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#table cut
gemsafire · 2 months
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Two totally different takes on amethyst, both fancy cuts and eye catching in their own right 💜
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ohh-lover · 8 months
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Had a photoshooting for our cats 9th birthday! Everyone say happy birthday teddy
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autoraton · 8 months
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same as it never was.
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scourge-sympathiser · 6 months
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SCOURGE SUNDAY 010/???
classic
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doctorsiren · 1 month
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I have to say I love your defenseworth au. But I gotta say/ask for this.
I gotta see some Phoenix and Franziska bonding. Like mayber over Phoenix teaching her about poker with a secret lesson about how to read people which can be very handy for the job field their going into and just.
I gotta know man, what their relationship like as siblings.
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he’d bring out her immature side that she tries to keep hidden under her prosecutor persona simply due to his own immaturity
This is them bonding I swear
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vamprisms · 9 months
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really enjoying how scully will be living an episode of mindhunter and mulder will be living an episode of the twilight zone but they are having the exact same experience
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fauvester · 9 months
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"go ahead and take the credit for good cardassian genes!"
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decolonize-the-left · 10 months
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No, not unisex. That's a different fit. I want masculine and non-binary clothes and even specifically man clothes but for ppl who have boobs and curves.
Not boxy shirts. Shirts that flatter those curves. because boobs look good dammit. And so do I frankly and that shouldnt be a mutually exclusive fact or trait from also wanting to be perceived as Not Feminine thank you very much. I want clothes for my body type that are gender even if that gender is [REDACTED]
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wereshrew-admirer · 7 months
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AUSTIN (as UNO RISCANO): Ooh. You’re a big’un, huh? Just stand up against the board, and I promise I won’t hit anything vital.
DRE (as CHINE): I don’t need to like, crouch or anything?
AUSTIN (as UNO): No, I want you to stand up just as tall and as—really show off how big you are.
DRE (as CHINE): Okay.
DRE: I have my arms out spread eagle, but I’m also giving two thumbs up.
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AUSTIN (as UNO): Alright. Now, you’ll see, crowd gathered here, this—you’re from Blackwick?
DRE (as CHINE): Yep.
AUSTIN (as UNO): Favored child of Blackwick. Look at how they grow ‘em here in Blackwick. God damn. And you’ll see, even with a target as wide as this, these knives will fly true, and I won’t hit even a single piece of flesh. Unless you’d like me to. That’s not—ha ha ha.
[SYLVI AND KEITH LAUGH]
AUSTIN: Grabs the knife, flips it up in the air, grabs it again. I’m gonna say these are, again, these are those same type of, like, the sticking knives that Uno had before. Maybe he stole a bunch of other ones on the way out. But I just love that as a visual cue for him. Grabs them, flips it up, holds it by the blade, throws it. Thwunk. Right next to your head, Chine. Everyone ‘clap, clap, clap, clap, clap.’
AUSTIN (as UNO): Everyone, save your applause. I have at least five more, maybe six.
AUSTIN: Goes over and picks up another one.
AUSTIN (as UNO): Where should I throw this one, folks?
AUSTIN (as CROWDSPERSON): Between his legs!
DRE (as CHINE): I need a haircut.
AUSTIN (as UNO): Oh, there we go. Absolutely. I’ll give you a little trim there.
AUSTIN: Flips it up, throws it. Boom. Right above your head, a piece of hair floats down in front of your face.
KEITH (as CROWDSPERSON): Wow, he’s good!
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st-hedge · 25 days
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Speaking of tragic endings *most passionate chef kiss*
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ariennebeak · 10 months
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what about them. top 10 questions science can't answer
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phatcatphergus · 3 months
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Qtubbo has a bullet in his shoulder from when Cucurucho shot him, if you care
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vincentbriggs · 5 months
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Do you think it might be the oil/heat of your hands thats making the dye leak as opposed to Water?
I don't think so, there wasn't any oil involved when they got wet from the snow, and not much heat.
A whole bunch of people are suggesting different things in the comments, and the one that sounds the most likely to me is that it's a dye that bond specifically to protein. And maybe they used too much of it? I don't know much about leather dye, but I've got a fair bit of experience with acid dyes, and they work just like that. They don't bond with the water at all, and they barely stain cellulose fibres, but they stick to wool and silk so well that (unless you've used too much dye) the fibres suck all the dye out of the pot and leave you with mostly clear water.
Also, when I got home that day, one little corner of the wet purple glove accidentally touched one of my ivory coloured ones and left a tiny purple spot.
It would be interesting to try some experiments on more scraps, but that'll have to wait a while because I'm getting ready to move and have just packed up all my leather.
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leahsfiction · 9 months
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PALISADE 20: In Their Fear Pt. 1 (00:22:21–00:29:57)
“Well, the good news is that it’s still 3 Grip, which means that—”
“Yeah.”
“—we will have a chance to take care of this.”
“Jack? Take it away.”
Something bad is in the air. Bilat crafts teeter in the sky like anxious flies. The distant sound of heavy ships taking off in great black columns of launch smoke. Everything seems too bright. The day is too warm. The headache sits on your forehead and on your temples.
In Carhaix, someone drops a tray of wine glasses. Pleasure yachts and private transit gather at the closed Portcullis Gate, and as it opens vanish into distant Principality space, passing ship after ship of settlers as they pour into the Palisade System.
In the early afternoon, the sun dims, and a red band of light appears around the middle of it, like a bauble wrapped in a ribbon, or a horrible mirror of the Diadem. It’s dim enough to look at directly, but it still hurts your eyes. There is a whine in the air. Every couple of hours there is a rumble of radiation static, and a corona jets from the surface of the sun.
The animals respond in fear. Birds rise, suddenly alarmed, from the trees, or cower silently in crowded branches. Rabbits and foxes freeze, dumb, in the middle of walkways. Ants rise en masse from cracks in the walls. Rivers seem to run slow, with an algaed stink.
Some of the spies know nothing and continue as usual, keeping their mouths shut, answering questions curtly, bargaining limitedly for clemency. When others see the quality of light in the room change, and the demeanour of the people around them alter—why do the calls to Gucci Garantine keep getting dropped? What was that scream of Nidean engines overhead?—they change their tune quickly. They start making specific bargains. Get me off-world. Get me through the Portcullis Gate and I will tell you anything you want. Or they close their mouths, defiant, eyes up. Millennium Break. You do not know the sharpness of the dagger on which you walk.
Of course this is unproportional, they think. What a waste. We’re in a good place. We know the identity of Hexagon. So they made some gains in the Bontive Valley. So they fucked us up on the Isle of the Broken Key. Small beer. We are the most powerful empire in the galaxy. The blood is in the grip. But the Stargrave, these pissant revolutionaries, are gonna get this whole thing blown up.
Or: they let something slip in their fear. The Stargrave has gone mad. She was on the edge and you fucked it. They say the BIS boss went to stay with her, try and calm her down. They say she makes her staff practice dying. They say she got wind that you were trying to come for her and fled, it only made this malady worse, this is the end of the world.
When the message comes to you—secondhand, of course, the Cause council has seen this first—it shows in grainy low-resolution the pinched face of an aide-de-camp as she turns the camera on. Then she tilts it nauseatingly, the view dips, and we see the only remaining right angle of a small ruined building. It seems to be surrounded by trees. The roof came away long ago; just two brick walls stand, forming the corner in which the Stargrave stands.
She is a blonde woman in her late fifties, maybe her mid sixties. She wears full military regalia. On her right arm, from her hand up to her shoulder, is clamped an unwieldy metal device, somewhere between a leg brace and a trigger mechanism. A leather strap, almost like the bit of a horse’s bridle, with eight buttons on it, crosses the palm of her right hand which faces towards the camera. Beneath the device you can almost see that her right sleeve has been rolled up to the shoulder, or cut neatly, and two IV needles run from its metal armature: one into her upper arm, and one just above her wrist. Her face is very pale; her lips white, pressed tightly together; dull light from the armed sun. She opens her mouth: silent for a second, lips parted. Then the man standing to her right—another aide-de-camp, carrying an assault rifle—speaks.
“Terrorists of Millennium Break. As a result of recent assaults on sovereign holdings in the Bontive Valley and the central transit network of this planet, as well as targeted assaults on her office, the Stargrave has been left with no choice but to arm the stellar combustors entrusted to her in holy power for the preservation of the Divine Principality.”
He takes a shaky breath.
“She has instructed me, in her wisdom, to communicate to you that any attempt to approach the Brecheliant Forest or the stellar combustor units, covertly or otherwise, as well as any attempt on Stargrave Elcessor’s life or liberty, will be met with—will be met with an immediate detonation. Resulting in the destruction of the planet Palisade, the sector designated the Twilight Mirage, and the twenty-three systems within the nearest achievable firebreak.”
“I have also been instructed to inform you that any attempt to seek a loophole, magical or mundane, or otherwise circumvent the terms of this message, will also result in an immediate detonation. The stellar combustors will remain armed until August Righteousness of Jade Kill; Véronique and the Divine Fealty of Rose River; Captain Skelton Knaggs of Carmine Bight; Saint Decario Dicario of Violet Cove; Jesset City of Gray Pond; and Gucci Garantine of Blue Channel turn themselves in to the Bilateral Intercession at the nearest checkpoint. This message will be rebroadcast throughout the Palisade System on the hour and at the half-hour.”
There is a long moment of silence. Then the Stargrave nods imperceptibly; then the aide behind the camera turns it off.
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grasstimes · 29 days
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GUESS WHOS DONE!!
Side photos under cut along with act three spoilers
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All the side of the king mug, how nice, how kingly??????
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There’s also this but I was hoping you’d remember…
The king as you know is made by Adrienne also known, uncommonly or commonly, as @insertdisc5
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marzipanandminutiae · 11 months
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also someone on that post of McMansion getting renovated into a different McMansion was like "people who love old things don't realize that a lot of it was just cheap mass-produced stuff like the furniture and household goods they hate today!!!!"
and like. okay. there are articles on how cheap mass-produced stuff has gotten worse in just the last ten years. is it really that hard to believe that it was vastly better-made 100+ years ago?
also that should make MORE of an impact, I think, than simply assuming it's all the same as exquisite artist-crafted furniture in mansions. even the equivalent of Wish.com housewares in the 19th century were often 100X more durable than what we have today
(and no, that doesn't mean Western Society BetterTM or anything else the marble statue PFPs spout. forms of mass production happened in many societies, from cheap ceramics made in China and Japan for export to copies of ancient grave goods made in Egypt and the Mediterranean during archaeological revival crazes)
I have been living in Working or Middle-Class People's Apartments c. 1910-1920 for the past ten years. one of them was just rendered uninhabitable by fire, but a surprising number of the walls and doors were still standing. I firmly believe you could run a tank into those radiators and not damage them. things WERE often better-made in Ye Olden Times, and it doesn't make one ignorant or a Trad to say so
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