We Got the Beat
The Go-Go’s burst out of the L.A. punk scene in the late ‘70s to become “the first, and to date only, female band to have a number one album, who not only wrote their own songs but also played their own instruments.” We delighted to bring you an excerpt from Lisa Whittington-Hills new book “The Go-Go’s: Beauty and the Beat.”
The album cover was the first time I saw what the Go-Go’s looked like. I could finally put faces to my new heroes. In the days before social media, videos, and the internet, it was a lot harder to learn about your new favorite band. MTV would soon change that, but it wouldn’t launch until a month after Beauty and the Beat was released. Years after I first discovered the Go-Go’s, I was packing some records to move and noticed the similarities between the Beauty and the Beat cover and the cover of Cut, the debut album from the Slits. The Slits were naked except for loincloths and covered in mud, not Noxzema, but there was still the idea that both bands wanted to rebel against stereotypical, hypersexualized notions of what women should look like on an album cover. They were both powerful images that the bands chose themselves, which subverted the idea of how women should market their music. There was also the idea that the women wanted to conceal themselves, whether with face masks or mud, to keep a part hidden, especially from a music industry that wanted women to reveal themselves, and all of themselves, if they wanted to sell records.
Read the full excerpt on Longreads.
712 notes
·
View notes
Release: February 21, 1984
Lyrics:
… Been running so long
I've nearly lost all track of time
In every direction
I couldn't see the warning signs
I must be losin' it
'Cause my mind plays tricks on me
It looked so easy
But you know looks sometimes deceive
… Been running so fast
Right from the starting line
No more connections
I don't need any more advice
One hand's just reaching out
And one's just hangin' on
It seems my weaknesses
Just keep going strong
… Head over heels, where should I go?
Can't stop myself, out of control
Head over heels, no time to think
Looks like the whole world's out of sync
… Been running so hard
When what I need is to unwind
The voice of reason
Is one I left so far behind
I've waited so long
So long to play this part
And just remembered
That I'd forgotten about my heart
… Head over heels, where should I go?
Can't stop myself, out of control
Head over heels, no time to think
Looks like the whole world's out of sync
… Head over heels, where should I go?
Can't stop myself, out of control
Head over heels, no time to think
Looks like the whole world's out of sync
… Head over heels, where should I go?
Can't stop myself, out of control
Head over heels, no time to think
Looks like the whole world's out of sync
Songwriter:
… Head over heels, where should I go?
Can't stop myself, out of control
Head over heels, no time to think
Looks like the whole world's out of sync
Charlotte Caffey / Kathy Valentine
SongFacts:
"Head over Heels" is a song by all-female pop rock/new wave band The Go-Go's, released in 1984 as the first single from their third studio album Talk Show. The song was written by band members Charlotte Caffey and Kathy Valentine and produced by English record producer Martin Rushent. Go-Gos rhythm guitarist Jane Wiedlin called “Head Over Heels” her favorite Go-Gos song, describing it as “just a classic. Like a little pop chocolate truffle that is just absolutely delicious.”
The song was the most successful of the album's three singles, reaching number 11 on the US Billboard Hot 100. It also spent three weeks at number 10 on the US Cash Box Top 100.
Cash Box said that the song shows that the group has lost none of their vitality and energy and that "Belinda Carlisle's voice appears to have taken on a deeper, richer resonance that marks the band's maturation as recording artists."
5 notes
·
View notes