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vidavalor · 3 days

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Hello! Would you like a chocolate chip cookie? And if you have an opinion on it can you share why you think that Aziraphale never calls Crowley by his first name when it's really romantic? Thank you!

Thank you for the cookie and the ask. *noms* They're both delicious.

Aziraphale explained in 1941 in what situations he'd be willing to deviate from his normal, fond use of "Crowley" and give Crowley's (very romantic-- Aziraphale loved it) first name a go:

To get used to something is to grow accustomed to it. That's the surface layer of Aziraphale's response to Crowley in 1941 but the innuendo is that he's telling Crowley he's willing to "get used to" Crowley's new first name-- meaning, that Aziraphale is willing to call Crowley "Anthony" in bed.

It's also a bit more romantic a line if you factor in some of the etymology of 'use'/'used' as well as look at how Aziraphale's use of it also connects to wordplay with several other words (brook and bad) and in other scenes in the series (1827 and 2008) as well. More on that under the cut.

Used: from the Latin usus (yes, 2x us-- cute, huh? ) and the Old French us (the French just kinda decided one 'us' was enough to describe what 'us' is, apparently.) It developed from there, predominantly through Old French, into user and the concept of to use. So, long story short, the idea of using something is derived from the concept of 'us' as being a group of more than one person, which adds a bit more of a sense of romance to using the word 'use' in a sexually euphemistic sort of way (at least it does in the context of 'use' being used by two word nerds lol).

To use: original meanings, many of which are still, well, used... to frequent, to practice, to make use of, to enjoy, to apply, to consume. The word replaced the Old English verb brucan in this way. Brucan meant to brook something, which is an old-fashioned way of meaning all of these: to eat with someone; to use; to possess; to endure (to last); to cohabit with; to need; to enjoy.

We heard Aziraphale throw 'brook' into a sentence to Crowley in S2 in 1827, still thinking he had enough time to be flirting with Crowley while discussing the morally right position to take but Crowley felt Wee Morag dying in the process. Maybe not the most cheery example of Ineffable Husbands flirt but it ties linguistically to 'used' and shows a history of Aziraphale using the two words as innuendo:

Used might seem on the surface to be a slightly vulgar way to refer to sex but its etymology, as we can see here, is more romantic and also ties to the food theme of Crowley and Aziraphale's language as well.

The words-within-words of Ineffable Husbands Speak is the first rule of it-- and also the (pardon the bird pun) cardinal rule of language in the show, in general. This is off of the first shot of the show being the word 'war' being shown to us as within the word 'warning'. The word that lives inside used is us.

Crowley is using (ha, unintentional pun, sorry) us/used as recently as in 2.06, even if Muriel has no idea what it means. Crowley doesn't trust that the Inspector Constable isn't going to report to Heaven what they see in the bookshop once they leave so he is actually speaking aloud an intention to take Aziraphale to boozy breakfast in an effort to hide the fact that he's actually thinks they're in massive trouble and need to work out a plan. Everything he's saying, though, as with a lot of what he says to Muriel in general, is in his and Aziraphale's language, mostly for Crowley's own amusement, so this bit below is as much Ineffable Husbands Speak as "extremely alcoholic breakfast at The Ritz" is:

"When Aziraphale does come back, I think we need a little us time."

Us Time = Muriel, that's when all house guests need to get gone because Antony and Cleopatra need to use the fuck out of each other...

...but going back to brook for a second?

We looked at brook as a verb, right? What it means to brook? But the common way we use the word brook now is in its other meaning as a noun-- a brook is a stream. It's a body of water and it houses fish. If you've seen any other post I've made about Ineffable Husbands Speak, you've probably seen that we can see that fish and everything nautical/the sea/ships/etc. is rooted in Aziraphale's oysters innuendo in Rome when they started sleeping together. They use references to fish as euphemistic for the sexual experience and, in particular, orgasm. The sea as sexual metaphor isn't exactly new (those "crashing waves" are in many a book lol) but Crowley & Aziraphale have turned basically anything related to the sea into sexual innuendo across several scenes.

If there's a pun to be had, Crowley & Aziraphale have found it, and one of the more amusing ones is a word where fish/the sea crosses into Heaven/Hell-related words-- and that's in damned. To be damned is to have been cast to Hell but within damned is the word dam. A dam is a natural or manmade barrier that exists to stop or redirect the movement of a body of water. As Ineffable Husbands Speak innuendo, being damned would then seem to be at least one of, if not both of the following: to be to be restrained in bed (something which several different scenes suggest Crowley periodically enjoys) and/or a reference to repeatedly stopping prior to an orgasm aka edging (also something which the language in several scenes suggest is an Ineffable Husbands favorite past time.) More than likely, it's probably the two combined.

From here, go to the innuendo that ends the 2008 minisode in 1.01, when Aziraphale says: "Well, I'll be damned" and Crowley replies, with a wink:

😂😉 Bonus etymology because it adds something to Crowley's above flirt:

Bad: From the Old German baeddel, which meant hermaphroditic, a word that's a bit outdated in our modern use of language but which is of historical relevance to being intersex and is rooted in the Greek god Hermaphroditus-- the intersex child of Hermes and Aphrodite, the goddess of erotic love. (It's Aphrodite who is the root of the word aphrodisiac and who was frequently depicted in art on the shell of a scallop or an oyster.)

Hermaphroditus was one of the Erotes, which were the ancient Greek gods of love and sex. When they're referred to in Roman art and literature, the Erotes are called "Cupids." In the 18th century, a French novelist popularized a rebranding of sort of Asmodeus as a Cupid-like figure and Crowley didn't exactly deny that he's Asmodeus when Aziraphale suggested so in the Golgotha scene. There is also the Cupid statue in the bookshop-- seen in the same scene in S1 where Crowley flirts with Aziraphale by using "bad" and "used." (It's visible in the earlier part of the scene, when Crowley is still drunk and walking around.) The Cupid sculpture is angled so that it is aiming its arrow at Aziraphale's desk. 💘

There is also that, in 'Demon's Guide to Angelic Beings Who Walk the Earth' (the book Furfur has in 1941), Furfur has written a note to remind himself not to trust Crowley because, among other reasons: "his hair is bad!" The joke is that Furfur doesn't know just how true that is (or see the irony because Furfur's hair is also a pompadour of sorts lol.) Crowley's hair is always in a variation on the pompadour-- a hairstyle throughout history, worn by everyone from society ladies to Elvis. Crowley is bad, indeed, and it adds a bit of self-referential-ness to the "it's not so bad when you get used to it" wordplay that suggests Aziraphale's own history with being damned-- even though he's still an angel in 2008. 😉

#ineffable husbands #aziracrow #good omens #crowley #aziraphale #good omens 2 #good omens meta #crowley x aziraphale #ineffable husbands speak #etymology

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journal-three · 9 months

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I feel so stupid saying this but Staged is genuinely an AU Crowley and Aziraphale.

I've seen comments saying it and went "that's stupid stop projecting" but I've watched 2 seasons and it. actually is.

#okay not entirely ofc. they're different #but there's so many similarities #David calling Michael 'unintentionally funny'#david refers to them as an 'us' in a very intentional way #david talks about the nine circles of hell #somehow these are all david.#paige? i think? i forget her name so sorry. fleabag actress. describes Michael as an angel #their houses?? even look like Aziraphale and Crowleys????#i see why they say they like these characters so much #bc their charicature of THEMSELVES are them.#staged is what happens after season 3 but aziraphale can now be pissed off and crowley can be sad.#okay ill go be mentally ill elsewhere #good omens #staged #my shit #im telling you to watch staged.#also its very meta and genuine literal good omens references are made occasionally.#oh and of course the whole premise is 'what if David Tennant and Michael Sheen were gay married' so #stole the good omens tagline really

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tsilvy · 6 months

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"Crowley doesn't have Gabriel. Where would he put him?" says Aziraphale talking to Shax.

Where would he put him?

He knows. HE KNOWS. He knows that Crowley doesn't have a house anymore. That he's living in his car. But he hasn't said anything because he hasn't yet fathomed why Crowley wouldn't say anything. And he's trying to change that, too.

"You like waiting inside." Subtle, subtlest way to tell him that he knows, he understands, has noticed the telling signs. And he's saying it's very much okay for Crowley to keep staying in, whenever he wants, to consider the bookshop his place even when Aziraphale is not around.

The whole "our car", "our bookshop", "we both got plenty of use out of it". Look, I know what the common speculation about the plenty of use is, but realistically? He's heavily implying that Crowley, too, needs the bookshop. Not likes, needs. Let's spell out the analogy: I need your (our) car because I don't have my own car, the same as you need my (our) bookshop, which is my house, because you don't have your own house.

He's been dropping hints right and left that he already knows anyway, and that it's okay to ask, he'd totally say yes. And even if Crowley doesn't ask, it's still okay. He's saying yes already.

And I marvel continuously at the complexity of the character that is Aziraphale, because he can be the most infuriatingly callous bitch in the world, and then in the same breath he can be this sensitive, gentle, emotionally intelligent person who really, really loves Crowley more than he could ever put into words.

#whether crowley manages to read between the lines i'm not sure #but that's not the point really #because he has his own safety reasons for not asking #so even if he understands that would still not happen imo #not yet at least #good omens #good omens s2 #good omens season 2 #meta #aziraphale #crowley #my meta #my stuff #crowley's flat #or lack thereof

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createserenity · 6 months

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Silliness and why it’s important

Crowley and Aziraphale are so silly and it’s something I really love about them and it’s something I think is really important to them because they can be silly with each other in a way they can’t with anyone else.

Both of them are silly – Aziraphale displays this side of himself much more readily and more often than Crowley does, but Crowley is silly too. Even present day Crowley who often seems to get labelled as dark and jaded and traumatised is actually still really quite silly.

Quick note - this post is part of a series which contains my opinions on Crowley and Aziraphale’s relationship dynamics. I already wrote one on what they ask of each other (click to read it!). This one is silliness, by which I mean the funny things they do to amuse themselves and each other and also to a lesser extend the times when they are just a bit weird, because they are both slightly bonkers sometimes, for no other reason than they want to behave like that.

(By the way, if you make it to the end of this post without the word silly becoming, well, silly, then I applaud you!)

Why is being silly with each other important?

Can you imagine them being silly with any of the other demons or angels? There’s no way Aziraphale could display his silly side in heaven, the archangels are serious and wouldn’t understand the silliness, they’d just think Aziraphale was mad. Same for Crowley, the demons of hell just wouldn’t get it, they’d be scornful or dismissive at best, and also probably think he was mad (in fact we know they would because Aziraphale later utilises this idea when they body swap). In addition for both of them silliness around humans is something they can and do indulge in, but they don’t get a lot out of it because humans probably just think they’re a bit odd. Aziraphale for example isn't as socially unaware as he first appears, unless he’s playing a character (for example when he’s the magician or reporter), he tends towards being basically affable around humans, because that’s the sort of persona he wants to cultivate. Crowley generally wants to look suave so silliness around most humans is out for him too. It’s not that they are never silly around humans (see 1601 for just one example) but usually they aren’t. That leaves them with each other.

Crowley’s silliness

Taking them one at a time, let’s look at their silliness and what it says about them. I’m starting with Crowley because his is less obvious. Crowley doesn’t seem to be super silly at first glance. His silly streak is overshadowed by Aziraphale’s and also his tendency not to smile and be so overt whilst doing silly things. It’s partly why he looks like he’s lost a lot of his joy in life, but I’m not so sure that’s true. Crowley is optimistic and continues to be optimistic right up to season two – he also continues to be silly.

Let’s look at some examples of Crowley’s silliness through the ages:

Firstly angel Crowley is obviously a bit inclined towards the ridiculous – look at the weird and wonderful noises and faces he makes whilst creating the nebula. Aziraphale is utterly charmed (and so are we all).

Next another obvious one – Bildad the Shuite. This whole persona is just silly. From the odd facial hair to the weird things he does, Crowley is just having quite a lot of fun here. His ridiculous summarisation of the permit (“hugs and kiss, God”), more weird noises and faces as he fireballs the goats, his over-exaggerated setting everything aflame in the house (here some of his silliness is for a different purpose – to test Aziraphale’s trust in him), and then ending with his farcical cobbler/obstetrician doing a fake child-birth, complete with ridiculous over-acting for the benefit of the angels. For a lot of the Job incident Crowley is indulging his own silliness for a serious end.

After that we have to skip right to 1826 for the next bout of blatant silliness on Crowley’s part. For a start he’s ricocheting through Scottish accents, sometimes changing from one sentence to the next. He’s having fun with the persona he’s created for himself and he really doesn’t care who notices. He also banters with Aziraphale, Elspeth and Dr Dalrymple here in a way I really love, “bet you left your loom on your farm!”, “more murders, I’ll drink to that!”

There’s a lot of silliness in 1941 and I really don’t need to list it all – the middle name that’s just a J, the weird American accent, his very genuine laugh of delight at the snakes in a can trick, and more. This isn’t a demon that’s so jaded he isn’t still having fun.

So then we get to the modern day. There’s limited opportunities for super overt silliness because the situation is serious in both seasons, but there’s still some there:

In series one instead of miracling the guy with the paintball gun to sleep he literally turns himself into a monster and then declares “that was fun!” It’s ridiculous behaviour if you think about it, but Crowley enjoys himself.

The way he drinks the coffee in S2E1. Seriously. Why does no one talk about this? He gulps it down and then hisses/pulls a really stupid face. Maybe it gets overlooked because it’s sort of a bit sexy too, but honestly, it’s pure ridiculousness and he knows it.

From this point on Crowley’s silliness tends towards being more quiet silliness, rather than over the top silliness like Aziraphale’s is (with one notable exception). In the pub scene he orders the drink with a joke about Aziraphale, and then proceeds to intimidate Mr Brown in a not at all normal voice. He later asks Nina stupid questions about awnings and sudden rain – he must know these are silly questions from her perspective, but he does it anyway because he’s got a plan and he’s just a bit daft and doesn’t mind appearing weird around humans if need be. Later in the bookshop he throws the books around – honestly he could just place them down, he will know he’s being silly when he chucks them all over the place, but he does it anyway. In between this we have Muriel, which is a delightful moment of them both being a bit silly together at Muriel’s expense, except they’re both really quite kind about it as well. Then we get the exception - in the magic shop he dons a fez and messes about with a crystal ball – really do I need to say more about how obviously overtly silly this is?

I’m sure I’ve missed plenty of other examples as well (I've not even mentioned how silly the apology dance is!), these are just the ones I can think of right now.

So all this to say that Crowley is silly and most of his silliness is when he’s around Aziraphale. We as the audience don’t see Crowley being super silly very often, but we can extrapolate from what we do see that throughout the history we don’t see he must display his silly side to Aziraphale reasonably regularly. The biggest piece of evidence for the idea that Crowley is a lot sillier than we tend to see him is when we glimpse him through Aziraphale’s eyes. We know he sees Crowley as someone who does funny things and that this is something Crowley continues to do right up to the present day because when they body swap and Aziraphale takes his place in hell what are the two main characteristics of Crowley that he plays up? Sarcasm and silliness.

So what does Aziraphale think of Crowley’s silliness? Well, he doesn’t actually react much to it (see later for one reaction he does tend to give). He definitely seems to expect it though, he takes it as a given part of Crowley’s personality and I think we can safely assume he likes it, since he likes Crowley. Is Crowley aware of his own silly streak? Absolutely. How do we know? Again because of how Aziraphale sees him. The first thing he tells Crowley about on his return is how silly he was: “I asked them for a rubber duck!” and Crowley laughs along with him, delighting in the silliness of it all. This reaction is a tacit acceptance of what Aziraphale has done yep, that’s totally the sort of thing I would have done, angel, I know I’m sometimes silly like that and I’m delighted that you see that and that you are also silly.

Aziraphale’s silliness

Aziraphale’s silliness is so overt that I’m not even going to list examples of it. We all know how silly Aziraphale is, right? We’ve all seen his stupid behaviour in the magic shop and his daft attempts at speaking French because he’s somehow wiped his ability to speak proper French from his memory (anyone got a meta about how he’s achieved this because I don’t think it gets enough attention?)

Basically Aziraphale is quite often as mad as a box of frogs and Crowley adores him for it. Sometimes he teases him about it, but a lot of the time he doesn’t even do that, he just shakes his head a bit and looks at Aziraphale like he can’t believe what he’s hearing or seeing and like he thinks Aziraphale is absolutely insane. This is a massively important part of their relationship dynamic. Aziraphale is silly and Crowley fake rolls his eyes at him – it’s what they do.

Why is this so important? Well firstly Aziraphale’s silliness is something that he gives to Crowley. And he only gifts it to him after he starts to trust him – Aziraphale’s silliness is a symbol of trust and Crowley knows it. If you made a graph of their silliness around each other through time then Crowley’s would stay fairly consistent, maybe even drop off a bit, (as he gets more worried about their situation), but Aziraphale’s would be a massive upward curve probably starting sometime around the arrangement (which is around 1020AD according to the book). This is another reason Crowley falsely looks super morose and jaded by S2. At the beginning of their relationship Crowley is the only silly one and he’s overtly silly fairly often (and probably this continues in meetings we don’t see), whilst Aziraphale is anxious and serious a lot of the time (there’s no real silliness from Aziraphale during the Job incident) because he’s struggling with his own morals and his own place in relation to heaven and God’s will.

Over time though he starts to trust Crowley and once he does he unleashes the silliness and this becomes a basic part of his personality. For the audience 1601 is the first time we see this, but it’s clear by that point that Crowley knows he’s silly and isn’t surprised by it. Once Aziraphale starts being silly around Crowley he does it with increasing regularity and by the time the events of S2 come around he’s silly so often and so wildly ridiculous about it that it makes Crowley look serious and maudlin by comparison (even though he’s more-or-less maintained his original silly streak at least up to the point where he drinks the coffee).

The second reason this is so important is linked to the first. Sometime after Aziraphale starts being silly this becomes how they flirt without flirting. Aziraphale is silly and it delights and surprises Crowley (surprises in terms of he doesn’t know how Aziraphale is going to be silly today, he’s not surprised by the fact that he is silly).

We see this in 1601 with Aziraphale shouting inappropriately silly things to Hamlet and looking at Crowley whilst doing it. He’s offering Crowley his silliness as a sign of trust and something more, the subtext is, You know how to be silly, I’ve seen you be silly, I know you love silly things and I’m silly too. Crowley reacts with a look we will see from him a lot in the future, you’re being ridiculous angel. He knows it’s silly, he knows Aziraphale knows he’s silly and he knows why Aziraphale is doing it. He doesn’t laugh though because they’re already on their way to established roles in their relationship, Aziraphale is silly and Crowley rolls his eyes at it whilst secretly delighting in it (it works the opposite way too – see the fez scene where Aziraphale is the one who reacts, you can just see the start of a, “seriously, what are you doing, Crowley?” expression before the camera cuts away to Crowley’s mad moment).

The dynamic later evolves into more overt flirting. By the time Gabriel turns up Aziraphale is very definitely using his silliness to flirt. The car scene (which I’ve written more about in another post) is the most overt example of this. Crowley isn’t being walked all over here, he’s playing up to Aziraphale very obviously flirting to get his own way, and by doing so is encouraging him to keep doing it. Aziraphale starts the scene off being silly about the clue and “investigating” because he knows Crowley likes it, and then he ramps up the silliness with his voice and hand gestures the more Crowley reacts with grumpiness and refusal. That this is all an act becomes very obvious when it continues inside after Crowley has removed the plants from the car. Clearly the car borrowing is already happening at this point but Crowley continues to protest and Aziraphale continues to flirt over the issue, right up until Crowley playfully pulls the car keys away from him at the last second and turns the tables by indirectly flirting with Aziraphale via his conversation with Muriel.

One interesting question here is, do they even know they are flirting? And you know what, I’m not entirely sure. I doubt they’d describe it like that to an outsider, but what they do understand is the effect their actions have on the other one, particularly Aziraphale. He knows flirting-using-silliness is a good way to get his own way on minor issues and Crowley, possibly sub-consciously, but definitely willingly, falls into his role in that dynamic providing it’s something he feels he can give (see my other post for more on that).

So is Crowley jaded by life in season two?

Tricky one! I can see some evidence of it and I do think he’s drifting a bit aimlessly this season, with no real home, no direction and feeling generally a bit lost about his place in the world. But I also see him being quite silly, sarcastic and generally amusing throughout the season as well, and he’s definitely still enjoying Aziraphale’s silliness, right up until the ball when Aziraphale won’t listen to him because he’s too busy being giddy. Also though he literally shares a joke with Mrs Sandwich when he’s rescuing the humans from the demons and he laughs in delight when he finds out Aziraphale has blown up his halo. He’s fed up about some things, but he’s not so fed up that he’s completely lost his sparkle.

Why does Crowley seem different though? Well, Crowley, whilst definitely very much inhabiting the ‘thin dark duke’ persona in the present-day scenes, still retains a lot of his sense of humour, it’s just changed over the years. He’s more likely now to channel his silliness into sarcasm, which makes total sense – he tends to keep up with the modern world a lot more than Aziraphale does and he’s lived in Britain for a very long time and British humour is very inclined towards sarcasm, which is basically a more grown-up form of silliness. Crowley hasn’t become jaded, he’s adapted his humour to the modern British world, but also still retained some of his original inclination to just behave in bizarre and unpredictable ways (Coffee drinking! Fez wearing!) He also doesn’t need to be as silly himself now because he’s got Aziraphale, who is more than silly enough for the both of them, and Crowley loves him for it. “I say something brilliant, he says something unintentionally funny. It’s great!”

Conclusion?

Yes, sort of! The whole thing can basically be summarised by something @ineffabildaddy said in response to my previous post. “Aziraphale and Crowley don’t just love each other, they like each other, too.” They haven’t hung around each other for 6000 years and fallen in love against their will because it’s fate or some nonsense like that – they liked each other first. They’ve always liked each other from the moment they met as angels and they have grown to like each other more at every meeting since. They like each other’s personalities, conversation, sense of humour, silliness and so much more. These are the things that bind them together.

We the audience only see their big moments, times when something happens that pushes their relationship forward (1941) or changes their sense of who they are (Job). In S1 we see them face a huge challenge together and come out the other side. What we don’t see and so what we can sometimes forget as the audience is that there is a massive amount of time in their history where these things weren’t happening, where they just met up and had normal conversations and hung out because it was fun for them to spend time together. To spend 6000 years hanging out together and still be able to find the other person interesting and funny and just generally worth being around is pretty impressive and show just how strong their relationship really is. I hope that no matter how big and dark things get in season three that we at least get some chance to watch them be silly together some more, I think they deserve it after all they’ve been through!

#good omens 2 #good omens #good omens meta #ineffable husbands #ineffable fandom #crowley loves aziraphale #aziraphale loves crowley #silliness #love #aziraphale #crowley

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pinkpiggy93 · 9 months

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Good omens and the lost angel: a bit tipsy even before the party

Gabriel and Beez receive invitations to Aziraphale and Crowley house party, it’s only natural they would look for a fitting gift for the old ineffable husbands, but Beez finds out that Gabriel would sometimes recall something he himself doesnt remember. Things are starting to unfold.

On the other hand, Aziraphale and Crowley are starting to realize what does taking in 7 cats means, and I’m drawing this based ln my real life situation 😂😂😂😂😂

Also please leave a like if you enjoy my story and follow if you want to see more of my work, it would help me a lot and boost my mood and I can make more comic dor you guys to see :3

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#good omens fanart #good omens #crowley #aziraphale #otp: ineffable #ineffable husbands #pinkpiggy93 comics #pinkpiggy art #go and the lost angel

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actual-changeling · 5 months

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i think it's hard to understand the level of betrayal crowley must have felt, which leads to a lot of assumptions around him easily forgiving aziraphale or not being angry; so let's put ourselves into his position.

imagine: your partner, your best friend, the one person in the world that you love more than anyone else, asks you to change how you look, how you talk, who you are—so you can follow them back to an abusive household that threw you out and told you to never come back.

and they tell you that happy and excited and it's not even a question, it's a "by the way, we're doing that, isn't that great?"

you try to tell them no, it's not, i don't want to go back there, i like who i am now. they hurt me and scarred me for life, and they will do it again.

the person you loves, the person you thought loves you, looks at you and says "but you're bad. don't you want to be good? they can make you good."

come with me, you say. that house doesn't want us, we can have our own, we can build our own home. just the two of us, we don't need them, we're fine the way we are.

"i can change them" they say, as if you didn't try. as if you didn't try to change them first. as if that wasn't the reason they threw you to the wolves.

fuck it, you say. you confess your love anyway because they must know, right? they need to know. "don't leave me" you beg, plead, pray.

"oh," they respond, smiling. "nothing lasts forever."

you try to walk away, they stop you, they make it worse, make it clear they don't understand you like you thought. do they love you or the version of you they created in their head? you can't tell anymore.

"we could have been us," you say. we could have been happy.

you kiss them because you have to, because you will be damned twice over if you lose them without kissing them, because your patience snaps and you think you might die if you don't kiss them right now.

it doesn't change anything. "i forgive you"—for being me? for loving you? for refusing to tear myself apart? for kissing you? it's not like it matters. they're gone. you watch them leave.

would you immediately forgive them if they showed up on your doorstep? or would you be heartbroken and angry? you miss them, you still love them, but FUCK YOU. fuck you for demanding that of me. fuck you for everything you said. FUCK YOU FOR LEAVING.

six thousand years. six thousand years.

it would already be hard to forgive a person you have loved for two years or ten, and it gets worse the longer you know them. six thousand fucking years and aziraphale did that. we know why he did. we know how their story will end, but crowley doesn't.

all crowley has is aziraphale's speech and his face disappearing behind elevator doors. all crowley has is you're the bad guys and come with me and nothing lasts forever and i need you and i forgive you.

love alone does not and cannot fix that. aziraphale took six thousand years of trust and set them on fire with a smile on his face, and i understand the urge to try and find an explanation where he doesn't do that. where everything is secretly fine.

but there isn't.

aziraphale needs to rebuild that trust, he needs to earn it again. and mot importantly, he needs to understand why his words and actions broke it in the first place. but even then—even if crowley is the kindest possible version of himself and aziraphale does everything right—even then crowley would have every single right to say i don't forgive you. i love you and i understand you, we can be together, but i cannot forgive you for that and we both have to live with that now.

they will get their happy ending, i do truly believe that, but it might not be the fairy tale happily ever after you imagine and that's okay. it still counts. it's still good.

let crowley be angry and let them find their way back to each other, even if that path does not include forgiveness.

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #the final fifteen

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demontobee · 8 months

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Crowley desperately needs Aziraphale to believe in him

Thinking about the way Crowley always gets soooo dramatic when Aziraphale only so much as hints at Crowely being good/nice/kind at heart but at the same time absolutely needs Aziraphale to wholeheartedly believe in him (which he does, obviously).

Like in the Job episode when he "destroys the goats" in Aziraphale's presence and on his way to "destroy" the children looks Aziraphale dead in the eye and tells him that he "longs to destroy the blameless children of blameless Job" just to be busted by the crow bleating seconds later ... like, he could have stopped it from doing that, right? He probably even made the crow bleat. I mean look at his expectant expression:

Like he wanted Aziraphale to find out that he hadn't actually killed the goats.

And then later when he sets the house on fire to provoke Aziraphale to go all "YES, QUITE sure!" on him ...

I mean, he does similar things all of the time, but something about this episode and the way he pushes the boundaries ... as if he's like "how far can I push it until he loses faith in me?" and Aziraphale just never does. Like, the way Crowley probably lost all faith in himself after the Fall and since then has been hiding his broken little heart behind a big old "bad boy" image and now desperately needs Aziraphale to believe in the good in him. And he loves him so much for always coming through for him.

#good omens #good omens s2 #aziraphale #crowley #ineffable husbands #go2 #good omens 2 #good omens meta #crowley x aziraphale #neil gaiman #Meta #Crowley is real soft #Aziraphale save Crowley too all the time #Crowley the angelic demon #thank you neil gaiman

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cobragardens · 7 months

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The Golden Lion

For all that Aziraphale is the more frightened of the two of them, Crowley is the snake: he camouflages himself carefully, and his first instinct is always to flee.

Aziraphale's is to stay. He insists on facing the Apocalypse. He insists on facing the Second Coming. He insists on trying to make a difference. He doesn't want to go up to Heaven, but he does it anyway, alone, because he wants to stop the destruction of Earth (again) and keep Crowley safe.

He's very difficult to shame, too. He never gives up his innocent pleasure in eating, even though Heaven, Hell, and probably people on Earth all mock him for it. He's soft and he remains soft, even after Gabriel shames him for both his physical and metaphorical softness. That takes a lot of strength and an unshakeable character.

You know the gold ring Aziraphale wears as a badge of office, that functions as the counterpart to Crowley's snake tattoo? The charge on that ring is a lion.

The heraldic attitude of the lion is rampant (i.e., reared up): it stands on its hind legs with its forelegs raised, as though attacking, and its head is forward-facing: it looks forward, toward the future.

Obviously in popular symbolism, lions represent bravery, and that definitely fits Aziraphale. He's literally leaving the only person who has ever loved him to go make the universe a better place for that person and for everyone, and he's going alone amongst the people who have despised and shamed him his whole existence and tried to kill him at least once; those people are mfing Heaven and have been entrenched in their power for thousands or millions of years. It doesn't get a whole lot braver than that.

In Christian symbolism specifically, the lion represents Christ. (He's referred to in the book of Revelation as the "lion of Judah" because the heraldic symbol for the tribe of Judah was a lion and Jesus was said to be from the tribe of Judah because his [step]father Joseph was from Judah.)

Normally when a story draws a parallel between a character and Christ, the parallel is one of self-sacrifice. That's not what's happening here. When symbolism for Christ represents his self-sacrifice, Jesus is invariably associated with a lamb--the sacrificial lamb--not a lion. When that symbolism represents Christ's mercy or holiness or divine nature/ordination, the dove of the Holy Spirit is used.

But the lion is a symbol inherited from the Old Testament. It represents royalty, power, threat, and seizure from others by force. Jesus is symbolically depicted as the lion upon his return to Earth during the book of Revelation. The lamb is Jesus' self-sacrifice and death for the sins of humanity, but the lion is Jesus' return, powerful, royal, and triumphant.

Does Aziraphale's ring foreshadow his involvement in the Second Coming of Christ? Probably! Is it a symbol that Heaven is the proverbial (and biblical) "lions' den" where they should be doves and lambs? Maybe.

I think it more likely that Aziraphale himself will be the lion, on a righteous rampage like Jesus chasing the moneylenders from the steps of the temple, telling them "It is written, My house shall be called the house of prayer; but ye have made it a den of thieves." Because the ring is a signet ring, meant to impress a seal that legally represented the wearer as an individual. So the lion is linked to Aziraphale himself.

Aziraphale is soft. It is one of his very best qualities. And soft and weak are not the same thing: because he is soft, he tried to kill the Antichrist, a child. Because he is soft, he stood alone before a demon in defiance of the will of Heaven and demanded with no power whatsoever to back him up that the demon spare children whose murder God had authorized. He, an angel of God, worked with a demon to deceive the Heavenly Host and, as he points out himself, thwart the will of God. Even before that, because he was soft, Aziraphale gave humans the gift of fire and self-protection and then lied to God Herself about it. I mean it literally does not get any more courageous than that.

And I can't stop thinking about what that lion, and that softness, and the link between the two is going to mean for S3.

#good omens #good omens 2 #good omens aziraphale's ring #aziraphale's ring #aziraphale #good omens analysis

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shinybearnerd · 9 months

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"Healing Wings"

GOOD OMENS SEASON 2! SPOILER WARNING! IF YOU DID SEE IT YET, DO NOT INTERACT!

Hi!

So, I'm a mess since I finished the new season.

I tried to cope by writing something (since I'll be pretty busy for all of August). And this is the result.

Justice for my boy! He deserved his happy ending.

I wanted to thank everyone that send me requests. As I said before, I'm a bit busy but once I'll have some time, I'll write. Promise.

Enjoy!

Pair: Crowley x reader

(Hints of: Aziraphale x reader, Aziraphale x Crowley, Aziraphale x reader x Crowley)

Words: 2,8k

Genre: Smut +18, fluff and angst

Story: when Aziraphale goes away to become the archangel in heaven, Y/n and Crowley find themselves alone. They both with a feeling of abandonment. As they lean on each other for support, their relationship blossoms deeper.

English is not my first language. I'm sorry if there're any mistakes.

The ride to your house is quiet.

You don't remember much about what happened earlier. You only recall screaming at Aziraphale for deciding to go away and leaving you and Crowley alone. His eyes were covered in tears.

<< Y/n, I can- >>

<< Do not fucking bother! Go on. Go play with your little mates. Is what you wanted after all, right? >> You cut him off, returning to Crowley.

The demon looks at the scene inside the car. He doesn't hear what you are saying but can imagine by the looks of you and the angel. He even doesn't say anything about it once you step inside the car. He only starts the engine and begins to drive.

Once you arrive, you convince Crowley to come inside without effort. Once you lock the door behind you, you see him. Sitting on the sofa. He stares blankly in front of him. Or at least you think so. He didn't take off his glasses or have any intention to.

You walk towards him without saying a word. When you take your first step, it seems like he only notices your presence at that moment.

You walk to him. Crowley's gaze fixed on you, making you feel exposed.

You're now in front of him. You try to say something, but he makes the first move by hugging your legs and placing his head on your stomach. He's tired. You both are.

You remain like this for a few minutes. You caress his red hair and try not to cry, as he enjoys your touch.

He then looks up at you.

You're starting to feel a particular jolt invading your body. Something that grows deeper when the demon stands up and obscures you with his height.

He takes your chin, his thumb exploring your lips. He then kisses you. It's a needy one. A desperate one.

You start to undress one another, but when you try to take his glasses, he freezes.

<< I... I prefer to leave them on. >>

Once Nina and Maggie get out, you pop out from your hiding spot.

Crowley hears your movement but doesn't say a word. Too scared about your reaction to actually do something.

He listens. Listen to the way your clothes sound when they rub against each other. Listen to your increased heartbeat and your hitching breath, wishing he could feel it against his skin while-

<< Is it true? >> You finally take some courage.

Crowley physically can't turn to look at you, like something is blocking him. But he manages to stand up and put on his glasses. And suddenly, he feels like he can at least try.

When he turns around, your heart sinks a little.

<< No, please... >>

<< What? >>

You try to reach, but he takes a step behind, trying to have some space between you two.

<< You know that you don't need those >> you point at the black lenses << when you are with me. We've already been through this. Remember? >>

<>

You sigh, knowing that he's too stubborn to listen. So you ask again, trying to look into his eyes. << Is it true? >>

The demon doesn't respond.

<< It's pretty easy, Crowley. It's a "yes" or "no" answer... >>

Your voice seemed calm and amused by all of this, trying to ease the mood. But every fibre of your body tried to remain calm and not rush things.

Something was still blocking him. His pride, maybe. Or even the fear of you rejecting him. He doesn't know which.

<< I'm sorry... I-I can't. >>

He tries to exit the bookshop, but you stop him.

<< Where are you going? Hold on! Why can't you say it? What's wrong? >>

<< Because-... Fuck! >>

He walks in the room, stomping his feet like a wild horse that's been caught and imprisoned. He's trying to focus on something that isn't you and elaborate a clever way out. He's a demon, after all. He's the master of lying.

He can do this. But once he turns to look at you, he suddenly can't lie to you anymore.

<< Because it's true, Y/n! There. I said it! >>

Your heart is bursting, but you let him talk first. You feel like he needs to.

<< You don't understand how you made me feel in all these years we knew each other! I only thought that Aziraphale would be the lo... >> he sighs, trying to calm himself by rubbing his eyes. << But then you came along. So full of life and wonder, and it j-just... happened!- >>

In the beginning, he's doubtful. The poor devil thought that was an act of pity towards him, but once he comprehend that you're not going to leave soon, he deepens it. A rush of emotions adds to the kiss. Passion, desperation and relief. All put in Crowley's kiss, who is touching and hugging you like you'll disappear.

You don't even spend time saying something. You've already waited enough.

With big steps, you end your distance. You take the demon's sunglasses with one hand while the other takes the head, smashing your lips together.

You start to caress each other. Your hair, your back, your arms... All you two can reach has been touched and loved.

<< Please tell me this is not a dream and that I'm not gonna wake up in the Bentley with a boner... >> he whispered on your lips between a kiss and another.

You smirk against his mouth while pressing yourself towards him.

<> You replied, touching his clothed erection.

The demon growls, squishing the flesh of your hips under his fingers.

<< You're playing with fire, doll. >>

His pushes are erratic and hopeless. Like he can release all that pain he's feeling.

But suddenly his pushes stop. You feel his hold tightening as he's afraid to lose you too. Little and muffled sobs start to fill the air as the demon tries to hold you as close as possible.

<< Crowley? >>

You caress his head, trying to escape his grip to look at him.

<< I'm sorry... >> he muffles in tears.

His head is against your chest. Tears are starting to wet your skin.

<< Hey... No, no, no. Hey, look at me. Please, look at me, Crowley... >>

You take off his glasses. Once you look at his eyes, your stomach tightens. His eyes are full of sorrow, ache and distress. And it all makes you feel awful. It's like you can't do anything to make him feel better...

You manage to take his face in your hand. You voluntarily start to caress his cheeks with your thumbs while you look into each other's eyes. And what you see breaks your heart.

Crowley's lips are a little parted, quick breaths leaving and entering his mouth. His cheeks are starting to get wet too. The eyebrows narrowed in an expression of pain.

The demon makes a face, like he has something to say about that, but you don't give him the chance.

<< I-I'm sorry. I should not... >>

He tries to avoid eye contact.

<< No, hey... Hey. It's okay, darling. It's not your fault. >>

<< But it is! >> He finally looks at you. << If I wasn't the way I am, maybe Aziraphale- >>

<< Do not dare finish what you are about to say! >> You snap.

Your voice is trembling with anger and pain. How could he think that?

<< I don't know what that idiot was thinking. But he shouldn't have said that! And mostly, you mustn't even consider that! How could you even think that there's something wrong with you? That you're the messed up one?

<< Every time I look at you, I fall in love with you even more. I love everything about you! How you say that you're evil and not nice after saying or doing the sweetest and most beautiful things that even an angel can't do! You are infinitely better than a legion of angels. Aziraphale included. >>

<< Aziraphale does not define you, my love. I know that it fucking hurts. Him choosing heaven over us hurt me, and I can't imagine how heartbroken you must feel right now... But he had no right to tell you to change for him. Love is not like that. Love is not changing the other person. Love is feeling like you own the fucking world! Like you've been struck by lightning every time you see them... Love is supposed to make you feel like this. >>

You take his hand and place it against your chest. Your heartbeat is accelerated. The demon can feel it under his hand and thinks it's the most beautiful music he's ever listened to in centuries.

Your eyes lock one last time. Every limb of your body is linked to the other, trying both be close.

You discover that you're crying once Crowley slowly slides his hand from your chest, then to your neck and to one of your cheeks, wiping the tears from your skin. He then cups your head with both hands, leaning closer to kiss the new tears forming. Your eyes are closed. You try to enjoy this moment that you indulge with the other. You put your hands on Crowley's wrists, rubbing them with your thumbs. Suddenly you feel something odd.

<< You have a heartbeat... >>

You open your eyes only to see that Crowley is already looking at you.

Under your fingers, you can feel his fast heartbeat.

<>

<< In your defence, I didn't tell you... >> replied, starting to wander his hand along your hips. He felts like the luckiest entity in the entire universe.

<< Is it supposed to be this rapid? >>

You see him smile a little, then look at your eyes.

<< Didn't you say that love was supposed to feel like that? >>

Crowley leans closer, one hand on your hair. Once your lips meet, you feel fireworks spreading all over you. The demon's lips are so soft against yours. Kissing you with gentleness as if you were made out of porcelain.

You blush and smile.

He does the same. The first real smile after Aziraphale's departure, even if it's little.

His trusts are slow but deep.

Then, he slips the other hand around your hips, bringing you close as he thrusts deep inside you. A moan dies in your mouth.

Crowley smirks a little before he resumes kissing you. His hands are both on your hips as he's helping you move.

Your eyes are locked as your messy breaths get mixed. Sometimes you kiss, but you prefer to look at each other. You can't explain why. You just feel a deeper connection between you. Like you are making love with your souls too.

-.-.-.-.-.-

You continue moving without saying a word. Smiling, touching, squeezing and scratching (on your part) one another.

And when you come, it's like you feel complete and truly loved.

Your foreheads touch as you start panting and giggling.

Moments before, after you got dressed, you asked your favourite demon if he could pick a movie while you were calling your favourite takeaway restaurant.

<< What are you doing? >>

Crowley quickly turns towards you. A pillow is still in his hands.

Once the call ended, you saw his figure walk the hallway one last time before disappearing. You came to understand that he went outside, in the garden. You decide to sneak out and follow him.

As you were talking with one of the staff, in the corner of your eye, you could see Crowley walking the hallway front and back multiple times. Different things in his hands every time he passed in front of you.

You were so curious and amused that you almost forgot you were ordering food.

Under the moon's soft light, you can see that the grass is covered with blankets and pillows. Over them, there's a bottle of wine and two glasses; while the outside was filled with battery candles.

You can't move or form a single sentence. Your mouth, on the other hand, is curved in the most beautiful smile the demon has ever seen.

Crowley's now looking at you. A nervous smile on his lips.

<< Surprise!>> He throws the pillow on the blankets with the others. << Do you like it? >>

<< I-I... don't know what to say.>>

He walked closer, putting his hands on your hips. <> he smugly smirks as he hears your chuckle.

-.-.-.-.-.-

With a snap, the two glasses get filled. Crowley passes you one. << What do you say? >>

<< I'm all yours.>>

He smiles at you and kisses you passionately.

<< You know... I've always wanted to ask something. >>

You two have just finished eating and are now on the blankets, cuddling and trying to get drunk.

Crowley has spent all dinner talking about the stars. He also told you about his time as a nebula creator. You could see a sparkle in his eyes as he spoke. Some sadness behind it, too. Even if he tried to hide it.

Crowley was amused by all of this.

<< Shoot. >>

<< What's it like having someone making up stories about your work? You know, the constellations and so on... >>

<< Oh. Well... I don't mind. It's like reading- What is that you read... Ehm... -Yes! Fanfiction. It's like reading a fanfiction. I don't mind. >>

You chuckle, a little flustered. <>

He brings the glass to his lips. << Oh yes, you do! Every time I see you with your phone and reading something, you always giggle and kick your feet- >>

<< How dare you! I do not! >>

<< Oh, yes, you do! >>

You laugh. Your face turn all red by now. << You liar! >>

You both chuckle and lean against the other. The demon's free hand is now running up and down your arm. His head is on yours as he leaves a kiss.

<< Thank you. >> you said, breaking the silence. <>

Crowley smiles, proud of himself. << Glad you like it. >>

He put his glass near yours and made them touch. A little high-pitched "tin" followed after. << To the perfect night. >>

<< But I have to admit... >> You continue, teasingly raising an eyebrow. << you seemed flustered when I found you setting all up.>>

<< Flustered? Me? Nonsense!>>

You chuckle, leaning in to peck him on the cheek. Your affectionate gaze never leaves his.

He couldn't help but smile, feeling a warmth in his heart that had nothing to do with the wine.

<< Jokes aside, you know how to make a moment last forever.>>

Crowley looks at the wine in his glass. A soft and smug smile on his face.

<< Well, I must admit, this wasn't originally on my plan... >> he confesses.

<< What do you mean? >>

Crowley shifted slightly, trying to find the right words to explain himself.

<> He admitted, his voice soft and hesitant. <>

A suffering smile is on his face as he gunks down his wine.

<> he softly admitted, looking at his empty glass before grabbing the bottle. << You know... after a week of... well, hell. >> He pours the rubin liquor. << For you. For me... for him. For us. >>

You take his hand and kiss it. << Well, I must say, this night picnic under the stars was a perfect first day. >>

He looks at you, uncertain. << Really? >>

You kiss him and nod, smiling. << Today was hard... >>

<< Yep. >> he takes another sip of wine and clicks his tongue.

<< But this has been the best date I have ever been to! >>

He smiles, looks again into your eyes and says only two words: << Thank you. >>

You know that he's not talking about the date.

You kiss him again and look at him, stroking his tattoed cheek.

<< Don't even mention it. >>

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aziraphales-library · 7 days

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Hi there!

I was wondering if you had any recommendations of fics that have Aziraphale as a priest? i’m in search of some but have no idea how to find them.

only ask is that it’s 3k words and up!

Thanks so much for all you do, you are truly the foundation holding the fanfiction side of Good Omens together!

lots of love x

Hello! We have #priest Aziraphale & #priests au tags. And of course there is the priest Aziraphale tag on AO3. Here are more to add to our collection...

All The Lights That Light The Way by FeralTuxedo (E)

On the run from a disastrous work Christmas party, Anthony Crowley encounters an angel singing in the streets of Soho.

& Forgive Us Our Trespasses (Of Which The First Is Love) by ineffable_angle (M)

Fleabag-inspired AU where anthropologist Dr. Anthony J Crowley becomes friends (and then definitely more) with the hot priest Father Aziraphale Moore. They meet at their high school reunion and discover that they just can't quite stay away from one another. Mainly, they debate evolution, go to brunch, and overcome Anthony's religious trauma. Some scenes and dialogue from season 2 of Fleabag do show up, but the plot is not the exact same.

The scent of incense on his fingers by gimmewhiskey (E)

Crowley knew what was twirling on Aziraphale's tongue. “Don't even think about saying you forgive me," he whispered, then turned and strode quickly to the door. Aziraphale stared after him for a few moments longer. He slowly raised his hand and touched his lips. There was a scent of incense on his fingers. ...Or the story of how a successful lawyer Anthony J. Crowley successfully pretends to forget his old love while Father Aziraphale atones for sins for them both.

(Let's) Do it again by gagna_onni (M)

Father Fell has lived his whole life in a small town in Wales. His life is simple, the community is kind and welcoming and he does all he can to help everyone. One day a guest arrives at his clergy house. And right after his arrival, things start to change in an unexpected way.

in your own time by ineffabildaddy (E)

Aziraphale and Crowley grew up together as next-door neighbours on Hogback Lane, classmates at the local Catholic school, and inseparable best friends. By the age of eighteen, both were hopelessly in love with the other, despite the knowledge that they were doomed to live apart, as Crowley aimed to pursue university study in London and Aziraphale committed himself to remaining in Tadfield, dedicating his life to the Church. After almost twenty years spent away from his hometown, renowned botanist Crowley decides to come and visit Tadfield again at a moment's notice; the purpose of his visit is to speak at a Careers Day for the school he and Aziraphale, now a beloved priest and a frequent helper at the school, attended. The twenty-four hours that follow will change both of their lives for ever.

Faith, Hope, and Love (And the Greatest of These Is Love) by khh1961 (E)

A young Father Aziraphale Fell takes up his first post as a junior priest, under the stern supervision of Monsignor Gabriel (who very much likes things to run his way, thank you kindly) and meets fellow parish priest, Father Anthony Crowley. Our young Father Fell is immediately captivated by Father Crowley's handsome face, ginger hair, and dead sexy Scottish accent. This looks to be the beginning of a beautiful friendship. But what else it may become remains to be seen. Love and the will of God are both ineffable.

- Mod D

#good omens #ineffable husbands #human au #priest aziraphale #priests au #adult omens #mod d

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wordsinhaled · 7 months

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we know crowley’s spent centuries listening to aziraphale talk about his language lessons, we know how supportive and wonderful he was about aziraphale’s magic hobby he was originally before it all went south

i want to see the reverse over the years!

imagining all the time crowley has rambled at aziraphale at length, and aziraphale just listening to his enthusiasm and becoming utterly smitten

angel crowley before the fall teaching aziraphale all about physics, gravity and pressure and matter, practically bouncing with excitement as he shows him new star systems being born and aziraphale telling him he’s done brilliantly. marveling at the beautiful acts of creation that crowley brings forth (and also at crowley but shhh that’s aziraphale’s secret for now)

crowley and aziraphale on earth and the first time aziraphale realized crowley was really interested plants. what if aziraphale brought him his first houseplant? as a housewarming gift for his flat in london, and crowley still has it (through painstaking care and just a bit of occult intervention…)

imagining aziraphale tagging along with crowley to plant shops, helping him carry bags of potting soil to the bentley, browsing with him along aisles of plants. “this one looks lovely, darling.” “oh, no, angel, that one’s sick, see? the brown bits on the leaves, there. leaf rot.” “well, you can make it better, can’t you?” (and aziraphale beams at crowley, and crowley gets the sick plant, of course, and rehabilitates it, and later aziraphale recognizes it and smiles)

aziraphale listens fondly to crowley talk about stars - crowley doesn’t even need to be tipsy to go on long winding enthused tangents about them. aziraphale goes over to crowley’s flat to watch carl sagan’s cosmos with him on crowley’s big flatscreen TV, and is so excited for him whenever the james webb telescope puts out new images

i like to think aziraphale gave crowley some of his guidebooks on the stars and that he has a special section of the bookshop full of antique and vintage stargazers’ atlases and literature on the science of the universe. and maybe if crowley’s the one who plans their lunch dates then aziraphale’s the one who miracles them the best seats in the house at the planetarium and spends the whole time watching crowley gaze with wonder at the stars he created

i want to see crowley introducing aziraphale to his favorite romcoms (once they’re happily living in the south downs of course) and aziraphale dutifully reenacting all the sappiest things crowley loves best. kisses in the rain and picnics by the sea and baking croissants together at midnight on a whim - all because it makes crowley happy

just aziraphale being absolutely as gone on crowley as crowley is on him if not more, and showing it over and over for the rest of time 💛💛💛

#good omens #good omens 2 #ineffable husbands #they 💛💛💛💛

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somehow-a-human · 1 month

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Whose POV is it Anyway?

A Companion to Owls.

DO NOT ASK NEIL ABOUT FAN THEORY

Job 30:29-31 I am a brother to dragons, and a companion to owls. My skin is black upon me and my bones are burned with heat. My harp also is turned to mourning, and my organ into the voice of them that weep.

Continuing my analysis of the narrator/POV perspective of Good Omens season two with a look at the episode 2 minisode set in 2500 BC, Uz. God, I love this minisode.

For reference & context, I recommend reading these posts:

Whose POV is it Anyway? - Introduction

Lens Filters

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

We open our journey into the land of Uz with Crowley giving Job's goats a speech that sounds awfully similar to his own troubled relationship with The Almighty. Crowley is alone here. The episode cold-opens and we've had no lead up to suggest otherwise, so this is Crowley's POV. His hair is short and more vibrant, I'd say this is likely the Black Diffusion FX filter.

Yes for the sake of this post I am doubling down on the fact that there are TWO SEPARATE WIGS. See more here.

Aziraphale arrives, he looks cute and silly, the permit is long, the goats are "destroyed" and they part ways.

The next scene we get is Aziraphale in heaven checking with Muriel and the Archangels that the permit Crowley has is in fact legitimate. This time, we are seeing Aziraphale's POV. Heaven is a stark white office building but the golden hue is almost overwhelming in this flashback. The Bronze Glimmer Glass filter is clearly being used here.

Aziraphale decides he's going to confront Crowley about saving the children, little does he know Crowley wouldn't harm them to begin with but regardless...

When we re-enter the minisode, we do so via a subtle zoom in on Crowley's face in modern day. We then enter the scene through Aziraphale's illustrated Bible and see Crowley asking Job where his kids are. We've again lost the golden glow of the BGG filter, moved back to the BDFX filter and into Crowley's POV. Crowley's hair is still short, Aziraphale isn't present here, he's alone, so these are his memories.

When we see Crowley walking up to the house to find the kids we have switched back to Aziraphale's POV. The scene is extremely warmly lit, it's soft and yellow, and Crowley is now in a different wig. His hair is much longer, softer and more attractive looking. In one of the X-Ray behind the Scenes videos I even caught a screenshot of the film slate from this scene and you can clearly that they've written in BGG as the filter used, so we have confirmation.

We continue through the Job minisode in Aziraphale's POV. The reveal of the goats, saving the kids, the ox rib temptation, the first conversation about loneliness, it's all from Aziraphale's POV. until after he "comes to" in the bookshop in present day.

When we revisit the minisode, and for the remainder of it we are seeing it from Crowley's POV which was an interesting thing to realize. We see Crowley and Aziraphale witness Job speaking with God, saving Jobs children, deceiving the Archangels, and having their emotionally revealing conversation overlooking the beautiful sea all from Crowley's POV. His hair remains short and more vibrant red throughout all of it, we don't see the return of his long long gingery waves. The lighting when the angels are present for the children's "resurrection" is very warm but I'm going to chalk that up to the Heavenly Hosts presence.

It makes sense that this reaction is Crowley's POV. Silly silly angel, did a good deed and thinks he's a demon?! But then he realizes how upset Aziraphale is, how scared and he comforts him. He tells him he isn't going to do anything that would hurt him, that would get him in trouble. Then, something about the fact that what follows is also from Crowley's memories, his perspective...

"That sounds..."

"Lonely? Yeah."

"But you said it wasn't."

"I'm a demon. I lied."

NEXT POV The Dirty Donkey & I think I Found a *Clue*!

#good omens #good omens 2 #michael sheen #david tennant #crowley #good omens meta #aziraphale #crowley x aziraphale #good omens theories #good omens clues #good omens theory #good omens analysis #good omens clue #good omens mystery #ineffable mystery #ineffable husbands #ineffable divorce #ineffable spouses #ineffable idiots

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vidavalor · 7 months

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It's really funny that Aziraphale didn't-- from the get go-- just miracle Gabriel some damn pants.

Instead, he was all well... hello, supreme archangel that my husband once said was beautiful... it does appear that you really have *no memory of who you were whatsoever and are just colossally hot and dumb* oh Lord, this is both terrifying and absolutely hilarious, wait 'til Crowley sees this... here, just drape yourself in my thin, tartan blanket, Jim... that's it, oh that's perfect actually, you look like I'm living out some Roman fantasy over here... just don't answer the door and stand there... wait, no, you need to be doing something... here, take this YELLOW. FEATHERED. duster and clean our books... oh, at this point I don't know if I'm trying to make Crowley jealous or amused or both or if after he gets over the shock, he's going to very into this and I don't really care which... ok, don't answer the door, I'll be right back with my demonic paramour who once asked me on a date around making fun of a statue of your dumb ass and who literally loathes you for trying to murder us and for being an all-around general prat and once he gets over the WTF anxiety fit he'll have and the fact that we need a plan for this disaster, I really think he's going to be very amused that it took me all of fourteen seconds to turn you into our domestic house boy... not actually, old chap, don't worry, we've evolved into a serial monogamy we don't really talk about at this point but one day, he will laugh very hard at this and I do so love to make him laugh...

*goes to coffee shop to explain that there's a bit of trouble and it's terrifying but it's also, at the same time, hilarious and just wait 'til Crowley sees who's playing tartan toga servant boy in the bookshop... whole bloody neighborhood now thinks (knows) he's the kinky old gay bookseller so might as well just lean into it... this'll top even making the Archangel Michael miracle me a bath towel, Crowley...*

Nina: Morning, Mr. Fell! Details, please, on the stark naked Don Draper that just walked up the street and hugged you hello in front of the entire neighborhood.

Crowley: YOU WUT

Aziraphale: Thanks a bunch, Nina. I never know what to get him for his birthday and now you've ruined it.

#ineffable husbands #good omens #crowley #aziraphale #good omens 2

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youryurigoddess · 4 months

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A nightingale sang in the London Blitz

When exactly was that certain night, the night Aziraphale and Crowley met — and spoke for the first time in 79 years in the midst of the London Blitz?

And what’s the deal with the nightingale’s song, really?

Grab something to drink and we’ll look for some Clues below.

The night they met

The Blitz, short for Blitzkrieg (literally: flash war) was a German aerial bombing campaign on British cities in the WW2, spanning between 7 September 1940 and 10 May 1941. The Luftwaffe attacks were carried out almost non stop, with great intensity meant to force a capitulation and similarly strong impact on British life and culture at the time.

Starting on 7 September 1940, London as the capital city was bombed for nearly 60 consecutive nights. More than one million London houses were destroyed or damaged, and more than 20,000 civilians were killed, half of the total victims of this campaign.

The night of 29 December 1940 saw the most ferocity, becoming what is now known as the Second Great Fire of London. The opening shot of the S2 1941 minisode is a direct reference to recordings of that event, with the miraculously saved St Paul’s Cathedral in the upper left corner.

The actual raid lasted between 06:15 and 09:45 PM, but its aftermath continued for days. The old and dense architecture of this particular part of the city turned into a flaming inferno larger than the Great Fire of 1666. Multiple buildings, including churches, were destroyed in just one night by over 100,000 bombs.

Incendiary bombs fell also on St Dunstan-in-the-East church that night, the real-life location of this scene as intended by Neil. It was gutted and again claimed by fire in one of the last air rides on 10 May, when the bomb destroyed the nave and roof and blew out the stained glass windows. The ruins survived to this day as a memorial park to the Blitz.

Such a delightfully Crowley thing to do: saving a bag of books with a demonic miracle adding to the biggest catastrophe for the publishing and book trade in years. 5 million volumes were lost, multiple bookshops and publishing houses destroyed in the December 29th raid alone.

Even without this context, judging by the seemingly unending night, overwhelming cold and darkness, broken heating at the theatre, and seasonal clothing (like Aziraphale and Crowley’s extremely nice winter coats), it’s rather clear that it was the very beginning of the year 1941.

Everything suggests that Aziraphale and Crowley’s Blitz reunion happened exactly 1900 years after their meeting in Rome — which, according to the script book, took place between 1 and 24 January 41 (Crowley was right: emperor Caligula was a mad tyrant and didn't need any additional tempting; there's a reason why he was murdered by his closest advisors, including members of his Praetorian Guard, on 24 January 41).

Interestingly, both events involved a role reversal in their otherwise stable dynamic, with Aziraphale spontaneously taking the lead instead of letting the demon be the one to do all the tempting and saving, and ended with a toast.

The S2 Easter Egg with the nuns of the Chattering Order of St Beryl playing table tennis at the theatre suggests that the Blitz meeting happened on a Tuesday afternoon, which doesn’t match any of the above mentioned days, but sets the in-universe date for 7 January 1941 or later.

The Chattering Order of Saint Beryl is under a vow to emulate Saint Beryl at all times, except on Tuesday afternoons, for half an hour, when the nuns are permitted to shut up, and, if they wish, to play table tennis.

The nightingale

January means one thing: absolutely no migratory birds in Europe yet. They’re blissfully wintering in the warm sun of Northern Africa at the time. But, ironically, when the real nightingales flew off, a certain song about them suddenly gained popularity in the West End of London.

It might be a shock, but A Nightingale Sang in Berkeley Square wasn’t a hit from the start — even though its creators, Eric Maschwitz and Manning Sherwin, were certainly established in their work at this point. The song was written in the then-small French fishing village of Le Lavandou shortly before the outbreak of the Second World War with first performance in the summer of 1939 in a local bar, where the melody was played on piano by the composer Manning Sherwin with the help of the resident saxophonist. Maschwitz sang his lyrics while holding a glass of wine, but nobody seemed impressed. It took time and a small miracle to change that.

Next year, the 23-year-old actress Judy Campbell had planned to perform a monologue of Dorothy Parker’s in the upcoming Eric Maschwitz revue „New Faces”. But somehow the script had been mislaid and, much to her horror, replaced with the song A Nightingale Sang in Berkeley Square. She had never professed to be a singer but even so, she gathered her courage and went out onto the moonlit set dressed in a white ball gown. Her heartfelt rendition of the now evocative ballad captured the audience’s imagination and catapulted her West End career to stardom.

It was precisely 11 April 1940 at the Comedy Theatre in Panton Street and the revue itself proved to be a great success — not only it kept playing two performances nightly through the Blitz, but also returned the next year. And the still operating Comedy Theatre is mere five minutes on foot from the Windmill Theatre, where Aziraphale performed in 1941, and not much longer from his bookshop.

Now, most Good Omens meta analyses focus on Vera Lynn’s version of the song from 5 June 1940, but it didn’t get much attention until autumn, specifically 15 November, when Glenn Miller and his orchestra published another recording. And Glenn Miller himself is a huge point of reference in Good Omens 2.

According to the official commentary the infamous credits scene is establishing Aziraphale and Crowley’s final resolve for the next season using the same narrative device The Glenn Miller Story (1954) does in its most crucial scene. It starts with the tune (and audio in general) totally flat, then adds a piano on one side, and gradually becomes fully multidimensional. The Good Omens credits not only emulate the same sound effect, but bring it to the visual side of the narrative by literally combining the individual perspectives of the two characters together. Even though they’re physically apart, their resolve — and love to each other — brings them even closer than before. Aziraphale smiles not because he’s being brainwashed, but because he knows exactly what to do next.

Some of you might have noticed that Tori Amos’s performance for Good Omens is actually a slightly shortened version of Miller’s recording — much less sorrowful than Vera Lynn’s full lyrics that include i.a. this bridge:

The dawn came stealing up

All gold and blue

To interrupt our rendez-vous

I still remember how you smiled and said

Was that a dream or was it true?

Which is a huge hint when it comes to what we can expect from the main romantic plot line in the Good Omens series. The original song introduces an element of the doubt — it seems like there was no nightingale at all, only the mirage woven by the singer clearly intoxicated with love, much like Aziraphale and Crowley for the length of the last six episodes. Crowley’s comment in the season finale might allude to that interpretation, stating that there are no nightingales — never have been. It was all a dream. But the version we’re working with here is short and sweet, and devoid of that doubt. In the Good Omens universe angels were actually dining at the Ritz, the streets were truly paved with stars (or will be shown as such in the next season), and a nightingale really sang in Berkeley Square, as the omniscient, omnipresent, and omnipotent narrator, God Herself, had shown us.

All in all, it’s not an accident that the “modern” swing ballad activating Aziraphale’s memory and opening the 1941 minisode is the Moonlight Serenade by Glenn Miller. It’s a track naturally associated with A Nightingale Sang in Berkeley Square when it comes to music style and the sentiment in the lyrics.

But why the sudden popularity? In the great uncertainty and hardship of the Blitz, A Nightingale Sang in Berkeley Square provided solace and escapism for listeners, offering a glimpse of hope and love amidst the darkness of war. It became a universal anthem of resilience and a reminder of the power of love transcending difficulties. By January 1941 the whole city knew this tune by heart, including a certain West End aficionado with a cabinet full of theatre programs in his bookshop. Thanks to Maggie’s grandmother, he most probably had a record at hand to play during his spontaneous wine night with Crowley. We can only suspect the details, but it was was mutually established as their song exactly at that time or soon afterwards. Pretty sure we will see a third installment of that minisode for many, many reasons, but especially because of this “several days in 1941” answer by Neil:

The Man Hunt

In 1941 A Nightingale Sang in Berkeley Square gained even more popularity as the romantic theme of the Fritz Lang’s newest film Man Hunt. The 1939 story by Geoffrey Household first appeared under the title “Rogue Male” as a serial in the Atlantic Monthly Magazine where it received widespread comment, soon becoming a world-wide phenomenon in novel form. Its premise criticizes Britain's pre-war policy of appeasement with Germany, ready to sacrifice its own innocent citizens to the tentative status quo. Sounds a bit like Heaven's politics, right?

Yes, I'm trying to make you watch old movies again — like all the other classics, Man Hunt (1941) is easily available on YouTube and other streaming websites.

The next part will include spoilers, so scroll down to the next picture if you prefer to avoid them.

The plot of the movie seems simple enough: the tall, dark, and handsome Alan Thorndike, who nearly assassinates Hitler, narrowly escapes Germany and back in London continues to evade the Nazi agents sent after him with the help of a young trench-clad “seamstress” named Jerry, bridging the class divide and becoming unlikely friends-partners-romantic interests. It doesn’t end well though.

Jerry's small London apartment serves as a hideout for Alan when he was being followed by Nazis, similarly to how Aziraphale's bookshop is a safe haven for both Crowley and Gabriel in S2. She helps the man navigate the streets and eventually out of London — by sacrificing herself and getting forcefully separated from him by a patrolling policeman. The last time they see each other, Alan watches Jerry look back at him yearningly and disappear in the fog, followed by the elderly officer.

Unfortunately in the next scene we learn that the latter is a Nazi collaborator and helps the agents apprehend Jerry in her own flat. Staying loyal to her love and uncooperative, she’s ultimately thrown out of a window to her death, but posthumously saves Alan once again — through the arrow-shaped hatpin he gifted her earlier that is presented to him as the evidence of her off-screen fate.

Long story short, thanks to Jerry’s sacrifice Alan not only survives, but is able to join the war that broke out in the meantime and go back to Germany, armed with a rifle and a final resolve to end what he started, no matter how long will it take. The justice will be served and the dictator will pay with his life for his sins.

I wouldn’t be myself without mentioning that the main villain has a Roman chariot statue similar to the one in Aziraphale’s bookshop, an antique sculpture of St Sebastian (well-known as the gayest Catholic Saint) foreshadowing his demise, and a chess set symbolizing the titular manhunt/game of tag with the protagonist.

Aziraphale’s song

Will Aziraphale sacrifice himself as well? Or has he already? If his coin magic trick can be any indicator, we should expect at least a shadow of a danger touching the angel’s wings soon.

Let’s sum up the 1941 events from Aziraphale’s perspective: the very first time they’ve interacted after almost a century, Crowley actively sabotaged his entire existence twice by stepping onto a holy ground and by being outed by agents of Hell, both on the very same night and both because of his undying dedication to the angel. That’s enough of a reason not only for performing an apology dance, but also maintaining a careful distance for Crowley’s sake for the next 26 years. Only when he heard that his idiot was planning to rob a church, he gave up since he “can't have him risking his life”.

That’s when Crowley, sitting in a car parked right under his bookshop, offered him a ride. It wasn’t even subtle anymore. It was supposed to be a date, this time both of them understood it. But Aziraphale wouldn’t risk Crowley’s safety for his own happiness, especially not when he can name his feelings towards him and knows that they are reciprocated — the biggest lesson he learnt back in 1941.

So he did what he’s best at, he cut Crowley off again, but this time with a promise of catching up to his speed at some point. Buddy Holly’s Everyday, which was originally planned to play afterwards instead of the Good Omens theme, adds additional context here:

No, thank you. Oh, don’t look so disappointed. Perhaps one day we could... I don't know… Go for a picnic. Dine at the Ritz.

Aziraphale, carefully looking around and feeling observed through the whole conversation in the Bentley, consciously used the “Dine at the Ritz” line from A Nightingale Sang in Berkeley Square, from their song, as a code only the two of them understand. Not as a suggestion to go out for a meal, but a promise. A hope for the privilege of being openly in love and together — maybe someday, not now, when it’s too dangerous — even if it leads to a bad ending.

Fast forward to 2023 when for one dreadful moment Crowley’s “No nightingales” robbed Aziraphale even of that semblance of hope. He looked away, unable to stop his tears anymore. Only their kiss helped him pull himself together and make sure that a nightingale did sing the last time he turned — just like in their song — this time without a smile, as a goodbye.

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weirdly-specific-but-ok · 2 months

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READ 70 PAGES OF THE GOOD OMENS BOOK WITH WHICH I HAVE HOMOEROTIC TENSION AS WE KNOW

WE ALL KNOW ABOUT THE HOMOEROTIC RIVALRY BETWEEN ME AND MY COPY OF THE GOOD OMENS BOOK. WE KNOW. IT STARES AT ME, I STARE BACK, IT DARES ME TO READ IT AND FALL IN LOVE WITH CROWLEY MORE, I REFUSE. WE PUT THE UST IN LUST ETC.

BUT TODAY/YESTERDAY (RIP SLEEP SCHEDULE) SINCE I WASNT ON TUMBLR, I READ TILL PAGE 70 OF THE BOOK (TILL THE PART CALLED WEDNESDAY) AND GOD FUCKING DAMN. I READ IT LISTENING TO AN AZIRAPHALE BOOKSHOP AMBIENCE AND WITH CHOPIN PLAYING AND CANDLES LIT. ANYWAY. THINGS THAT HAVE STUCK OUT TO ME:

Crowley. Just everything about Crowley. God I love him. I fucking love him. This is why I avoid reading the book. I'm such a slut for Crowley. It's manageable on the show when I know it's an actor. But WORDS CROWLEY? WORDS CROWLEY IS REAL. I AM SO IN LOVE.

Aziraphale has perfectly manicured hands. I'm pretty sure this has been mentioned three times in the first 70 pages. Three times at minimum. I forget how twink he is in the show (idk how) but man the book does NOT let you forget and I love that.

Crowley absent-mindedly sank a duck. Aziraphale called him my dear (fanfic authors everywhere: write that down write that motherfucking shit down it's better than porn). Crowley un-sunk the duck. The duck was cross.

CROWLEY DID I MENTIONED CROWLEY OH MY BABY FANCIED THE JAMES BOND DECALS HE WANTED TO LISTEN TO VIVALDI COZ THEY WERE SO STRESSED AFTER RECEIVING THE ANTICHRIST THEY LOVE GOLDEN GIRLS (I LOOKED IT UP AND OH CROWLEY) THEY DRANK FOR A WEEK AFTER SEEING THE SPANISH INQUISITION THEY OMG.

THE DRUNK SCENE. I FINALLY UNDERSTOOD THE DOLPHINS CONVERSATION. OMG THESE TWO FUCKING FOOLS I ADORE THEM.

Crowley IN THAT SCENE AND AZIRAPHALE IN THAT SCENE HOLY SHIT. CROWLEY JUST LISTING OFF ALL THE THINGS SHE KNOWS AZIRAPHALE LOVES.

AND OMG. The CONVOLUTED FUCKING METAPHOR CROWLEY COMES UP WITH INVOLVING A LITTLE BIRD FLYING TO THE ENDS OF THE UNIVERSE AND PECKING A MOUNTAIN AND COMING BACK AND DOING IT ON LOOP. FOR WHAT? JUST TO SAY THAT WHEN THE MOUNTAIN WAS GONE, HEAVEN WOULD STILL BE PLAYING THE SOUND OF MUSIC.

As usual just like me Crowley shot himself in the foot with that metaphor. Because AZIRAPHALE, THE LEGEND, STARTS SAYING THE BIRD MUST BE IMMORTAL FOR THAT, AND THEN SAYS NO ACTUALLY THE BIRD IS BEING CARRIED IN A SPACESHIP AND THE DESCENDANTS EMERGE FROM THE SPACESHIP and poor crowley is saying SO THE BIRD REACHES THE MOUNTAIN and azi excitedly says IN THE SPACESHIP and AAAAAAAAA-

Anyway right yes sorry what were we doing oh right the book.

Anathema is so adorable as a kid what a little brat holy shit I love her. I want to see all her homework written in Middle English. I want to know which teacher finally summoned the balls to correct it.

NEWT MON CHERI HE'S SO EXCITED ABOUT ONLY DESTROYING THE HOUSE'S POWER CIRCUIT WITH HIS EXPERIMENT. Because apparently last time he fucking caused a power outage in the whole block. Or county. We stan an optimist (no one talk to me about Crowley being an optimist I will go feral and rip your larynx out).

THE THIRD BABY DID NOT WIN PRIZES FOR TROPICAL FISH. THIS IS LIKE THE ENDING OF VILETTE WHEN CHARLOTTE BRONTE GOT GUILTTRIPPED BY HER DAD INTO WRITING IT AS AN OPEN ENDING BUT WE ALL KNOW IT'S A TRAGEDY FUCK ME.

CROWLEY THE PRAY THAT HE DOESN'T IT SOUNDS SO SUAVE IN THE SHOW BUT IN THE BOOK IT LITERALLY SAYS "AND FLEES". THE CHAOTIC ANXIOUS MOTHERFUCKER MAKES A RUN FOR IT.

AZIRAPHALE FUCKING GLOWERING AT CUSTOMERS AND SCARING THEM AWAY USING EVERY MEANS SHORT OF PHYSICAL VIOLENCE IM DEAD THAT LITTLE BASTARD PEAK CROSS INTROVERT ELDRITCH MONSTER ENERGY.

I CAN'T WAIT FOR ADAM TO ENTER (WELL AS A NOT BABY) AHAH.

I HOPE WARLOCK IS OKAY.

CROWLEY BEING DESCRIBED AS A YOUNG MAN DOES THINGS TO ME. AS DO THE DARK HAIR AND GOOD CHEEKBONES. DON'T EVEN TALK ABOUT DOING WEIRD THINGS WITH HIS TONGUE. I AM A SLUT FOR HER. IT'S TIMES LIKE THIS I REMEMBER WHY IM GREYACE AND NOT ENTIRELY ASEXUAL. IT'S CROWLEY.

I LOVE THE SUBTLE JOKES LIKE I DON'T EVEN GET SOME BUT THE DRY TONE IS HILARIOUS. LIKE HOW BOTH WARLOCK'S HEAVENLY AND HELLISH TUTORS READ FROM THE BOOK OF REVELATION. AND THE CUTTING COMMENTARY LIKE HOW THE DOWLINGS' SECRET AGENTS WERE TRAINED TO REACT TO WOMEN IN LONG ROBES. OR THE POLITICAL COMEDY WITH ALL THE CULTURAL ATTACHES AT ST JAMES. IT MAKES ME AMUSED EVEN THOUGH I HAVE NO CONTEXT. I WISH I UNDERSTOOD THEM MORE.

SORRY WHY AM I YELLING ABOUT THIS BEFORE 6 IN THE MORNING FUCK I FORGOT MY SLEEP MEDS NO WONDER IM STILL AWAKE AND HYPER ALSO CROWLEY ALSO AZI ALSO ADAM I HOPE MY LITTLE PLANTS MAKE IT.

WHEN IM DONE READING THE BOOK I WANNA REREAD IT OUT LOUD TO MY THREE LITTLE PLANTS TO MAKE THEM GROW HAPPY AND KNOW WHOM THEY WERE NAMED AFTER.

#good omens mascot #weirdly specific but ok #asmi #maggots #good omens #good omens fandom #crowley #aziraphale #neil gaiman #terry pratchett #newton pulsifer #anathema device #adam young #book omens #good omens book #lgbtqia #the nice and accurate prophecies of agnes nutter

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