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#stories like Lord of the Rings and like Rogue One where everything goes to absolute hell
djpaige · 2 years
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I mean it was just SUCH. A PERSPECTIVE SHIFT!!! It was-- UGH.
Like, you're watching episode 1 of Calamity, and you open with "Fire." Just that reminder that THIS IS GOING TO BE A DARK STORY. You know this, this is what you're signing up for! These characters are awful! They're all lying about various stuff! They have these ambitions and secrets and lies that will lead them all to RUIN. And you're watching this story unfold, and it's so tense because you KNOW that the Calamity happens. It's already heartbreaking because it's not so much that you know they *can't* stop it, but because you know they *don't*! It's in the lore! It's in the timeline! The Calamity is a thing that happens! TWO THIRDS of the population dies!!! TWO THIRDS!!!
You spend three episodes wondering how the Ring of Brass will mess everything up so bad that the world gets as bad as it can possibly get. Two thirds of the population! Dead!
And then in that fourth episode, Brennan flips that shit on its head. Because he brings in a worse tragedy. One where EVERYONE dies. No one makes it out of Exandria. Complete and total annihilation. And then gently introduces the idea of... what if you could save some of them?
That last fight had characters with HP in the single digits, no spells left, and it was unwinnable if the goal was to win the fight. But the goal changed and became to just survive long enough. You know they can't all survive this. But you sure as shit can hope that they can last those crucial 18 seconds. Just enough to make the difference between losing everyone, and not losing everyone.
It became a story not of how they lost two thirds of the population, but about how they saved one third. And it was an absolute master class in how to use tragedy to tell a story of hope.
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iamburdened · 3 years
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Reader’s Masterlist #6
Not my stories. Just my favorites from other writers. All credits and support to the original artists.
IMPORTANT: like and REBLOG all the fanfics you read to support the writers, please.
If you liked the fanfic, tell the writer. They will be in cloud nine with your compliment! Show support!
* = NSFW
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Link to all my masterlist (+Din, + Marcus, Ben Solo/Kylo Ren, Draco Malfoy, Loki, Shawn Mendes, Tom Holland, Peter Parker, Angus McGyver, Newt Scamander, George Weasley)
DIN DJARIN X READER     (THE MANDALORIAN)
Your gentle touch   @certifiedskywalker
Summary: Dyn is forgetting his old ways but, with clear eyes, he finds something he didn’t know that he was missing out on.
Hopes and dreams    @certifiedskywalker
Summary: She’s literally a pure angel and they’re in love with each other. She holds the baby and he says mama and inside his helmet he’s thinking about marrying her.
Dating Din Djarin would include    @certifiedskywalker
Summary: what the title says, baby
NSFW Alphabet *    @no-droids
Summary: ya know
Touch it softly    @dindjarindiaries
Summary: When you invite Din to play with your hair, you both get a little more than lost in the moment. (iamburdened's note: it's so cute you will die)
Everything I wanted   @dindjarindiaries
Summary: You’re trapped inside a Din x Omera love triangle, struggling to get to your lover who’s entranced with your new host. (iamburdened's note: we all have read some angst shit with Omera, so I assure you this is worthy your time and the pain it will make you feel)
Masterlist    @dindjarindiaries
Summary: this is paradise, bitches. Jump in head first!
The War    @thisisthe-wayson
Summary: Din, baby Yoda and reader in a snow ball fight? Sign me the hell up!
The Ghost    @evendeadlmthehero
Summary: you are a blind assassin who was sent to capture a 50 year old target. You then become the target’s number one guardian, protecting him from bounty hunters like The Mandalorian himself. (iamburdened's note: you HAVE to read this, I don't even care! This is the most badass reader I've ever read.)
And he is one with me    @softpedropascal
Summary: soft shortie one about the face reveal we all love.
Hold me while you wait   @ohwaitimthewriter
Summary: Din is in love, Din is the best, blind!reader, first kiss. Have I convinced you to read it yet?
Masterlist   @ohwaitimthewriter
Summary: absolutely amazing!
The Artist    @no-droids-allowed​
Summary: Din is after a bounty, a force sensitive artist. When he finds her, surprise! All her painting are his face. Turns out they are soulmates!
Untitled omega!Din x alpha!reader *  @mikeisthricedeceased​
Summary: this is a part 2, BUT this is where the spicy stuff is so I am recommending it. Come on, it's omega Din Djarin. You want to see what happens. 
Gone and fallen in love   @propertyofdindjarin​
Summary: Din being a cute dad, accidental confession.... if I tell you I think about this from time to time will I convince you to read it? So cute!
Cyar'ika and brown eyes *  @thedevilwearsbeskar​
Summary: din’s always had a nickname for you - and thanks to your new friend miggs mayfeld, the mandalorian now has one too.
Everything I need   @thedevilwearsbeskar​
Summary: din has to rethink his life plans how that you’re by side - not that he’s complaining.
Mine   @thefanbasewhore​
Summary: Din says goodbye to reader and Grogu but once they are reunited Din has mixed feels about the situation, jealous of Luke.
Mine part 2 *   @thefanbasewhore​
Summary: Din shows you who you belong to just to discover something life changing.
Masterlist    @absurdthirst​
Summary: I recommend everything here.
More Din Djarin recommendations here
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Get used to this gif because it's one of the only 5 we have of Marcus and all fics use it!
MARCUS PIKE X READER     (THE MENTALIST)
Just say yes *   @heatherbel​
Summary: LISTEN UP! This is a MUST READ! I am pretty confident that the internet was invented jut so ART like this could be shared to poor humanity. I wish I could read it for the first time every damn day! No, it's not a proposal fic, the title has other meaning (super cool also). How to summarize it? Marcus goes on a vacation on Italy months after the Lisbon disaster and he finds you. Go read it!
Say you want me * @heatherbel
Summary: it’s the second part of the piece of art above. Another masterpiece worthy of your time and obsession. I want to die after reading something so good. Sweet Lord! (Dear, author, you own my heart)
Dreams *   @absurdthirst​
Summary: this is the classic "I had a sex dream about you and now I am awkward" BUT the way it's done makes it perfect. God, I think about this one more often than I should.
Apples & lattes *    @forever-rogue​
Summary: 7k words of pure fluff with agent Pike. First meeting, first dates... oh, to live a cute life with Marcus....
Missing Piece    @aerynwrites​
Summary:  baby talk with our favorite FBI agent. 
A love in bloom   @opheliaelysia​
Summary: The flowers mean ‘good morning’, and so much more.
What's in a name?   @ficsilike-reblogged​
Summary: The five times Marcus Pike tries to learn your name and the one time he actually does. (iaburâened's note: so cute and amazing how they progressed and Marcus nickname for her???? Just kill me already!)
Apple Pie and Chai   @artemiseamoon​
Summary: it's smolders and it is precious. Marcus being insecure and getting validation is what we need in this fandom. 
A good thing   @mellowswriting​
Summary: cute pregnancy reveal.
Masterlist    @dindjarindiaries​
Summary: I recommend absolutely everything here. 
Little things Marcus loves    @dindjarindiaries​
Summary: things you do that Marcus loves. AKA Marcus getting the love he fucking deserves.
Gold    @uselessbiwrites​
Summary: Your favorite mornings were always the ones where Marcus woke up first. (iamburdened's note: artist!Marcus! I repeat! Artist!Marcus!) 
Heaven   @mellowswriting​
Summary: dad!Marcus, happy!Marcus, getting what he deserves!Marcus. 
We'll always have Paris   @fromthedeskoftheraven​
Summary: sap moments with the cliche romance thing king. 
Like magic   @mellowswriting​
Summary: Marcus being showered in love (ha, did you get it?) just how he fucking deserves!
Ring *   @say-al0e​
Summary: Marcus Pike really enjoys being married. One of his favorite things? Seeing the ring on your finger. But what he doesn’t seem to realize is that you’re just as happy to see the ring on his finger. (AKA literally just smut that involves fingering and rings.) (iamburdened's note: this is the most canon kink for him, isn't it?)
Masterlist    @absurdthirst​
Summary: yes, again!
The portrait of love   @writings-of-a-hufflepuff​
Summary: When Marcus takes to you a work gala for the first time, he just expects a nice night chatting with colleagues and being proud to have his partner on his arm. He’s in truth a little bit worried that you’ll get bored hearing him talk about the latest art recoveries, truthfully, there’s nothing you enjoy more than listening to Marcus talk passionately about something.
As time goes by *    @absurdthirst​
Summary: After Teresa, Marcus is hesitant to jump back into the dating world, so you propose a friends with benefits situation that works, until it doesn’t. (my note: 7k of Marcus Pike. Paradise)
More Marcus Pike recommendations here
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the-desolated-quill · 6 years
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The Time Of The Doctor - Doctor Who blog (So Long, And Thanks For All The Fish Fingers And Custard)
(SPOILER WARNING: The following is an in-depth critical analysis. If you haven’t seen this episode yet, you may want to before reading this review)
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Remember way back when I reviewed The End Of Time Part 2, I said I was afraid that Russell T Davies may have set a precedent for overly sentimental, ridiculously OTT, and utterly self indulgent regenerations that are more about the showrunner than the Doctor? Well if you thought David Tennant’s Lord Of The Ring’s style farewell tour complete with stupid choir music and oh so poetic tears trickling down the cheeks was unbearable, you ain’t seen nothing yet.
The Time Of The Doctor is fucking dreadful for the most part. Moffat takes everything that may have annoyed you about the RTD finale and then multiplies it by a factor of 10 before dolloping on a few more ladles of pretentious stupidity for good measure. Combine that with the usual Christmas special bollocks, and it becomes truly nauseating to sit through.
A mysterious signal from a backwater planet attracts an army of Doctor Who villains into its orbit, but before we can ponder on how similar this is to The Pandorica Opens, we’re whisked off back to present day Earth for Christmas dinner with Clara’s family. Clara needs the Doctor to pretend to be her boyfriend (do women still do that? I haven’t seen a TV show try that joke since the 90s), but there’s a complication. The Doctor is naked! Oh how awkward and embarrassing! Why is he naked?
The Doctor: “Because I’m going to church!”
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Of course he is.
You know at this point I’ve become so accustomed to Steven Moffat and Matt Smith’s obnoxious bullshit that i don’t think anything will phase me anymore. The Doctor could walk in wearing a bunny girl outfit and I honestly wouldn’t bat an eyelid. It wouldn’t be funny, but I wouldn’t be surprised neither. Because that’s the problem with doing a random, wacky Doctor. After a while the randomness gets to a point where it paradoxically starts to become boringly predictable. I mean it’s not as if there’s any reason for the Papel Mainframe to have a nudity policy, and the characters wear holographic clothes anyway, so if it’s not funny and it doesn’t serve a purpose, what’s the point?
So off we go to church to meet Tasha Yem, played by Orla Brady. A sassy, flirty dominatrix type character who has a thing for the Doctor. Well gee. haven’t seen that before in a Moffat episode. What’s even weirder is not only is Tasha Yem virtually identical to every female character Moffat has ever written, but she also has a lot in common with one specific female character Moffat has written. She can fly the TARDIS, has absolute authority over the Doctor and there’s a reference to her inner psychopath. Was River Song originally supposed to be in this episode? Either way, it shows how unimaginative Moffat is when it comes to writing women.
At this point the thing that’s irritating me the most (apart from Matt Smith) is the whole greatest hits remix. We’ve had cameos from the Daleks and Cybermen, the Silence show up for no reason, and now the Weeping Angels are back. It seems Moffat is determined to squeeze all the scary out of them completely and it’s just bloody irritating. There’s no reason for any of them to be there really and it’s completely self indulgent. I’ve said it before and I’ll say it again. Regeneration episodes should be about the Doctor. Never the showrunner.
And just when you thought Moffat was done mining through his back catalogue of crap, the bloody crack of doom shows up again. Turns out this is Trenzalore and on the other side of the crack is Gallifrey. The Time Lords want back in and need the Doctor to answer a simple question so they know they’ve got the right universe. Doctor who? Which leads to the main crux of the narrative. The Doctor having to protect Trenzalore from comedy Sontarans, Daleks that all of a sudden remember who the Doctor is now thus rendering Asylum of The Daleks completely pointless, and a wooden Cyberman with a flamethrower (I’m not even going to dignify that with a response). Armed only with his magic wand/sonic screwdriver, he must prevent another Time War from occurring. Oh boy. Where do we start with this bullshit? Let’s start with the Question itself. Why do the Time Lords need the Doctor’s name for verification? They have no problem listening to Clara’s pleas at the end. Why doesn’t the Doctor just tell them to stop broadcasting the signal and wait a bit while he deals with the mess they’ve caused? And what’s the point of the truth field? Either the Doctor wants to reveal his name or he doesn’t. He doesn’t have to lie about it. Plus Moffat ends up contradicting this by having the Doctor lie to someone about having a plan. So what’s the point?
At a push, this could have worked if the story focused on the people of Trenzalore. Get us to care for them and have the Doctor form a strong emotional connection with them, thus giving this siege some dramatic weight. At least put some effort into trying to justify why the Doctor stays so long (at one point he says he’s finally found somewhere that needs him to stay, but that’s bollocks. I can think of several places that could have benefitted from an extended stay from the Doctor). Instead Moffat seems more preoccupied with other matters. Like how many regenerations the Doctor has left and tying up the loose ends of his bullshit arcs. So the exploding TARDIS was the result of some rogue chapter of the Paper Mainframe trying to kill the Doctor. So they planned to save the universe from another Time War... by destroying the universe? 
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And the Silence are genetically engineered priests that make you forget your own confessions?... Doesn’t that make confessing your sins somewhat redundant once you’ve forgotten them?
And then there’s the whole Doctor dying crap. If the BBC had any balls at all, they would have made this the last ever Doctor Who story. The reason Robert Holmes introduced the 12 regeneration limit way back in The Deadly Assassin was in order to impose a limitation on the show. It would still have some longevity, but at the same time it wouldn’t be infinite and threaten to outstay its welcome. After the Thirteenth Doctor, that’s it. Now thanks to the retroactive inclusion of the War Doctor and the Ten clone we got in Journey’s End, Eleven is to all intents and purposes the last ever Doctor. And yeah. Why not? 50 years is a good solid number to end a show on, right? 
But the BBC clearly have other plans.
A more naive member of the audience might think all the Doctor’s speeches about how all things must come to end might be setting us up for the grand finale to the whole thing, but naturally that’s not what happens. Of course Moffat finds some contrived way to extend the regeneration limit indefinitely. Doctor Who is the BBC’s biggest cash cow. They’re not going to let it go quite so readily. So Clara demands that the Time Lords save the Doctor like the spoilt, arrogant, entitled little prat that she is and hey presto, the Doctor can now blow up spaceships with his laser hands (God knows what’s going to happen when Peter Capaldi regenerates. He’s probably going to end up blowing up a small moon).
And don’t get me started on the avalanche of plot holes this opens up. So if the Doctor never died at Trenzalore, how did Clara jump into the wound in time to save the Doctor? Without the wound in time, there’s no Oswin or Clara in Asylum Of The Daleks and The Snowmen. Without Oswin and Clara, the Doctor would never have tried to find present day Clara in the first place. Without Oswin and Clara, the First Doctor would never have picked the right TARDIS back on Gallifrey (ugh). Good luck trying to work out the Eleventh Doctor’s canon now because Moffat has become so liberal with the timey wimeys that the whole thing has just descended into a mindless mess.
And even after all that, The Time Of The Doctor still isn’t finished yet. Oh no. Instead of Peter Capaldi walking down from the tower and into the TARDIS, we get another sappy monologue from Matt Smith about how change is good and how he’ll always remember when the Doctor was him, Murray Gold goes into overdrive with his violins in an attempt to drown us in slush, Clara starts crying her eyes out for no bloody reason (seriously, why the fuck is she crying? She knows what’s going to happen. Hell, she was the one that made sure it would happen. Dozy cow), and just when you thought this couldn’t possibly get any worse, fucking Amy shows up! For God’s sake! No doubt the Moffat fans were crying gallons of tears over this. I was too busy sticking a cushion over my face and trying to pretend this wasn’t happening. Honestly, I have never seen such cringeworthy, self-indulgent drivel in all my life. They should have replaced this with Steven Moffat giving himself a self congratulatory blowjob. It would have had the same effect.
So after all that bollocks, is there ANYTHING I liked about The Time Of The Doctor?... At all? Well... I did quite like Handles. He did make me laugh a few times and I was genuinely choked up when he died. Yeah, when you’re more upset over the death of a fucking Cyberman head than the Doctor’s, something has gone spectacularly wrong. I fucking hated this episode! It’s infuriating, self indulgent, utterly moronic and extremely dull. I was so fucking bored by this episode. I didn’t care about anything that was going on. I didn’t care about Trenzalore. I didn’t care about the Time Lords potentially returning. I didn’t care about the Doctor’s impending death. I didn’t care because Moffat never gave me a reason to care. As usual he’s more concerned about his convoluted series arcs and showing everyone how clever he is rather than telling an engaging story. And the most exasperating thing of all is this isn’t even Moffat’s last series. He’s still got the Peter Capaldi era to ruin yet. So why is he bombarding us with this fanwank tribute to himself? Are we going to have to go through all of this again when Capaldi regenerates this Christmas? Jesus Christ!
I suppose I should end with my final thoughts on the Eleventh Doctor in general. I think I’ve made my views on him pretty clear over the course of these reviews. I’ve got nothing against Matt Smith. I’m sure he’s a great actor and a lovely guy. I did kind of like him in his first series. It was a nice blend of quirky and serious. What really got up my nose was when they started to ramp up the goofiness to the point where I just wanted to hurl something large and heavy at his head in a desperate attempt to shut him up. He got so annoying and so irritating that by the time we got to The Time Of The Doctor, I was more than ready to see the back of him. And look, if you like Matt Smith’s Doctor, that’s fine. More power to you. I’m genuinely glad you got more enjoyment out of his Doctor than I did. It just wasn’t my cup of tea.
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mongoose-and · 7 years
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Class Order Hall Campaigns: Rated (7.1.5)
From Best -> Worst
Druid
Shaman
Death Knight
Warrior
Monk
Mage
Warlock
Demon Hunter
Rogue
Priest & Paladin (Tied)
Paladin & Priest (Tied)
Hunter (get wreckt)
Reasons below the cut (Spoilers)
For the sake of discussion, I will absolutely be conflating the Artifact quest lines in with the class Campaign quests.
1. Druid - Druid's campaign basically breaks the curve by sheer scope. The campaign focuses on one major theme for this part of the expansion, and just expands on it beautifully. You are charged with protecting the Emerald Dreamway, rescuing Malorne, and eventually saving the Emerald Dream from the forces of both the Legion and the Emerald Nightmare. Between the beauty of the different zones, the massive gatherings of druids, exploration of Druid lore, and getting to relive the War of the Ancients at Mount Hyjal, none of the other class campaigns quite compare to sheer magnitude of history and lore that Druids get to explore. It also doesn’t hurt that Druid is an amazing class to play in its own right and each artifact quest is clever and interesting (except the Balance questline. That was pretty weak TBH). This campaign really made me feel the ‘class fantasy’.
2. Shaman - Close contender for being almost as epic as the druid campaign. The major theme of the Shaman questline is leading the Earthen Ring and uniting the Elemental Lords against the Legion, which is kinda like bargaining with a bunch of perpetually angry, murderous children to team up and fight Communism. Nonetheless, the shaman campaign has fun and interesting quests as well as insight to how the Elementals work (or don’t work) with each other, and they make good use of a variety of former instances and questing zones (including a finale in the Firelands that is beautiful and hectic).
3. Death Knight - Another top contender given THAT FINALE THO. GET WRECKT PALIDANS YEAH- oh, nevermind. Really, my only complaint was that the very end of the finale fell short (should’ve just let us do it, Blizz), and that it wasn’t Dark Souls Hard the whole way. Everything else about the Death Knight campaign was fantastic - raising the new Four Horsemen, killing lots of people, causing mayhem, Lich King Bolvar. Superb stuff, all the way.
4. Warrior - The quest line that starts meh, gets good, gets great, then settles back into “good” again. Sadly, I think it was a missed opportunity to explore the warrior cultures of the Horde and Alliance, and instead focused entirely on the lore and history of the Titans / Vrykul. For what it is, though, I think Blizz did a great job, and I don’t see the quest line they built fitting into any of the other classes nearly as well. It wasn’t the story that we wanted or needed for Warriors, but it was the best damned way to tell the story they did. Also, lolz Ulduar quest zone~
5. Monk - This is a fine quest line that falls short by virtue of just not being as epic as the others. It’s also the questline that convinced me that the Vrykul story only really paired well with the Warrior class hall. It starts strong by basically trashing the set in at the Peak of Serenity in Pandaria, and takes you back to the Wandering Isle (remember there?). Then it proceeds to utterly destroy shit in Pandaria at literally every chance it gets, which is great fun. Then you make God Beer and defeat a winged commie space goat.
6. Mage - This is where the class hall quests start to get a bit underwhelming, TBH. The whole quest line revolves around Archmage Vargoth being weird, only to reveal that he was possessed by demons. Honestly, it’s not great on it’s own, and if it wasn’t presented as a ‘mystery’ that we all could solve within the first five seconds of stepping into the order hall, it probably would have been more interesting. However, throughout the quest line, you do get some cool lore, elves, stupid Khadgar tricks, more elves, vomiting deaders, gaggles of elves, a blue-haired dragon husband, too many elves, Milhouse Manastorm, and a free trip to your most hated (my favorite) dungeon from Wrath of the Lich King, THE OCULUS! Also, so many elves... even though they are shit at magic.
7. Warlock - High School Drama: The Anime: The Quest Line. Seriously, you could probably make a decent anime out of just about anything that happens with Warlocks - the angst, the interpersonal drama, the cute/disgusting monsters they subjugate to serve them, the unlikely capture/escape scenarios, the pink hair.  It manages to be clever and more interesting than some of the other quests, but it ultimately boils down to a whole lot meaningless drivel and a weird “choose your favorite girl to join your cool kids’ clique” decision at the end. And then you have the orc who keeps leaving butt-cinders *everywhere*.
8. Demon Hunter - Basically you finish what you started with the Demon Hunter starting zone. And then you fight twins in what is probably one of the better finales of all the quests. However, apart from a cool finale and the fact that you get your own space ship, there’s not really much about the Demon Hunter quest line that really excited me. Demon Hunters are insufferable characters in general, Korvas Bloodthorn doesn’t get to be your bodyguard, and if you picked Kayn Sunfury then you spend most of the time being just as terrible as Illidan was. I probably would have enjoyed this more if I didn’t pick Kayn, but I did and I regret my life choices, even if the Illidari CANNOT be STOGHPPPED!!!!
9. Rogue - Good: Tactical Espionage Action. Pirates. Mattias Shaw is a dreadlord. Garona, Vaneesa VanCleef, Taoshi, and Valeera Sanguinar’s thighs all become your girlfriends. Bad: Trolling the AH for mats while Noggenfogger sits on his ass and blackmails you. Amber Kearnan dies offscreen and zero fucks are given. Getting killed in Stormwind repeatedly by Fury warriors (okay, I lied about that last part, that was pretty lolzy). Worst: you have to play a Rogue in order to experience any of it. Also, exactly one of the artifact quests are fun to do and it’s not the one it should be.
10. Priest & Paladin (Tied) - I have to tie these because they’re basically the same flipping thing, with only the artifact quests and maybe half of the actual campaign quests to distinguish them. I wanted to praise Blizz by showing overlap / interaction between the different classes, but they basically went overboard here, by recycling plot points and even the finale, altogether. Also, Netherlight Temple is a dumb idea, akin to moving NORAD into a base in Afghanistan because Al-Qaeda would NEVER think to look there (....well, until they do). Priests arguably have it worse because they don’t even get to be the hero of their own class hall mission (that goes to the Paladins) - AND you have to play a Priest for the privilege of this nonsense, which is arguably the worst punishment one can experience. Paladins, on the other hand, get meaningless choices and suffer the indignity of watching every single champion of theirs make fools of themselves at the first opportunity. Also, both sides visit each others halls, but nobody gets murdered in the process. Also also, wtf is a Lothraxxion and why - I did this shit twice and I still don’t know, he just shows up like a shiny sparkle vampire. Also also also - sigh - Night Elf Paladins when, Blizz? :/
12. Hunter - My beloved Main’s class campaign was also arguably the weakest and least interesting. The artifact quests are fine enough (though Marksman could have just dropped a bigger dime on Allleria than “she ain’t here, but she was”) but the main core of the hunter quest - while probably the most grounded and true to the Hunter’s ‘class fantasy’ - was a snooze fest compared to the other campaigns. The Unseen Path as a concept is cool but overall underwhelming to me - their super-clandestine nature means that they try to stay out of the way of cool things happening, but they don’t have the benefit of being a bunch of spies and thieves to have any intrigue to back it up. They swear an oath and then sit around a lodge and snack, occasionally plinking arrows at targets literally right in front of them. There are cool, all-too-brief detours when you go to recruit champions like Rexxar, Nesingwary, and Addie Fizzlebog, but even they aren’t enough to uplift an otherwise boring plot involving hunting down a felguard and his super felstalkers. In terms of scope and grandeur: If the Druid campaign was ‘class fantasy’ being used to tell an epic tale of saving the planet and exploring history with an army of allies, the Hunter campaign was ‘class fantasy’ being used to tell a story about how you did a crossword puzzle while on vacation this one time. On the plus side, the Hunter quest line has you play with a dog, and the Druid quest line does not.
...
...
...
...I take it back. Hunter quest line 12/10. Best quest line. Best ever. <3 <3 <3
Come on Baron! Let’s go~
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hoshyeoms · 7 years
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When you get this, please respond with five things that make you happy. Then, send to the last ten people in your notifications anonymously. You never know who might benefit from spreading positivity! 🌼
oh my goodess, I’m the type of person to try and find a little bit of happiness in everything this was so hard for me! 
but okayokayokay here it goes; 
1. GOT7 (I love other groups but no one puts a smile on my face like these guys. I literally have a countdown for the 4th gen registration and my swagger mv release date rn I am such a loser. PROUD BABY BIRD RIGHT HERE) 💚💚🐥
2. The Ahgase group chat!!🐥 We are all living busy lives, but when we do talk (especially when we start sending hella pictures of the guys) I get so excited. All of the girls are so gorgeous and sweet and I absolutely adore them. I literally will do anything for them and just wish we all lived closer 😭😭💚 💚
3. This one is kinda silly, but we have a (I believe peach)🌺🌺 blossom tree🌺🌺 behind my house, and watching it bloom and go from one beautiful thing to another made me super happy. Cliche’ answer ahead: I kind of like the idea of it going from something you think is it’s ‘final form’ and watching it grow into something of a doubly beautiful ‘final form’! 
4.📚 BOOKS!📚  If you follow me on snapchat or twitter, I LOVE comic books (and books in general)! Like today I went to a used book store and got so many great comics to add to my ever growing collection, I got a copy of Stephen King’s “Misery” because I really like his stories. I also really love reading pysch books like “The Lucifer Effect” or fantasies like “A Song of Ice and Fire” and of course “Lord of The Rings”! Something about the adventures books take you on, or the science behind human experimentation and every growing need for power. Or the social/political comments made by superheroes as they get into sick battles with all kinds of evil villains. My favorites being typically Spider-Man, Deadpool, or Batman (usually with the joker or the rogues in general)! 
5. 🎶 Music🎶 , I don’t do much, and sometimes I typically tend to think a lot when I’m just chilling. I always have some kind of music playing whether it’s my usual KPOP, more wavvy like music (Tame Impala, Passion Pit, Bon Iver), Rap (A$AP ROCKY, Felly, GYYPS), or even just Pop-Punk (Modern Baseball, Tigers Jaw), I have something playing depending on my mood or where I am. I’m always jamming out, and constantly giggling at myself cause no matter if I’m in the car with the windows down, in my bathroom, or outside, you can catch me screaming the lyrics and dancing absolutely terribly! 😂😂😂
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mcnaughton · 7 years
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Abandoning Hope -- Some Thoughts on Rogue One: A Star Wars Story
*NOTE: I wrote this the day after seeing Rogue One at the cinema. I don't do FB, so I posted it to my neglected G+ and linked to Twitter ( twitter.com/drewmcnaughton ). Every few years I remember I have a Tumblr, so I'm sharing it here 6 months later. Also, to correct the opening sentence, I did not see R1 again in theaters, making it the first live action Star Wars movie I've ever only seen once on the big screen. Enjoy....... Original Post 12/16/16 ( https://plus.google.com/108163877778963936170/posts/TUqccQPVkzf ) I will see Rogue One again while it is still at the cinema. That isn't really saying much since I saw Phantom Menace five times during the summer of 1999, back when I had way more time on my hands and George Lucas was only in his first phase of ruining my childhood. Today at work, I told people who knew I saw it last night that if they like Star Wars, then Rogue One is worth seeing, and if they had seen all of them, then they had already seen worse Star Wars movies as well as much better ones (among which I would include The Force Awakens). I did not really know what to expect walking into Rogue One as I had read no spoilers other than there would be no opening crawl (real spoilers will follow below). While I was looking forward to seeing it, it was the least excited I had ever been for a new Star Wars movie (I was 4 years old when Jedi premiered, and the Emperor's force lightning torture of Luke was too much for my little mind to handle). I identified at least two reasons for my lack of enthusiasm: it would not move the saga forward nor would it likely answer long pondered questions since in at least a general sense we already know what happens because it is literally spelled out for us in the opening title crawl of the original Star Wars. Also, we just got a new Star Wars a year ago. I probably will be much more excited for Episode VIII next year, but it is also possible that the House of Mouse Star Wars saturation is already taking its toll. ***Spoilers below, you've been warned*** I walked away from Rogue One with mixed feelings. I did not enjoy it as much as I did last year's The Force Awakens. This is largely due to Rogue One’s paper thin characters. I don’t dislike Jyn or the Captain guy. The blind Jedi inspired warrior and his brick shithouse companion are fun. I especially got a huge kick out of blind Chirrut (I had to Google his name because I honestly could not remember it) saying "May the Force of Others Be With You" and his reference to the Whills, both of which are ancient relics of the earliest drafts of The Star Wars by Lucas (I highly recommend The Star Wars comic book miniseries that brings the rough draft to life; it isn't exactly what I'd characterize as a good story, but it is a fascinating look at from what Star Wars evolved, as well as how certain elements emerged decades later in the prequels, for better or worse). But the only character I really cared about was the droid K-2S0. He dies. They all die. That was fairly predictable. But only K-2S0's sacrifice made me even somewhat emotional. The Captain is a one note character, and while I embrace the diversity on display in these new Star Wars films, I honestly had a difficult time understanding some of his dialogue due at least in part to the character’s (or actor’s) accent. Then there is Jyn, who goes from not really caring about the Rebellion (or anything for that matter) to preaching about "hope" to Mon Mothma almost immediately after her father is killed, seemingly turning on a dime in terms of her character’s motivation. This character’s shift is less convincing than Anakin's turn to the Dark Side. I cared less about Jyn after 2+ hours than I did about Rey in her first couple of minutes on screen in The Force Awakens while scavenging the crashed Star Destroyer, hocking her goods, and making her portion of space bread. Maybe it was a difference in the quality of the acting, the script writing, or both. The absense of characters in whom I am emotionally invested is a big problem I have in fully embracing Rogue One. Not caring about the characters is largely what sank the prequels, especially The Phantom Menace (though to be fair, I really liked Ewan McGregor’s performance in Attack of the Clones because he seemed to be having fun with the role, and even Hayden Christensen had a few shining moments about midway through Revenge of the Sith where I actually felt his inner turmoil). Speaking of which, Darth Vader is in Rogue One and it is pretty awesome. We see his lava planet castle, based on old conceptual art for Empire Strikes Back, I believe. Most of the planets in Rogue One are identified by title cards. This one is not, though I assumed it was Mustafar and I'm sure that will be confirmed or denied through some official Star Wars sanctioned means if it hasn't already. I absolutely love the planet Jedha, with the relics of the last remaining Jedi temple and fallen statues that are very much in the spirit of the Lord of the Rings films (think The Argonath from Fellowship of the Ring). Pretty much everything that happens on this planet are my favorite parts of the movie. I'm getting slightly ahead of myself here though. The film opens with a somewhat cliched scene of young Jyn seeing the murder of her mother and abduction of her father by the Imperial bad guy who needs help finishing the construction of the Death Star. It is notable that the mother is wearing clothing very similar to the Jedi robes in the prequels that were also worn by common Tatooine folks in A New Hope and Return of the Jedi. She also is the bearer of a Kyber Crystal, which have long been known to be the power element for both Jedi/Sith lightsabers as well as the Death Star's main weapon, though never acknowledged on film until now. We then flash forward to Jyn in an imperial jail. It is at this point that I really started to worry about Rogue One because in the next 10 minutes, we visit at least 4 different planets, and I started to wonder if the film was heading into a narrative nightmare not witnessed since David Lynch's Dune (which, in full disclosure, I absolutely love, though I'd never try to convince anyone that it is actually a good movie). Fortunately it does not (although perhaps Rogue One would be far more memorable if it was a complete disaster of a film rather than one that is just somewhat off its mark). As I write this, it has been about 24 hours since I saw Rogue One, and that brief, messy stretch of the film is mostly a blur in my mind, but at its outset, Jyn is going to help the Rebels find Saw Gerrera played by Ghost Dog himself Forest Whitaker because plot reasons.. That leads to the terrific sequences on Jedha. The film is worth seeing for these alone. In The Force Awakens, Han Solo stated that Luke Skywalker went in search of the last Jedi temple. Perhaps what we see on Jedha will come into play in next year's Episode VIII, or perhaps not. There was no teaser for Episode VIII before or after Rogue One. Then a bunch of stuff happens: Jyn's dad dies, we see Tarkin which is cool, and we see some other OT characters, some of whom's cameos are clever, while others are shameless fan service and pandering. And then we get to the film's third act, which has been what most people who have seen and enjoyed Rogue One have pointed to as its highlight. Frankly, I was underwhelmed. Again, I got a little emotional when the droid K-2S0 is killed protecting Jyn and Captain guy. Many of the more iconic images from the film's trailers didn't even make into the final cut of this sequence (which calls into question the apparent validity of the rumors of the production being troubled). I did not hate this extended sequence, but this is the first time in any Star Wars movie where I was not fully engaged in the epic battle. Yes, that includes the ones in the prequels. I did really like when Darth Vader's Star Destroyer popped up to thwart any sense of pure victory the Rebels may have felt after capturing the Death Star plans. Then we see Princess Leia, obviously a special effect, and she lightspeeds away on the Tantave IV into the opening shot of Episode IV. This all calls into question why The House of Mouse felt compelled to make this movie. Well, the answer is simple, to continue to make "a shitload of money" (to quote Lone Star from Spaceballs) off of their $4 billion investment. But why this story? My guess is that the powers that be recognized that Revenge of the Sith’s attempt to tie directly into the beginning of A New Hope failed miserably, largely because of the 20 year gap in the saga timeline between the two films. This is probably why they went with Princess Leia at the end of Rogue One and not Artoo and Threepio, since we already saw them on the Tantave IV in one of the last shots in Episode III. There's a lot of unaccounted for events on the Star Wars timeline, especially in light of the abandonment of the Extended Universe (which was fine by me because most of those novels and comic books were really dumb) and the introduction of new characters, concepts and entities in The Force Awakens. Maybe years from now (or much sooner) we'll get to see the Battle of Jaku on the big screen in another standalone film. I would have preferred that to what we get in Rogue One. Some of my specific nitpicks, such as how can the X- and U-Wings destroy the AT-ATs when in Empire Strikes Back their "armor is too strong for blasters", I've already found answers to -- according to Den Of Geek, these are actually AT-ACTs, designed for cargo, not combat ( http://www.denofgeek.com/us/movies/star-wars/260771/star-wars-rogue-one-easter-eggs-and-reference-guide ). My brother picked up on some other nitpicks, particularly how the end of Rogue One and the beginning of A New Hope don't exactly match up ( https://t.co/q881t4Jr5e ). I'm sure more of those will occur to the collective Star Wars community as time goes by and second, third and perhaps fourth theatrical viewings occur. *****END SPOILERS**** Look, when new Star Wars (and also Star Trek) movies are released, I am tense when I see them the first time because I am anxiously waiting for them to start sucking. There is an unfortunate precedent for that for these two franchises. In the last year, I enjoyed both The Force Awakens and Star Trek Beyond way more on subsequent viewings than I did the first times. In the case of Rogue One, it stumbles out of the gate, then thrives during the Jedha sequences, and finally settles in as a B-/C+ grade Star Wars film. There is a chance I might like it even less when I see it again, but I might also find more to appreciate. I've seen the worst Star Wars and Star Trek films at least several dozen times each, and the best ones hundreds if not thousands of times (no exaggeration…. I wore out my VHS copies of Star Wars, Empire, Wrath of Khan, Search for Spock and The Voyage Home as a kid). I'll see Rogue One again. I even look forward to it. I just HOPE I find something more to like about it. 
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