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#the rise and fall of the Medici dynasty
canisalbus · 7 months
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I've got to say, I've been doing a lot of research on Italy recently and I literally can't stop thinking about your boys. I'm over here trying to read about whatever Crusade and my brain is just a constant loop of "isn't Machete a cardinal? And Vasco was from like Verona, right?" Not super conducive to learning anything, but I am enjoying myself and thought you should know.
Thank you for your lovely art and for sharing your darlings <33
That's adorable ;^; But also sorry the lads keep distracting you, hah.
I'd argue that getting invested in your characters and their stories and having to do background research for them is actually a great way to accumulate knowledge about various subjects. Often it's stuff you probably would never get around to reading about otherwise. I'm not saying it's always information you'll have many practical uses for, but learning about new things is fun and it's beneficial to you and your brain in the long run.
Vasco is from Florence actually! It's usually considered to be the birthplace and the main hub of the entire Renaissance movement. Leonardo da Vinci, Botticelli and Michelangelo lived and influenced there and Dante Alighieri (author of The Divine Comedy/Dante's Inferno) was florentine as well, albeit he lived several centuries prior to them.
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andrasta14 · 2 years
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~2021 Reading Challenge~
~Books Read~
Nonfiction
Methodism: Empire of the Spirit - David Hempton
Redcoat: The British Soldier in the Age of Horse and Musket - Richard Holmes
Queer City: Gay London from the Romans to the present day - Peter Ackroyd
Down and Out: In Eighteenth Century London - Tim Hitchcock
London’s Sinful Secret: The Bawdy History and Very Public Passions of London’s Georgian Age - Dan Cruickshank
Warfare in the Eighteenth Century - Jeremy Black
Empires of the Imagination: Politics, War, and the Arts in the British World 1750-1850 - Holger Hooch
The Medici: Power, Money and Ambition in the Italian Renaissance - Paul Strathern
The Romanovs: 1613-1918 - Simon Sebag Montefiore
The Habsburgs: To Rule the World - Martyn Rady
The Very Secret Sex Lives of Medieval Women - Rosalie Gilbert
Unmentionable: The Victorian Lady’s Guide to Sex, Marriage and Manners - Therese Oneill
The Splendid and the Vile - Erik Larson
Endurance: Shackleton’s Incredible Voyage - Alfred Lansing
Sapiens: A Brief History of Mankind - Yuval Noah Harari
Nature’s Mutiny: How the Little Ice Age of the Long Seventeenth Century Transformed the West and Shaped the Present - Philipp Blom
Guns, Germs, and Steel: The Fates of Human Societies - Jared Diamond
A Natural History of the Future - Rob Dunn
American Pandemic: The Lost Worlds of the 1918 Influenza Epidemic - Nancy K. Bristow
To Marry an English Lord - Gail MacColl and Carol McD. Wallace
Vanderbilt: The Rise and Fall of an American Dynasty - Anderson Cooper and Katherine Howe
Zealot: The Life and Times of Jesus of Nazareth - Reza Aslan
Furiously Happy: A Funny Book About Horrible Things - Jenny Lawson
Broken (in the Best Possible Way) - Jenny Lawson
Let’s Pretend This Never Happened - Jenny Lawson
I’m Sorry I’m Late, I Didn’t Want to Come: One Introvert’s Year of Saying Yes - Jessica Pan
The Year of Living Biblically: One Man’s Humble Quest to follow the Bible as Literally as Possible - A.J. Jacobs
Quiet: The Power of Introverts in a World that Can’t Stop Talking - Susan Cain
The Highly Sensitive Person - Elaine N. Aron
ADHD 2.0: New Science and Essential Strategies for Thriving with Distraction from Childhood Through Adulthood - Edward M. Hallowell, M.D. & John J. Ratey, M.D.
Big Magic: Creative Living Beyond Fear - Elizabeth Gilbert
The Hilarious World of Depression - John Moe
Hunger - Roxane Gay
The Comfort Book - Matt Haig
How Democracies Die - Steven Levitsky
The Day the World Stops Shopping - J.B. MacKinnon
The Life-Changing Magic of Tidying Up - Marie Kondo
The Bad-Ass Librarians of Timbuktu and their race to save the World’s Most Precious Manuscripts - Joshua Hammer
My Top Ten Faves (in no particular order):
Redcoat: The British Soldier in the Age of Horse and Musket - Richard Holmes
Queer City: Gay London from the Romans to the present day - Peter Ackroyd
London’s Sinful Secret: The Bawdy History and Very Public Passions of London’s Georgian Age - Dan Cruickshank
The Romanovs: 1613-1918 - Simon Sebag Montefiore
The Habsburgs - Martyn Rady
Sapiens: A Brief History of Mankind - Yuval Noah Harari
Nature’s Mutiny: How the Little Ice Age of the Long Seventeenth Century Transformed the West and Shaped the Present - Philipp Blom
Quiet: The Power of Introverts in a World that Can’t Stop Talking - Susan Cain
The Highly Sensitive Person - Elaine N. Aron
Zealot: The Life and Times of Jesus of Nazareth - Reza Aslan
Classic Literature
Great Expectations - Charles Dickens (1861)
North and South - Elizabeth Gaskell (1854)
The Wind in the Willows - Kenneth Graham (1908)
Little Women - Louisa May Alcott (1868 & 1869)
The Red Badge of Courage - Stephen Crane (1895)
Of Mice and Men - John Steinbeck (1937)
Jane Eyre - Charlotte Bronte (1847)
The Scarlett Letter - Nathaniel Hawthorne (1850)
The House of the Seven Gables - Nathaniel Hawthorne (1851)
Around the World in Eighty Days - Jules Verne (1872)
Treasure Island - Robert Louis Stevenson (1883)
Persuasion - Jane Austen (1817)
(Wow, I really slacked on my Classics this year...! 😳 Shame on me!)
My Top Five Faves (in no particular order):
Little Women - Louisa May Alcott
Jane Eyre - Charlotte Bronte
Persuasion - Jane Austen
The Scarlett Letter - Nathaniel Hawthorne
North and South - Elizabeth Gaskell
Fiction/Literature
(I confess I’m too lazy to separate the books further into different genres.😊)
On Earth We’re Briefly Gorgeous - Ocean Vuong
Giovanni’s Room - James Baldwin
Lord John and the Brotherhood of the Blade - Diana Gabaldon
The Henna Artist: Bk 1 - Alka Joshi
The Secret Keeper of Jaipur: Bk 2 - Alka Joshi
Boyfriend Material - Alexis Hall
The Seven Husbands of Evelyn Hugo - Taylor Jenkins Reid
Malibu Rising -  Taylor Jenkins Reid
Written in the Stars - Alexandria Bellefleur
Red, White & Blue - Casey McQuiston
My Policeman - Bethan Roberts
The Pull of the Stars - Emma Donohue
Act Your Age, Eve Brown - Talia Hibbert
Year of Wonders - Geraldine Brooks
Once Upon a River - Diane Setterfield
The All-Girl Filling Station’s Last Reunion - Fannie Flagg
The Soulmate Equation - Christina Lauren
The Dating Plan - Sara Desai
The Flatshare - Beth O’Leary
Second First Impressions - Sally Thorne
Anne of Manhattan - Brina Starler
The Cafe by the Sea - Jenny Colgan
The Lost Apothecary - Sarah Penner
The Dutch House - Ann Patchett
The Trouble With Hating You - Sajni Patel
The Paris Apartment - Kelly Bowen
All the Light We Cannot See - Anthony Doerr
Cloud Cuckoo Land - Anthony Doerr
No Offence - Meg Cabot
Beach Read - Emily Henry
The Duke & I: Bridgerton Bk 1 - Julia Quinn
Romancing Mister Bridgerton: Bk 4 - Julia Quinn
The Forest of Vanishing Stars - Kristin Harmel
Just Last Night - Mhairi McFarlane
The Nightingale - Kristin Hannah
Very Sincerely Yours - Kerry Winfrey
Eleanor Oliphant is Completely Fine - Gail Honeyman
To Have and to Hoax - Martha Waters
A Curious Beginning: Veronica Speedwell Mystery #1 - Deanna Raybourn
A Perilous Undertaking: VS Mystery #2 - Deanna Raybourn
A Treacherous Curse: VS Mystery #3 - Deanna Raybourn
A Dangerous Collaboration: VS Mystery #4 - Deanna Raybourn
The Last Chance Library - Freya Sampson
Objects of My Affection - Jill Smolinski
Always in December - Emily Stone
A Holly Jolly Diwali - Sonya Lalli
The Party Crasher - Sophie Kinsella
Shopaholic to the Stars - Sophie Kinsella
Christmas Shopaholic - Sophie Kinsella
Wedding Night - Sophie Kinsella
I’ve Got Your Number - Sophie Kinsella
I Owe You One - Sophie Kinsella
Love Your Life - Sophie Kinsella
The Paper Palace - Miranda Cowley Heller
The Matzah Ball - Jean Meltzer
Just Haven’t Met You Yet - Sophie Cousens
The Lonely Hearts Hotel - Heather O’Neill
The Library of Legends - Janie Chang
Twice Shy - Sarah Hogle
The Christmas Bookshop - Jenny Colgan
The Dreamers - Karen Thompson Walker
The Holiday Swap - Maggie Knox
My Top Ten Faves (in no particular order):
On Earth We’re Briefly Gorgeous - Ocean Vuong
Giovanni’s Room - James Baldwin
The Seven Husbands of Evelyn Hugo - Taylor Jenkins Reid
All the Light We Cannot See - Anthony Doerr
The Forest of Vanishing Stars - Kristin Harmel
The Nightingale - Kristin Hannah
Red, White & Blue - Casey McQuiston
Boyfriend Material - Alexis Hall
Second First Impressions - Sally Thorne
Lord John and the Brotherhood of the Blade - Diana Gabaldon
Science Fiction/Fantasy
The House of the Cerulean Sea - T.J. Klune
The Starless Sea - Erin Morgenstern
His Majesty’s Dragon: Temeraire Series Bk 1 - Naomi Novik
Throne of Jade: Temeraire Series Bk 2 - Naomi Novik
Black Powder War: Temeraire Series Bk 3 - Naomi Novik
Empire Of Ivory: Temeraire Series Bk 4 - Naomi Novik
Victory of Eagles: Temeraire Series Bk 5 - Naomi Novik
Tongue of Serpents: Temeraire Series Bk 6 - Naomi Novik
Crucible of Gold: Temeraire Series Bk 7 - Naomi Novik
Blood of Tyrants: Temeraire Series Bk 8 - Naomi Novik
League of Dragons: Temeraire Series Bk 9 - Naomi Novik
The Song of Achilles - Madeline Miller
Circe - Madeline Miller
Firebird - Mercedes Lackey
Gwenhwyfar - Mercedes Lackey
Dune: Bk 1 - Frank Herbert
One Last Stop - Casey McQuiston
The Rules of Magic - Alice Hoffman
The Book of Magic - Alice Hoffman
Foundryside: Bk 1 - Robert Jackson Bennett
Shorefall: Bk 2 - Robert Jackson Bennett
Catherine House - Elizabeth Thomas
Arabella of Mars: Bk 1 - David D. Levine
The Midnight Bargain - C.L. Polk
The Midnight Library - Matt Haig
Star Wars: Master and Apprentice - Claudia Grey
Star Wars: Darth Plagueis - James Luceno
Star Wars: Ahsoka - E.K. Johnston
The Hundred Thousand Kingdoms: Bk 1 - N.K. Jemisin
The Broken Kingdoms: Bk 2 - N.K. Jemisin
The Kingdom of Gods: Bk 3 - N.K. Jemisin
The Angel of the Crows - Katherine Addison
The Southern Book Club’s Guide to Slaying Vampires - Grady Hendrix
The Clockwork Dynasty - Daniel H. Wilson
Black Water Sister - Zen Cho
The Invisible Life of Addie Larue - V.E. Schwab
Everyone Knows Your Mother is a Witch - Rivka Galchen
Switch - A.S. King
The Jasmine Thorne - Tasha Suri
The Two Towers: Lord of the Rings Bk 2 - J.R.R. Tolkien
La Belle Sauvage: The Book of Dust Bk 1 - Philip Pullman
The Secret Commonwealth:  The Book of Dust Bk 2 - Philip Pullman
The Scribbly Man: Children of D’Hara Bk 1 - Terry Goodkind
Hateful Things: Children of D’Hara Bk 2 - Terry Goodkind
Wasteland: Children of D’Hara Bk 3 - Terry Goodkind
Witch’s Oath: Children of D’Hara Bk 4 - Terry Goodkind
Into Darkness: Children of D’Hara Bk 5 - Terry Goodkind
Good Omens - Terry Pratchet & Neil Gaiman
Neverwhere - Neil Gaiman
The Ocean at the End of the Lane - Neil Gaiman
To Sleep in a Sea of Stars - Christopher Paolini
Rose Daughter - Robin McKinley
Mistborn: Bk 1 - Brandon Sanderson
The Well of Ascension: Bk 2 - Brandon Sanderson
The Hero of Ages: Bk 3 -  Brandon Sanderson
The Assassination of Brangwain Spurge - M.T. Anderson
Three Parts Dead: Bk 1 - Max Gladstone
A Darker Shade of Magic: Bk 1 - V.E. Schwab
A Gathering of Shadows: Bk 2 - V.E. Schwab
Gideon the Ninth: Bk 1 - Tamsyn Muir
Assassin’s Apprentice: Farseer Trilogy Bk 1 - Robin Hobb
Royal Assassin:  Farseer Trilogy Bk 2 - Robin Hobb
Iron Widow - Xiran Jay Zhao
The Lighthouse Witches - C.J. Cooke
My Top Ten Faves (in no particular order):
Circe - Madeline Miller
The Song of Achilles - Madeline Miller
The House of the Cerulean Sea - T.J. Klune
The Starless Sea - Erin Morgenstern
Temeraire Series - Naomi Novik
The Hundred Thousand Kingdoms Trilogy - N.K. Jemisin
The Invisible Life of Addie Larue - V.E. Schwab
Children of D’Hara Series - Terry Goodkind
Mistborn Trilogy - Brandon Sanderson
The Assassination of Brangwain Spurge - M.T. Anderson
YA Books
The Book Thief - Markus Zusak
We Hunt the Flame: Bk 1 - Hafsah Faizal
We Free the Stars: Bk 2 - Hafsah Faizal
Cinder: Lunar Chronicles Bk 1 - Marissa Meyer
Winter: Lunar Chronicles Bk 4 - Marissa Meyer
Stars Above; Lunar Chronicles Collections - Marissa Meyer
Uprooted: Bk 1 - Naomi Novik
Chain of Gold: The Last Hours Bk 1 - Cassandra Clare
Chain of Iron:  The Last Hours Bk 2 - Cassandra Clare
The Gentleman’s Guide to Vice and Virtue: Bk 1 - Mackenzi Lee
The Lady’s Guide to Petticoats and Piracy: Bk 2 - Mackenzi Lee
The Nobleman’s Guide to Scandal and Shipwrecks: Bk 3 - Mackenzi Lee
Timekeeper: Bk 1 - Tara Sim
Chainbreaker: Bk 2 - Tara Sim
Firestarter: Bk 3 - Tara Sim
Scavenge the Stars: Bk 1 - Tara Sim
Honey Girl - Morgan Rogers
Autoboyography - Christina Lauren
A Great and Terrible Beauty: Bk 1 - Libba Bray
Rebel Angels: Bk 2 - Libba Bray
The Sweet Far Thing: Bk 3 - Libba Bray
Come Tumbling Down: Bk 5 - Seanan McGuire
The Gilded Ones - Namina Forna
By the Book - Amanda Sellet
Rogue Princess - B.R. Myers
The Evil Queen - Gena Showalter
The Ballad of Songbirds and Snakes - Suzanne Collins
Instructions for Dancing - Nicola Yoon
Dark and Deepest Red - Anna-Marie McLemore
Excuse Me While I Cry Ugly - Joya Goffney
Book of a Thousand Days - Shannon Hale
Eve of Man - Giovanna & Tom Fletcher
The Cruel Prince: Bk 1 - Holly Black
The Wicked King: Bk 2 - Holly Black
The Queen of Nothing: Bk 3 -Holly Black
Gods & Monsters - Shelby Mahurin
Six Crimson Cranes - Elizabeth Lim
Spin the Dawn: Bk 1 - Elizabeth Lim
For the Wolf - Hannah Whitten
The Library of the Dead - T.L. Huchu
Three Dark Crowns: Bk 1 -Kendare Blake
Wicked Fox - Kat Cho
Entwined - Heather Dixon
Chaotic Good - Whitney Gardner
If the Shoe Fits - Julie Murphy
Every Day - David Levithan
Blood Like Magic - Liselle Sambury
Prudence: The Custard Protocol Bk 1 - Gail Carriger
The Raven Boys: Bk 1 - Maggie Stiefvater
The Bone Witch: Bk 1 - Rin Chupeco
Strange the Dreamer: Bk 1 - Laini Taylor
Muse of Nightmares: Bk 2 - Laini Taylor
Aristotle and Dante Discover the Secrets of the Universe - Benjamin Alire Sáenz
Iron Widow - Xiran Jay Zhao
My Top Ten Faves (in no particular order):
The Book Thief - Markus Zusak
We Hunt the Flame Duology - Hafsah Faizal
The Last Hours Trilogy - Cassandra Clare
The Gentleman’s Guide to Vice and Virtue Trilogy - Mackenzi Lee
Timekeeper Trilogy - Tara Sim
A Great and Terrible Beauty Trilogy - Libba Bray
The Cruel Prince Trilogy - Holly Black
Six Crimson Cranes - Elizabeth Lim
The Lunar Chronicles - Marissa Meyer
Strange the Dreamer Duology - Laini Taylor
Middle Grade/Children
The Mysterious Benedict Society and the Perilous Journey: Bk 2 - Trenton Lee Stewart
The Mysterious Benedict Society and the Prisoner’s Dilemma: Bk 3 -  Trenton Lee Stewart
The Mysterious Benedict Society and the Riddle of Ages: Bk 4 -  Trenton Lee Stewart
The Extraordinary Education of Nicholas Benedict - Trenton Lee Stewart
A Tale of Magic - Chris Colfer
The Mystery of Black Hollow Lane - Julia Nobel
Stuart Little - E.B. White
The Wind in the Willows - Kenneth Graham
The Peculiar - Stefan Bachmann
The Whatnot - Stefan Bachmann
Cinders and Sparrows - Stefan Bachmann
Liesel & Po - Lauren Oliver
The Wishlist - Eoin Colfer
The Barren Grounds - David A. Robertson
Stay Alive: Breakdown - Joseph Monninger
Strangeworlds Travel Agency - L.D. Lapinski
The Scarecrow and His Servant - Philip Pullman
A Wrinkle in Time - Madeline L’Engle
A Wind in the Door - Madeline L’Engle
A Swiftly Tilting Planet - Madeline L’Engle
The Amulet of Samarkand: Bartimaeus Series Bk 1 - Jonathan Stroud
The Golem’s Eye: Bartimaeus Series Bk 2 - Jonathan Stroud
Ptolemy’s Gate: Bartimaeus Series Bk 3 - Jonathan Stroud
The Ring of Solomon: A Bartimaeus Novel  - Jonathan Stroud
The Last Siege - Jonathan Stroud
The Screaming Staircase: Lockwood and Co Bk 1 - Jonathan Stroud
The Whispering Skull : Lockwood and Co Bk 2 - Jonathan Stroud
Harry Potter and the Half-Blood Prince - J.K. Rowling
Bliss - Kathryn Littlewood
Reverie - Ryan La Sala
The Case of the Missing Marquess - Nancy Springer
The House of Secrets - Chris Columbus & Ned Vizzini
The Unwanteds - Lisa McMann
The Doldrums - Nicholas Gannon
The Doldrums and the Helmsley Curse - Nicholas Gannon
Magyk: Septimus Heap Bk 1 - Angie Sage
Flyte: Septimus Heap Bk 2 - Angie Sage
Physik: Septimus Heap Bk 3 - Angie Sage
Queste: Septimus Heap Bk 4 - Angie Sage
Siren: Septimus Heap Bk 5 - Angie Sage
Kiki Kallira Breaks a Kingdom - Sangu Mandanna
Lintang and the Pirate Queen - Tamara Moss
The Mouse with the Question Mark Tail - Richard Peck
The Oddmire: Changeling Bk 1 - William Ritter
The Hidden Oracle: The Trials of Apollo Bk 1 - Rick Riordan
The Dark Prophesy: The Trials of Apollo Bk 2 - Rick Riordan
The Burning Maze: The Trials of Apollo Bk 3 - Rick Riordan
The Tyrant’s Tomb: The Trials of Apollo Bk 4 - Rick Riordan
The Tower of Nero: The Trials of Apollo Bk 5 - Rick Riordan
The Sword of Summer: Magnus Chase and the Gods of Asgard Bk 1 - Rick Riordan
The Hammer of Thor: Magnus Chase and the Gods of Asgard Bk 2 - Rick Riordan
The Ship of the Dead: Magnus Chase and the Gods of Asgard Bk 3 - Rick Riordan
The Lost Hero: The Heroes of Olympus Bk 1 - Rick Riordan
The Son of Neptune:  The Heroes of Olympus Bk 2 - Rick Riordan
The Mark of Athena:  The Heroes of Olympus Bk 3 - Rick Riordan
The House of Hades:  The Heroes of Olympus Bk 4 - Rick Riordan
The Blood of Olympus:  The Heroes of Olympus Bk 5 - Rick Riordan
The Blackthorn Key: Bk 1 - Kevin Sands
Mark of the Plague: Bk 2 - Kevin Sands
The Assassin’s Curse: Bk 3 - Kevin Sands
The Extremely Inconvenient Adventures of Bronte Mettlestone: Bk 1 - Jaclyn Moriarty
The Whispering Wars: Bk 2 - Jaclyn Moriarty
Hani and Ishu’s Guide to Fake Dating - Adiba Jaigirdar
Alone - Megan E. Freeman
My Top Ten Faves (in no particular order):
The Mysterious Benedict Society Series - Trenton Lee Stewart
A Tale of Magic - Chris Colfer
The Mystery of Black Hollow Lane - Julia Nobel
The Peculiar - Stefan Bachmann
The Scarecrow and His Servant - Philip Pullman
A Wrinkle in Time - Madeline L’Engle
Bartimaeus Series - Jonathan Stroud
Lockwood and Co Series - Jonathan Stroud
The Trials of Apollo Series - Rick Riordan
The Heroes of Olympus Series - Rick Riordan
Graphic Novels/Manga/Comics
Avatar the Last Airbender: The Promise - Gene Luen Yang
Avatar the Last Airbender: The Search - Gene Luen Yang
Avatar the Last Airbender: The Rift - Gene Luen Yang
Avatar the Last Airbender: The Lost Adventures - Gene Luen Yang
Avatar the Last Airbender: Toph Beifong’s Metalbending Academy - Faith Erin Hicks
Amulet: Bk 1 The Stone Keeper - Kazu Kibushi
Amulet: Bk 2 The Stonekeeper’s Curse - Kazu Kibushi
Amulet: Bk 3 The Cloud Searchers  - Kazu Kibushi
Amulet: Bk 4 The Last Council - Kazu Kibushi
Amulet: Bk 5 Prince of the Elves - Kazu Kibushi
Amulet: Bk 6 Escape from Lucien - Kazu Kibushi
Amulet: Bk 7 Firelight - Kazu Kibushi
Amulet: Bk 8 Supernova - Kazu Kibushi
Snow, Glass, Apples - Neil Gaiman & Colleen Doran
Monstress: Volume 1: Awakening - Marjorie Liu & Sana Takeda
Daredevil: Ultimate Collection Bk 2 - Brian Michael Bendis & Alex Maleev
Pashmina - Nidhi Chanani
Smile: #1 - Raina Telgemeier
Sisters: #2 -  Raina Telgemeier
Guts: #3 -  Raina Telgemeier
Earthian: Volume 4 - Yun Kouga
Shuriken and Pleats: Volume 1 - Matsuri Hino
Shuriken and Pleats: Volume 2 - Matsuri Hino
The Story of Saiunkoku: Volume 9 - Sai Yukino & Kairi Yura
Sailor Moon: Short Stories Volume 1 - Naoko Takeuchi
Fushigi Yuugi: Genbu Kaiden: Volume 1 - Yuu Watase
Fushigi Yuugi: Genbu Kaiden: Volume 2 - Yuu Watase
Everyone’s Getting Married: Volume 1 - Izumi Miyazono
Everyone’s Getting Married: Volume 2 - Izumi Miyazono
Everyone’s Getting Married: Volume 3 - Izumi Miyazono
My Top Ten Faves (in no particular order):
Avatar the Last Airbender: The Promise - Gene Luen Yang
Avatar the Last Airbender: The Search - Gene Luen Yang
Avatar the Last Airbender: The Rift - Gene Luen Yang
Avatar the Last Airbender: Toph Beifong’s Metalbending Academy - Faith Erin Hicks
Amulet Series - Kazu Kibushi
Snow, Glass, Apples - Neil Gaiman & Colleen Doran
Monstress: Volume 1: Awakening - Marjorie Liu & Sana Takeda
Daredevil: Ultimate Collection Bk 2 - Brian Michael Bendis & Alex Maleev
Earthian - Yun Kouga
The Story of Saiunkoku - Sai Yukino & Kairi Yura
Poetry
Crush - Richard Siken
Depression & Other Magic Tricks - Sabrina Benaim
(I read much more poetry than this over the course of the year, of course, but these two were the only collections I read in their entirety.)
LGBTQ
On Earth We’re Briefly Gorgeous - Ocean Vuong
The House in the Cerulean Sea - T.J. Klune
The Song of Achilles - Madeline Miller
The Starless Sea - Erin Morgenstern
Chain of Gold: The Last Hours Bk 1 - Cassandra Clare
Chain of Iron:  The Last Hours Bk 2 - Cassandra Clare
Lord John and the Brotherhood of the Blade - Diana Gabaldon
The Gentleman’s Guide to Vice and Virtue: Bk 1 - Mackenzi Lee
The Lady’s Guide to Petticoats and Piracy: Bk 2 - Mackenzi Lee
The Nobleman’s Guide to Scandal and Shipwrecks: Bk 3 - Mackenzi Lee
Giovanni’s Room - James Baldwin
Timekeeper: Bk 1 - Tara Sim
Chainbreaker: Bk 2 - Tara Sim
Firestarter: Bk 3 - Tara Sim
Boyfriend Material - Alexis Hall
The Seven Husbands of Evelyn Hugo - Taylor Jenkins Reid
Written in the Stars - Alexandria Bellefleur
Red, White & Blue - Casey McQuiston
One Last Stop - Casey McQuiston
Honey Girl - Morgan Rogers
Autoboyography - Christina Lauren
My Policeman - Bethan Roberts
A Great and Terrible Beauty: Bk 1 - Libba Bray
Rebel Angels: Bk 2 - Libba Bray
The Sweet Far Thing: Bk 3 - Libba Bray
The Rules of Magic - Alice Hoffman
Aristotle and Dante Discover the Secrets of the Universe - Benjamin Alire Sáenz
Iron Widow - Xiran Jay Zhao
My Top Ten Faves (in no particular order):
On Earth We’re Briefly Gorgeous - Ocean Vuong
The Song of Achilles - Madeline Miller
Lord John and the Brotherhood of the Blade - Diana Gabaldon
The Gentleman’s Guide to Vice and Virtue - Mackenzi Lee
Timekeeper Trilogy - Tara Sim
Boyfriend Material - Alexis Hall
The Seven Husbands of Evelyn Hugo - Taylor Jenkins Reid
Written in the Stars - Alexandria Bellefleur
Red, White & Blue - Casey McQuiston
One Last Stop - Casey McQuiston
DNF’ed Books (did not finish)
Fix Her Up - Tessa Bailey
My Top 25 Faves Overall (in no particular order):
Little Women - Louisa May Alcott
Jane Eyre - Charlotte Bronte
The Scarlett Letter - Nathaniel Hawthorne
All the Light We Cannot See - Anthony Doerr
On Earth We’re Briefly Gorgeous - Ocean Vuong
The Book Thief - Markus Zusak
The House of the Cerulean Sea - T.J. Klune
Temeraire Series - Naomi Novik
Mistborn Trilogy - Brandon Sanderson
The Song of Achilles - Madeline Miller
Circe - Madeline Miller
Timekeeper Trilogy - Tara Sim
Boyfriend Material - Alexis Hall
Red, White & Blue - Casey McQuiston
Lord John and the Brotherhood of the Blade - Diana Gabaldon
The Gentleman’s Guide to Vice and Virtue Trilogy - Mackenzi Lee
Lockwood and Co Series - Jonathan Stroud
Bartimaeus Series - Jonathan Stroud
The Trials of Apollo Series - Rick Riordan
The Seven Husbands of Evelyn Hugo - Taylor Jenkins Reid
The Assassination of Brangwain Spurge - M.T. Anderson
Quiet: The Power of Introverts in a World that Can’t Stop Talking - Susan Cain
The Nightingale - Kristin Hannah
The Starless Sea - Erin Morgenstern
We Hunt the Flame Duology - Hafsah Faizal
The Peculiar - Stefan Bachmann
(Okay, fine, I lied! lol My Top 26 Faves Overall, because I just COULDN’T find one more I could bear to take off the list. ^.^)
(My End of the Year Book Asks here.)
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josefavomjaaga · 3 years
Text
Helfert, Joachim Murat, Chapter 6, Part 5
Things are getting ugly now, brace yourselves.
Rarely has anyone been more fatally self-deceived than Joachim Murat, when he convinced himself that he need only present himself on the soil of his former kingdom and everything would fall to him. And for the full measure of his misfortune he had chosen the coast of Calabria, that stretch of land where the old dynasty had always found its enthusiastic followers willing to make sacrifices, while Murat's name, which was conflated with that of the madman Manhès, was virtually maligned and cursed there. But even elsewhere in the country, with the rapidly changing impressions of the southerners, his memory was not merely obliterated, as if a century had passed since then: everything connected with his actions, everything that reminded one of him, was as if it had been tainted. His officials, many of whom the new government had left in their positions, were looked upon with disdain and persecuted by the population; indeed, there were violent acts, bloody uprisings against them, so that the government had to intervene with all the severity of the law.
An example of this is given in the following footnote:
Jablonovski PS. ad numerum 12 of 21. September 2, mentions such an uprising in Salerno, in which several Murat officials were killed; a royal commission came from Naples and now eleven of the mutineers were sentenced to death: "il arrive à chaque instant de pareils événements; la présence de nos troupes les empêche dans la capitale, et si elles quittaient Naples aujourd'hui, demain tous ceux qui avaient été employés par Murat seraient égorgés". See also n. 13 on 3 October: "Dans les provinces qui étaient oprimées sous le gouvernement de Murat les passions haineuses de cette nation agissent avec plus de force".
Apparently, some people were disappointed that they were not allowed any excesses after the change of government. Helfert continues:
At the Court of Naples in the first days of October, nothing was known about Murat's departure from Ajaccio, nor was it possible to know anything about it: on the other hand, other news had arrived which upset the King in the extreme. Jablonovski, towards whom the monarch was always of the most winning friendliness, noticed a change in the monarch's behaviour at the cercle on October 4, the name day of Emperor Francis, which was always festively celebrated at Ferdinand's court. None of the ministers was able to tell our envoy what the king had against him until Princess Partanna, whom Ferdinand alone had taken into his confidence, told him: it was a coded dispatch from Prince Castelcicala which had arrived from Paris and informed the monarch that Austria had offered Murat an asylum within her borders. Jablonovski seized the first opportunity to confront Circello on the matter. "Shouldn't your King prefer," he said, "that Murat should stay 200 miles from Naples, under the eyes and supervision of a powerful ally of His Majesty, rather than having to constantly fear that the adventurer might land at a point on the coast which, because of its great extent, can never be properly guarded, and disturb the peace of the kingdom? Of course he won't succeed, that's what our troops are for. But he can cause enough unrest and disorder, especially if, as is not at all improbable, he joins forces with the Barbaresques and sets out to do mischief".
The argument was plausible and had all the greater effect because just in the last few days, October 4 and 5, reports had been received that put our envoy's ideas in a peculiar light. Murat's squadron had not gone entirely unnoticed on the Neapolitan coast: on the 4th a vessel had been observed near Sorrento which was thought to be a pirate ship and which seemed to be waiting for others like it; on the 5th a similar signal had arrived in the port of Salerno. The two pieces of news caused all the more concern in government circles because at the same time Baron Lebzeltern sent a message from Rome to the commandant of Gaëta, who reported to the capital without delay that Murat had left the port of Ajaccio with several ships.
All these facts also came to the knowledge of the diplomats of the friendly powers, at least to that of Jablonovski, who reported on them to his Cabinet on 6 and 7 October. On the other hand, what was decided at court remained a secret for the time being. They could only conclude from all sorts of signs and hints that the King's Council had agreed on a drastic measure. Our envoy and the British one thought that orders had been issued to all coastal points to treat Joachim Murat with martial law if he were seized with arms in his hand. Medici had also given orders to all commanders of the troops posted along the coasts from Salerno to Calabria to take the severest measures against those citizens who would join the ex-king. A Captain Spadea, who had returned from Sicily and was therefore undoubtedly familiar in court circles, informed Guglielmo Pepe privately "that much blood would flow in the kingdom in a short time".
Pizzo is, or was at that time, a town of about 8000 inhabitants situated on a height close to the sea, on the shore of which, where one used to land, there were individual houses and magazines. From the coast, at that time rather bumpy and uncomfortable, a path wound up to the town, which led to the main square and continued over the latter in the somewhat steeply rising road leading to Monteleone. On a hill overlooking the town on the left, in the direction in which we enter the town in our minds, there was a castle dominating the Rhine and the town.
Murat's small band, not counting himself, consisted of 29 heads, 26 of them militairs. He wore a uniform of sky-blue cloth, colonel's epaulettes, a tricorn on his head, but no medal or decoration of any kind on his chest. Some people who were on the beach during the disembarkation ran to watch the unusual spectacle and, while the Muratists kept shouting "Evviva il Re Gioacchino!", returned the greeting forced upon them. The same was the case with individuals who came to meet them as the group marched up the mountain path. Thus they arrived at the main square, where a lot of people had gathered, attracted both by the festival day and by the strange procession. The people's expressions reflected curiosity, astonishment, surprise, but not joy. On the contrary, when Murat addressed them, talking about redemption, about liberation, a woman from the people shouted at him: "You talk to us about the freedom you want to give us and you had three of my sons shot"!
This anecdote apparently goes back to Ferdinand of Naples personally, at least Helfert says in a footnote: "Tu parli di libertà e mi hai fatto fucilare tre figli! This turn the king told Prince Jablonovski, No. 15 to the 15th of October 2."
That was a wicked interjection! From their barracks appeared the coastguard, 15 men of artillery under Lieutenant Barba, armed and in their old uniform. "Behold my soldiers!" exclaimed Murat, turning to them: "Do you recognise your king? Shout: Long live King Joachim!" An official of the Duke of Infantado named Alcalà and others ran up to them and exhorted: "Shout: Long live Ferdinand!" They did neither, which Murat interpreted as a good sign that the old soldier's spirit would persuade them in his favour. But it was only amazement, or if you will, a kind of enchantment, which the unexpected appearance of the former king with his commanding and winning appearance exercised on them, as well as on the majority of those gathered in general.
While this was going on, two or three young people had approached Murat's entourage and persuaded them that nothing could be done here in Pizzo, that the population was stubborn, but that in Monteleone the "king" would certainly find his party! So Murat ordered the departure for Monteleone and called on the gunners to join him. They did not do so, but they followed his march at some distance. Joachim could no longer rest; he was not prepared for such a cool, even ambiguous reception. He strode hastily up the mountain road, so that, out of practice from the long sea voyage and affected by the excessive excitement, he had to pause to catch his breath. The coastguard was a good distance behind, marching slowly, as if irresolute, while from the town a crowd of armed men was seen approaching, by whom the artillerymen were soon overtaken. The ex-king's leaders became suspicious and urged them to hurry: "see if we can reach Monteleone as soon as possible!" But they were already close at hand, preceded in passionate haste by a gendarmerie captain named Trentacapilli; he had formerly been a gang leader, General Manhès had had three of his brothers hanged. "The general and all of you will follow me to Pizzo!" he commanded. "It behoves you," Murat replied, "to obey your king and escort him to Monteleone!" Murat's officers wanted to pounce on the audacious man, but Joachim resisted them, and he was allowed to return to his troop, from which shots were now fired. The Murat's wanted to return fire, but their master would not allow it: I do not want even one of my subjects to lose his life for the sake of my landing!
But he realised that all was lost. He and his officers, while his few men were soon crushed and overcome by the superior force, sought to reach the shore of the sea quickly, not on the paved path, but down the slope over hill and dale, with their pursuers hard on their heels, with whom they fought on the way. A single boat was found on the shore, which the officers wanted to unhitch in a hurry to head for Barbara's Trabacolo, which, instead of waiting nearby as he had been ordered, was cruising far from the shore on the high seas. But in the agitated haste, the boat could not be disentangled, and already the few were surrounded on all sides, and fists armed with sabres, axes and picks were raised against them. At this Murat surrendered: "Here you have my sword, but spare the lives of these brave men who have followed me into my misfortune!"
These words were only like an invitation to the enraged to turn their threats into action. Captain Pernice and Sergeant Giovannini fell to their deaths at Murat's side, Franceschetti fell to the ground badly hit, Lieutenant Moltedo and three others were wounded. They were seized, led or rather dragged, some of them barely able to carry themselves, into the village, under constant threats, punches and blows that spared the ex-king as little as his fellow victims. More than once an axe was raised to split Murat's head, if others had not intervened and prevented it. At this, speeches were heard which struck Joachim more sensitively than their weapons: "Were there not enough of these unfortunates? Had you not drunk your fill of the blood of your victims? Did you again need scaffolds and gallows?" He was almost completely stripped of his clothes, everything he carried was taken from him, and Trentacapilli did not miss a single thing: his money and his diamonds, his bills of exchange, his passport, everything he had to hand over. To seal his misfortune, a copy of his manifesto and his decree were found in his wallet, the incontestable proof of his hostile intention, the clear refutation of his pretence that he had only wanted to land on the coast in order to obtain the means to continue his journey to Trieste!
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sepulcrorum · 4 years
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JUDE LAW, FIFTY, ARCHBISHOP DE MEDICI. ❝ ⤚⟶ EUROPE, 1458. thanks is given by the DUCHY OF FLORENCE, ARCHBISHOP GIANCARLO DI GIAN GASTONE DE’ MEDICI, from FLORENCE. they are at best CHARMING, and at their worst IMPIOUS. whilst abroad, their ambition is to REAP EVER MORE GREATER LUXURIES FOR HIMSELF. HE seems to remind everyone of JUDE LAW & DESIRES BOTH HERETICAL AND UNHOLY : THE SONG OF SOLOMON SPILLING FORTH FROM ONE’S LIPS WHILST IN THE THROES OF PASSION ; INTELLECTUALISM SOUGHT FOR HEDONISM’S SAKE : ANTIQUATED TEXTS SMUGGLED FROM THE CRUMBLING REMNANTS OF ANCIENT ROMAN VILLAS AND DISPLAYED TO EXPECTED LOOKS OF AWE ; & HOLINESS FOUND, HOLINESS LOST, HOLINESS REVERED : A CERTAIN SLANT OF LIGHT SHINING THROUGH HIGH-VAULTED ARCHES. ❞
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introduction
Provide a blurb introducing your character generally. This should include an overview of strengths, weaknesses, aspirations, and set backs.
It has been once said by the Lord: be ye like children, for ye to enter the Kingdom of God. Capricious, selfish, absorbed only by thoughts of himself, petty, and whimsical, the Archbishop de’ Medici does not assume the dignity of his station as a member of the Church but he does assume all the qualities of a child in him, and that makes him saved by default.
His theology is quaint, bordering on unorthodox, and it’s almost tempting to call him out for heresies but he knows too much about Scripture and can run circles around any fellow servant of Christ, much more the ordinary layman. He’s either mystical or absolutely canonical: at a certain point in theology, everything becomes one and the same. Give him time, and he can justify anything—the cruellest of acts as well as the most compassionate acts of goodwill and charity—with verses pulled from the Holy Book and the most seraphic smile on his face, almost as if his lips are intoning a blessing. He’s a Devil’s advocate in perhaps more ways than one, the destruction of Rome entire as one itinerant preacher once called him, and yet he luxuriates on wealth on top of the social pyramid, secure in his position and backed by the splendorous wealth made available by his family’s support.
Yet despite all this, despite possessing all the qualities of a man who could be—intelligent, charming, sociable, and ambitious—Giancarlo ended up being the man who isn’t, by some strange (perhaps cruel) twist of fate. With his dubious origins erasing any hope for a cardinalate, much less a chance for the Throne of St. Peter, he languishes in his role as a mere archbishop. As the years pass, he has turned bitter, cruel, recalcitrant—for what does a child do when they are given what they want?
They throw a tantrum.
What are some potential plotlines you are interested in pursuing?
I’ve inserted the little nuggets of the plotlines I plan to pursue on the blurb but to expand on it:
First is I am definitely very interested in making him a Cardinal and that is very much a thing he also wants for himself, even as much as he denies it and says he never wanted it anyway. It’s a way for him to rationalise the fact that, strictly speaking, his life didn’t go the way he wanted it to go, and so he subsists on the lie that his life (as it is right now) was what he always wanted—but ultimately, I do think that he’s still on the lookout for any opportunity to finally have the red robes of a cardinal.
Second is the state of Florence and of Italy as a whole. The blemish of the riots on the Florentines’ reputation is something that must be rectified—not even because someone died (after all, very many people die everyday) but because it sends the message that they are unable to control their own people. The Church as an institution that does much works of charity can be used to pacify the rebellious masses and perhaps turn them into the better angels that they haven’t been before. Meanwhile, Italy as a whole concerns him because they are still, ultimately, disparate nation-states with differing goals and ambitions. In a world filled with empires and hegemons, Giancarlo realises that the Italian peoples must unite—far better that it be headed, of course, by the Church or by Florence, but unity itself is non-negotiable. If the Italians do not want to be swallowed up by their neighbours, they must pool together their resources and make a stand for their existence.
Thirdly is the option of interfaith dialogue. Giancarlo is by no means perfect, but I do imagine he’s a touch more tolerant than most holy men are. He’s less a crusader and more of a diplomat, far too disillusioned to really believe in any cause of holy war. Entrenched in cynicism—usually a character flaw—he’s cognisant enough of the fact that humans are going to be shitty one way or another, and religion has almost no bearing on whether one is a good person or not. As such, I do think he has a lot of plotting potential for those characters following a different faith, and it’s fun to see how that might all play out.
three bullet-points.
Giancarlo di Gian Gastone de’ Medici is born a stain of shame. Birthed by a servant-girl and the man from whom his name marks out as his progenitor, he is kept by his father as a spare heir—only to be tossed away when a legitimate one finally comes. In this act, his father has taught him the harsh realities of life: one minute, you can have everything in front of you; the next, it all comes crashing down with nothing to show for it. He is left with no security save that which his father carved out for him: mastery of an abbey at twelve years of age and, from there, the religious life. There was nothing else for him. There is nothing else to him.
Giancarlo takes to the intellectual and monastic life quite quickly. His learning under humanist tutors in the household of his father has enabled him to take quickly to reading dense texts that speak of grand contexts. It helps that he is good with languages, and that he is friendly to everyone he meets. How bright his career would be, some would say, before adding: if only he wasn’t illegitimate. And so that stain of shame that adorned the Medici family history now mars his own future: he was always going to be a mistake, and the world will never let him forget it.
He is, by all accounts, a very disenchanted man who works himself through a façade of mustered charm gathered from who-knows-where with his mind an utter repository of Scripture and theological concepts. He can quote from Papal Bulls enacted centuries ago as easily as if they had been dictated to him just that moment; yet he always says it so drily that you’d think he’s mocking the words he’s citing. He’s in the habit of mentioning what kind of sins one is doing but always concludes it with a small note of how God is a forgiving God. He delights in the company of the wicked and the infamous; truly good people disgust him. He thinks God is present more in ugliness than any kind of beauty exemplified in art and song, and that He is dirt-covered, bloody and bruised, made with mulch and rot and diseased flesh. His God is filthy; it is only natural. We all fashion God into the form that would accept us the most.
character sheet.
FULL NAME :  giancarlo di gian gastone de’ medici TITLES :  
commander of badia fiorentina ( from 1420 - 1428 )
commander and rector of badia fiorentina ( from 1428 onwards )
metropolitan archbishop of florence ( from 1446 onwards  )
master of the sacred apostolic palace ( from 1450 onwards )
BIRTHPLACE :  florence, italian peninsula
AGE : fifty, b. 10 november 1407
LANGUAGES : fluent — italian ( tuscan ), french, ancient greek, latin, arabic, spanish, german, bavarian ; conversational — english, portuguese ; learning — ottoman turkish, farsi / persian
DYNASTY / HOUSE: house de’ medici
MOTHER & FATHER : unnamed servant girl & gian gastone de’ medici
SPOUSE : none
ISSUE : none
SIBLINGS : giovanni, lucrezia, and girolamo ( half-siblings )
OTHER : lorenzo de’ medici ( tbd )
ZODIAC : scorpio sun / sagittarius moon / scorpio rising
RELIGIOUS AFFILIATION : roman catholicism
ORIENTATION : bisexual biromantic ( with a medium to high preference for his own gender )
PERSONALITY TYPE : estj-a / choleric-sanguine / enneagram tbd / slytherin
VICES : everything
VIRTUES : knowledge can be and is a virtue but not with giancarlo, babyyyyy
FACECLAIM : jude law
HEIGHT : 6′1″ or 1.85m
RECOGNISABLE FEATURES : kindly-seeming blue eyes that speaks to unfathomable depths — look too closely, and you just might find yourself falling in them; an ever-present smile that can turn earnest or mocking depending on the conversation; a smug demeanour that you can’t help but feel that he thinks he knows better than you
REPUTATION IN PORTUGAL :  a famed master theologian but also a widely known libertine, giancarlo both attracts and repulses the whole of christendom with his easy smiles, his kindly-looking blue eyes, and the power of the storied lineage that has produced him. for all those who’ve had the chance to coalesce in rome—or perhaps even the italian peninsula—his name will revoke memories of scandalised whispers erupting from people huddled in corners as soon as they see him make entry into a room. portugal as of yet is a new frontier, not for reasons of lack of opportunity but due to lack of interest. after all, why stray from that eternal city whose glory is sung in ancient ballads and whose place in the world is the envy of millions? now that he is here, however, he is more than eager to make his mark.
WANTED CONNECTIONS :
i sought whom my soul loves — were giancarlo any other man, they could have been together, a couple enjoined in the warm embrace of love and unity; yet, alas, the Church has bound giancarlo to herself, and he is a weak and foolish man who cannot find himself able to stand up to anybody. ever since then, their meetings have been few and far between—but no less precious to giancarlo, no less treasured, no less sought for.  :::  (  open to anyone, preferably female but any gender can technically work !  )
a young deer on the mountains of Bether — arcadian idyll had been the theme of their shared years, wild and wandering, when responsibility had been a far off concept that seemed as foreign as greying hair and the yoke of adulthood. they frolicked in sun-kissed green-topped hills and ran as carefree as the wind. now they are old, both with their respective offices, and there is nothing else to them save nostalgia over lost innocence—if they had innocence at all.  :::  ( open to anyone of the same age range as giancarlo !  )
beautiful as the moon, clear as the sun —  a look at them and they’re like fourteen again, dumbstruck and awed, ashamed of his own lowly station and the stain of his origins—yet now they are old, and they have significantly more resources available to them now than they had before. giancarlo has always loved what he has thought is lacking within himself; he has always sought the true, the good, and the beautiful. he deludes himself into thinking he’s found it in god, but he is about to discover he’s wrong.  :::  ( open to anyone !  )  
with my royal people’s chariots — people have the propensity to think that giancarlo’s last name and relative wealth and status makes him the gatekeeper to the pope’s favour. he does not think himself as holding the keys to anything, but he lets other people do—mainly because it affords him the simulation of power the likes of which he only imagined as a child. of course, there is no real backing to the promises he says he’ll fulfil for them, but it is a merry show nonetheless and a piece of theatre that giancarlo’s keen to continue in lisboa.  :::  ( open to anyone who’s looking to curry favour with the pope !  )  
you who dwell in the gardens — there are many blooms in the garden of God’s creation and it is not a stretch to say giancarlo is absolutely besotted with the idea of experiencing all of them. this meet in lisbon might prove to be a more fortuitous moot than the one in florence, and he is always keen to start dialogue with any and all those who would like to exchange knowledge for knowledge’s sake, even those that the rest of christendom would not welcome.  :::  ( open to non-christian characters !  )  
the shadows flee away — giancarlo isn’t known for moderation and temperance; he has always been one driven to excess, and he has never toned down his appetites for the sake of any cause or person. he is a flit of a thing, a butterfly eager to sap the nectar out of any willing flower before moving to the next, willing to spill honey-laced words out of cherubic lips if that is what it took to mark one as his next conquest. in this, he has doubtless transgressed against many, and there are some whose memories run long and whose desire for correction would cover even those who are consecrated to God.  :::  ( open to anyone !  )   
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the-archlich · 4 years
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Recently finished this book.
It was extremely informative. Knowing little about the era (previously I only read Hibbert’s book on the Borgias and Turnbull’s The Art of Renaissance Warfare) I found it to be an excellent introduction to one of the families who drove the Renaissance. It provided a good overview of the events in Italy during the length of their personal dynasty and a thorough look at the individuals at the head of it.
Personally, I hate every single Medici. Cosimo and Lorenzo had some impressive personal qualities but there was nothing endearing about them. I warmed to their successors even less, who lacked their talent as well as any drop of charisma. Compared to the large than life Borgia family, they are men of weak character and filmy personalities. The wisest Medici stayed in the background, and that was for the best. Some were intelligent, most were foolish, and none were compelling. Much of their fortune was spent funding the efforts of far better men, and that’s all they were good for. They were tyrants who destroyed the republic of Florence and bankrupted the city before they were through.
Even so, while I find them all personally distasteful, I think it is impossible to overstate how much European culture owes them. They employed (and found work for) the greatest artists of the age. They built schools and universities, bringing education to new heights. They revived lost classics and gathered thousands of books from across the world. They patronized and protected scientists even after they were deemed heretical. And (through Clement VII’s ineptitude) they allowed the Protestant Reformation to flourish.
They were small men, but at least their money enabled the works of people infinitely greater. 
Also I can spell Renaissance now. So there’s that.
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phenomenist-blog · 5 years
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7. Regensburg, Germany
Regensburg is the original capital of Bavaria. It has the most preserved Old Town of any large Medieval city in Germany. Because of this, Regensburg is a legitimate candidate for the “most authentic German city.” 
Besides Augsburg, a second Roman city along the Danube has a destiny to also become one of the great Germanic cities. The city is Regensburg, which actually has an old Celtic name, “Radasbona,” a name that pre-dates Roman times. In 90 A.D., the Romans choose Radasbona as a site for a fort. It sits along the longest river on the continent, upon the Northern-most apex of the Danube. This position makes Radasbona vital to the Roman defense of the Northern frontier. Because of this, the Roman fort becomes a site of real importance, and by the second century A.D., Marcus Aurelius sees the need to upgrade fortifications. He also declares the fort a “city,” and gives it a new name: “Castra Regina.” This translates in German to “Regensburg,” and in English to “Fortress on the River Regen.”
Seated at the intersection of major trade routes, yet also far to the East of the other Roman cities of Germania, Regensburg is a remote but comfortable enough location for a regional capital to develop, and that is exactly what happens. The region around Regensburg become known as Bavaria, because of the Bajuwaren, a Germanic tribe that lives there. Still within Roman times, a Catholic bishop seat develops in Regensburg, and as Rome falls, the bishop-seat falls naturally into Germanic hands. By 530, Regensburg becomes the first and the official capital of Bavaria, a political role that the city plays for the next seven centuries, under the Agilolfing ruling family. Finally, by the eighth century, the Carolingian dynasty takes over the Germanic world, and they produce the greatest monarch in Germanic history: Charlemagne. He sends the ecclesiastical section of his General Assembly to Regensburg. For a time, this puts Regensburg center-stage in the theology of the day, because the city has the most-concentrated collection of bishops in all Germanic Christendom.
A key controversy of Christianity in the Low Middle Ages revolves around the Spanish heresy of Adoptionism: the claim that Jesus is not literally a God, nor a Son of God, until he proves his devotion, at which point the Father brings him into the divine family by adoption. While this heresy gains popularity in parts of Germanic territory, the central role that the Bishopric of Regensburg plays in its condemnation entrenches the city as a conservative Catholic stronghold, representative of the greater Germanic mindset of the time. This reputation significantly increases the power of Regensburg, and not long after this, when the descendants of Charlemagne partition their massive Empire into three large parts, they choose Regensburg to be the capital of the Eastern-most of these Imperial sections, in 843, under Emperor Louis the German. In other words, Regensburg becomes the second Imperial Seat of the Holy Roman Empire, the greatest Germanic State of all history. In the European order, this puts Regensburg on the same footing as either Rome or Paris, for a time. Of course, no Imperial Seat lasts for long in the tumultuous Holy Roman Empire. Suffice it to say that Regensburg is one of many co-capitals in the Middle Ages of Germany.
While Mainz is the true center of Germanic Christendom, Regensburg represents Eastern Germanic Christianity. Because of this, the city fulfills a uniquely important and unexpected role as bridge between the Germanic West and the Slavic East. A strong relationship begins in 845, when fourteen Bohemian princes suddenly arrive at the gates of Regensburg, in search of Western baptism. The baptisms occur at St. John’s church, in the Old Town of Regensburg, and this represents the official beginning of the Christianization of the Czech people. 
Structurally within Europe, this joyous occasion forges an intimate tie between the regions of Bavaria and Bohemia, a tie which lasts for all time. The Regensburg-Prague connection specifically develops when the Bishopric of Regensburg becomes the official mother to the diocese at Prague. This is how Czech lands come to forsake Eastern Orthodox Christianity and adopt Roman Catholic, and the partial “Westernization” of Czech Culture goes back to these roots. The incorporation of the entire Slavic Kingdom of Bohemia into the Germanic world is eventually a political reality, and like Regensburg, Prague is also destined to one day become one of the temporary seats of the Holy Roman Empire. Regensburg is thus a bridge between two worlds, East and West. Perhaps the city can thank the extremely long, Eastward-flowing Danube River, for making this cultural connection possible.
After Regensburg establishes itself as an early Medieval bulwark of Germanic religion and politics, the city also begins a new era of material and economic dominance in Europe, starting in the years 800 to 1000, when the population of the city nearly doubles to 40,000. At this point of the Low Middle Ages, Regensburg is the largest Germanic city, a status that lasts for over a century, until Cologne eclipses its population in the High Middle Ages. This puts Regensburg on a short list of alpha German cities throughout history.
Critically, in the twelfth century, mighty Regensburg changes the economic and developmental fortunes of the whole European continent, forever, when its architects finish the construction of the massive stone bridge that crosses over the previously-uncrossable Danube River. This significant accomplishment in Medieval design links South to North. Specifically, Regensburg links Italian cities such as the prosperous independent Republic of Venice with Germanic cities to the North, primarily Lübeck, the center of the Hanseatic League, the biggest trade union of the Middle Ages. Essentially, Regensburg is the central crux of a new era of European trade, even more impactful from an economic perspective than the East-West bridge that Roman Emperor Constantine originally builds across the Rhine, in Cologne. Regensburg has the most important bridge in Medieval history, and in historical context, its construction is so well-timed, that it literally corresponds to the booming rise of cities, across the entire continent. Before the Regensburg bridge over the Danube, there just are not that many cities in Europe. The importance of the stone crossing can hardly be overstated, and it still stands to this day, at the gateway of the city, an awe-inspiring structure that is structurally impressive as well as Classically beautiful.
Because of its North-South bridge, as well as its natural position along the East-West Danube, Regensburg becomes just as prosperous as Cologne, a model Medieval trade city. Regensburg also defines what is now the world-famous Bavarian culture of global commerce. In the thirteenth century, Regensburg becomes a Free Imperial City, or autonomous city-state, within the Holy Roman Empire. This status provides significant trade freedom that attracts several wealthy banking families, who happily make their residence in lovely Regensburg. These developments constitute the beginnings of banking in Bavaria, the region that becomes the center of all European banking when the families of Augsburg inherit the entire banking Empire of the Medici in Florence. To this day, Bavaria is the wealthiest of all German provinces, and that is thanks to the pioneering banking efforts of Regensburg and Augsburg.
In the Late Middle Ages, Augsburg eclipses Regensburg economically, and Nuremberg takes over as the capital of Bavaria. Because of this, official power abandons Regensburg until the seventeenth century. Oddly enough, in spite of its early and very powerful Catholic roots, Regensburg, just like Augsburg, defies the traditions of Bavaria as a whole and openly accepts Protestantism in the Reformation. That is, the people of the Free Imperial City of Regensburg become fully Protestant. However, the original Catholic Bishopric within Regensburg maintains its permanent seat, with its own autonomous status. This makes two cities, technically, within Regensburg, one Protestant and one Catholic. Only a very powerful city like Augsburg or Regensburg could fight the staunchly-Catholic tradition of Bavaria and become a “mixed” city of dual denominations. 
In addition, three separate Catholic churches attain autonomous status, within the walls of Regensburg. These are the beautiful abbeys of St. Emmeram, Niedermünster, and Obermünster. These three stand to this day as iconic symbols of the Medieval Old Town, and they assert total political autonomy, which makes them like three, miniature versions of the Vatican, within the walls of Regensburg. Some of the most subtle and beautiful views in all the city can be found in and around its church buildings.
Finally, in 1663, Regensburg enters back into the political conversation of Germanic Imperial Cities when the Imperial Diet of the Holy Roman Empire stops moving from city to city and finally comes to rest in Regensburg. This creates a new branch of government called the “Perpetual Diet of Regensburg,” and it represents an unprecedentedly stable form of Germanic Congress. It is essentially the foundation for any Modern notion of German democracy.  Because of this, Regensburg sits right next to Vienna in importance as a political city at the sunset of the Holy Roman Empire. Overall, historians consider Regensburg to be one of the four main capitals in the history of the Empire. 
While many great German cities tragically meet near or total obliteration during the Allied bombings of WWII, Regensburg, like no other city of comparable Medieval size, emerges incredibly lucky, with almost no damage to its Old Town. Then, as a continued twist of fortune, the economic hardship of the post-war environment proves so severe, within Regensburg specifically, that there is no effort to rush the construction of modern concrete buildings. Because of this, when conditions finally improve, Regensburg rises from the ashes of WWII with a surprise blessing: a weirdly, perfectly-intact Medieval city center. There is no other city like it. It is the most authentic large Medieval city in Germany to survive so well into the modern era.
Not only does Regensburg have the reputation as one of the most beautiful cities in the world, but any discussion of the “most authentic German city” would be impossible to take seriously, without it. No other city as powerful as Regensburg across so many eras of history presents such a well-preserved Old Town, undisturbed by war. How is it still standing? Such beauty, power and scope do not normally survive the tumult of Germanic history. A person could spend a lifetime in the city, exploring its cultural depths, and never exhaust the treasures, nor really even come close. It is one of the greatest cities in the world, where a seamless, uninterrupted timeline spans the Roman era through the entire Medieval Germanic era to the Modern, and that is precisely what makes the city such a fantastic place. A person who walks, bikes, rides the tram, or drives a car through the city will probably be shocked at how well a Medieval structure blends together with Modern practicality. Nobody who claims it as the “most authentic German city” would receive argument from anyone who know the city well. No wonder the entire Old Town has received protection from the UN as a World Heritage Site, an international recognition. It is a city that perfectly represents Germanic history.
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trainerfox25 · 3 years
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Civ 6 Highlander
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Nov 16, 2018 Civilization 6 new Civs - all new Civs in Rise and Fall and other Civ 6 DLC. Scotland Unique Unit - Highlander: Industrial Era recon unit with additional Combat and Ranged Strength, and another. Myles Horton discusses the founding of Highlander, 1979, Warren Wilson College, Digital Library of Appalachia. Police file on Myles Horton, Alabama Photographs and Pictures Collection, ADAH. Minutes for Planned Freedom School Meeting at the Highlander Folk Center, January 6, 1965, Lucile Montgomery Papers, WHS. The Skirmisher is a Medieval Era recon unit in Civilization VI: Gathering Storm. It upgrades from the Scout (or its replacements).
EthiopiaLeaderZara YaqobAbilitySolomonic DynastyUnitShotelaiBuildingRock-Hewn Church
More on this on Wikipedia:
Ethiopia is a modded civilization in Civilization VI, created by Sukritact.
History
Home to ancient empires dating back to the waning centuries of the first millennium BC, Ethiopia has a storied history driven by the rule of great kings and emperors. Bootstrap parallax template. As one of the few African nations to avoid the colonial ambitions of Europe, Ethiopia maintained its sovereignty into the 21st century, only briefly coming under Italian occupation for 8 years during WWII and its prelude.
Civilization Ability
IconNameEffectSolomonic DynastyMay purchase Settlers, Builders, and Traders with Faith. City Centers receive a Standard Faith bonus for each adjacent Hill and Mountain.
Civilization Unit
IconNameReplacesEffectShotelaiEthiopian unique Medieval era melee unit that can counter Cavalry units. Receives +7 Combat Strength when fighting in or next to home territory.
Civilization Building
IconNameReplacesEffectRock-Hewn ChurchTempleA building unique to Ethiopia replacing the Temple. Required to purchase Apostles and Inquisitors with Faith. +3 Production, this bonus increases to +5 Production if this district has a Worship Building. +1 Great Engineer point.
Civilization leaders
IconNameAuthorZara YaqobSukritactEzanaSukritact
Credits
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Civilization vi release date. • Sukritact - Author.
Login to Dropbox. Bring your photos, docs, and videos anywhere and keep your files safe. Collaborate with friends and clients in real time with a Dropbox personal plan. Learn more about our powerful sharing and security features. Get started for free. Dropbox.co.nz has been informing visitors about topics such as Dropbox, Share Files and Files. Join thousands of satisfied visitors who discovered File Share, Share Large Files and Access. Dropbox nz. Dropbox brings your cloud content and traditional files together with the tools you love—so you can be organized, stay focused, and get in sync with your team. With all your files organized in one central place, you can safely sync them across all your devices and access them anytime, anywhere. Dropbox is a modern workspace designed to reduce busywork-so you can focus on the things that matter. Sign in and put your creative energy to work.
External links
v·d·eSukritactCivilizations
Ethiopia • Siam • Swahili
Leaders
Al-Hasan ibn Sulaiman • Chulalongkorn • Ezana • Hadrian • Khosrow I • Lorenzo de Medici • Ramkhamhaeng • Senusret III • Zara Yaqob
TerrainsInfrastructures
See Full List On Civilization-v-customisation.fandom.com
Retrieved from 'https://civ6customization-archive.fandom.com/wiki/Ethiopia?oldid=3180'
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sydneytownsendx · 3 years
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Assignment 5:part 2
After researching Jenny Saville and finding out that her main reason for drawing plus size women is for the amount of skin, I was inspired to have a go at sketching some of my own playing with different mediums.
For my first sketch, I used oil pastels to try to mimic the texture of skin. I found this piece difficult to work with as my sketch is on a4, I couldnt add the detail that I originally imagined. I struggled to add definition to the face and resulting in blending the different shades with each other rather then using my fingers.
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For my second sketch, I used a black charcoal stick and I love the way this turned out! Eventhough it’s black and white and most of Jenny’s artwork is in colour; I feel as though this sketch most related to Saville’s work. To lay down the layers of shadows, I used my finger to rub the pigment into the paper in order to create a more realistic illusion rather then having harsh stroke lines.
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As I loved how the charcoal turned out so much, I decided to use coloured conte sticks for my third sketch. I didn’t want to focus to much of my time on the bikini as I wanted to spend my time focusing on the skin like Saville. I used 4 different shade in my set and used my fingers to blend the colours together.
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For my fourth sketch, I used 5 different colour brush pens and coloured in from dark to light to create the gradient of the skin.
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As much as I do like my sketches above, I feel like they don’t really tell much of a story. This then led me to look at another artist Tracy Emin.
Tracey Emin Research point:
Tracey Emin’s expressive and visceral art is one of disclosure, dealing with personal experience and heightened states of emotion. Emin’s practice includes painting, drawing, film, photography, sewn appliqué, sculpture and neon, all of which are transformed into highly personalised mediums for her singular voice. Rather then drawing something that she’s fascinated by like Saville; Tracey creates through emotion and experiences that she has either been through or is going through in that moment of time. ‘Emin makes reference to her family, childhood, and chaotic teenage years growing up in the seaside town of Margate. Her relationships, pregnancies and abortions are recounted through drawings, photographs, found objects and videos in a manner that is neither tragic nor sentimental and which resonates deeply with the audience.’ https://whitecube.com/artists/artist/tracey_emin
The two paintings below are figure drawings from Tracey Emin. The first piece ‘Terribly wrong’ is a drawing showing the horror that she went through having an abortion in 1994 after splitting with her ex. “She exhibited drawings, together with documentation and remnants of the events of this disastrous week in Minky Manky at South London Gallery in 1995 under the collective title A Week From Hell.” The second image is a painting ‘They Held me down while he Fucked me 1976’, 2018 is a painting that shows the movement in her imagination of another tragic event that she went through. ‘When Emin was 13, her 14 year girlfriend and her 19 year old boyfriend held her down whilst the boyfriend’s mate raped her. They thought she needed to lose her virginity not knowing that she had been raped four months before.’ https://200-percent.com/tag/tracey-emin-they-held-me-down-while-he-fucked-me-1976/
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Seeing how these two artists create figurative work for two completely different reasons defiantly opened my eyes to show me that the experience of art really is different for everyone.
I then wanted to dig deeper into researching art throughout time and how the figure has changed to do with factors such as culture, propaganda and fashion.
As much as i wanted to be able to research art throughout time for all continents, i focused on researching about European, African and Asian art throughout time.
Art throughout time Europe:
“European art history began with early mobile anthropomorphic carvings in the Paleolithic era, as well as cave paintings reflecting the natural world. Europe took a distinct turn from other regions with the rise of the Greek empire, and Greek classical art and architecture influenced later European art for centuries. The Christian church influenced much of medieval art until the Renaissance, when a revival in classical ideas turned artistic attention to humanistic themes. Subsequent artistic movements were alternatively progressive and conservative, typically developing as reactions to previous movements.”
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https://www.softschools.com/timelines/european_art_history_timeline/366/
In the 1400’s the renaissance period started. During the Renaissance period art was used as a religious tool to help people who could not read and write to understand the bible. Most artworks, particularly paintings, contained symbols or icons which held extra meaning. Some of the most recognizable Renaissance symbols were embedded in paintings by using imagery of animals, flowers, fruits and many other symbols. The use of color was used as well to give a certain meaning to paintings.
Colours: The symbolic meaning of the following colors is not directly related only to the Renaissance period. Their meaning has been rather universally accepted. Red denotes excitement and intensity, Pink stands for feelings of tenderness, Yellow symbolizes joy, happiness, optimism, Blue reflects peace, tranquility. Green represents nature and health, White stands for purity and cleanliness, Black represents power, sophistication formality and death.
Animals: Serpents and snakes indicate the reason for the fall of mankind or something evil, the Swan symbolized purity, Dogs had a double symbolism of fidelity and seductiveness, Rabbit was a symbol of purity and fertility, Birds had several meanings which represented sacrifice, resurrection, the soul, and death, Butterflies were indicative of resurrection, the Ox represented calmness strength and humility, Dragon stood for Satan or devil, Lion for the resurrection and also courage, Cats represented lust, desire, treason shrewdness and treachery, the White Horse was a symbol of victory, lamb stood for peace, and innocence, Unicorn was a symbol of purity and harmony, Wolf symbolized compassion,
Flowers: A red Carnation was a symbol of love and pink carnations, symbol of marriage, a white Lily was the flower used as the emblem of the Virgin, Orchids represented jealousy and deceit, Rose symbolized the Virgin Mary, the meaning of Tulips was wealth and prosperity, a Lily represented purity, virginity, the Iris represented spring, the Lavender was desire and the Dandelion was a symbol of innocence.
Fruits: The Pomegranate stood for desire and eternal life, the Apple represented evil as in the forbidden fruit of Adam and Eve, a Pear meant marital faith. The Strawberry stood for harmony. Peaches symbolized virtue and honor. A rotting or half-eaten peach symbolized an immoral woman who has tarnished her reputation. Orange was the symbol of free will, the Lemon was symbolic of a bitter heart or a sour disposition. Grapes signified lewdness and lustful thoughts.
Other symbols: A depicted Garden represented paradise, Key stood for many things mainly access to heaven or knowledge, the Mirror had many symbolic meanings such as prudence, clarity, and fidelity or vanity and introspective nature, also truth and objectivity by reflecting a precise image, the Boat mainly associated with Christian symbols, was symbolic means of transport along a spiritual path, an Open book as expected, signified education or knowledge, the Lute was symbolic of a romantic love, the Hourglass symbolized the passing of time, Bells were a sign of clarity and transparency, a Sword and arrows were martyrdom, Trees represent spiritual nourishment, triumph over temptation.
The renaissance period produce innovated thinkers and artists such as Michelangelo, Raphael and Leonardo da Vinci. Art during this time is known for its realistic scenery, linear perspective and its innovative light and dark shadowing.
Italys intermingling of maths, science and art led to the discovery of perspective in the arts. Perspective was an achievement that allowed new space to be configured in a painting and meant that images were now mathematically accurate with dimention and depth. This meant that art started to appear 3D rather then 2D. Two examples of this are shown below.
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The painting above is ‘The Coronation of the Virgin by Agnolo Gaddi’. Eventhough the painting is extremely detailed with a great vibrancy of colour; the lack of linear perspective makes the painting appear 2D. This painting is believed to have been painted around 1370 which was just before the idea of perspective really got explored.
A great example showing perspective during the Renaissance is ‘The school of Athens by Rafael’ painted in 1508. As you can see in the painting below; the piece appears 3D and as if the canvas is literally protruding backwards with the room. After comparing the two, its safe to say that from 1370-1500’s; the fashion didn’t change much but the skill and knowledge behind a painting dramatically changed.
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During the Renaissance period, the church was one of the most powerful and wealthiest institutions in Italy. This meant that church’s were able to commission artists to create sculptures and architecture. Christian saints were painted and sculpted to replace the Byzantine mosaics and murals. Artists began incorporating and fusing the Christian iconography with the Greek and Roman symbols and imagery.
Another factor which influenced artists during this period was the Medici family. ‘The House of Medici was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the first half of the 15th century.’ The Medici needed images, particularly portraits, to establish their power. They used portraits as a propaganda weapon. Artists would use the symbolism as mentioned above to get across the message that the family wanted. The portrait below of ‘Eleanor of Toledo painted by Agnolo di Cosimo (also known as Bronzino) shows the use of symbolism very well. ‘The portrait is of Eleanor of Toledo with her son Giovanni in 1545. It is considered to be the first state portrait to depict a rulers wife with his heir. The painting was made to demonstrate the wealth, domesticity and the continuity of the Medici family.’
The first colour that hit me while studying this picture was the royal blue background surrounded by the black shadows. Blue represents peace and tranquility while black represents power and sophistication in this case. Eleanor is also draped in a black, white and yellow patterned dress which is showing how she herself is powerful, sophisticated, happy, optimistic with purity and cleanliness. Eleanors infant child is dressed in mainly blue with a golden shimmer with white frills insisting that he is also peaceful, happy and pure. Both Eleanor and her son have very pale white skin with a blush of pink on their cheeks. Not only would white skin represent purity and cleanliness but it also screamed wealth. In the past, most people of European decent worked outdoors, so only those who were rich enough to stay inside were pale. Paleness was exclusive, and therefore fashionable. The blush of pink on their cheeks creates a feeling of tenderness and kindness. In total the propaganda painting below screams that the family are full of harmonious and power and wealth.
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itunesbooks · 5 years
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The House Of Medici - Christopher Hibbert
The House Of Medici Its Rise and Fall Christopher Hibbert Genre: History Price: $13.99 Publish Date: July 17, 2012 Publisher: William Morrow Paperbacks Seller: HARPERCOLLINS PUBLISHERS It was a dynasty with more wealth, passion, and power than the houses of Windsor, Kennedy, and Rockefeller combined. It shaped all of Europe and controlled politics, scientists, artists, and even popes, for three hundred years. It was the house of Medici, patrons of Botticelli, Michelangelo and Galileo, benefactors who turned Florence into a global power center, and then lost it all. The House of Medici picks up where Barbara Tuchman's Hibbert delves into the lives of the Medici family, whose legacy of increasing self-indulgence and sexual dalliance eventually led to its self-destruction. With twenty-four pages of black-and-white illustrations, this timeless saga is one of Quill's strongest-selling paperbacks. http://dlvr.it/R10DD7
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Five Interesting Nonfiction Books
1. Gomorrah: A Personal Journey into the Violent International Empire off Naples’ Organized Crime System, by Roberto Saviano
“This true story about the underground economy of Naples is impossible to put down–you’ll get a stark look at the place with the highest murder rate in all of Europe. Gomorrah is bold, heroic–and true. To prove his point about the immoral, toxic environment in Naples, Saviano becomes an assistant at a Chinese textile manufacturer, a waiter at a Camorra wedding, and a worker on a construction site, bringing you the shady underbelly in Naples you might have pictured in your wildest imagination, but have never seen.” (barnesandnoble.com)
2. Catherine of Siena by Sigrid Undset
“Her meticulous research of medieval times, which bore such fruit in her multi-volume masterpieces Kristin Lavransdatter and The Master of Hestviken, acquainted her with some of the holy men and women produced by the Age of Faith. Their exemplary lives left a deep impression upon the author, an impression Undset credited as one of her reasons for entering the Church in 1924. Catherine of Siena was a particular favorite of Undset, who also was a Third Order Dominican. An extraordinarily active, intelligent, and courageous woman, Catherine at an early age devoted herself to the love of God. The intensity of her prayer, sacrifice, and service to the poor won her a reputation for holiness and wisdom, and she was called upon to make peace between warring nobles. Believing that peace in Italy could be achieved only if the Pope, then living in France, returned to Rome, Catherine boldly traveled to Avignon to meet with Pope Gregory XI. With sensitivity to the zealous love of God and man that permeated the life of Saint Catherine, Undset presents a most moving and memorable portrait of one of the greatest women of all time.” (Amazon.com)
3. La Bella Figura: A Field Guide To The Italian Mind, by Beppe Severgnini
“Your Italy and our Italia are not the same thing,’ promises Beppe Severgnini, who can offer you practical advice on everything in his country from the people to the bathrooms–that’s practical stuff. Other books about Italy offer idealistic dreaminess, fueling your romantic notions of the place. But in this book, Severgnini gets real.”  (barnesandnoble.com)
4.The House Of Medici: Its Rise And Fall, by Christopher Hibbert
“It was a dynasty with more wealth, passion, and power than the houses of Windsor, Kennedy, and Rockefeller combined. It shaped all of Europe and controlled politics, scientists, artists, and even popes, for three hundred years. It was the house of Medici, patrons of Botticelli, Michelangelo and Galileo, benefactors who turned Florence into a global power center, and then lost it all.”  (barnesandnoble.com)
5.Saints and Sinners: A History of the Popes
“This book encompasses the extraordinary history of the Papacy, from its beginnings nearly 2,000 years ago to the reign of Pope John Paul II. Abundantly illustrated, it will fascinate anyone wishing to understand the history of the Catholic church, as well as anyone with an interest in the ideological, political, and cultural forces that have shaped the modern world. This new edition covers the unprecedented resignation of Benedict XVI and the election of the first Argentinian pope.” (Amazon.com)
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