feet would open up and swallow her whole, get her out of this strange, uncomfortable situation. why would he say this now? why did he have to say this?
clearing her throat as she contemplates her response, she absently brings one of her now shaking hands to her dainty necklace and, to occupy her fingers with something, anything that will help her fight off the urge to reach for the redhead, begins to fidget with a small, heart-shaped pendant. she opens her mouth, but closes it almost immediately, her heart pounding away in her throat, keeping her from forming any coherent sentence. for someone who’d been subconsciously dreaming of something akin to this moment, she feels completely lost and unprepared, nowhere near ready for this kind of conversation. the gifts and letters that he’s been sending her, all the flames that, perhaps involuntarily, they have slowly rekindled, every little thing that she’s been trying to ignore for the sake of their significant others and her own peace of mind… they’re standing right in front of her now and she can no longer run away from the feelings that she’s so desperately tried to suppress for the past few months.
gaze dropping to the floor, examining the pink nail polish on her toes, she struggles not to get emotional, not to overthink the meaning of this unexpected visit. ❝ 𝐚.𝐱𝐥, ❞ she whispers, a soft plea ringing in her voice — not here, not now, let’s not go there… she’s just managed to put her life back together, to move on, or at least that’s what she’s telling herself. if they have this conversation, it will leave her nothing but a shell of the woman she is. but she can’t just close the door in his face, tell him to leave because it’s her weekend with sebastian, scold him for complicating every little thing, remind him that he should be writing letters and sending flowers to a different woman. god. she’s never been strong enough to stay away from him. she doesn’t want to stay away from him. ❝ would you like to come in? it’s almost dinner time. i’m making ‘ghetti and meaty-baws, ❞ she offers shyly, a hint of a smile on her lips because that’s how sebastian calls them. meaty baws. she thinks it’s adorable. ❝ speaking of bastian, ❞ she’s quick to change the subject, although it breaks her heart, ❝ he’s been grouchy all day. i think he might be coming down with something. he keeps complaining about his throat and has a stuffy nose, watery eyes, sneezing… you know the drill. but i’m sure he’ll be so happy to see you, ❞ she explains, opening the door a little wider and inviting the singer to come in with a subtle hand gesture. ❝ see the pile of blankets on the couch? he’s in there somewhere. would you like something to drink? we have apple juice. i can make you coffee or tea? ❞
@rcsechild
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WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?
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it’s a little frustrating sometimes to watch people try to “debunk” gay mike evidence by quibbling over things that are. kind of beside the point? like arguing that mike’s consistently negative (or even neutral, if you want the benefit of the doubt) reactions to girls aren’t “disgust” therefore they don’t mean anything. but like 1. yeah i agree, cates gate isn’t about mike being “disgusted.” mike’s face when el kisses him isn’t “disgusted.” mike’s reaction to el, to max, to girls in general doesn’t really read to me as “disgust” either. so 2. what DOES it read to you as? incredulity? confusion? discomfort? those…. still aren’t positive reactions.
the point is that mike actively and blatantly Does Not react positively toward el kissing him. and he also Doesn’t react positively to dustin’s description of a girl being “hotter than phoebe cates.” he asks “is she cute?” with maybe preemptive incredulity (in line with will's question "girls go to science camp?") over a girl who goes to science camp being cute, or perhaps just a neutrally curious state over dustin's new girlfriend, but then dustin doesn’t say “she’s hotter than phoebe cates.” he says, “think phoebe cates. only hotter.” that’s a prescriptive statement. you want to know if she’s cute, mike? think about phoebe cates, and then imagine someone hotter than that. and mike’s expression doesn’t improve in the slightest. think about someone hotter than phoebe cates, dustin tells mike. and mike? remains confused and entirely unintrigued. no, he’s not disgusted, but the point is not his negative reaction, it’s a complete lack of any sort of positive reaction. if he’s listening to dustin, he should have, in that moment, thought of phoebe cates. and his reaction?
nothing.
(but. this is also just to say... i don’t even think it's fair to call most of mike’s facial reactions “proof” of his sexuality in any argument… i think they’re fun little easter eggs that add an extra visual element to his gay characterization. but. it’s not WHY people think he’s gay. it's funny to point out BECAUSE he's gay)
[edit: AND this is not even to mention the direct line drawn to this in season four via stobin's discussion of fast times, linking phoebe cates to 'people who like boobies.' #notmikewheeler]
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One of the several things that are very frustrating about how the Maud storyline played out this season is that, from Maud's perspective, the con she plays makes little sense; Oscar isn't an important enough or wealthy enough target for this to be her last great con before she disappears off into the ether, but without that motivation she fact that she burns the bridge behind her by disappearing means that she won't be able to play New York society again.
Perhaps her plan is to play multiple cities, far enough apart (in distance as well as the timing of the cons) that word hopefully won't spread; perhaps there was a reason she wanted to cash out as it were as soon as possible and latched on to Oscar because he happened to be nearby and wealthy enough. But we get no indication of her motivations, and that is what is so irritating and unfulfilling about this plotline; there is no attention paid to her as a character, rather than a hollow mover of plot, at all.
And this, in turn, makes that whole plot feel rudderless and absurd. The necessity of it is indisputable; it has to happen to precipitate the Ada-Agnes role-reversal at the end of the season, and so I'm not saying Oscar shouldn't have lost the money or even that Maud shouldn't have taken it (though there were plenty of more interesting and historically informed ways that plot could've played out). But the fact of creating a character, especially a female character, who is so transparently a plot device rather than a person the writers spent any time thinking about, is deeply frustrating--especially on this show, which otherwise so reliably treats its female characters like human beings.
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If I may ask do you feel Gaz being warmer to Dib in Florpus was natural development or too ooc? It felt kind of jarring to me at first glance.
It's funny, I actually have a Very Long Post buried very deep in my Drafts that takes a very deep look at the Membrane Sibling Dynamic and their interactions - focusing on the actual main show itself, but also keeping the existence of ETF in mind. And while I am not just gonna dump it here (it still needs to be polished a bit), my main conclusions are
There were a few Shifts in the way Gaz and her relationship with Dib was written within the show itself.
Her behavior in 'Enter the Florpus' is actually perfectly in line with most of her actions in the show. Especially when you consider ETF was really a perfect storm of Special Circumstances we haven't really put Gaz in the actual show - a situation where she has to see Zim as a genuine threat, where she is genuinely as emotionally invested as Dib is in the Stakes, a situation where she has to see her brother be Actually Emotionally Vulnerable and admitting his own faults to her face.
And even the few episodes where it doesn't work quite as smoothly is more like... the general Shifts in characterizations when we're dealing with serial media written by a collective of people. Like I mentioned above.
And especially when you consider my personal reading of Gaz's character as just... a very messed-up kid who has a lot of Genuine Frustrations she is channeling out in some really Bad Ways. It's not an Absolute Objective Fact but her Big Emotional Moment in ETF to me reads less as her explaining to Dib something she always knew she felt and more like her figuring out herself that she has limits to how much she wants to watch Dib suffer.
Really the thing that bothers me more in terms of OOC-ness in ETF is not Gaz, but Professor Membrane -
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it's not my story to tell, so i won't be writing it, but i sincerely hope to see an interactive fiction someday where the protagonist is a felon. specifically, i'd like the protag to be someone who has served their full sentence and just gotten out.
there is so little respect and empathy for that perspective, so i just would love a well-written IF about it
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It is very disappointing to be connected to Australians on this website only to quickly discover they are terfs.
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I Had a Realization About Ch.101 and No One's Talking About It
I had assumed that Dazai has the option to stop the flooding procedure in the Control Room but now that I think about it that is most likely not the case.
Dazai presents to Sigma a sequence of events that differs from what might actually be happening, timeline-wise. Dazai reveals information to Sigma in a way that makes us think every new step in Ch.101 that he reveals is a re-concieved way to defeat the new two-vs-two teamup of Dostoyevsky and Chuuya. But if you look at the events as they are happening in real time, that does not make any sense.
What's actually happening, in sequence:
Sometime before Sigma sees the Control Room, Dazai's cat lady stops time so Dazai can kill all the guards and set up his trap to kill Dostoyevsky.
We don't know exactly when this happens. It could have been before Gogol even showed up. It could have been when Gogol was explaning the rules. All we know is, it had to have been before Fyodor falls for the trap. So lets set it aside for now.
Other than that, what happens?
CH.98, after Dazai picks Sigma. Dazai dances around with Sigma some, seemingly wasting time.
Then this happens?
And Dazai abruptly switches to heading directly toward the Control Room. Which is interesting, because Sigma doesn't notice anything. This is most likely when the cat lady stopped time and Dazai was able to set up his trap. Because now that everything's in play, he can see it laid out for him with Sigma.
It's right after that we get the first signs of an intruder.
Dazai most likely knew Fyodor was going to pick a pawn to help him escape. What he didn't know, I'm sure, was that it was Chuuya.
Not only cause Dazai's entire demeanor changes when he realizes this, but because Dazai only says "I see" when a genuine realization comes to him, often times too late.
After this, Dazai sets up the "two vs. two" battle strategy for Sigma. Except here's the thing. That doesn't make sense if the trap is already in play. There is no battle! It's already decided!
This panel happens after the locking mechanism on Fyodor's side breaks, meaning that Dazai is stating this when his plan is already in motion. Dazai is explaining how they're going to beat Chuuya and Dostoyevsky as if he hadn't already set up the trap, so that Sigma thinks all of this is happening in real time.
Here's the important part Dazai mentions: Once closed, the walls will never open again and there's no way to stop the flooding. The walls will never open again implies that it's impossible for anyone to open them, including the people at the control terminal. "No way to stop the flooding" is also very specific. Dazai doesn't say that it's impossible for Dostoyevsky to stop the flooding, but impossible in general. (Interesting also how Fyodor says that Dazai got the circuit already as if he predicted the locking mechanism would blow up, just not this soon).
After his little explanation to Sigma, Dazai doesn't seem to do much except turn on the mic to the flooded room.
Dazai presents the facts to Sigma as if every action he took in the past he is taking due to the circumstances of the two-vs-two, but that's not the case, because Dazai has set up the trap in advance, most likely before he even knew Chuuya was the pawn. And it is a trap he himself cannot stop once it's triggered. Meaning that, unless a new factor comes into play, Dazai literally cannot do anything at this point except watch Chuuya drown. Dazai created the perfect plan, one that he himself cannot reverse. It's not about Dazai letting Chuuya die, it's about if he can stop his own plan in the first place.
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