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#ted lasso review
ceruleanwhore · 11 months
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In my soul, I feel disgusted and betrayed by this finale and I am shocked that the same writers who were able to give us such a truly wonderful show somehow came up with such a terrible ending for it. This episode directly opposes the very nature of the show more than any other episode in such a way that then calls into question the rest of the series. This episode feels every bit as hollow and sad as Ted himself seems to be throughout the finale and makes me wonder if we ever were actually supposed to believe and to hope at all in the first place, even though I thought that was the point of the series. 
The first of many issues I have with the episode is how they handled Rupert. The whole show is about belief, but specifically believing in others’ capacity for good and ability to change for the better. It’s about believing in redemption and reconciliation, which they actually could have done for Rupert even this late in the show. The scene in episode 10 where we get a glimpse of the inner child that’s still tucked away somewhere inside him showed us that even he still had this potential, up until they did what they did for the finale. While I, personally, tend to be more like Sassy was in that scene — gleefully cheering for the downfall of an odious scoundrel — it felt completely wrong for this show in particular to include that kind of public humiliation, which we the audience are all supposed to be cheering for, and in the middle of Ted’s last game ever with Richmond.
Where we actually could have used a side bit about a scoundrel getting his comeuppance is with Ted’s ex wife and their ex therapist. I think it’s absolutely terrible that they went and set up Rupert’s downfall the way they did while Jake apparently gets off scot free and never gets his license revoked or anything. There also is never really any acknowledgement of just how wrong what he did was, how he should have his license revoked, and how his actions call into question every bit of therapy Ted and Michelle got from him. No one ever questions ‘Oklahoma,’ never mind the entire divorce, relative to this man’s breach of ethics and it bothers me to no end that the most we get is his absence at the end from scenes with Ted, Michelle, and their son. We didn’t need Rupert dressing up like Darth Vader and physically assaulting someone, we needed Michelle realizing how completely wrong her whole relationship with Jake is, dumping him, and reporting him.
The next issue is Ted himself. Obviously, he was in a gloomy sort of mood throughout the whole episode, but I think it’s really important to point out how that didn’t actually clear up once he got home. I do believe he was happy to see his son but, from the plane ride onward, it’s like he’s just hollow. We see him coaching little league soccer for his kid and yet there isn’t any of the heart and soul in it that we’ve seen him put into his other coaching. It’s like he’s depressed, which is understandable because he just left a whole incredible, supportive community to come to Kansas where, like Odysseus at the end of the Oddyssey, he’s a stranger in his own home. He goes from having a whole city around him to support him to seemingly having nothing and not even being a welcome member of his own family since he’s still divorced. Also, as others have pointed out, that montage that seems to be a dream sequence when he’s on the plane ride home is all about him writing himself out of the lives of everyone he just left behind. He’s decided that it’s better for everyone there to just forget about him and move on with their lives as though he was never there and he’s literally dreaming about how happy they’ll be to do that. 
This is a major thematic issue for this series because one of the main points of the series is the idea that everyone can change for the better and, more importantly, just about every character does. Ted spends all that time in England working on his own shit like everyone else, and even gets over his aversion to therapy in order to seek help for the first time ever, just to throw all of that away at the very end because apparently he’s just back on his bs and that’s it. This is where it would maybe be alright if there were another season after this one to address and fix this, but there isn’t. In the very last episode of the whole thing he’s throwing away his entire community, dreaming about how happy they’ll be without him, and there’s nothing and no one there correcting that. To me, this is like if right at the end of the last episode with no room left to fix it, they just had Beard go steal another car and then act like the audience is supposed to be okay with it.
The other thing, going off of that, is how they handled some of the relationships, and I specifically want to start off by talking about Ted and Rebecca. They have the distinction of being the only ship to truly be baited, more than once, and very unnecessarily so. The bait scene at the start of the final episode contributes nothing to the plot, the characters, or their relationship with each other — all it does is mock the members of the audience who were foolish enough to believe they ever could have been together. This, to me, also goes against the core values and themes of the show, because ship baiting like that is inherently mean-spirited and Ted Lasso at its core is meant to be kind. There is nothing kind about essentially dangling something over someone’s head, playing keep away with it, until you finally just chuck it in the river and laugh at the person for being so foolish as to think they were ever going to get it. It’s mean for the sake of being mean and again, for the umpteenth time, it contributes nothing.
So then let’s get to Roy, Jamie, and Keeley. Jamie and Roy are another example of a strong relationship that’s developed beautifully over the course of three seasons regressing at the very end because oh no, people ship it and we can’t have that. I do think that Keeley turning both of them down was necessary but Roy and Jamie literally getting into a fistfight over her was completely unnecessary and detrimental to their individual characters. By this point, they both are mature enough and respect Keeley enough that it’s genuinely ooc for them to be fighting each other about who gets to date her while she’s not even there. Season 3 Jamie and Roy would’ve been leaving the decision to her without reverting back to macho Neanderthal crap. 
To me, this is also about the creators recognizing that people in the fandom have ships and, for whatever reason, feeling the need to try and shut that down rather than just leaving well alone. If, instead of getting in a fight like they did, Roy and Jamie had a conversation about their shared experiences of wanting to be with Keeley but not knowing where they stand with her and recognizing how hard it is for each other, then it could end up contributing to the further growth of their relationship and, along with it, shipping and oh no, we can’t have that. Just like with Avatar: the Last Airbender, the presence or lack of romantic relationships is not the issue here, the problem is with writers accidentally setting up an incredibly compelling ship and then being like “oops, we didn’t mean to do that,” and trying to ctrl z it in the finale, at the detriment of the whole story. Why oh why do writers keep feeling the need to sacrifice the quality of their whole story for the sake of trying to get people to stop having opinions?
So then last up is Ted and Trent. As many others have pointed out, that bit where Ted’s reading the book and makes that comment about the ‘laugh police’ in response to Trent’s excitement and anxiety is extremely out of character. Ted “but he’s our dork” Lasso would never say that and I was horrified to hear those words come out of his mouth. However, this goes in with the destruction of his entire character arc and every bit of growth he’s done throughout the past three seasons all in this one episode, because that was him actively pushing Trent away because, as previously acknowledged, he’s back on his bs.
One issue with this is that Ted then never has a proper goodbye with Trent and the closest thing to that is the note he left asking Trent to change the title of the book. It’s not that I necessarily think he needed individual goodbyes on screen with every other character but Trent in particular was hugely important for Ted, like how Rebecca was. Do you really mean to tell me that Ted wouldn’t actually say goodbye to the journalist who wrote what, coming from him at the time, was essentially a glowing review when he was actually hired with the intention of destroying Ted’s career? Do you mean to say he wouldn’t get a proper goodbye with the man who threw away his whole career over him? The man who then decided the first thing he wanted to do after leaving said career was to write a book about him and his team? Seriously?
The other thing with Trent is that, where Ted’s ex wife and even Rebecca have felt the need to use ‘Oklahoma’ with him to get him to tell the truth, Trent has a talent for discerning the exact truth from Ted regardless of what he does or does not say. It would have been perfectly in character for him to go talk to Ted like Rebecca tried to but then actually succeed where she failed because he would be able to clearly read Ted’s signals and throw that all back at him. Unlike Rebecca, he could directly call out how much Ted didn’t actually want to leave.
That is actually the biggest issue this episode had — cowardice. The only reason I can think of why they wouldn’t even consider doing something like what I just described is because, like with Roy and Jamie, they are perfectly aware of the chemistry between those characters and how they have set them up so it reads like they’re in love with each other, and a scene like this would be just about impossible to do without coming across as romantic. I’ve said it before and I’ll say it again: Ted and Trent would’ve already been snogging by the start of the season if one of them were a woman. This show did the thing where they’ve decided that they can have a couple gay characters, but those characters can only get with specifically devised side characters because God forbid you just have your two existing characters of the same gender kiss a bit. Between the pairings of Ted and Trent, and Roy and Jamie, there is enough textual evidence of mutual attraction and the potential for real, romantic relationships that one could write over a hundred pages about it, and that is not an exaggeration. When I look at this finale, one of the things I see is the titular character being destroyed because they decided that was better than letting people think that he could maybe not be straight.
The last issue I have here is that there really were no goodbyes. Rebecca showed up at the airport and that’s it and I thought that was very weird and, again, very much not in accordance with the entire rest of the show. Even if they didn’t have the entire team show up at the airport to say goodbye, it didn’t make sense to not even have just the Diamond Dogs show up for that. Where tf was everyone? Because just from watching the whole rest of the show, I think it would be impossible not to expect the team, the dogs, the folks from the pub and maybe also Shannon from town. It was a cold, empty departure far from fitting for the show at all and it left me coming out of that finale feeling cold and empty from the crippling disappointment. They had a whole show centered around interpersonal relationships and support and then had the coldest, loneliest ending anyone there could have devised.
My final thought here is that this is not an ending and the only way to salvage this wreckage is with another season. This feels like something they’re doing to drum up attention and interaction so that it’ll be successful when they do come in and announce that they’ve changed their minds and there will be another season, like an encore at a concert. However, if this really is the end, then I am absolutely disgusted and feel very betrayed right now because this show told me to believe and taught me that maybe hope isn’t actually a bad thing that’s out to get me, just to turn around and crap all over that. This show didn’t just apparently waste hours of my time, it was actually helping to get me to move on from past pain and start to accept hope as a good thing, until it shattered mine. They desecrated the very art they created and then expected the audience to applaud such disrespectful destruction, and I am disgusted by it.
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filmmarvel · 11 months
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Ted Lasso Finale Pros and Cons
PROS:
Nate telling everyone about Jade :))
Their performances in the final match, including Isaac kicking the ball THROUGH the net
Barbara’s scenes, and her continuing to work with Keeley!
Rebecca selling her shares and getting a happy ending with Boat Guy- just because it isn’t the ending I wanted doesn’t mean I’m gonna let it ruin the whole thing for me.
The shares going to the fans!
Even though I disliked the Jane thing, it made sense that Beard wanted to stay in England, he was always better acclimated than Ted. He seemed natural, and he had a home and community there.
Sam going to the Nigerian team!
Fun moment with Zava and his avocados
The ussie guy, and a bunch of other fun nods to the first episode
The fine thing at the beginning of the episode
Dr. Sharon finally appearing!
Women’s football happening?
Of course, the believe scene was really sweet
Colin being one of the few characters to get a satisfying arc!
CONS:
Unresolved storylines
The entire Roy/Jamie/Keeley situation? It was really unnecessary to bring Jamie back into the mix this late in the game. Plus that weird bar scene? Not to mention how they had really teased Roy and Keeley getting together for awhile (their whole arc this season was all over the place). Roy was being pretty immature, which kinda undid some character development. And I felt pretty unsatisfied by the lack of resolve there.
The fact that they’re still implying big moments that happened and not actually showing them!! There were a lot of big moments that we never saw- super unsatisfying (ex: Sam deciding to go to the Nigerian team).
Deliberately teasing Tedbecca like that:( The opening scene, her pouring her heart out and him saying NOTHING, her literally buying a first class ticket just to say goodbye to him. I’m not saying Tedbecca HAD to happen for it to be a good finale, just that all that was kinda cruel and irritating for the writers to mislead people like that.
Ted being uncharacteristically unresponsive to a lot of stuff, not talking a lot and joking like most other episodes.
Nate not really having any super impactful moments this episode after a long arc this season (and no Jade scenes). He’s one of the few characters this season who’s really gotten a fulfilling emotional arc, so for him to not really have any big moments this episode felt a bit like whiplash. Not to mention that we didn’t really get any indication of where he’s going from there career-wise? He’s still the wonderkind, so to have him back as a kit man was fun for the episode, but I expected a bit more for his future (at least a tease or something).
Beard marrying Jane (and Ted not being there??)
Ted’s whole ending, the way we have no reason to believe he’ll be at all happy there. I’m glad he’s back with his kid and everything, but what the hell. Like it’s one thing if we had been able to see his friends visiting and staying with him or something but nope! He’s just alone, in a place and with people who have caused him significant unhappiness throughout the show. I feel like they could’ve set it up better, maybe having him discuss things with Dr. Sharon or SOMEONE (just to see his perspective and understand what he’s thinking a bit more) but instead it’s just yet another example of not showing the important moments here.
Not getting any resolve about Jamie’s path in life, future plans, etc and instead only using this episode to make things weird with him and Keeley. They were fine as friends.
I’m not a Ted/Trent shipper (I feel for you guys), but Trent deserved at least one nice scene, a goodbye with Ted, something!
So in conclusion, despite how fun certain parts of this episode were, I was pretty unsatisfied with the lack of resolve among a lot of these storylines and characters, not to mention some poorly justified plot choices. As I mentioned below in my initial reaction, this whole season was so poorly planned out. I assumed that they would’ve at least planned for the finale, but it’s clear now that the whole thing was all over the place. They should’ve decided what they wanted in the finale and then spent the season setting it up. For example, when they decided it was going to end with Ted going home, they could’ve chosen to spend the season slowly working through this decision leading to an ending that would’ve felt justified (and they could’ve spent time setting up a way for him to be happy there). But instead, they introduced it in one of the last episodes. And I could use any number of examples here- Sam going to the Nigerian team, Beard staying, anything with Jamie, etc. This just felt rushed and random.
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sy5starplaty · 11 months
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It’s worth noting here that the series’ fourth co-creator, Bill Lawrence, was otherwise occupied this season as he focused on his new Apple TV+ comedy, Shrinking. The loss of someone who has created or co-created a bunch of beloved, long-running sitcoms like Scrubs and Spin City, and who has a strong command of basic TV structure, was palpable. 
Check out the replies to Sepinwall's tweet about the article for more reasons why it was bad. ;)
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agentnico · 11 months
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Ted Lasso - Season 3 (2023) Review
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Plot: In the 12-episode third season of Ted Lasso, the newly-promoted AFC Richmond faces ridicule as media predictions widely peg them as last in the Premier League and Nate, now hailed as the 'wonder kid,' has gone to work for Rupert at West Ham United.
Ted Lasso is such a unique show that no one expected to become as popular as it did. Heck, I’m sure Apple is trying every persuasive skill possible to motivate Jason Sudeikis to make more of it even though he’s been adamant that his show would only have a 3 season story-arc. The success of Ted Lasso shouldn’t come as a surprise though - it’s a show that is so refreshing in an otherwise outside world of hate. It’s hard not to look forward every week to a new episode filled with nuanced highs and lows. There is also an unrelentless charge of optimism, especially from the titular Ted, who only wants to see the good in everyone and is adamant in bringing out that good even in the worst of people. There can be an argument made that the first season of Ted Lasso is its best, as it’s simply dripping with that overwhelming feeling of positivity, with every moment feeling like you’re wrapped in a warm blanket surrounded by love and appreciation. The second and now third season go into more darker territories, however I personally think that the show doesn’t lose its charm in the process, as the message is still there that believing in Ted Lasso’s way will in the long run result in success and redemption for all. It’s literally the perfect feel-good show, and it’s a shame that this third season may be its last, but also as evident from the finale the ending is one that makes sense narratively, even though certain characters are left open to continue in their own spin-offs. I’m certain Apple is already writing up checks to make those spin-offs a reality.
So, season 3 of Ted Lasso - does it hold up to the rest of the show? Short answer is yes. And for the most part this final season lacks that sense of finality (minus the last two episodes), with a lot of the episodes simply continuing their focus on developing all the characters in the series. It was evident from the second season with Ted himself taking a backseat, allowing the other side characters to have their moment in the spotlight. The third season puts its focus on the likes of Billy Harris’ Colin Hughes struggling with his identity; James Lance’s Trent Crimm (no longer The Independent) joining Richmond to write a book about their journey in the Premier League; Juno Temple’s Keeley having her own business and her struggles along the way; and of course Nick Mohammed’s Nate ‘the Wonder Kid’ traitorous decision to join Anthony Head’s Rupert in West Ham as their coach, and the ramifications of that decision. Heck, even Charlie Hiscock’s Will the kitman gets more moments to shine, and he’s only the kitman. Yet as the legendary Zava says to Will “I too worked as a ball-boy once for a club when I was just 11 years old. Your passion is why I play.” That reminds me - we have to talk about Zava!!
Let’s talk about Zava! So prior to this season the main narcissist of the Richmond team was the self-obsessed goal scorer Jamie Tartt (played by Phil Dunster). However through the show his character evolved and now has become a proper team-player that puts others before himself, however that means Richmond needed another self-absorbed player to fill that empty void. In cometh the one and only man, the myth, the legend John Wick.....errr...I mean, Zava (played by Maximilian Osinski)! Yes, that is his name. Known mononymously as Zava, this fictional football legend brings arrogance and swagger to the team. Upon his transfer and entrance to Richmond’s locker room, other team players are stuck starstruck as he carves out his own meditative space and shrine to himself in one corner of the room. Evidently the character of Zava is inspired by the Swedish striker Zlatan Ibrahimovic, who is one of the most successful footballers of all time and his renowned for his inspirational quotes and attitude. Zava even shares the same hair-style with Zlatan with the pulled back slick man bun. Zava essentially is showcased as the God of football, and Osinski plays him as such, and look - everything with Zava is great! And luckily the writers don’t overuse him, he’s only in a couple of episodes but my oh my does Zava leave an impression! The one and only Zava!!
All the colourful cast return, with Sudeikis’ likeable moustachioed titular Ted a constant delight who you want to hug all the time; Hannah Waddingham (now a Eurovision presenter star) brightens the screen with her energy; Brett Goldstein’s Roy Kent provides his signature grunts throughout, and there’s a great ongoing gag this season with him screaming “whistle”. Anthony Head is devilishly evil as Rupert, and we get to see his home office that looks like the lair of Emperor Palpatine from Star Wars (which I guess makes Nate Darth Vader??). Brendan Hunt’s Coach Beard is an icon at this point, and Jeremy Swift, Cristo Fernandez and Kola Bokinni round up the colourful cast. 
If you loved the previous seasons you’ll enjoy the third season of Ted Lasso. It has the same charm and DNA of the previous episodes, and is a pure delight to watch, even during the darker moments as you know that in the end everything will be set straight. Even with Nate turning into the villain - we already know he’s going to have a redemptive arc, this is Ted Lasso overall. It’s about the journey and how he gets through that redemptive arc, and look, by the end of the show you as an audience may not have forgiven Nate, and most people wouldn’t. But sure as hell Ted and his crew do. So it is indeed with great sorrow we say goodbye to Ted Lasso, at least for the time being, and we shall miss all these characters we have grown to love over these past few years. It’s a bittersweet finale, but as Trent Crimm, The Independent stated back in season 1 - “If the Lasso way is wrong, it’s hard to imagine being right.”
Overall score: 8/10
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retoreview · 10 months
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Ted Lasso : A Scholarly Examination of the TV Show review 2023 - retoreview
Introduction: When it comes to television shows that effortlessly blend heartwarming storytelling, gut-busting humor, and an irresistible ch...
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squash1 · 15 days
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here’s to being there.
[the anthropocene reviewed by john green / stranger things / the raven cycle by maggie stiefvater / käthe kollwitz “the people” / ted lasso / in memoriam by alice winn / sex education / frog and toad]
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gnnosis · 10 months
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it’s a sad song. but we sing it anyway.
[ the anthropocene reviewed, animated / “permanent,” the milk carton kids / richard siken / the good place 4x12 / the raven king, maggie stiefvater / hadestown (2017) / ted lasso 3x12 / elsa beskow / “no complaints,” noah kahan / angels in america ]
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monicasdanvers · 1 year
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ted lasso spoilers ?
colin getting his coming out arc this season im so excited
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tempestaurora · 11 months
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like idk. im reading on twitter people mad that ted and rebecca didnt get together and that they were set up for it and the “morning after” scene in the finale was a middle finger and like. idk. at no point did i read the show that way. they were clearly platonic throughout and although occasionally i was like, they would make a good relationship, the story spent its time placing rebecca with sam and ted with (other than a fling) no one. i thought that “morning after” scene was hilarious, a little poke at what the fans wanted but also a nice joke to say, sorry, that’s not how this plays out
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ladyaj-13 · 4 months
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LadyAJ’s 2023 Fics
This year I wrote 16 new stories (and one new chapter on an old one!) across five fandoms - One Direction, Endeavour, Kingsman, The Eagle and new-to-me Ted Lasso. Details below, I hope you’ll check some out - I like to think there’s a bit of something for everyone. 
One Direction
Bloom - T, 28k, Louis/Liam
Do you like historical AUs? Do you like awesome art by @whatagreatproblemtohave? Then you’ll like this, written for the One Direction Big Bang.
In early 1970s Oxford, Detective Sergeant Louis Tomlinson has to deal with the dual pressures of a case that hits too close to home, and the arrival of new colleague Liam Payne. Payne is both the bane of his existence and, uh... dangerous. Very dangerous. His eyes, that is. His lips. The way he stands.
A story of rain and cobblestones, cigarettes, and repression. And the sunshine after the storm.
In Shining Armour of Trackie and Trainers - T, 9k, Louis/Harry
Because who wouldn’t love white knight Louis coming to their rescue?
Online dating isn't exactly working for Harry. In fact, it couldn't really be going much worse. But then the door of the bar opens, and the pack of friends walking in parts and - that’s Louis Tomlinson.
Louis fucking Tomlinson.
Pageant Material - G, 6k, Louis/Zayn
Watch me throw Miss Congeniality and Kacey Musgraves together, shake it up, and give it a Zouis twist. Written for the Zouis fest.
Louis flicks a nearby switch, lighting the bulbs around his mirror in a soft glow. The buttery yellow catches on the edges of his cheekbones, sharpening the dip. He looks more grown up this year. Some of his baby fat has melted away, and he sucks in his cheeks to see what he might look like by twenty five if this pattern continues. Then he crosses his eyes and sticks out his tongue.
Or, the Zouis teen beauty pageant AU.
The Way to My Heart - T, 6k, Louis/Harry
Fluffy, funny AU Larry with lots of Nouis friendship on the side. Written for the a/b/o fest.
Louis' having a bit of a dry spell, until he bumps into an attractive alpha in the supermarket and leaves with his number. It was a hard bump. Very... muscular.
The only problem is, said alpha asks Louis to cook for him - which is not exactly his skill set.
Feeling Feline - T, 4k, Louis/Niall
Nouis, my beloved, with shelter-worker!Niall and magical cat transformations. Written for the Louis rare pair fest.
“I’m telling you,” drifts through the cracked door, and Louis’ ears prick, twitching with interest. “There’s something wrong with that cat.”
“Have you talked to Liam?” asks another voice, worried. Louis thinks it’s the tall one with curly hair. Taller one. They’re all tall when you’re ten inches high.
“Not medically wrong,” the blond one says. “But I swear, and I know this sounds nuts, but I don’t think he’s a cat?”
Fine Line - G, 1k, Louis/Nick Grimshaw
It’s present day, it’s canon compliant, it’s just long enough to read while waiting for the bus assuming it’s not got stuck in traffic.
Telling his family was always going to be a big deal, but doing it alone was a sacrifice he could make.
He never thought they’d fall about laughing.
In The Dark - T, 666, Gen
Choose your own character in this spooky snippet written for the trick or treat fest.
It’s the dreams.
He’d be fine without the dreams… suggesting things. If he could face all this - whatever this is - with a clear, rested mind.
Bound - G, 619, Liam/Zayn
Vampire AU? Check. 
Months should pass like hours for a vampire, but to Zayn they’ve felt endless. Now, finally, it has come. The day he takes his consort.
Endeavour
Tread Carefully into my Life - T, 29k, WIP, Morse/Jakes
See? I told you it’s not abandoned. Maybe 2024 is the year I finally finish this canon rewrite where Jakes stayed - in the meantime, enjoy nearly thirty thousand words of their on/off up/down shenanigans!
He can't help the way his eyes drift across the room, to Morse in his shirtsleeves, arms crossed across his body. It’s a defensive posture, which is no surprise, but otherwise he looks collected. Calm. Like facing down man eating beasts is all part of the job, and despite the evidence of today, it most certainly is not part of the job.
Tigers. For the love of God, give him an axe murderer any day.
Stepping Out - G, 9k, Morse/Jakes/Joan
Established polyamory with the Oxford disaster trio. Jakes didn’t leave.
“You know what I haven't done in ages?” Joan asks, punctuating her question by flinging her legs up and leaning dramatically backwards against the sofa arm. Peter almost spills his tea. “Gone dancing. We should go.”
Kindred - G, 2k, Gen
Ohhh series nine. Pre-slash Morse/Sam if you really squint.
Sam Thursday, Morse, and the power of orange juice.
Offcuts - G, 2k, Morse/Jakes/Joan
With this final instalment, the series is complete. As a whole it's almost 32k, so if you like Endeavour and polyamorous relationships, set aside a Saturday and dive in.
Snapshot scenes of life with the trio.
Adding it Up - G, 887, Morse/Jakes
Let’s return to series three, because Jakes.
Fred’s been a copper for a long time. It’s in his bones at this point, a habit so engrained he can’t turn it off. Like Morse with his beer and Jakes with his cigarettes, Fred’s addiction is piecing things together. Even when he’d rather not.
Ted Lasso
Would You Rather - G, 1k - Colin & Jamie, Roy/Jamie
It had to happen! Diving into a new fandom is always a pleasure.
"I’m talking about percentages. Like, yeah, you’re gay. So maybe you’re at like, eighty, ninety per cent. But if I say who’d you rather fuck out of Ms Welton, Keeley and Maisie from the canteen, you know what you’d say, right?”
Colin is beginning to think Jamie doesn’t know what gay is. "Erm, no."
Squeegee - M, 525 - Roy/Jamie
Short and snappy ;)
Jamie’s beautifully vocal in bed, but long, pitchy squeaking is new.
Kingsman
The Honeypots - T, 5k - Eggsy/Harry
Partial AU with undercover, honeypot spy shenanigans and obliviousness? I wrote it for a reason. I mean, it’s right up my street.
Eggsy is MI6. Harry is Kingsman. They have each been tasked to seduce a suspected rival intelligence agent.
The intelligence part may be overselling it.
The Eagle of the Ninth
Winter Sunlight - G, 1k, Marcus/Esca
I think writing a fluffy, happy gay farmers fic is actually a requirement of this fandom. Here’s my offering.
“How is it,” a familiar voice mutters drowsily, muffled by the drape of skins and fur, “that after all these years, you still can’t manage a proper lie in?”
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wildwren · 1 year
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i hope roy kent hits rock bottom this season. i hope he ugly cries on screen its what i deserve
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filmmarvel · 11 months
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ALSO I’ve seen a couple posts about how friendship was the priority, it was never about romance, and the ambiguity of the ending is just how life goes sometimes. While I don’t outright disagree with any of that, the finale still didn’t feel right. Just because romance was never the priority doesn’t mean there hasn’t been a focus on it across certain storylines. Just because romance wasn’t the priority doesn’t mean there isn’t a place for it in the show- there have been numerous romantic arcs. And I think that’s also kind of overlooking how much they’ve teased everyone. I don’t really think it’s fair for them to make us believe that there’s going to be a satisfying ending to these couples, only to rip the carpet out from under us, just to make a point about friendship. And as for the whole, ‘life is ambiguous’ thing, I don’t disagree! But a lot of good shows use the final episode to give viewers a sense of where these characters will end up, as a way to leave everyone satisfied. And I believe that the BASIC duty of a finale is to wrap up the storylines. So while I don’t disagree with those general points, it was just lazy for them to let so many things go unresolved. Thank you for coming to my Ted talk
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if we don’t get jamie coming out as bi in solidarity with colin this episode I’m going to riot
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okay i know everyone always assumes that trent would be the one who like is experienced and knows what he's doing and is comfortable in his sexuality and out, while ted... well, i've definitely seen some interpretations where he's plenty comfortable, just not really out, but i think a lot of fan content tends towards it either being something he's repressed or he's literally only just discovered, etc. which is all valid by the way, i'm not knocking that at all, and i totally get why that vibe is what people end up going with. but like. have you considered the opposite. ted is like, pretty comfortable in his sexuality, people just make assumptions because he was married to a woman + his whole vibe of affable midwestern dad and all. trent, though, having assumed he was straight up until now, is having a Full Crisis over apparently his first crush being That Goddamn American Coach With The Ridiculous (And Unfortunately Hot??? Somehow?? Is This What Trent Is Into Now???) Mustache.
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rebeccasbiscuits · 1 year
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I'm just thinking, did we ever hear rebecca speak the words that she wants children? Like she never says it in the scene with rupert, she doesn't say it to the psychic, and the doctor finishes her sentence for her. We don't even hear what the phonecall said, although of course in all of the above we know, with Hannah's amazing face acting. How much she wants this is unspoken but so clear. And it's unspoken because she doesn't even dare give her hope for it a voice, not at her age and after what rupert must have said about it through their marriage. It feels like a ridiculous question, because she would have said she'd accepted she won't get it. She's only able to look into it, and face how much she wants it, when she gets a moment of faith in the psychic. Her wordless joy at the end of the appointment is all the more heartbreaking with her wordless devastation at the end. You can see in the latter the sense she feels this is what she should have expected, but we also saw in the former the amount that she was still hoping. All of this like most of this storyline, unspoken but so clear. She doesn't have an emergency contact; does anyone in the show even know she wants this?
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squash1 · 11 months
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