I cannot let this show go without writing my goodbyes... Deep Night Final EP
Deep night was everything and more. It was a show that was made with insane love, thought and care and it fucking shows. That loves shines through the screen and it is GUARANTEED to warm your cold dead heart.
Cheewin has always made his shows a bit more grounded, a bit more queer, a bit more real. Since YYY you can just tell there's someone in the crew that understands queer experience and this was it again. The good parts, the sad parts, the struggle without exploting it for pity. It showcased confusion and acceptance and love and love and love. So many different kinds of love.
Wela and Khemtid
These two developed so beautifully, from people who misunderstood eachother, to people who felt attracted to each other but still didn't get it, to people who listened, apologized, leaned on, supported, loved, cared for eachother. Khemtid's enchantment with wela blossomed after they fought about Wela's job, he realized that acceptance was the better route to take and he just worked hard to get it right, to make up for it, to help. Wela at the same time tried so hard as well to understand Khem's feelings, making it easier for them to reach the middle ground. He worked so hard with Khem to keep the club afloat, he was never mean to his coworkers, he carried the whole world on his back and still stood proud. They went from strangers to these two adorable dorks who hold hands and smile while kissing. I'm sorry but Khemtid smiling like he just won the world while giving his injured bboyfriend a handjob at the back of the club made my heart burn. That's complicity and partnership and mischief and intimacy. They stand on equal ground and that's so meaningful to me.
Then we have these three dorks
The true rivals to lovers. I talked about this in my previous Deep Night post but it was brilliant. Their storyline developed so subtly and naturally I cried last week. The way Japan and Ken's love bloomed out of love for Seiji... like it's not that they're just dating Seiji, they're dating eachother and that comes from a trust that developed from and understanding, that grew from care into desire. Last week's episode showing Japan as the center of his fantasy showed that, Japan is also attracted to Ken, and Ken's heart has melted for Japan as well, unknowingly. The talk they had was so necessary, so respectful and rooted on concern and an actual attempt to build something that left no one out. Seriously the way they're sitting in the end, with Ken brushing Japans hand, the way Japan held Ken's hand and brought him into the hug to welcome him, to shelter him. I love that it wasn't fetishized. (Because we've tackeled threesomes before in other shows but not romantic love) I love them, they love each other, this is healing.
Freya and Meiji
They are EVERYTHING. Honestly the role of women, specifically queer women in queer spaces has been overlooked for way too long. They take on the role of caring, protecting and supporting the whole club, the boys themselves and themselves. The fact that Freya's character was divorced and was constantly under attack from her ex-husbands family now existing with a same-sex partner was so complex yet beautifuly handled. Meiji was not just some random chic they threw in to gay it up, she was important to Freya, she helped at the club, she wasn't much around but when she was on screen she was Freya's rock. The talk on age... bro that shook me to the bone. Media is so focused on youth their questioning was so valid and so painful to watch... but it healed. Fuck I'm crying watching this. Everyone deserves to be loved by THEMSELVES.
Khem and Freya
gET TF OUT I WANT TO BE ALONE this mother-son relationship was amazing. Both characters grew so much out of love for each other I want to swallow a shotgun. The was it was alway Freya trying to gain Khemtids approval was so heartbreaking, and watching Khemtid LEARN to accept and love his mom, accept and love the club, accept and love the role they play... fuck. FUCK FUCK FUCK
Also we cannot forget Dai
I don't even have words to explain how great this character was. Outfits on point, personality strong and unmoving, loud and authentic and accepted and part of everything and capable and necessary and just EVERYTHING. And the fact that Dai was perceived as a potential love interest for Freya without it being a joke or mockery was gold.
Apart from that, all of these characters and storylines are interwoven in a net of complexity, social norms, real struggles but also real coping mechanisms. I also want to LOUDLY RECOGNIZE the work put into it, as they all worked hard to actually get on stage and perform acrobatics like their characters. There was just so much attention to detail and to making things right I want to cry just thinking about it. Please please please if you havent... Watch it. It may not be revolutionary but it's perfect to me.
Deep night is a very queer show that decided to open a lot of wounds just to let them heal properly.
THANK YOU DEEP NIGHT. I expected nothing from you and you're now part of me.
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okazyyyy here we go. parts from murder drones eps 6-7 that really tickle my brain that i never see people mention like ever (if you come into the reblogs or comments of this post being like "why didnt you include (x part that everyone talks about)!!!" then that is why. and also i am going. to Eat You.) this isnt really going to be organized or anything. basically just me being abnormal about sounds and movements and other minuscule details that im really fond of for however many words
okay, first thing is gonna be a sound thing. i absolutely LOVE the beeping sound uzi's visor makes in this part. i really like sounds.
cant get a good screenshot of the movement cus.. yknow. duh. movement. but the way alice moves from there to the ground to where v is so. idk. fluid. its so fun to look at i really like it
the finger snap here. i love this finger snap. the noise. the movement. its so good. its so crisp. i love it
the lighting on uzi's face. forgive me for using the word crisp twice in a row but its crisp. its really good. okay
and the lighting on n's face here??? the colors are so harsh. i really like looking at it. okay. i feel like im not writing enough to just describe how much i like the lighting here. i really like it. its cool. okay i think its cool. i dunno
i really like this hallway. thats it. thats the section. the way the camera slowly tilts just a little bit while it zooms in? the way the slowed down music in the background almost sounds like alarm sirens? like okay
another thing i cant capture properly because, duh, movement! but the way the red sentinel kind of dips down here? i dont know why it did that but it slayed. and id like you all to ignore the fact that my nyan cat youtube bar got caught in the screenshot
the sound effect that plays here when "tessa" cuts herself with the sword. i dunno. its just a really satisfying sound to me thats all
another thing about sound effects really close to the last one but. the sorta crunching noises that uzis hand being contorted here make. im normal about sounds i promise. ok on to episode 7
the lighting here. on nori. insane. im not normal. as mentioned before with n i love this kind of harsh lighting especially with the drones it just looks so visually appealing
okay ANOTHER part i cant properly capture. this bit where it zooms in on the screen and shows the elevator. im. not normal about it. i really really like it alright.
UGHHHH THE WAY UZIS HAND MOVES HERE. THE MOVEMENT. THE FLUIDITY OF IT. IM ACTUALLY OBSESSED. AAUUGHHHHHHHHHHGGGGHHHHHH
LETS EAT!!!! DUDE. UGHHHH. AUGH. i LOVE this part SO MUCH you guys have no idea. im obsessed with it. the line delivery. the pose. the shot. the implications. the way that its just such a simple and commonly used phrase. do you get it. do you understand. genuinely one of my favorite little parts in the whole series im not kidding. let's eat
o-o-o-o-ow! ! !!! i always love the glitched voice effects alright. and that combined with the movement of nori's body being forced back by the crucifix. idk. i dunno man. i just like it
and UGH. LITERALLY right after that. the lighting flash just as she pulls it out of her face????? i hate this show so much guys. aughhhhhUGHHHHHHHHH AUGHJJ
grrrr this part. i literally NEVER see people mention it but. the way uzi.. the solver.... uh. whagever. the way their eyes sorta wobble when they turn to look up at n and nori. its a really cool movement to me i dunno
THE CRUNCHING NOISE WITH THE MOUTH GETTING PULLED SO FAST FROM A TINY FROWN TO A HUGE SMILE LIKE THAT??? EWWW????? INSANE. CRAZY. I LOVVE ITTT AUGH
no comment needed. the 😁
ok im kinda putting a lot of stuff from this fight on here. forgive me. its got a lot of really cool stuff. this part like. like. the way all the sound gets kinda muffled and crunchy.. aughh.... i love it. hurts me in my bones. 10/10
ok bit of an unusual thing to point out here but. the solvers flapping here. its so strange. it looks so weird and mechanical to me. in a good way i love it
the hand twitch. no further comment.
eugh. this part. the way the coagulated blood (???) almost jiggles like jelly. eughhh ewwwwwww. why are you like thattttt. (positive! i love blood.)
drone sound: much, crunch (i REALLY like the sound effect that plays when uh... flesha. bends down and Crunches dolls core. the sorta glass breaking sound. sorry doll.)
the fucking frog blink. why are you like that. i hate this thing so much.
the music that starts up right as j lands.. eughjghgjhhhh. augh. dies. also side note that i wasnt able to fit really anywhere. but i love the sound that the ship makes. dont know how to describe it but yknow what im talking about right
the fucking. sound effect. of uzi stabbing her own hand with the protruding bone. crunch. i really really love crunchy crunching sounds. theyre so good. one of my favorites honestly
uh. okay. well thats it thats the post. thanks for coming to my Autism. walks away
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Hot take here but...
Like I know this is Tumblr. This is the autism site.
So of course I knew everyone would side with Laios on this and empathize more with him but its driving me insane how everybodys saying Toshiro was completely on the wrong here and he should have communicated better and talked about his grievances with Laios WHEN THE WHOLE POINT OF THIS IS THEY WERE BOTH ON WRONG HERE.
LIKE THERES A REASON CHILCHUCK BRINGS UP HOW LAIOS SHOULD WORK ON HIS SOCIAL SKILLS A COUPLE OF EPISODES AGO/JUST BEFORE THIS HAPPENS?
like I know most of you don't like it but social cues ARE a part of society culture. Social cues ARE a form of communication.
In fact they were made to facilitate communication.
They were made so everytime Alice and Bob annoy each other they don't have to go and have a heart to heart when a simple gesture can have the same effect.
In fact sometimes better because sometimes addressing something with words makes it come out stronger/ruder than it is.
And sometimes just like you have problems understanding social cues some people have problems speaking, finding the way to words their thoughts/feelings correctly.
Specially among strangers where you don't know the others personality or how they could react to your words.
That's where social cues, that are general rules the majority of people have agreed on, work. To facilitate convivence.
And yeah there's an argument to be said about how you are supposed to know them if they are unspoken rules and the thing is YOU LEARN THEM THROUGH SOCIAL INTERACTION, through living in a society.
Just like gender norms and the like you don't learn them in school during a boring lecture where a professor lists them on the board. You learn them through interaction and repetition, throught observing your peers. Just like learning to talk and walk and other stuff. Heck, your parents and other adults around are supposed to ease you into it.
And yes, it's not a perfect system. But nothing is.
The saying 'communication is the key' doesn't refer to just talking.
Social cues and other non spoken gestures are also another form of communicating. Equally as valid as all the others
There's beauty in talking and openly expressing your love to someone. Or your grievances.
But there's also beauty in grabbing someones arm or the you picking up your friend is uncomfortable due to the turnup of their mouth or the way they stand.
One isn't superior to other. They are supposed to complement each other
Laios and Toshiros mistakes were relying completely in one or the other instead a compromising and finding a middle point.
Toshiro should have expressed his annoyance at Laios.
And Laios should have picked better Toshiros signs of discomfort.
(All of this isn't even taking into account how they come from different cultures and shock it comes with it because others have talked better about it and I wanted to focus on this. On how even if they have from the same background Laios should have also been a fault.
Hell not only social cues even talking is affected by ones cultural background. What for me is normal could come out as rude for someone in Japan)
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i have a VOY confession: I skipped Threshold because the rating on imdb was SO so low... is it required viewing???
I was holding off on this question so I didn’t give you the most insane rambling answer, so thank you for your patience. Short answer: I definitely think it’s worth a watch. I, thresholdbb, am obviously biased about this, but imo Star Trek isn’t quite Star Trek without its delightfully campy side.
Threshold is often pointed to as the worst episode of Star Trek, and it has also been voted as such. That said, it really isn’t that bad. The science is iffy at best, but it’s science fiction and that part gets a pass in my book. It only veers into the ridiculous in the last act, otherwise it’s actually not bad. If it didn’t take a hard left at the end, people probably wouldn’t rag on it as much as they do.
Tom Paris has some excellent moments and Robert Duncan McNeill was having a blast being a mutant, chewing up all the scenery. The EMH has a bit that makes me laugh every time. Janeway is delightful as always. Plus, the episode won an Emmy for make-up.
Really though, I love what episodes like Threshold (and the like) represent: a willingness to take risks. Some of that has been lost in the bigger budget productions that have come after (they’re coming back around), but I unabashedly adore that these “bad” episodes exist. Plus now we get to poke fun at and enjoy hyper-evolved salamander babies for eternity. What’s not to celebrate?
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