#takeshi yoshida

[mariocki]

Tôkyô nagaremono (Tokyo Drifter, 1966)

"Otsuka! You call yourself a yakuza?"

"Money and power rule now. Honour means nothing!"

#Tôkyô nagaremono #tokyo drifter #seijun suzuki #japanese cinema #yakuza film #1966 #Yasunori Kawauchi #tetsuya watari #chieko matsubara #hideaki nitani #tamio kawaji #ryûji kita #eiji gô #isao tamagawa #eimei esumi #tomoko hamakawa #takeshi yoshida #michio hino #shuntarô tamamura #shinzô shibata #yûzô kiura #hiroshi chô #an absolutely beautiful film; a visual masterpiece and a calculated fuck you from Suzuki. Nikkatsu‚ frustrated by the director's attempts #to inject avant garde visuals into their straight genre pieces‚ slashed his budget and his schedule and basically said make a yakuza film #and don't get weird. in response he delivered his most visually experimental piece to date‚ a pop art kaleidoscope take on the gangster #ballad which also critiques the lack of reward that comes from loyalty to a corporate system (i wonder what that could be about Seijun..) #and also manages to parody american western cinema and the burgeoning spy film boom. it isn't quite perfect (i get what the bar room brawl #scene is doing as pastiche‚ but it's still too long and too messy) but as a paring down of the themes of yakuza cinema (and then inverting #those themes‚ so that loyalty and honour become a weakness) mixed with the sheer joyful spectacle of the film is nothing short of joy #Watari and Matsubara would be reunited for the (excellent) Outlaw Gangster series‚ which plays these same tropes deadly straight

[chishnfips87]

My DR:HD Tier list

I just watched the prologue, and so far, I'm actually liking it.

This mf Izanami is defs onto something.

#danganronpa heartless deceit #danganronpa #fanganronpa #akira hayasaka #chiemi hattori #chou yoshida #hideyoshi kurosawa #itsumi yoko #izanami hoshimiya #katsuhiko minamoto #kiyoshi fujioka #kyouran murashita #otome hanayama #rei fukuno #satoru tachibana #shion morita #tomoya morita #takeshi yamamoto #yumeo arakawa

[mythgirlimagines]

I know Fusion decided to do Bandori (DVHS edition) a while back, so could we have a followup? PJSK: DVHS! Four-person units plus a Vocaloid for each, featuring "you shouldn't technically be here" this time. - II

...I definitely didn't spend twenty minutes looking for this post

Dawn to Dusk:

Oshiro (leader), Matsumoto, Ikeda, and Saito

They focus a lot on composition more than anything else, and a lot of their music is said to be best played at night. That’s usually when they have the most time to work on it, too. They don’t really fit in any one genre, though, dipping their toes into everything.

Rin and Len would be their Vocaloids since I think it’d be a funny contrast between them arguing and Oshiro and Saito arguing.

Worldwide:

Ishikawa (leader), Nakamura, Yoshida, and Maeda

This group would probably focus on multilingual songs of all kinds, blending together different styles. Ishikawa of course knows lots of languages, Nakamura knows a bit of other languages, Yoshida’s just fun, and Maeda knows Russian!

Luka is their Vocaloid, since she’s known for being bilingual. I also think she would contribute to their chaos nicely.

Blossoming:

Hamasaki (leader), Fujimoto, Yasu, and Sasaki

They’re kind of like a traditional band like Leo/need, though a lot of their music is more calming. Fujimoto’s great with writing meaningful lyrics, though he doesn’t actually play with the rest of them. Hamasaki plays guitar, Yasu’s on percussion, and Sasaki’s on keyboard. All three of them trade off vocals.

Meiko is their Vocaloid, I think mostly because I associate these four with being more mature/older sibling-figures, kind of like how I think about Meiko.

On Your Feet:

Ueda (leader), Rikimaru, Abe, and Aoyama

They’re slightly more pop-focused, kind of in the realm of dance music. It’s surprising that Abe and Aoyama are part of the group in that regard, but the four of them work incredibly well together (barring some small bickering here and there). 

Kaito is their Vocaloid, and I think he’d cycle between being a sort of mediator and contributing to their excellent vibes, haha.

#answered ask #anon #fusion anon ii #fumito abe #nozomu aoyama #hidekazu fujimoto #utako hamasaki #kazuhiko ikeda #camila ishikawa #yasu kadoshima #hayao maeda #takeshi matsumoto #ikuo nakamura #amaya oshiro #kirika rikimaru #kagami saito #hanayo sasaki #miyuki ueda #etsuko yoshida #danganronpa #dvhs #pjsk #project sekai #megurine luka #meiko #kaito #kagamine rin #kagamine len

[verumleonhart]

I feel like we're in a good place with this, KH4, 7R 2 & DQ12. Unless management those something ridiculous again all these titles seem like they're out of Square's dark era.

Each team is headed by staff that knows what they're doing on a technical level so now I'm just waiting on certain things like gameplay & release dates.

#ffxvi #ff16 #kh4 #dq12 #dragon quest #final fantasy vii remake #final fantasy xvi #final fantasy 16 #cbu3 #cbu1 #tetsuya nomura #naoki yoshida #Hiroshi Takai #Tai Yasue #Naoki Hamaguchi #osaka team #Takeshi Uchikawa #yuji horii #cbu2

[genoskissors]

All the victims listed in the Genocide Jack file.

Likely because English takes more space, the English version did not include all of the names. I’ll mark those ones with a star. They also mixed up first names and last names a lot so mine will all follow the typical format: [First] [Last] ([Last Kanji] [First Kanji])

Ken Harada (原田 剣)

Tetsuhiro Honda (本多 鉄広)

Gaku Shouji (庄司 岳)

Issei Kanno (菅野 一聖)

Takeshi Yoshida (吉田 威士)

Tarou Komatsuna (小松奈 太郎)

Takefumi Gouno (郷野 武文)

Youji Onda (恩田 洋治) ☆

Erio Kishida (岸田 絵李夫) ☆

Osamu Tsuji (辻 修) ☆

Naohisa Uchida (内田 直久)

Masamune Takashi (貴志 正宗)

Yuuto Yumejima (夢島 由人)

Japanese books are read right to left and the first victim is listed as 32 (when we know the first victim was her age), so I assume this list starts at 37 (her victim count) and goes down to 25.

#danganronpa #genocide jack #genocide jill #genocider syo #genocider sho #danganronpa trigger happy havoc

[webraciszekbastion]

Masterlist

Requests Opens !

Legend:

One Shot - Cup of Tea 🍵

Headcanons - Cup of Coffee ☕

My thoughts on games or characters - Bubble Tea 🧋(NO request)

Fluff - Chocolate Cookie 🍪| Hurt/Comfort - Dark Chocolate 🍫| Angst - Sour Lemon Cupcake 🧁| Suggestive - Angel Food Cake 🍰| Platonic - Piece of Pie 🥧

Master Detective Archives: Rain Code

Yuma Kokohead:

☔ Some Headcanons from Rain Code ☔☕

Shinigami:

☔ Some Headcanons from Rain Code ☔☕

Kurumi Wendy:

☔ Some Headcanons from Rain Code ☔☕

Yakou Furio:

☔ Some Headcanons from Rain Code ☔☕

👻 Yakou Furio x Reader who is a Horror Fanatic 💀☕🍪

Vivia Twilight:

☔ Some Headcanons from Rain Code ☔☕

📖 Vivia Twilght x Baker!Reader 🥐☕🍪

📖 Vivia Twilight x Artist!Male!Reader 🎨☕🍪

Halara Nightmare:

☔ Some Headcanons from Rain Code ☔☕

Fubuki Clockford:

☔ Some Headcanons from Rain Code ☔☕

Desuhiko Thunderbolt:

☔ Some Headcanons from Rain Code ☔☕

Zilch Alexander:

☔ Some Headcanons from Rain Code ☔☕

Pucci Lavmin:

☔ Some Headcanons from Rain Code ☔☕

Aphex Logan:

☔ Some Headcanons from Rain Code ☔☕

Melamie Goldmine:

☔ Some Headcanons from Rain Code ☔☕

Zange Eraser:

☔ Some Headcanons from Rain Code ☔☕

Yomie Hellsmile:

Martina Electro:

Seth Burroughs:

Guillaume Hall:

Makoto Kagutsuchi:

All Master Detectives:

All Peacekeepers:

All Characters:

Project Eden's Garden

Damon Maitsu:

📖 Fem s/o Ultimate Novelist who works non-stop, without taking breaks. 📖 ☕🍪

Cassidy Amber:

Desmond Hall:

Diana Venicia:

Eloise Taulner:

Eva Tsunaka:

Grace Madison:

Ingrid Grimwall:

Jean DeLamer:

Jett Dawson:

Kai Monteago:

Mark "Mayhem" Berskii:

Toshiko Kayura(Only Platonic):

Ulysses Wilhelm:

Wenona:

Wolfgang Akire:

All Characters:

Danganronpa Despair Time

Teruko Tawaki:

Xander Matthews:

Charles Cuevas:

Ace Markey:

Arei Nageishi:

Rose Lacroix:

Hu Jing:

Eden Tobisa:

Levi Fontana:

📖 Fem s/o Ultimate Novelist who works non-stop, without taking breaks. 📖 ☕🍪

Arturo Giles:

Min Jeung:

Veronika Grebenshchikova:

J Rosales:

Whit Young:

Nico Hakobyan:

All Characters:

Danganronpa F: Shattered Hope

Enigma:

Cancel:

Yaxi:

Grisp:

Cross:

Scarlet:

Moraiteru:

Pocket:

📖 Fem s/o Ultimate Novelist who works non-stop, without taking breaks. 📖 ☕🍪

Corza:

Rock:

Rox:

Twin:

Rissi:

Anon:

All Characters:

My suggestions for the real names of the characters 🧋

Super Danganronpa Another

Yuki Maeda/Utsuro:

Akane Taira:

Ayame Hatano:

Haruhiko Kobashikawa

Kakeru Yamaguchi:

Kanata Inori:

Kinji Uehara:

Kiyoka Maki:

Kizuna Tomori:

Mikako Kurokawa:

Mitsuhiro Higa:

Rei Mekaru:

Satsuki Iranami:

Teruya Otori:

Tsurugi Kinjo:

Yamato Kisaragi:

All Characters:

Super Danganronpa Another 2

Sora:

Emma Magorobi:

Hajime Makunouchi:

Hibiki Otonokoji:

Iroha Nijiue:

Kanade Otonokoji:

Kokoro Mitsube:

Mikado Sannoji:

Nikei Yomiuri:

Setsuka Chiebukuro:

Shinji Kasai:

Shobai Hashimoto:

Teruya Otori V2:

Yoruko Kabuya:

Yuki Maeda:

Yuri Kagarin:

All Characters:

Danganronpa (He)Artless Deceit

Akira Hayasaka:

Chiemi Hattori:

Chou Yoshida:

Hideyoshi Kurosawa:

Itsumi "Bani" Yoko:

Izanami Hoshimiya:

Katsuhiko Minamoto:

Kiyoshi Fujioka:

Kyouran Murashita:

Otome Hanayama:

Rei Fukuno:

Satoru Tachibana:

Shion Morita:

Takeshi Yamamoto:

Tomoya Morita:

Yumeo Arakawa:

Denshi Shigenobu:

All Characters:

Your Turn to Die

Sara Chidouin:

Joe Tazuna:

Keiji Shinogi:

Kanna Kizuchi(Only Platonic):

Q-taro Burgerberg:

Sou Hiyori:

Reko Yabusame:

Nao Egokoro:

Kai Satou:

Gin Ibushi(Only Platonic):

Kazumi Mishima:

Alice Yabusame:

Ranmaru Kageyama:

Hinako Mishuku(Only Platonic):

Naomichi Kurumada:

Mai Tsurugi:

Anzu Kinashi:

Shunsuke Hayasaka:

Sue Miley:

Tia Safalin:

Rio Ranger:

Gashu:

Midori:

Meister:

All Characters:

All Floor Masters:

#master detective archives x reader #project eden's garden x reader #danganronpa f shattered hope x reader #danganronpa despair time x reader #super danganronpa another x reader #super danganronpa another 2 x reader #your turn to die x reader #master detective archives: rain code #rain code #danganronpa #your turn to die #master detective archives #masterlist #danganronpa despair time #danganronpa f shattered hope #danganronpa f #project eden's garden #danganronpa another #danganronpa another 2 #sdra2 #yttd #mdarc #danganronpa heartless deceit #danganronpa (he)artless deceit #danganronpa heartless deceit x reader #danganronpa (he)artless deceit x reader

[retrosofa]

We're at the home stretch now! Let's take a look at Cutie Honey episode 21: "A Black Shadow Stands in the Green Field."

Screenwriter: Keisuke Fujikawa

Art Director: Iwamitsu Ito

Animation Director: Takeshi Shirato

Director: Yoichi Kominato

Miharu and Pochi have no problem recognizing Honey while she’s transformed as Hurricane Honey. This is very strange considering Junpei, Danbei and several Panther Claw subordinates couldn’t see through this specific disguise in earlier episodes. Pochi didn't even recognized Hurricane Honey back in episode 11 either.

Also, in this episode only, Pochi is voiced by Isamu Tanonaka who would go on to voice the Principal of Paradise Academy.

Twin Panther One is voiced by Sachiko Chijimatsu, who has had a role in every early Toei magical girl series dating all the way back to Sally the Witch in 1966. Twin Panther Two is voiced by Rihoko Yoshida, who previously voiced Honey’s best friend, Natsuko. Chijimatsu and Yoshida would go on to play “sisters” in Majokko Megu-chan.

Technically, this is the only episode where Honey does not appear as Honey Kisaragi. However, in episode 17, she inexplicably appeared with brown hair.

One of the key animators on this episode was Kazuhide Tomonaga, who would go on to handle the famous car chase scene in Lupin III: Castle of Cagliostro.

That's all for this week!

#cutie honey #cutey honey #go nagai #trivia

[7grandmel]

Todays rip: 20/11/2023

88811

Season 4 Episode 2 Featured on: DJ Professor K Presents: 24​/​7 FUNKY FRESH BEATS FROM TOKYO​-​TO

Ripped by Anonite

Only a month ago with Give Me the Fantasy, I made public my affection and overall adoration for chiptune rock band Anamanaguchi (who just recently scored the recent Netflix series Scott Pilgrim Takes Off!). Little did I know, that I'd been adoring them for longer than I'd known - this gem of a rip, with as strangely cryptic of a track name as 88811, turned out to have been yet another piece of Anamanaguchi music, one that had been sitting in my playlists since its initial album release.

I think its really fascinating how many rippers end up committing themselves to small passion projects on the channel, sometimes entirely on their own - think of something like Collision Chaos Good Future JP [CD Beta Mix] and the other Beta Mix arrangements done by ripper Jass, as an example. 88811 and its ripper Anonite fall into a similar category - rather than arranging Sonic CD music to sound akin to Genesis Sonic music, however, Anonite's love is wholly directed toward one of the console's most beloved hardcore titles. Thunder Force IV.

Listen, I'm going to keep it plain and simple - if you've never heard the music of Thunder Force IV, you've never lived. What Technosoft were able to accomplish with SEGA's 16-bit machine is nothing short of miraculous, a type of sound that can ONLY exist on the Genesis, yet simultaneously excels far beyond the limits of what one thinks would be possible on it. ANY track arranged into the instrumentation of Thunder Force IV is bound to sound excellent, yet Leave the Past Behind simultaneously feels like such a perfect pick - Anamanaguchi's blend of chiptune and distorted guitars is a match made in heaven for Thunder Force IV's shredding synths. The rip is a marriage, a full on celebration, of two of the most unsung legends in the scene of VGM, from two games whose entire legacy effectively rests on their breathtaking scores. One, a shoot-em-up from a long-gone franchise, on a console only remembered by the mainstream for its edgy platformers - the other, a game that was long left delisted, only truly remembered for its unavailability rather than for the terrific soundtrack it bolstered.

All of that celebration, that love, and of course the utmost perfect quality in its arranging, yet...it still sits below 15K views. Anonite has since left the internet altogether, and this rip amidst all of his other Thunder Force IV contributions have become lost to the sands of time. Yet that's part of what drives me to keep this blog going - to keep shining a much-needed spotlight onto the rips that truly deserve it. Thank you, Technosoft, Toshiharu Yamanishi, Takeshi Yoshida, Naosuke Arai, and Anamanaguchi. And thank you, Anonite.

#todays siivagunner #season 4 episode 2 #siivagunner #siiva #Anonite #Youtube #Bandcamp #anamanaguchi #thunder force iv #thunder force #sega genesis #sega mega drive #16 bit #16 bit music #sega genesis music #mega drive #sega #technosoft #scott pilgrim #scott pilgrim takes off #scott pilgrim vs the world #endless fantasy

[ojamajodoremi-polls]

Welcome to the Favorite Classmate Tournament!

This is gonna be a big one. Due to the number of classmates and the fact i couldn't evenly distribute it in a number of pairs and sides that made sense for the brackets (maybe there's a way and I'm just bad at math), every side initially includes 3 pairs and 1 trio each, and finals will be a poll between 3 contenders and y'all will have to live with that, I did my best.

As always, pairs/trios and their order in the bracket were randomly generated.

Complete list of polls under the cut, they'll be linked as soon as they're posted. Polls will be open for a week. May your fave win!

Side A

Yuji Sagawa vs Masato Rinno

Natsumi Sato vs Jun Sato

Minto Wada vs Naomi Okuyama

Kazuya Yoshida vs Hajime Kikuchi vs Michiaki Watabe

Side B

Mutsumi Kudo vs Itoko Hamada

Manabu Takagi vs Kota Amano

Hiroko Kine vs Miho Maruyama

Ichiro Hirano vs Kenta Iizuka vs Marina Koizumi

Side C

Koji Ito vs Kotaro Okajima

Tamaki Reika vs Yuko Koyama

Yoko Manda vs Kayoko Nagato

Shino Hanada vs Nobuaki Yamauchi vs Keiko Yamamoto

Side D

Yukari Umeno vs Masayoshi Nakajima

Takeshi Hasebe vs Maki Higuchi

Noriko Kano vs Nanako Okada

Junji Manda vs Sachiko Ijuuin vs Goji Nakata

Side E

Sora Miyamae vs Masaharu Miyamoto

Masaru Yada vs Takuro Hagiwara

Yutaka Ota vs Dai Morikawa

Kotake Tetsutya vs Kanae Iida vs Ryota Hayashi

Side F

Susumu Yanagida vs Aya Matsushita

Nobuko Yokokawa vs Kenji Ogura

Shiori Nakayama vs Kaori Shimakura

Takao Kimura vs Toyokazu Sugiyama vs Shouta Taniyama

#classmate tournament #ojamajo doremi

[genericpuff]

I appreciate your art style! It’s very confident with strong shapes and great body language. Who are your inspirations and do you have any advice for drawing efficiency because I always get hung up on the small things and it keeps me held back

Aw thanks so much! Regarding my inspirations, I grew up on a lot of manga, animation, and video games, so many of my inspirations are Japanese artists in the gaming and manga industry. Included but not limited to: Takeshi Obata (the artist behind Death Note, Bakuman, Hikaru No Go, Ral Grad, etc.), Tetsuya Nomura (FF VII, FF X, Kingdom Hearts, The World Ends With You, etc.), and Akihiko Yoshida (FF III, Bravely Default, Nier: Automata, etc.)

But honestly? I kinda tend to just grab whatever I can learn from whoever's art I feel like studying. There are a lot of webcomic artists and modern digital artists who I've learned so much from over the years just by observing their art and identifying what they do that almost feels unique to them. Like, the creator of Two Guys and Guy? I always like how he draws elbows. Or the creator of Alfie, I love how he stylizes eyebrows and body proportions of all shapes and sizes! And of course when it comes to those aforementioned inspirational artists, Tetsuya Nomura's line quality is top notch, and I learned a lot about how to color from Obata.

I really rambled there, but inspiration comes from so many places! <3

In regards to the second part of your question, honestly, that confidence just comes from a lot of practice and drawing the same things over and over and over and over and over-

Anyways, I've been drawing webcomics for a number of years now, so along the way I've sorta had to learn tricks and shortcuts to make the process a bit more efficient and less headache-inducing. I think after all that, the core things I can recommend are:

Learn how to draw from the shoulder and elbow vs. the wrist. This will allow you new motions that can accommodate long, confident lines and shape structures. Tiny strokes are great for detailing, but long swooping lines are the best for getting in gesture, form, and line clarity! Plus it's just healthier for your body all around, helps engage your shoulder muscles and reduces the potential risk for carpal tunnel ;)

Keep your toolset simple! I know it's easy to sort of want to just collect and own every single brush out there (especially if you're a digital artist) but honestly, the best way to be efficient is to simplify your kit and process its strongest tools. You can accomplish so much with just a good ole' fashioned round brush, soft airbrush, and blur/blend/smudge tool of your choice - all the fancy ones are simply there to make your life easier after you've learned how to draw the fancy stuff those brushes are trying to replace, IMO (ex. I know how to draw things like leaves and bark with the round brush... so having brushes to do it for me is way handier nowadays! But it's only because I know how to draw them normally that I can ensure I'm using those tools properly, if I'm explaining that clearly ?)

Always be open to trying new industry tools, there is no such thing as 'cheating' (barring blatant theft lol). I don't think a lot of people realize just how many artists across every art industry use tools and techniques designed to make the process more efficient, like 3D models, photobashing, gradient mapping, color balancing, tone curving, etc. to help speed up the creation process and turn an okay drawing into a great one. Of course, none of these tools can substitute for actual skill, you still gotta learn how to use these tools properly in addition to learning your foundations, but those super efficient artists definitely aren't working from the same process that everyone else is, it's different for everybody and it's all about finding what tools work best for you! And the only way to do that is to try 'em :)

Remember that the core of creating and presenting art is expressing an idea to your audience. There's no pre-requisite to how 'detailed' that idea needs to be to be understood, because 1.) your audience may interpret it entirely different from how you intended anyways and 2.) your audience is way better at 'filling in' the details than we give them credit for! One such artist that I can recommend you look at is WLOP, their paintings are well known for being gorgeously rendered and almost 'hyper-realistic' but when you actually zoom in on their paintings, you'll find many of the 'details' are very basic, often times just splatters of a round brush. Here's an example:

From that first glance, it looks like an incredibly detailed hyper-realistic painting, but zoom in a little and you'll see all the messy brush strokes and where they used brushes that are all incredibly simple (I could recreate the same look of the owl with just the transparent watercolor brush in CSP!) Regardless of the details not being rendered out as much as we'd assume, we still assume that what were looking at is completely rendered down to the last pixel, because our brains are doing all the work to fill in those details. WLOP focuses on shape, color, and form first before worrying about nitty gritty details, and their art doesn't suffer at all even when they don't bother with detailing at all. Pretty neat, huh?

THAT WAS A LOT LOL But I hope that helps ? I try not to keep it at "just practice" because often times that gets misconstrued as just "draw a lot" when if you don't know what you're lacking or what piece you might be missing in the puzzle, then of course it's gonna feel like you're just bashing your head against a wall! It's like teaching someone how to skate or ride a bike or drive a car, practicing will definitely do more than not practicing, but there are additional things you can learn and apply to make that learning process work for you rather than against you.

That's all for now! Best of luck in your journey! Remember that the key is to just take it at your own pace, be comfortable with making mistakes (it's the only way to learn!), and have fun! Being able to make art efficiently is great and all, but having fun and enjoying yourself is definitely the most important thing! <3

#ama #ask me anything #art tips #comic artist tips #yaaaay essay post

[thequietkid-moonie]

Characters I won't write for

I normally don't have much troubles with writing, but there are some characters I don't feel like writing and I decided to make a list just in case someone was interested in them.

This characters are only able to be requested by comissions

Is probably that i will rejected requests with supporting characters even if they aren't in this list (i will end up adding it anyways)

My hero academia

Denji Kaminari

Mina Ashido

Kyoka Jiro

Yuga Aoyama

Bakugou Katsuki

Sero Hanta

Minoru Mineta

Touya Todoroki / Dabi

Shuichi Iguchi / Spinner

Komi-san can't communicate

Najimi Osana

Shousuke Komi

Ren Yamai

Makeru Yadano

Chika Netsuno

Shuumatsu no Valkyrie

Zeus

Poseidon

Loki

Odin

Shiva

The scientists (Albert Einstein, Galileo Galilei, Marie Curie, Isaac Newton, Alfred Nobel, Thomas Edison)

Apollo

Leonidas

A silent voice

Yaeko Nishimiya

Tomohiro Nagatsuka

Miki Kawai

Naoka Ueno

Kazuki Shimada

Kaisuke Hirose

Kakegurui

Kaede Manyuda

Most part of the Momobami clan (still you can ask in a request if i'm willing to write for someone of them)

Assassination Classroom

Yuzuki Fuwa

Koki Mimura

Taiga Okajima

Taisei Yoshida

Takuya Muramatsu

Teppei Araki

Ren Sakakibara

Natsuhiko Koyama

Tomoya Seo

Hiromi Shiota

Puella Magi Madoka Magica

Kyoko Sakura

Card Captor Sakura

Meilin Li

Pumpkin Night

Nomizu

Arata Fukutani

Asumi Nakatani

Chiaki Saki

Naruto Kuroki

Tatsuo Kuroki

Spy x Family

Sylvia Sherwood

Franky Franklin

Desmond family (aside from Damian)

Your lie in April

Ryota Watari

Ouran High School Host Club

Kyoka Ootori

Renge Houshakuji

Lobelia Girls' Academy Students

My Dress-Up Darling

Sajuna Inui

Gakkou Gurashi

Miki Naoki

Mob Psycho 100

Ichi Mezato

Takeshi Hoshino

Go Asahi

Rei Kurosaki

Daichi Shiratori

Kaito Shiratori

Kenji Mitsuura

Minoru Asagiri

Members of the telepathy club

Majo Taisen

Agrat Bat Mahlat

Anne Bonny

Yim Wing-Chun

Zenobia

Matahari

Haikyuu!!

Kentaro Kvotani

Wakatoshi Ushijima

One Punch Man

Sweet Mask

Tatsumaki / Tornado of Terror

Suiryu

Re Zero Starting a new life in another world

Roswaal L Mathers

Ryuzu Meyer

Priscilla Barielle

Al

Petelgeuse Romantée-Conti

Danganronpa

Byakuga Togami

Kiyotaka Ishimaru

Yashuhiro Hagakure

Teruteru Hanamura

Haiji Towa

Hiyoko Saionji

Mahiru Koizumi

Hiroko Hagakure

Ryoma Hoshi

Monokubs

Hi-fi Rush

Roqueford

Spiderman into/across the spiderverse

Miguel O'hara / Spiderman 2099

Miles G. Morales (Earth-42)

Spider-Byte

LYLA

Disney Movies

Philoctetes

Clayton

Colt Bronco

Pepa Madrigal

Dolores Madrigal

#moonie news

[very-grownup]

Numbered List of Manga

I don't really understand what's meant by the X to know me by thing going around, because I thought it was generally agreed that media consumption is not a substitute for personality, but here are 10 (licensed) manga series that stick with me.

Hikaru no Go (Yumi Hotta and Takeshi Obata)

Tokyo Babylon (CLAMP)

KUROSAGI CORPSE DELIVERY SERVICE (Eiji Otsuka and Housui Yamazaki)

From Eroica With Love (Yasuko Aoike)

X-Day (Setona Mizushiro)

Pluto (Naoki Urasawa)

Goodnight Punpun (Inio Asano)

Otherworld Barbara (Moto Hagio)

Banana Fish (Akimi Yoshida)

Berserk (Kentaro Miura)

Hikaru no Go

The first sports manga I read and the gold standard for Shounen Jump sports manga. The slow maturation of Obata's art with Hikaru's character arc compliment each other so perfectly (when he does his own writing I don't have time for Obata), the triangle of skill/interest/desire in Hikaru's relationship with the game, JUST PUTTING A GHOST IN YOUR SPORT SERIES AS A MENTOR TO THE PROTAGONIST -- the natural end of the series is perfect (and not undone by continuing for several more volumes) and I still think about it twenty years later and get teary. Any subject can be engaging in the right hands.

Tokyo Babylon

My age and gender mean not including a CLAMP title would be a lie. It would be like a dude my age denying having seen any Dragon Ball. Tokyo Babylon is my go-to, with the heavy contrast of the art, chunkier and less streamlined than CLAMP's later titles, and the themes of death, environmentalism, and the disconnect between people and the world around them in post-Bubble Tokyo, are things I keep coming back to in contemporary series, and looking back is both nostalgic while showing me how things have improved in terms of what's accessible and considered marketable in North America. There was a time when the idea of Tokyo Babylon being licensed was laughable! And now it's been licensed, published, and had the license lapse MULTIPLE TIMES.

Kurosagi Corpse Delivery Service

You should read Kurosagi Corpse Delivery Service. Ask me about Kurosagi Corpse Delivery Service. It's a kind, primarily episodic horror manga with strong anthropological roots. It's supernatural and incredibly real, with stories dealing with xenophobia, the criminal justice system, homelessness, environmental destruction, war crimes, aging populations and the lack of support, isolation, idol culture, otaku culture, employability after receiving a liberal arts education, urban legends, aliens, the dangers of technological innovation, parental loss, revenge, abortion, infanticide, juvenile offenders, cloning, blackmarket animal imports, the continued military presence in Japan, cryonics, the postal service, immigration, what if Jack the Ripper was a ghost and he possessed a cool thing you had imported and continued his serial killings as a ghost. You should read Kurosagi Corpse Delivery Service. Ask me about Kurosagi Corpse Delivery Service.

From Eroica With Love

This series started with superpowered teens, including one named LEOPARD SOLID, and Aoike decided that was boring and she made it a series about a British aristocrat with a secret identity as a flamboyant gentleman thief with amazing hair and a sexually charged rivalry with a German intelligence agent who hates him. It's amazing. It needs to be rescued. There's something like 40 volumes. The pope gets stolen. There's a car chase with a tank and a bazooka on the autobahn. It's perfect and outrageous and over-the-top.

X-Day

I love Mizushiro and she's been tragically unrepresented in English licenses (X-Day is an ex-Tokyopop license, for a one-two punch of tragedy). X-Day is about lonely young people connecting on the internet and planning to blow up their school. There was a panel that felt like my depression had been put perfectly, beautifully, heartbreakingly onto the page.

Pluto

Urasawa's one of the greats and Pluto sees him adapting another of the greats into a smart, often sad, science fiction mystery thriller, and I still haven't been able to bring myself to read it a second time, despite it being Urasawa's shortest series.

Goodnight Punpun

Have you ever read something so profoundly raw and honest and recognizable that you had to quit reading it cold turkey? I think about Goodnight Punpun a lot and I stare at it on my shelf and I know I'm still not ready to read the rest of it.

Otherworld Barbara

No one draws the way Hagio does, with lines that look like they will dissolve if you touch them, and she understands that soft, dreamy beauty should be able to encompass things that are hard and violent and bloody because girls love romance and dream realms and clones and question of identity and beautifully androgynous characters with dark starry eyes and cannibalism.

Banana Fish

I have often gone on, at length, about one of the core components of shoujo, especially classic shoujo, being BIG FEELINGS, and the hugeness of the feelings make the events correspondingly BIG AND POWERFUL AND IMPORTANT but Banana Fish ties that with extreme violence and a plot that becomes increasingly Metal Gear Solid, with impossible drugs and mind control and knife fights and snipers and torture hospitals and the American military industrial complex. And then it comes back to feelings. It's another title where you really see the art evolve, which I love, and it's one of those perfect tragedies, where you can feel bad things coming, sometimes see them coming, but there's a rightness in the tragic ending. It hits the catharsis necessary in real, proper tragedies.

Berserk

I resent how superficial readings of Berserk kept me from reading it for so long. Do I love the hyper-violence and the gore and Miura's obsessive attention to the tiniest details in his shitty, blood-soaked world? Yes, of course, it's powerful and visceral and shocking and wild, which makes the hope and the realness of the trauma and how difficult everything is and how exhausting just living is and the cycles the characters are trying to escape from more engaging. Despite everything it isn't constant, grinding misery. It's a series full of sparks of optimism and so much more than BIG MAN BIG SWORD, with hurts more complex than demonic abominations. But the demonic abominations DO look rad as hell.

#manga #lists of things #berserk #banana fish #kurosagi corpse delivery service #x-day #setona mizushiro #kentaro miura #akimi yoshida #otherworld barbara #moto hagio #goodnight punpun #inio asano #pluto #naoki urasawa #from eroica with love #yasuko aoike #tokyo babylon #clamp #hikaru no go

[mythgirlimagines]

If DVHS were mythical creatures, what would they be? :D Can be obscure!

Some of these are Stretches bc I couldn't really think of anything ^^' I got all these from here

Abe Fumito: Phoenix

Aoyama Nozomu: Poltergeist

Fujimoto Hidekazu: Banshee

Hamasaki Utako: Siren

Ikeda Kazuhiko: Will-o-the-wisp

Ishikawa Camila: Vampire

Kadoshima Yasu: Nymph

Maeda Hayao: Werewolf

Matsumoto Takeshi: Elf

Nakamura Ikuo: Incubus

Oshiro Amaya: Angel

Rikimaru Kirika: Medusa

Saito Kagami: Valkyrie

Sasaki Hanayo: Dryad

Ueda Miyuki: Yuki-onna

Yoshida Etsuko: Poltergeist

#answered ask #headcanons #fumito abe #nozomu aoyama #hidekazu fujimoto #utako hamasaki #camila ishikawa #kazuhiko ikeda #yasu kadoshima #hayao maeda #takeshi matsumoto #ikuo nakamura #amaya oshiro #kirika rikimaru #kagami saito #hanayo sasaki #miyuki ueda #etsuko yoshida #danganronpa #dvhs #link

[karmirage]

incomplete list of niche characters i restrained myself from submitting to the niche comic character tournament

Ryoko Sabuki/Radiance: 7 appearances. Granddaughter of Gwen Lou Sabuki, whom I did submit. Biggest sensation since Dazzler, which would mean more if Marvel remembered Ryoko existed. Light generation and manipulation, just like her grandma.

Ameiko Sabuki/Goldfire: 9 appearances. The dead sister of Ryoko. I don't think she ever even showed her face in her non-powered form.

Leyu Yoshida/Sunpyre: 9 appearances. The dead little sister of Shiro Yoshida/Sunfire.

Marnie/The Rumor: 9 appearances. Spider-Man side character. Badass old lady. Figured out Peter Parker = Spiderman in like two issues.

Takeshi Matsuya/Wiz Kid: 29 appearances. He's literally so funny to me. I think he should be allowed to say fuck.

Nuwa: 2 appearances, once in an X-Force annual and once in a Tabitha Smith oneshot story. Her personality shifts wildly between those two and they never elaborate on why.

Tamara Kurtz/Dragoness: 28 appearances. Evil and loving it. Has wings, but they're technological, not part of her mutation.

Rina Patel/Timeslip: 19 appearances. No hate to whoever submitted Robbie, but she is definitely the more niche New Warrior.

Georgia Dakei/DK: 13 appearances. I like it when teenagers sass tf out of adult characters I think it is so fucking funny.

Sybil Dvorak/Skein: 44 appearances. her original villain name was a slur and i am SO glad they changed it. canon sensory issues queen. Also evil and loving it. Canonically bisexual (for evil).

Larry Bodine: 1 appearance. This is the guy from New Mutants vol. 1 who killed himself after his classmates joked about outing him. Yes this is the issue of NM with Kitty's infamous slur speech.

Rebecca Littlehale/Lighttrakker: 3 appearances. Kid from Power Pack who could teleport to light sources she could see.

Helen Takahama/Jolt: 74 appearances, which makes her the least niche character here. I need to reread Thunderbolts. In MC2 (Mayday Parker's universe), she was an Avenger.

Charlie Burlingame/Charcoal: 41 appearances. Created by a reader via a Wizard magazine contest. Legal problems means that he was never brought back when he was killed off.

#what does niche mean? anything you want it to mean. i have more but these are the major ones under 100 appearances. #babygirl i have niche faves you cannot even comprehend. etc #river rambles #anyways i think everyone should have a villain fave who doesn't want/need redemption but you just think they're so neat anyways. #spices things up. #marvel #i am NOT tagging any of these guys. just know that i would write essays and comics about them if i had the time and money (which i don't) #cw suicide mention #THESE GUYS AREN'T EVEN THE MOST NICHE GUYS ON MY SPREADSHEET. seiji honda and his 'kind of autistic' 1 appearance swag <3 #1999 enigma.....forever in my heart. haven't even read that one issue yet but i will someday. #edit she (1999 enigma) actually in THREE issues.....💕💕💕

[osharenippon]

'70s Harajuku (Part 2)

The Harajuku district in Shibuya has gained international acclaim as a hub of Tokyo's youth culture and fashion scene. Its streets are lined with cafes, boutiques, and well-known fast fashion stores, drawing a constant stream of tourists, fashionistas, and teenagers. However, before the arrival of billionaire retailers, foreigners, and media attention, this area's early inhabitants were the ones who truly shaped its unique character.

'70s Harajuku (Part 1)

There's been a few books written about Harajuku and its culture in the '70s. Famed photographer Shinpei Asai wrote "Central Apartments Monogatari" (Central Apartments Tale), published in 2002. Futoshi Kimizuka interviewed some creative professionals who had offices in the building for 2004's "Central Apartments no asobi" (Walking through Central Apartments). Yasuko Takahashi, Japan's first stylist, wrote extensively about her experience working and playing in the neighborhood during that era in "Omotesando no Yakko-san" (Yakko-san from Omotesando, 2012) and "Toki no kakeru Yakko-san" (Yakko-san Who Leapt Through Time, 2015). In 2019, Non Nakamura, who started out as Yakko-san's assistant, compiled photographs and essays from influential figures of the time in "70s Harajuku Genfuukei."

This same Non Nakamura contributed what I consider to be some of the most insightful and readily available essays on this period through her "20th Century Girl" serialization in Mononcle. These essays are accessible for free on their website (in Japanese, though Google Translate provides a decent translation). Nakamura's series chronicles the culture of the 1970s in Harajuku and the broader oshare influences of that decade.

The first essay discusses how she owes her fateful meeting with Yakko-san to rock 'n' roll. Nakamura was a teen during the folk music era when rockstars had long hair, worn-out T-shirts, and bell-bottom denim. She wasn't particularly attracted to this type of fashion, so when she first saw glamorous-looking David Bowie in a magazine, she instantly fell in love with him. Her other passion was the band Carols. She passed by a poster of them, with their regent hairstyles, motorcycles, and leather jackets, on her way to her part-time job in Shinjuku and was remarkably attracted to them. After work, she ran to the record store and bought their then-just-released first single, "Louisiana." When she got home and dropped the needle on the record, the sound of rock 'n' roll took over her body, and she was utterly fascinated with the band. Soon after, she got a boyfriend who followed the regent hairstyle/leather jacket/motorcycle trend of the time.

Nakamura hated studying and wasn't interested in school clubs and activities. She'd fulfill her curiosity about the world by reading the dressmaking magazine Fukusou and admiring the avant-garde professionals that worked in it, such as the photographers (Saku Sawatari, Daitomo Yoshida, Osamu Nagahama), the illustrators (Ayumu Ohashi, Teruhiko Yumura, Yosuke Kawamura, Osamu Harada, Tamie Okumura), the models (Risa Akigawa, Brenda, Ichizo Koizumi), and the writers (Takeshi Matsuyama and Ken Sunayama).

One day, Yasuko Takahashi, aka Yakko-san, started a serialization in Fukusou. In her inaugural essay, she wrote that if she were a teen, she'd probably be chasing her rock 'n' roll dreams and dating a rocker dude her mom disapproved of. These words resonated deeply with Nakamura, who found school tiresome, yearned for an artsy and glamorous world, adored Carol and Bowie, and was dating a delinquent high school dropout who didn't earn her mother's favor. She felt seen and understood.

In her column, Yakko-san published plenty of photos of her daily life. To Nakamura's surprise, she was friends with the guys from Carol and also worked as a stylist for David Bowie. In the 17-year-old girl's eyes, she was the most incredible woman alive.

As she recounts in her second essay, her deep relationship with the Fukuso magazine team started a few months before Yakko-san's inaugural column in the October '73 issue. One day during the spring of her senior year, she felt compelled to write a letter to the magazine professing her love for it. She dreamed of being an illustrator, so she included a bunch of her doodles. To her surprise, the editorial team called her home a few months later and invited her to their office.

After school, she changed from her uniform to her favorite clothes (which included a shirt she bought from a London import shop in the basement of Central Apartments and a gingham skirt she made inspired by MiLK) and eagerly made her way to the meeting. The editors inquired about her clothing and life, and their comment, "I sensed something in you that was not Yojohan-ish," stuck with her.

To understand the context of this comment, we must go back in time to the folk music fever of the '70s, when yojohan (4 tatamis and a mat) folk was at its peak. Yojohan referred to small rooms where impoverished university students lived, often idealized in songs about young love and melancholy that dominated the charts. Nakamura was happy with the comment because, indeed, she didn't like the poor and humid vibe of said songs. She was drawn instead to dreamy pop and rock. 

The teen girl left the magazine's office that day with an invite to publish a double-spread page in the June issue, full of her illustrations and thoughts. It was quite an achievement for her.

Encouraged by this experience, she didn't hesitate to write Yakklp-san a letter. And to her astonishment, Yakko-san replied! Before she knew it, they had become penpals and engaged in lengthy phone conversations. Thus began a profound friendship between a 17-year-old high school student and a 34-year-old stylist at the pinnacle of her career.

Funnily enough, Yakko-san feared meeting Nakamura and disappointing her. To the 17-year-old, it was amusing that a grown woman who organized Japan's top designer Kansai Yamamoto's show in London Fashion Week and had the initiative to collaborate with world-famous figures such as T-Rex and David Bowie would be intimidated by her.

But, as she recounts in her third essay, they finally met. First, a quick 10-minute meeting in a Shibuya coffee shop. And then a proper encounter at the renowned Leon, where she also met other cool people she used to see in the magazines. Soon after, she became a frequent visitor to Yakko-san's small apartment in Harajuku.

Initially, she was taken aback by the apartment's minimalist and compact layout, as well as Yakko's sparse possessions. Yet, within the broader context, it made sense that a trend-savvy individual in 1973 lived this way. It was the year of the Oil Shock, the first post-war recession and frugality was in vogue. Books like "Jonathan Livingston Seagull," an anti-materialism allegory, and Alicia Bay Laurel's "Back to the Earth" became bestsellers, reflecting the shift towards a more modest lifestyle.

Amid the growing popularity of the back-to-the-land movement in the United States, minimalism and healthy living gained global momentum. It was Yakko-san who first introduced Nakamura to these ideas.

Through Yakko, Nakamura also learned about "natural food," a relatively unfamiliar concept in Japan at the time. While a foreign concept to most, natural food was all the rage in the vibrant neighborhood of Harajuku, and locals bought it from the market in the basement of the luxury Co-Op Olympia condo. Additionally, a delivery service offered pesticide-free vegetables, spearheaded by a former Leon patron who had forsaken a successful creative career to explore his passion for sustainable farming. Through these encounters, young Nakamura began to comprehend that life presented various paths, and fashion encompassed not only clothing but also a holistic lifestyle, including food and living habits.

The fourth installment focuses on Sayoko Yamaguchi, one of Japan's top models of the '70s, who had worldwide success and shared a close relationship with Yakko-san. Nakamura observed that during that era, the most prominent models were of mixed heritage (haafus), characterized by big eyes, long eyelashes, and wavy hair. Notably, Lisa Akigawa was one of the most renowned among them. In contrast, Yamaguchi stood apart with her almond-shaped eyes and black bob haircut. Her unique style served as an inspiration for many Japanese girls, fostering their self-confidence. Her signature eyeliner makeup and haircut were emulated by numerous admirers. While Yamaguchi enjoyed global fame at international fashion weeks, she became a familiar face to the Japanese public through her Shiseido commercials. She was among the numerous icons in fashion and culture closely connected to Yakko-san.

During the 1970s, Sayoko Yamaguchi was one of the faces of Shiseido cosmetics.

Another notable figure in this circle was the director Juzo Itami, whose tight relationship with Yakko-san was evident in his introduction to her first book, "Aisatsu no Nai no Nagadenwa" (Long Phone Conversation with no Greeting), published in 1976. This title offered one of the first comprehensive examinations of the "stylist" profession, which was relatively obscure in Japan then.

In the fifth essay, Nakamura writes how she found out about the profession through an article at AnAn, which briefly described a stylist as "people who lease clothes for fashion shoots, run around Harajuku with large bags, line the soles of model's shoes with duct tape, coordinate clothes, and attend shoots."

As she discovered through her work with Yakko-san, stylists do way more than that. And that was also what Itami tried to convey in the introduction to Yakko's book:

"I want to introduce my friend, Yasuko Takahashi. She is a first-class stylist. When making fashion editorials or commercials, a stylist can materialize a suitable house, the right interior design, or a place just like the one you're looking for out of thin air. At the same time, they also find props that are suitable for the location and source costumes. Depending on the situation, they will interact with the models and even advise on hair and make-up, so they must be genuinely knowledgeable. Collaborating with Yakko is, without exaggeration, a heavenly experience for me. She is a consummate professional. Once upon a time, when she couldn't find a suitable location, she wandered through town all night, shedding tears of frustration until she eventually discovered one. I mean, she's persistent. Her tenacity isn't limited to her professional life; in her case, she's unwavering in allowing her creativity to roam freely."

Yakko and Itami first met after being introduced by famed photographer Shinpei Asai, who had his office at Harajuku Central Apartments. The three of them worked together on a serialization Itami had at Shūkan Bunshun magazine in the sixties, which had Asai in charge of the photography and Takahashi doing the styling.

Takahashi was impressed by Itami's sensitivity to trends on a global scale. When she went to New York, he told her to buy a Yellow Pages-sized book, "Whole Earth Catalog," which inspired his weekly column. As covered here, "Whole Earth Catalog" was highly influential among Japanese media and creative types in the late 60s and early 70s, molding much of Japan's fashion culture.

But back to Non Nakamura's column, stylist was a novel occupation. She notes that stylists became highly sought after in the 80s, with the effects of the D.C. brand boom and the bubble economy. A diverse range of stylist roles emerged, including magazine stylists, advertising stylists, men's fashion stylists, and even specialists in props and food styling, each requiring unique skills and expertise. But back then, when Yakko-san was one of the few professionals doing this job, a stylist was in charge of everything, from the models and shooting locations to the costumes, dishes, houseplants, furniture, or anything else the shoot may need.

One day, Yakko asked Non to work as her assistant on a Noriyaki Yokosuka shoot. She promptly accepted, even though she had no idea who the photographer was. However, when she mentioned him to the boys in her design school, they were impressed and told her that he was the one who photographed Sayoko Yamaguchi's Shiseido posters, as well as doing the Parco ads. Parco, the Shibuya fashion building, had the buzziest campaigns in the country under Eiko Ishioka's art direction.

When she got to the shoot, the photographer asked her to get some poppy flowers. Faced with challenges in finding these specific flowers, Non embarked on a frantic quest, purchasing as many as she could to meet the photographer's expectations. However, to her astonishment, the photographer didn't even glance at the flowers. That's when she realized that being a stylist was a tough job.

David Bowie was the theme of two installments of the column. Yakko-san introduced him to legendary Japanese designer Kansai Yamamoto, who was behind some of his most legendary costumes, and they established a close working relationship in the 1970s. During her tenure as Yakko's assistant, Non had the opportunity to meet Bowie in a 1977 photoshoot in Harajuku. One of the photographs from that session, captured by Masayoshi Sukita, ultimately was used as the cover of Bowie's 12th studio album, "Heroes."

The cover of Bowie's 12th studio album, "Heroes," was shot in Harajuku. Yakko-san was the stylist.

She also dedicated a chapter to another one of her idols, Eikichi Yazawa, whom she met just a few weeks after Carol's farewell concert as he prepared to make his solo debut. She recounts that his charm so enchanted her that she realized she didn't actually love her boyfriend at the time, breaking up with him shortly after.

Nakamura watched Carol's final concert twice. Along with the rest of the country, she followed the telecast, aired a few days later. As she recounts, she and Yakko-san were working in Harajuku on a Saturday afternoon when the stylist took a look at her watch, said, "oh, it's starting soon," and rushed to a design office at Central Apartment that had a TV (minimalist Yakko-san didn't have one at her place).

But she also was one of the lucky few who actually were at the proper concert in Hibya Open Air, which she attended all dressed up in clothes from the trendy Creamy Soda boutique in Harajuku (the owner was notoriously close to Carol's members). Infected by the feral atmosphere, she ended up in the front row and even tried to invade the stage. She succeeded in getting her right foot in before being kicked out by the security guard. But here's a twist: the security was also a regular at Harajuku's Leon coffee shop.

In the 1970s, the hippiest motorcycling gang in Tokyo was The Cools. They were known for their cool styles, hung out with models and celebrities, and were always at Leon. Of course, like all of Japan's young bad boys, they were also big Carol fans. And they actually became close to the members. For their final show, the band wanted to mimic the Rolling Stones -- which had the Hell's Angels as security -- and they invited The Cools to escort them and guard the stage. 

After Carols disbanded, the Cools were actually hired by a major record label and became a proper rock band.

In the 1970s, Harajuku remained a hidden gem, undiscovered by the masses. Yet, this small district nestled within bustling Shibuya played an integral role in the histories of the most extraordinary individuals. As the rest of the country caught on, they sought a taste of Harajuku's uniqueness, propelling it into the phenomenon it has become today.

#carol #the cools #70s japan #70s japanese music #harajuku #70s harajuku #non nakamura #sayoko yamaguchi #david bowie

[maochira]

Favourite characters

Characters are listed in no particular order

💟 Blue Lock: Zantetsu Tsurugi - Jingo Raichi - Aoshi Tokimitsu - Jinpachi Ego - Shouei Barou - Ryusei Shidou - Junichi Wanima - Don Lorenzo - Alexis Ness - Birkenstock - Erik Gesner

💟 Ao Ashi: Keiji Togashi - Yuma Motoki - Chiaki Mutou - Ashito Aoi - Eisaku Otomo - Nagisa Akutsu - Enshin Akiyama - Nathan Starless

💟 Baki: Baki Hanma - Katsumi Orochi - Kureha Shinogi - Hector Doyle - Jack Hanma

Others, unrelated to this blog:

💟 (Mob Psycho 100) Reigen Arataka, Shigeo Kageyama/Mob, Katsuya Serizawa - (Food Wars) Terunori Kuga, Akira Hayama, Takumi Aldini, Megumi Tadokoro - (Omori) Kel, Hero, Captain Spaceboy, Basil, Aubrey, Mari - (Tales of Symphonia) Lloyd Irving, Kratos Aurion, Zelos Wilder - (Giant Killing) Takeshi Tatsumi, Daisuke Tsubaki, Luigi Yoshida, Shigeyuki Murakoshi, Kyohei Sera, Kazuki Kuroda