we all know the snows’ infamous catchphrase “snow lands on top”
i’m currently rereading catching fire and i came across this part where katniss is making up a lie about hearing a forcefield, and one of the examples she uses of enhanced hearing since the capitol reconstructed her ear:
when i came back across this part i almost SCREAMED, this right here is so symbolic because it is the first instance within the 75th hunger games where katniss is taking a real instance in using the capitol, thereby also snow, against itself. she turns a skill she learned from fellow tributes into a conspiracy that can be used to turn suspicions on capitol doctors. and this THIS!!!! is the start of the sound of snow falling for the first time since dean highbottom 65 years ago. after years of a torturous reign of snow landing on top, katniss is able to plant that seed of snow hitting the ground
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the fact that Fionna and Cake gave us the enemies to lovers toxic yuri with butch bonnie and villain marceline is still a shock to me
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Okay but why haven't we had a time travel/fix it fic where after some shenanigans everyone decides to take down shinra, they split up to take out the important figures, sephiroth obviously takes hojo for any and all of a dozen good reasons.
And then hojo pulls a winter soldier sleeper code on him.
And then everyone is suddenly dealing with a brainwashed sephiroth.
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Hojo has to have some way to control sephiroth as he grew into his monstrous strength and power, yes? And learned helplessness isn't enough of a reassurance your prized military leader powerhouse isn't going to wake up one day and realise just how easily he could paint the labs walls red with chunks of you. And because hojo is obsessed with total power and control, dealing with a murder machine with huge mental issues, it'd only be fitting he create his own emergency shutdown.
In the most needlessly traumatic and mentally violating way, of course. Would sephiroth even know, if he couldn't remember? Would he have long stretches of emptiness in his memories that never get explained to him, or would he wake up where he'd blacked out, just another day in the labs?
Imagine, his allies watching on the cameras, as sephiroth stalks into the labs, a predator sighting its prey, exchanging a few cold words with hojo, raising masamune... And then hojos mouth opening, sephiroth going stiff like an animatronic, rearranging himself on the floor where he stood, face hidden behind his hair. Hojo leaves the room and he doesn't move, doesn't respond to any comms or passing scientists accidentally rolling a cart over his coat and hair.
Hojo ordering sephiroth to reveal their plans, their allies, their resources. Sephiroth doing it. Hojo deciding to punish sephiroth for the rebellion with lab procedures, or hojo ordering him to hunt down his co conspirators and end the takeover. Sephiroth doing so, heavy in his steps, crashing through walls and doors, heedless now of morals or civilians, silent, unresponsive. So completely unlike the jenova malice they'd been prepared to fight, that sephiroth had been bracing against. No arrogance, no mocking, no dramatic battlefield or hungry glowing eyes.
The puppeteer becomes the puppet, and with it, every trace of holding back. The perfect soldier.
I imagine the first trigger word would be lucrecia.
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the thing about the charming siblings is i want to make them tragic. you're perfect, I wish I was perfect. you're allowed to not be perfect. I resent you for being perfect. I hate you for being imperfect. I want to be a boy. I want to be a knight. I want to be you. I could be better than you. I wish your destiny was mine. I wish people loved me the way they love you. I wish she loved me the way she loves you. I hate you, I hate you, I hate you. I love you. I miss when we were friends. we never talk anymore. do you even care? you know nothing about me. you took my destiny. who am I? I'm supposed to be the responsible one. don't leave me. get away from me. when did you grow out of being a little kid? i miss home. the only place that feels like home is you. do you love her? do you love me? brother. sister. i was supposed to protect you. I'm sorry. I forgive you. nothing will ever be the same again.
it's about perfection and performance. it's about playing roles. everyone has their role to play. what if i want to be something else, something more. it's about femininity and masculinity. it's about not fitting in to either. is it about who you're supposed to be or who you want to be? I did it for you. I didn't ask for that. I'd burn the world for you. you never cared about me. I think of you always. there isn't room enough for all of us. i wish you'd never been born at all. I couldn't live without you.
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victim/killer (crane/crab)
[ID: two digital drawings. the first one is of sayaka maizono from danganronpa: trigger happy havoc. she is standing against a bright red background, with one hand raised in the air, and another behind her, gripping a knife. her fingers are crossed, and she is staring straight ahead and smiling. sayaka is colored in monochrome, aside from her hands and the knife she's holding, with are bright pink. behind her is the silhouette of a crane in black
the second drawing is of leon kuwata, also from trigger happy havoc. he is standing against a pitch black background. he is pointing towards himself, as if to say "who, me?" and is also holding a knife. he looks confused, and is colored in monochrome as well. like sayaka, his hands, and the knife he holds are bright pink. behind him is the bright red silhouette of a crab. END ID/]
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