Dog Man art dump ig? Idk :>
Literally me after learning Dog man lore, LIKE HUH?? FJS [also I hate Grampa now, just like dang sir Ú^Ù/silly]
Idk why, or when, or how, but Big Jim
LESBIANS-
them :> [yes I ship it/gen, FIGHT ME-/j]
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what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
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random idea:
the restoration sends tails on a solo mission that was just supposed to be checking something out, nothing dangerous at all, but everything goes wrong and the kit is now missing (probably kidnapped or something idk) and everyone in the restoration is drawing straws to see who’s going to be the one to tell a certain speedy blue hedgehog that his little brother is gone and they don’t know where he is
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Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.
G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.
An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........
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It's really depressing that the only real Jedi centric and Jedi positive show in existence is written for preschoolers, while many of the more "adult" shows are edgy and about morally ambiguous or straight-up evil characters. As if lessons about being kind and selfless are somehow not important or relevant to adults just as much if not more than they are to children.
It feels like characters who are unambiguously good are seen as only enjoyable by the very young and adult viewers will only actually appreciate characters who are cruel and selfish (and the requisite "tragic backstory" that always goes with it to help excuse their cruel and selfish choices).
It's just really sad and disappointing.
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you shall seal the blinding light that plagues their dreams -- you are the vessel. you are the hollow knight.
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considering the historical influences in the fashion of Dishonored (and the extent of nsfw fanfiction this fandom has) I’ve been thinking about the layers that would be, realistically, part of the daily dress
which means: dishonored seems to honour the importance of a vest in a properly dressed gentleman’s or lady’s wardrobe
vests were, and I cannot stress this enough, a mandatory part of an outfit, to the point of men wearing only vests if they could not afford a fully tailored suit (trousers + vest + jacket) and a new shirt and opting to only wear a fake collar under the vest for the illusion of a full outfit
shirts were underwear, so to speak. there were no occasions in ‘polite society‘ where one could only wear a shirt without a vest on top.
this is something we see mirrored in both dishonored games, though the style of the vests and clothing have somewhat changed, they still follow the same rules of vests worn with every outfit, as far as we can tell. (we could argue that Jessamine is not wearing one, or that some higher class women aren’t wearing vests under their buttoned up jackets, but since we don’t really see underneath we can’t judge.)
we see the vests be worn even by the Whalers in the first game (which in itself brings up many questions. are whalers, the actual whalers that capture and kill whales, held in high enough regard by the society that they made a vest part of their uniform? or is it merely something that is worn by all? something that every citizen of sound mind would don, were they to leave their house?)
there are a few exceptions to this, of course, but this whole thing came to be by asking a simple question
does the Outsider wear a vest under his leather jacket?
now, in the first game, his jacket is unbuttoned just enough for us to get a good enough peek at what lies beneath. which is to say: there is no hint of a vest underneath. judging by the vests in the first game, the fashion was that the vest would go up high, often covering collarbones or even having a standing collar. what we see on the Outsider is just... an unbuttoned shirt
it’s much the same in the second game, even if we examine his final concept art, his outfit consists of a shirt (more or less underwear) with most of the top buttons unbuttoned, and a jacket on top. no hint of a vest underneath
what I’m trying to say is that the Outsider is a slut
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