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radioactive-mouse · 2 months

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i keep thinking about like. how the brutality levels vary between seasons and how secret life is the natural culmination of everything these people have been through and the watchers pushing everything to extremes. i’m going to try to articulate how crazy this makes me

3rd Life: god. 3rd life was a clear cut war. we haven’t seen a season since where nearly everyone has such an intense devotion to their chosen faction. the fact that there’s no precedent that they’re coming back next season, the fact that as far as they know, dying means staying dead, makes just how much they’re willing to go down with the ship that much more heartbreaking. grian ended the season exactly how it was played by damn near everyone else— i love you, i would do anything for you, i would rather die than keep going without you. the season of widows.

Last Life: and then they come back. and then ending things isn’t an option. and all of a sudden it’s not a war, it’s a death match, and damn is the competition is vicious. deaths are more often than not a vague, impersonal thing— not get away from my king, my husband, my charge— just the flash of a knife and a quick sorry, just playing the game! if 3rd life told you to hold the ones you love close, defend them to your last breath, last life urges you to burn that love out of your chest entirely.

Double Life: but everything slows down eventually. no more dying for the one you love— just learning to live with them. double life is about knowing that when you die, you will go together, hand and hand into the dark. a soap opera, the players joke. a small kindness, the universe replies. again, pearl wins the same way everyone else lost— no, not yet, please, just give us a little longer together, i’m not ready, i’m so sorry—

Limited Life: but the clock, unyielding, ticks ever onward. and god, everyone is starting to feel it. that sick, nauseating feeling of dread creeping up on them: what if it never ends? what if this is it, this is all that’s left for us— tearing each other apart over and over and over again, and for what? for a show? to feed those hungry things lurking in the dark? we’ll give them a show. bombs rain from the sky, the world shaking under the weight of it. there isn’t a thing left by the end that’s not rubble. we’re all doomed! the players cry, laughing with nothing but nihilistic, unrestrained joy. none of it matters! we come back again, and again, and again, have a little fun with it! light the fuse, collateral be damned. when death means so little, what’s the point in pretending they don’t take a little joy in it? we settle this like grian and scar before us, scott jokes, armor and weapons tossed to the side. are you insane? martyn thinks, remembering the hollow look that would wash over grian’s face when he thought no one was watching. it ruined him. it will not ruin me. this is a death match for a reason.

Secret Life: and here it is. the natural conclusion. this season is candy colored, the map dotted with cute pink houses and silly builds, the players all running around doing these ridiculous tasks. it’s so easy to forget how bloody this season was. unclosing wounds, bruises that don’t fade, the sting of fire or falling from a simple misstep. the hurt never goes away, but it gets easier to ignore— distract yourself with something silly to pass the time: spyglasses and frogs and the ugliest house you’ve ever seen and matching leather jackets and the doghouse and the relationSHIP and a weird tunnel full of doors and secret soulmates and god it’s almost, almost, enough to forget how much it all aches, how much the grief weighs on you, how many times someone you love has died, sometimes to your own blade. almost none of the grudges you hold are real by now, not really. not when you’re going to live and die with these people for as long as the hungry, many-eyed things delight in your suffering. you love each other, in the strangest way— sure you’ve all killed and betrayed each other in a thousand different ways, but at the end of the day, they’re all you have. clinging to each other in the face of the vast, unknowable horrors that drive you to slash each other to pieces. it’s still a game, after all. they’ve gotta figure out how to be good sports about it eventually.

#I DONT KNOW IF I SUCCEEDED IN ARTICULATING WHAT IM TRYING TO SAY BUT GOD #it kills me how as the brutality goes up in each series so does the sillyness factor #god #trafficblr #3rd life #last life #double life #limited life #secret life #eyesandears #<— tagging it cause it kinda alludes to martyns watcher stuff yk yk #god how else do i tag this #gonna tag the winners i mentioned and call it a day #grian #inthelittlewood #pearlescentmoon #mouse.txt

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ssstrawberryflowers · 1 month

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a very nice person ( @captialluke ) asked if i could draw Gabriel as a harpy and then i got too in the zone, so of course i had to render it somewhat

#gabriel ultrakill #ultrakill #tw nudity #i feel like i draw Gabriel with his arms up a lot #just know that for some reason these poses seem to always fit the situation to me #also it's challenging and thus fun to me to draw that #thas all really #had some fun drawing his wings tho ngl #put em in here because i've started drawing him with three pairs so yk #typical seraphim stuff (i know Gabe's an archangel but seeing how this game's angelic hierarchy goes yknow)#but i do wish i could've made his arm-wings bigger #agh well #this more lineart based style is fun

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mattodore · 9 months

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pets him

#river dipping #ts4 #matthias evanoff #theodore doe #a burning house to live in #echthroi #🦇#i used this image to experiment with some new things i learned #making that hickey on matthias's neck look more gnarly was fun. theo tries to make them last as long as they can so.#they normally look pretty dark and nasty #i really did mean to post this yesterday but yk how it goes... anyway. i'm going to make An Attempt at tackling my activity feed today #if i sound weird to any of you just pretend i seem so normal #i also want to actually catch up soon...#ik i'm definitely behind on kmik and the legacies i keep up with #i just don't want to sound insincere when i catch up...#so i might just put those off for when i'm actually back to feeling uhhhhhh . not like a weird little husk of myself #oh. also i made this pose. their height difference is actually there it's just that matthias is leaning forward a lot and bending down #and theo's up on his toes and leaning into matthias's chest

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transldpdl · 1 month

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Louis de Pointe Du Lac 'In Throes of Increasing Wonder'

#ah i was supposed to post earlier but next week I'lll have a better schedule with the queue #ldpdl.txt #vampterview #amc iwtv #iwtv #interview with the vampire #amc interview with the vampire #louis de pointe du lac #I always found a certain amount of grace in louis that yk is beautifully displayed in the first episode #tho ofc it continues through the rest of the series #the crossing of legs bein here and then yk in the lil clip we got of s2 you see him doin the same crossing legs but armand is also joining #body language and such if that makes sense oh lil things of how we do not see his face or facial journey when the tape is heard his whole #body is turned away from daniel and the audience and yeah he was bein disrespectful #and its like as we get more pieces of the puzzle the more certain things make sense the more dynamics are just getting crazier #i felt a newer light after rewatching the trailers and lil clip and ik itll just be such an eye opener when we get to see all of s2 (puzzle #anyways im getting off topic my brain goes from x to a louis is just so gorgeous and the way he sits is as a dancer even continuing to in #later eps entrancing like you want to be near him and when he starts the story his laugh its like you know you need to be near him #In Throes of Increasing Wonder

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stealingpotatoes · 10 months

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Not sure if this has been asked before, but in your anakin raises leia au, what would’ve been the moment that made anakin not turn to the dark side?

the thing about the butterfly effect is that we can never really track down the one single event that changed everything forever -- which is a long way of saying "i dunno tbh" <3

there's nothing rlly concrete about it, Anakin gets pretty damn close to Falling, but ultimately chooses not to go save Palpatine from the Jedi Council. so i guess it's just him in that moment in the Jedi Temple deciding he should listen for once and that sith are. bad ? actually

#he then goes and mopes at padmé's bc he's thinking welp there goes my only chance at saving her better spend as much time as possible w her #skywalkers apart au #he doesnt think 'oh palps is lying he couldnt save padme' he just thinks palps should face justice for all the war and stuff #he's semi regretting it after a few hours but then BOOM all the jedi r being killed he has BRAND NEW PROBLEMS #with time he obvs gets VERY sure of his past decision yk finding out just how bad he was (killed SO MANY OF HIS FRIENDS jedi n clones alike #but he can't help that overwhelming guilt KNOWING how close he was to helping palps #thanks for the ask!

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carnivalcarriondiscarded · 8 months

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do—

Do Howdy and Barnaby ever get together in your human au 🥺🥺

of course they do, who do you think i am

oh BOY do i have things to say about human!Laughingstock! im so unwell about them allow me to talk and talk and talk and ta-

so in this au they're like... the ultimate slowburn. their feelings for each other slowly simmer and grow over the course of *checks nonexistent watch* a lil over a decade i think. it's not very dramatic - just soft & silly w/ just a heap of pining and a pinch of angst for Flavor

it starts when they were teens - Howdy had a lil crush on Barnaby in middle school. and how could he not? Barnaby was cute, hilarious, and kind. at this point, they weren't friends! Barnaby knew Howdy's name, but only because they'd shared a school since elementary (as with 6/7 of the other neighbors) & speaking from experience, you just Know Those Names. Howdy slowly "grew out of" this crush, especially when the friend group started forming and he & Barnaby became actual friends.

that crush would fluctuate over the years. It starts out strong and then softens into just this hum in the back of Howdy's mind. always there, often easy to ignore, just... part of him, in a way.

Barnaby has a similar experience. when he and Howdy became friends, he got a lil crush - how could he not? Howdy was cute, laughed at all of his jokes and had a few of his own, and was endearingly eccentric. but at the time, Barnaby didn't recognize the crush for what it was. so he elected to ignore it until the crush dwindled to something easily manageable, something he wouldn't realize is still there. as with Howdy's, it'd never fully go away

and its noticeable enough to their friends that they'd all kinda side-eye how touchy Howdy & Barnaby are with each other (Barnaby is a physical guy, but damn. if Howdy is nearby they Will find a way to be touching at all times), the way they always laugh at each others jokes, the way they always ask "where's [x] / is [x] coming with" whenever the other is absent. but the group couldn't be sure if they were looking into it or not. it's too subtle. over time they get so used to it that they don't bat an eye - Howdy is Barnaby's best friend after Wally. of course they're close!

but then there's this one college party Howdy drags Barnaby to (and by extension, Wally). they're drunk off their asses, Wally's edible has kicked in, the party is pretty chill and everyone is having a decent time. all three of them are on the couch, and Barnaby and Howdy start drunk-complimenting each other. naturally, this feeds their mutual attraction, and one thing leads to another! they make out on the couch. naturally with Wally sandwiched between them, snacking on chips and committing the moment to memory (it's a surprise tool that'll help them later!) neither Barnaby nor Howdy will remember this

now, something i'd like to state for Barnaby in this au! he has had a lot of relationships - from one night stands to actually dating someone for months. sometimes the one night stands were a "he takes someone home after a date, & they leave while he's sleeping and ghost him" situation. with actual dating, the other person always breaks things off after a few weeks, if not days. it breaks Barnaby's heart a little bit every time. to the point where in his mid-20s, he just... stops dating. he avoids other people's advancements towards him, he always takes a friend with him to bars/etc as a buffer, he becomes an expert at gracefully turning people down

("why, pray tell" no one asks "do they always leave him? he's such a catch!" that he is! when he was in school, it was his friend group. he'd try to introduce his 'girlfriend' to his friends, and it'd be an immediate "eugh, you're friends with those freaks? no way!" as an adult, people found it off-putting how (by societal standards) unusually close he was with Wally. also, again, a "weird" friend group. they'd think it's too much, or just not their scene, or 'why don't you date your little blue haired boyfriend', etc. Barnaby never holds it against Wally or his friends. he has the mindset of if that person was the one, they would accept every part of Barnaby - and his friends are indeed part of him. Howdy has also dated around a little, but to a much lesser extent. he's too busy! he doesn't have time for that!)

but the ball really starts rolling in their late 20s. something the group does together - as a fun lil rare hobby - is LARPing. they get really into it! Sally made them all custom costumes, Julie helped make the weapons (like a giant sword for herself), etc etc. they fully commit to the bit (even Frank <3). so at this event's point in the timeline, Eddie is fully integrated into the clique, but that's unimportant - just to show where we are!

so they're all doing their thing, it's a pretty big LARP event - there's always way more people than our dear neighbors, yk. they're just part of the crowd! & there's a big battle hosted, the group is split between teams, but Barnaby & Howdy are on the same side! yay! during the battle, Barnaby is "mortally wounded." Howdy half-drags him away from the main battle under the cover of their teammates (including Eddie and Julie) and sits him down by the tree. now, Howdy & Barnaby are the ones who get into the roleplay the most. they get lost in the sauce! they perform the hell out of everything they do!

& since Barnaby is "dying", he really acts like it. Howdy acts accordingly, but again, they get a little too emotional, a little too into it, a little lost in the sauce. genuine tears are in their eyes, Howdy's voice is genuinely shaking a little as he holds Barnaby in his "dying moments" (Barnaby is holding the sword between his arm and his side. he has ketchup on his armor.) Eddie and Julie are getting choked up just watching this happen. and as Howdy & Barnaby look into each others' tear-filled eyes, those little feelings that have been so quiet for so long come right back babey! full force! but then they all get hit with "arrows" and have to die right there and then, and the moments over. but! both Barnaby & Howdy walk away from this LARP session grappling with Partially Realized Feelings.

Barnaby struggles with this the most, since yk at this point he's sworn off dating. he's being careful with his heart! but when he tells Wally all of this, cause he tells Wally everything, Wally's like "oh. yes, i know! remember that one college party where you two kissed for an hour". and then he goes on to point out every instance where he's thought "right, Howdy and Barnaby are in love" (bc Wally is way more observant than he lets on! he saw that shit! his peepers were peepin!)

BUT IT'S STILL A SLOW BURN BABEY!

Barnaby and Howdy don't approach each other about this. they're both in the boat of "well, i'll just keep going and see what happens" to the point where they're practically dating without ever saying anything to each other. Howdy notices how Barnaby lingers around the store more. Barnaby notices how Howdy keeps turning up at his work to talk more. (they already chat so much...) but they still! dont! say! anything! but they both Know! they're not emotionally circling each other they are Dancing to their Own Music!

and Barnaby is letting himself believe that this can work because, well... Howdy already accepts him as he is. Howdy is part of the group. Howdy loves Wally just like the rest of em. Howdy has seen Barnaby at his (presumed) worst and didn't even flinch! as for Howdy, well, he just thinks this is right! his whole life no one has really caught his eyes or heart, but Barnaby is different. he's always been in Howdy's peripherals. it feels natural to love him so deeply. Barnaby slots into his life like the final piece of a puzzle!

there's a lot of stuff that happens in this inbetween state - Howdy's store burns down & almost takes him with it, there's some family drama that needs to be handled, The Crash happens, etc etc etc - so it's a while before they "actually" get together. but they're both patient! they've waited this long, even if they didn't know they were waiting. neither of them are in a rush. they're young. they have time.

#oughhhhhh so normal about them sooooo so normal (lying)#'do you know how they get together' yes. obviously. its not dramatic or a big thing or anything #they're just at a function together - maybe there's a little late evening art show in town that wally is participating in #or an afterparty for one of sallys successful plays #but in my mind barnaby and howdy are ofc sitting together off to the side #Flirting. yk how it is. barnaby's like 'hey can i practice some pickup lines ;)' & ofc howdy agrees yk yk #they're all terrible btw. howdy laughs at every single one. barnaby is on an emotional high. the rizz is strong w this one #one thing leads to another - barnaby says a terrible line essentially asking if howdy wants to ~come home with him~#but like. howdy agrees. and immediately the tone between them goes from lighthearted & joking to dead serious & tense #everything between them has gone unspoken until now but Now Theyre Saying It #suffice to say they leave the party early! they're giddy giggly lil bitches about it - acting like teens sneaking out yk yk #GOD THEY'RE SO FUCKING AGHHHHHH THROWING THEM FULL STRENGTH INTO A WOODCHIPPER #sorry. sorry. im calm now. thats a lie. i will proceed to explode #but anyway anyway #so that was a whole thing & basically long story short Barnaby has the morning of his dreams #Howdy makes him and Wally pancakes and they all have a nice quiet breakfast together. The Domesticity🤌#im gonna go shove my head in a blender now. excuse me #rambles from the bog #wh modern human au #gonna leave that as the tag #but yeah their story is just! slow! its a soft descent!#meanwhile frank & eddie are stumbling through their feelings like newborn fawns #but yeah and howdy & barnaby continue to take their time #its a while before barnaby is like 'hey wanna move in with us?'#howdy '....yeah sure'#and Boom! Howdy moves in!#and they actually get married a while later without anyone but wally knowing. they do it for tax reasons initially.#since they're not ready to be Married married but! they! want! the! benefits!#they keep their own last names and dont have rings bc again! theyre not ready for that yet!#FUCK IM OUTTA TAGS I HAD MORE TO SAY! TUMBLR INCREASE YOUR TAG COUNT! AGH

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todayisafridaynight · 5 months

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reasons number A Million why not every rgg character needs to be +6ft he looks so fuckin stretched out. actually got put in the willy wonka taffy puller

#snap chats #do you guys know how obsessed i am with this picture its the funniest shit ive ever seen in my goddamn life #why the fuck kume actually look like a politician. Like No Shit but he just /looks like a politician/ yk #oh my god wait its cause he literally looks like ben shapiro i fucking hate this game #i just know aoki put a gallon of hand sanitizer on his hands after that photo shoot jesus christ #THE BACKGROUND stop.#AOKI LOOKS SO LANKY. SICKLY EVEN ITS SO UNNERVING #theres a politician over here God Help Me Remember His Name #JOHN FETTERMAN. GOD HE SUCKS AND HE'S 6'8 LKE WHAT THE FUCK LITERALLY FUCK OFF #would actually make aoki look normal sized ANYWAYS. laugh at this picture with me #petition to retroactively make aoki 5'6 or 5'7 or god even just 5'10 i dont fucking know #i dont usually fuck with canon heights cause im a COWARD but i already fuck with aoki's body (pause) as is #AND YET ITS SO FUNNY SEEING HIM BE TALL AS DICK NEXT TO EVERY OTHER MFER #the worst part about this post is that i know exactly what im referencing and its not a taffy puller #in the tim burton charlie and the chocolate factory movie some bitch ass kid goes in a tv #and he's super teeny and the only way to reverse it is to just Stretch Him Out #tho now that im recallnig i think they did put him in the taffy puller.... lol...#ok this post is done bye

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osachiyo · 6 months

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letting your huge follower count get to your head is really fucking pathetic. you're not some big ass celebrity, you aren't better than any of us. girl you're a writer on tumblr, not some life-changing icon lmfao 💀 this girl needs to humble herself asap because she's just digging herself into a bigger hole atp 💀

mdni banners are basic asf and your themes aren't extraordinary that a lot of people would downright copy it. you didn't create any tropes, falsely accusing someone of plagiarism and letting your basically robotic ass followers attack someone and send death threats to chase them off the app is just childish and so fucking immature.

grow the fuck up and do better. you aren't the victim here and you never were. your victim mentality will be the cause of your downfall, sweetee.

#chiyoh talks ☆#cw. discourse #this goes against my rules about to discourse but yk what #this person has NO right to be such a bitch about all of this #you are not the only writer in the jjk fandom #i knew something was up with your shady ass #and i was right #but anyway this person sucks #your themes are basic af btw #so are your dividers #i wonder how far that stick up your ass really goes #tw. discourse

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thetomorrowshow · 7 months

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a stuffed deer

empires superpowers au masterlist (currently out of date)

this story takes place about one year after the end of ‘poisoned rats’.

cw: past abuse, religious trauma, referenced past death, deadnaming/misgendering of a character (but the person isn’t really doing it out of mailce, and said character is dead)

The closer they get, the more anxious Scott becomes. His hands grip tighter on the steering wheel, he checks his mirrors more often, he glances over at Jimmy every couple of seconds.

This is fine. This is normal, even. He knows what he’s doing. He’s done far more terrifying things than this. He’s nearly died several times, he’s graduated college, he’s been a superhero for years.

He can face his birth parents.

He’s been talking to Nora about it for several months, and he’s come to the conclusion that he needs closure. Not about himself—he fully understands their feelings for him, and made peace with them long ago. No, he’s here for closure on Xornoth.

In the last minutes before their death, Xornoth had declared themself to be Scott’s sibling. As far as he knows, he’d been an only child. If what Xornoth said was true, that puts Scott in charge of any and all of their possessions currently being held by the city. Not that he wants them, but the mayor had asked him to pursue any leads he found on Xornoth’s next of kin and, even though it had taken him an entire year and a half, he finally feels ready to pursue the only one he’s ever had.

Jimmy’s fiddling with the radio next to him, switching between gospel and country. There’s not much else that comes through out here, and they’re going through a dead zone for their data plan, so Jimmy eventually just turns it off and sits back, not-so-subtly watching Scott. Scott resolutely keeps his eyes on the road.

They pass the exit for Milford. If Jimmy’s feeling all right after the visit, maybe they can stop by there, visit the library and community college and homeless shelter.

Half an hour until Briarsville. Scott shifts in his seat, taps the steering wheel lightly.

“What did you think of that motel breakfast?” Jimmy breaks the silence. “I thought it was decent—waffles are always good, at least. But I wouldn’t have touched those sausages with a ten foot pole.”

Scott had only eaten a slice of toast with some watery coffee, too nervous already to have any faith in his stomach. “Not the worst I’ve ever had,” he offers. Jimmy’s just trying to help him relax. He can humor his attempts.

“Well, yeah. I can remember a time when I would’ve killed for a motel breakfast—literally.” Jimmy chuckles nervously, tugs on his seatbelt. “Um—how much longer?”

“Half an hour,” says Scott too quickly. He checks the radio clock, then his rearview mirror. They’re almost there. His heart is really beginning to jump now.

The car is quiet again until they reach exit 42. Briarsville.

Jimmy straightens up, looks between Scott and the town that they’re pulling into. It looks like any run-of-the-mill midwest town, Scott knows. Even the Order of Heaven private school isn’t much of an indicator of anything abnormal.

“We can turn around, you know,” Jimmy says softly. Of course he’d noticed the nerves. Scott’s knuckles have turned white around the wheel, his back is ramrod straight, he’s barely spoken all morning. Jimmy’s not an idiot, and he’s more observant than most people know.

Scott forces himself to relax. “No. I need to do this.”

Jimmy nods and doesn’t argue him any further. That’s something that Scott will always love about Jimmy: he understands. He sees that this is important for Scott and would never try to keep him from it.

And then he’s turning onto Bloomfield Avenue, and he thinks that maybe Jimmy’s right. Maybe he ought to turn back now and cut his losses.

It’s still his last name printed above the door of the house three houses down. The welcome mat is that ugly, waterlogged brown thing that it had been before he’d left. His parents still live here.

Scott pulls into the driveway, then freezes.

“What if we just went home?” he says, voice pitched an octave higher than normal. “We can stop by the country music museum. Or the Appalachian one, I heard it’s—”

“Scott,” interrupts Jimmy. “Normally I would be fine with that, but you just told me you have to do this.” He takes one of Scott’s hands, runs his thumb over his knuckles. “This is important to you. I don’t want you to be kicking yourself for the rest of your life because you got all the way here only to turn back.”

Scott takes in a deep breath, holds it, and lets it out. Then again. Jimmy’s right. Jimmy’s absolutely right. “Yeah,” he whispers.

“And,” Jimmy continues, “if they try to hurt you in any way, I will kill them.”

“You’ve got to stop saying that about everyone we talk to.”

“Hey, I’m just really good at making things look like an accident. Some might even say it’s a superpower.”

“Jimmy.”

“Just saying.”

Scott laughs, kisses his boyfriend on the cheek. He’s ready now. He can go in.

He pulls the key out of the ignition and hops out, then circles round to offer his hand to Jimmy and help him up. Jimmy stops to grab his cane out of the backseat, then gestures encouragingly for Scott to lead the way.

Right. He has to actually go up to the door.

It’s the longest walk of his life, Scott thinks. Even the walk across the stage at graduation hadn’t been this long. But seconds yet seemingly hours later, he’s in front of the door, hand poised to knock.

He swallows, then bites the bullet.

Rat-tat-tat-tat.

It’s only a couple of moments before the door swings open, and his mother is standing before him.

She looks much the same, but changed. Her hair, once grey at the temples, is nearly completely grey with only a few streaks of its former blond. There are a few new lines in her face, only serving to add to the sallowness, the laugh lines he’d once known long-faded. Her hairstyle is the same as ever, her classic Christian mom fashion sense not any different. He takes in all of this, then properly meets her eyes.

“Hello, Mother,” he says, a shiver running up his spine.

She doesn’t say anything at first, eyes passing over Scott to examine Jimmy briefly, sizing him up like a bird of prey. Then she steps aside, pulling the door open wider.

“You’d better come in, hadn’t you,” she says, and the resignation lacing her tone is somehow so much better than the anger he’d expected yet so much worse.

The living room is different. There’s a new couch, pushed up against the wall opposite where it used to be. The easy chair is the same, but also tilted weird and there’s a coffee table for some reason when all it does is take up space. But Scott keeps his complaints to himself and steadies Jimmy as he lowers himself onto the couch, propping his cane up against the coffee table, then sits beside him.

His mother looks at the two of them with something unreadable in her expression, before leaving the room. She returns moments later with two glasses of water.

It’s a test, and Scott doesn’t know if she’s set it up like this or if he set it up for himself, but he takes the water from her hand and sends a little burst of freezing air to chill it, eyes trained on hers the entire time. She doesn’t react.

Jimmy takes his water with a muttered thank you, then she sits down in the easy chair across from them, crossing one leg over the other as she waits for Scott to break the silence.

He takes a sip of his now-cool water (Jimmy passes his own over and Scott forms some of the water into an ice cube before handing it back), takes a deep breath, and speaks.

“Is Dad home? Because—”

“He’s dead,” his mother interrupts. Scott blinks.

Two for two, his mind unhelpfully supplies.

Is he supposed to mourn an unloved parent? Is he supposed to mourn someone he used to care very deeply about, but proved that they didn’t care for him?

He’s not sure how to feel.

“I’m sorry for your loss,” Jimmy says beside him. “That must be terrible.”

“How long?” is all Scott can manage.

“Nearly two years, now,” she replies. “Heart attack while at work.” She clicks her tongue. “I was always telling him to lay off the salt, stop working so hard. Guess he suffered the consequences.”

Scott’s really not sure how to feel. The last memory of his birth father he has is of his face closing off, declaring himself to have no son, and banishing Scott from the house. Would he have liked to reconcile? Is parting easier with his last words being unforgivable?

“I’m so sorry, Mrs—”

“Heidi,” his mother corrects Jimmy, and Jimmy amends his words.

“I’m so sorry, Heidi. I can only imagine the pain.”

That’s the first thing to incite emotion in Scott, because Jimmy can’t only imagine that sort of pain. Jimmy’s lived through the death of loved ones without a house to live in afterwards or a community to support him. Jimmy’s had it worse off. Jimmy shouldn’t have to be placating his terrible excuse for a mother.

He must be getting tense, because Jimmy’s hand runs comfortingly along his knee, and Scott can almost feel the love and support that Jimmy imbues the touch with.

Heidi’s eyes follow the movement, and after a moment, she says gruffly, “Are you going to introduce me to your friend?”

Right. This could go very badly.

“Mother, this is Jimmy, my boyfriend,” Scott says stiffly, before adding, “as in, romantic partner. We kiss. Each other.”

Her nose wrinkles in disgust. “Are you a gay now, then?”

Scott stares her down. “And if I am?” he challenges. “What are you going to do, kick me out again?”

She stares back for a long moment, a moment during which Scott’s certain she is going to kick them out—then she chuckles, shakes her head.

“You always were a bit sassy,” she says. “I ought to have known, really. But that can be said for a lot of things.”

“Speaking of things that ought to have been known. . . .” Jimmy hints, nudging at Scott. Scott nods, takes a deep breath, and forces out the question that’s been on his mind for so long.

“Did I . . . did you have any children before me?”

Heidi looks away suddenly, toward the TV. Her expression gives away absolutely nothing. “I thought that was Noah,” she says eventually. “His voice was already starting to change when he left.”

“Sorry—Noah?”

She looks back at him. “Your brother. He was fourteen when we noticed he was one of them. You were so young, I’m not surprised you don’t remember.”

Right, because it’s such a normal thing to destroy every trace of your child’s existence and raise the other to believe he never had a sibling.

But that means—

“I’ve seen the two of you on the news,” his mother continues. “Your father, too. He regretted what he did, Scott, after he saw how good your heart was.”

“So he just wanted to send me to conversion therapy instead, huh,” Scott mutters. “And that’s so much better.”

Heidi sighs. “We did what we thought we had to do, for both of you. We always hoped you would repent and come back.”

Scott wants to scream. He wants to scream and yell and freeze the entire house, because that may be the most insensitive thing he’s ever heard and his own mother is supposed to love him unconditionally, not act like this!

His hands are shaking. He doesn’t even notice until Jimmy eases the glass from his grip and rubs his arm. He needs to calm down.

But he can’t bear to look at the woman’s face for a moment longer.

“I think we’ll be going,” Scott says icily, moving to stand. Heidi stands as well, taking their glasses, then pauses on her way back to the kitchen.

“We donated your things,” she says, “but not all of it. Do you want any of what’s left?”

And as much as Scott wants to get out of here, he knows he needs to see whatever it is his mother decided to keep. So, after an encouraging squeeze from Jimmy, Scott follows her into the attic.

There’s only two things in the attic—two small trash bags, leaning against a wall to the side. With a nod from Heidi, Scott opens one of them up.

His monogrammed bible is on top. He has no interest in that. His Boy Scout pins and kerchief are here as well, more stuff he doesn’t care about. His birth certificate, which he does set aside (he already has a copy of it that he’d requested from the government, but it can never hurt to have the original), and a small photo album, which he sets aside as well. At the very bottom of the bag is his plush turtle, scruffy and old.

That he pulls to his chest, burying his nose into it. It smells pretty musty, which makes sense. It probably hasn’t been out of this attic in a decade.

It brings back feelings, looking at it. Not memories, not exactly, but feelings of a simpler time. Feelings from some vague past, where he had no troubles and his only concern was getting to school on time.

And more feelings. Feelings of deception, of hate, of guilt. The feeling of his world being flipped upside down and this plushie not being near enough to anchor it.

He wants to set it with his birth certificate and the photos, but it holds so much of this place that he’s not so sure.

He sets the turtle to the side and looks in the other bag.

Much the same stuff, and at first he inexplicably thinks this is an exact replica for some odd reason—but the name monogrammed onto this bible is not his.

Scott weighs it in his hands for a moment, then sets that aside.

There’s no photo album, but the same boy scout items and a birth certificate. There’s a plushie here too, though, a floppy deer, one of the antlers torn off and the hole it left carefully sewn shut. The fur is wearing thin in places, the beads for eyes have lost their shine.

It’s well-loved, as loved as Scott’s turtle, and for some reason, that makes him want to cry.

He’s not sure what to do with it. He still hasn’t really processed what his mother confirmed downstairs.

This stuffed deer belonged to the sibling he never met.

This stuffed deer belonged to Xornoth.

Can he take it?

Does he want to take it?

He sets it aside next to his turtle. At the bottom of the bag, there’s one last thing—a photograph, bent at the corner.

It’s older than any in the photo album, and Scott knows instantly that the child in the photo isn’t him. It’s a small child with a mop of dark blond hair, maybe three years old, wearing little red overalls and a white sweater, sitting on a push-bike and smiling up at the camera.

He can’t quite force his brain to make the connection. This child, so happy and young, grew up to be Xornoth. This toddler tried to take over the world.

He can process it later, he supposes, and he upends one of the bags to make sure there’s nothing else (there isn’t, so few of what once were his possessions leftover), then stuffs both his turtle and the deer in it, along with his birth certificate. He hikes the bag over his shoulder and picks up the photo of—of the child—and the photo album, before holding both out to his mother.

“Do you want any of these?” he asks brusquely. She takes the loose photo, then waves off the album.

“I’ve kept some of yours downstairs,” she says dismissively. “This is my only picture of Noah, though.”

Scott leaves the attic without another word, photo album chucked into the bag over his shoulder. He meets back up with Jimmy in the living room, who looks up from his phone with a questioning glance.

Scott sets down the bag, pulls out the turtle plushie. “This was mine growing up,” he says. Jimmy’s face immediately softens and he coos, reaching out for it. Scott hands it over, then removes the second stuffed animal.

This one he holds farther from Jimmy, because he’s still not sure if he wants to take it with him, despite the strange sense that he owes it to his lost sibling. “This,” he says carefully, “belonged to Xornoth.”

Jimmy’s face goes carefully neutral, and his hands still. “Oh,” he manages, and Scott can hear the change in his exhales as he immediately kicks into breathing exercises.

“We don’t have to take it if you aren’t okay with that,” Scott is quick to reassure. “We can leave it here, that’s fine. I’m sure my mother would appreciate it.”

“Why—why do you want it?”

That’s harder to answer, because Scott hasn’t figured out why yet. He’ll know when he comes across the answer, he’s certain, but it hasn’t made itself known to him in the five minutes that he’s known of his sibling’s existence.

“I don’t know,” he says eventually. He stares at the deer, at the faded pattern of its coat. “There’s some reason I want it, but I’m not sure what that is, yet.”

A little color has already returned to Jimmy’s face, and he doesn’t stutter when he speaks. “Is it part of your closure?”

He doesn’t know how, but Jimmy’s right. He nods. This is, in some way and fashion, a very important part of making peace with his sibling’s identity in his head.

“Then take it,” says Jimmy, handing back the turtle. He stands, slowly, supporting himself with his cane.

But it’ll hurt you, Scott wants to say. It’s clear that Jimmy doesn’t like the idea of taking this deer plushie home, doesn’t like the idea of it being in their house.

“Don’t worry about me, yeah?” Jimmy says, as if he can hear Scott’s thoughts. He smiles weakly, squeezes Scott’s arm. “I’ll be fine. This is about you.”

They leave with a quick goodbye, no attempts on either side to set up further contact. Scott just throws his things into the backseat with Jimmy’s cane, then drives away.

It’s just a week later when Scott drives out of the city to a park.

It’s a quiet park, just some trails and benches through the trees, and Scott stops at one of these trees and digs with the shovel he’d brought from home.

He digs alone, in the quiet shade of the trees, a light breeze rustling through them. And when he’s finished the job, a small pile of dirt beside him, he lays a shoebox containing a small stuffed deer in the little hole he’s dug.

He scrapes the dirt back over it with his shovel, pats it down a bit, and stands there. Just . . . stares.

Then, silently, Scott turns away and heads home.

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