i wanna talk about iroh’s “four seasons” and why it’s used as the musical motif for sokka & yue
i’ve seen a few different videos/theories about why this song is used for sokka & yue, but none of them matched my personal thoughts, so i figure i’ll just share them. it’s a stretch in regards to what the writers were probably intending, i admit, but it’s how i’ve always interpreted it
winter, spring, summer and fall (x2)
four seasons, four loves
four seasons, for love
the lyrics have Always reminded me of the japanese idiom 一期一会 (ichi-go ichi-e), which is usually translated to something like “one season, one meeting” or “for this time only.” it’s like a reminder that every moment happens only once, and you should cherish the moment and the memory, for it cannot be repeated.
the analogy: four seasons is to one season as four loves is to one meeting
why have iroh sing the song first?
the idiom is heavily tied to japanese tea ceremonies; the fire nation is partially inspired by japanese culture, and iroh is characterized by tea. also it’s just the kind of sentiment iroh would appreciate.
and then we have sokka and yue, whose relationship is brief but unforgettable. within a span of what i assume is a few weeks, they meet, fall in love, and then tragically part
one could look at what happened to them as only a tragedy, and i imagine sokka probably does for a little while, but in time i feel he would learn to love and cherish the time he had with yue for what it was—that he would simply be glad for having met her and having gotten to know her. and of course he’ll always love the moon for its reminder of the time they had together.
it reminds me a lot of that post by @/starpeace:
the love was there. it didn’t change anything. it didn’t save anyone. there were just too many forces against it. but it still matters that the love was there
one season, one meeting—it doesn’t matter that it was just for a short period of time. this one of sokka’s many seasons will always have been for his love for yue
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I remember someone saying "there's no such thing as a good racism allegory" and it's been bouncing around in my head for a while. I'm someone who typically thinks anything can work if given the right circumstances, but then I really started thinking about it and I believe they're right
Because if you want to talk about racism, you should just talk about racism
(This is unpolished and ramble-y, so strap yourselves in)
Racism is deeply ingrained into our society, no matter where you live. Imperialism and colonialism has ensured that no corner of Earth has been left untouched. Choices from hundreds of years ago are still being felt today. There's practically no end to the discussion of its effects on the world and its people
So, why should anyone feel the need to dress it up in cat ears?
I've consumed a lot of media where writers have consciously echoed in part some aspect of racism in their fantasy story: Bright 2017, Dragon Age, RWBY, the MCU, Harry Potter, Detroit: Become Human, etc. The biggest thing they have in common is that the narrative is told to side with the victims, but it somehow always ends up against them
It always sides with the status quo
It's confusing, maddening even, because the narrative oft goes out of its way to show how horrible the system is and how these folk don't deserve their treatment, so why are we going back to normal as if it's a good thing? Why are the people actively working to improve the system decried as annoying at best and monstrous at worst?
Then you look at the people who write these storylines. The beliefs they hold, the people they vote for, which charities and organizations they give to, and it all makes sense. Centrists (at best) trying to look progressive are the ones who need to dress racism up in cat ears and rainbow freckles. They set aside the long, brutal histories and crushing systemic realities to play pretend that racism is Not That Bad and is only done by Those Bad Individuals
That's why Velvet's ears are tugged instead of culled. That's why the Mantle drunkards say mean things to Blake instead of attempting to assault her. That's why everything surrounding the SDC's labor practices is so vague as to be useless while the biggest evidence of their malice is hand-waved away by a writer who says the victim "had it coming" as if someone can deserve being branded by being too much of a brat
These stories aren't meant to make the audience question why our society works off the bloodied backs of the exploited or demands we take good, hard looks at ourselves and how we've been duped into believing so much garbage about entire swathes of people. They're meant to satisfy the people who only feel bad that these things are happening because they (white folk) look like the bad guys. It's a self-congratulatory wank about how "I'm not like THOSE guys, therefore I'm a good person!"
And then there's the characters meant to convey this story in the first place: always inoffensive, mostly aimless, "not like the other girl" types that pander to that delicate palate. Blake - a conventionally attractive, pale skinned girl in fashionable clothes - used to be passionate about equality but only in the right way, and demonizes anyone who does not conform to this mindset despite having no reasoning to back it up while never once demanding better of the privileged people around her even when they do racially insensitive things
The biggest downfall of these racial allegories, be they about cat girls or orcs or elves or robots, is that they do something that marginalized folk have been forced to endure since the dawn of time: literal dehumanization. There are tangible differences between humans and whatever the allegory is, which undermines the very fundamental fact that black/asian/queer/neurodivergent/disabled/whatever folk are unapologetically, undeniably, exceedingly human. By dressing up their plights in cat ears or spottled blue skin, you're creating theater not for the people who actually live through these struggles as a means of connecting with them and providing them a safe outlet for their feelings, but giving the people who benefit from passively allowing the system to enforce said struggles a pat on the head for not being the grand wizard
I don't really know where I'm going or how to end this, so I'll just sign off with if you're going to talk about racism, just talk about racism
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I first watched ATLA back in January but I have yet to read the comics. I’ve heard everything from “they’re great!” to “eh, they’re alright” to “they’re absolutely terrible and they ruined all the characters” so I’m genuinely curious what ppl think! Go ahead and share you’re thoughts as well if you’d like! I’m curious if I should check em out.
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