ALRIGHTY SO already seeing people complaining that TOTK is gonna have “even less story” than BOTW (which I’ll argue about ‘til the cows come home but I digress), and it’s like
We only saw 10 minutes of gameplay
It was purely to show off a couple of mechanics
It featured Link’s new messed up arm with zero context from Aonuma as to why and how his arm is like that— do ya think maybe that was on purpose?
The marketing campaign has only just started, and by the end of April y’all are gonna be complaining that they’ve spoiled too much of the game. Like you always do. So stop it.
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idk how to word my thoughts so sorry if this is incomprehensible but its really cool seeing sega portraying shadow as like. heroic and cool and highlighting his positive traits and making him the protagonist of an upcoming thing. after so long of just reducing him to asshole rival and even occasionally going as far as to label him (and the rest of team dark) as a villain or place him in the same category as characters like eggman. please for the love of god let sxs generations be some good shadow food
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Pokeddexy Day 25: Legendary 🌟
The Gambler (any pronouns), naughty. Doesn't come out into reality much so he doesn't bother with fitting in (unlike... the lake trio). Uses proxies for almost everything... is she actually a shut in? It's probably a sore loser, so watch out!
agonized over whether the back bustle/skirt was necessary for an hour so here they are without it:
she’s wearing some sort of big collar that covers her neck and shoulders, I think? seeing its face would absolutely smite you from the face of this earth. design definitely going to get some reworking in the future but thats all for today folks!
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is it me misremembering cinderpelt as being more important than she actually was in arc 1, or is it the rest of the fandom misremembering and forgetting she exists, because having not read the arc in a while i genuinely can't tell at this point but it still seems so strange to me how excluded she seems from tpb fan content lmfao
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I’ve been thinking, and I think I’m going to change the way I talk about my headcanons and wof writing to something like a rewrite/reworking. I love wof but it’s become really apparent that the way I engage with it is really more as a world to expand and work in vs a book series I’m analyzing as-is. I think it’ll give me the freedom to actually post the stuff I’m thinking and working on bc I don’t have to keep chaining myself to making it work with all the confusing and contradictory canon tidbits that Tui barely remembers she established. Thoughts?
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ALSO adding on to my last post I have seen a bunch of people around all social media say things about the state of shoujo anime in recent years all along the lines of saying there are less shoujo anime bc women's perspectives and stories are viewed as less profitable than shounen and that's probably not untrue in terms of executive's reasoning but also every time there is a shoujo anime made literally all I ever see people talk about are the guy romantic partners and if anyone says anything about liking the woman main character it's always through the filter of saying things like aww the guy loves her so much and it's like. The girls on the shows aren't talking to each other about anything but men the audience isn't talking about anything but men etc. You want women's perspectives. But the only perspective you want is to only keep talking about liking men.
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I've been seeing the "endeavor is the best written character in BNHA" take for a while and regardless of if that's true or not (because that's an opinion, not a fact) do the people saying this not think it's questionable or off-putting that the "best" written character is a middle aged man discovering after over two decades that neglecting, abusing, and overall traumatizing his wife and children is BAD and he wants to be a better person now???
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