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#this chapter is by far the funniest
blueteller · 7 months
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Hunters educating their kids be like:
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bellaroles · 5 months
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Feng Xiao and Cui Buqu. Well, if they stop digging holes for each other temporarily it’s because they’re both digging holes for other people to fall into lol.
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dazais-guardian-angel · 8 months
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I hate to nitpick the Atsushi hallucinating scene in the new episode cause it was SO well done otherwise, but I'm still really sad that they cut out Francis being there. Like... it's not entirely necessary, I guess, but it just adds so much to his character and to the scene itself?
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The Francis in Atsushi's mind is this looming, intimidating presence, because Atsushi did of course fight against him, he was his enemy at one point, but I think it undeniably says a lot that he's even included here at all.
I'm pretty sure I saw this discussed back when this chapter first came out, but while everything Atsushi's hallucinations say to him are framed as negative, putting him down, they can also be read as letting him know that the burden of responsibility for making such a huge decision isn't on him (hence why he decides to let Fukuzawa decide instead, because he can't make THE choice, but he can still choose to act to let someone else decide, and not simply do nothing), and Francis is no exception in this regard. Since he's naturally haughty and arrogant in his personality, this fake version of him doesn't at all feel out of character, coldly saying that "nobody expects anything of you", but again, I think this line especially can also be read as "you are not expected to do anything". In that way, it feels more reassuring, and maybe even dare I say kind -- the fact that Atsushi even considers him important enough of a figure in his life to think of what he would say to him in this moment means that he counts Francis among his allies now. Yes, they didn't get along at first when Francis lied and told him that he only wanted to revive Margaret just so she could kill Hawthorne (because god forbid he actually admit out loud that he cares about people, smh), and obviously because of the whole almost burning Yokohama down and trying to kill him and Akutagawa thing lol, but I'm pretty sure Atsushi changed his mind about him after he saw the state Margaret was in, and recognized how much Francis cares about her and wanted her to be alright. He probably still remembers him talking about his desire to bring back his daughter and save her and his wife, too. The guy still probably isn't someone Atsushi would want to hang out with and be buddy-buddy with during his free time lmao, but the airheaded vain old sport still has a good heart, deep down, and I think Atsushi has seen this by now, because he's a kind person, and so I think it speaks volumes that he unconsciously looks to him for advice here. Francis is just a really good and underrated character, and this is such a small but meaningful moment that shows his development so well, the only moment with him we've gotten or any of the Guild really in such a long time, so it makes me sad to see this cut 💔
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I also just feel like not including him kind of weakens the impact of Akutagawa's appearance here?? Like, there's a progression of the order of people Atsushi hears/sees in this scenes: first, people from the ADA sans Dazai, who are all portrayed as on the same level, because he cares about them all equally, aside from I guess Kyouka (again, sans Dazai, the most important person to him). Then, there is Francis, and not to say that Francis is more important to Atsushi than the ADA, obviously not, but he's one of the last to appear because he used to be his enemy, and so he commands much more of a presence, has more of an impact -- but at the same time, like I said, it's complicated: he's not really his enemy anymore, but something between a rival and a friend, and so for that reason his words carry more weight. He is someone Atsushi, logically, shouldn't trust, after what he did to him in the past, and yet he does, because things have changed since the Guild arc, and he knows he can count on him to be there for him and the ADA now.
And then, after him, there is Akutagawa. Who is basically exactly the same as everything I just described for Francis, but times one hundred. Of course Akutagawa would be last. Of course, if there's someone Atsushi would simultaneously and paradoxically be both intimidated by and yet comforted to hear their advice because of their tumultuous history together, far more than Francis, it would be Akutagawa. The progression of ADA members > Francis > Akutagawa in that order gives Akutagawa's appearance much more weight imo than just going straight to him from the ADA members, especially with the specific framing of him standing in line behind Francis to judge/advise Atsushi.... it's just much more powerful, and I wish they'd kept it like this, for both Francis and Aku's characters.
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arachnerd-8-legs · 7 months
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i finally got to fetch Penitent from the store and I'm having a blast with this part in particular
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“He gaped at the controls. ‘Why is my ship talking back to me?’
“‘It’s me, you idiot!’
“He cocked his ear toward the speaker. ‘Cinder?’” (Meyer 2013, 68).
I love Cinder and Thorne together so much. The extremely dangerous Lunar and the criminal mastermind.
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twobytez · 1 year
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i love ritsu to death but like omg can u imagine getting ptsd from a high school break up. thats fucking hilarious like tbh id bully him for that too 😭
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frostedpuffs · 1 year
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mysticalspiders · 11 months
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Maybe this is controversial but I think a lot of y’all reading whale weekly just don’t really like Moby Dick. Which is fine! It’s a very specific style that most people probably won’t enjoy! But if you are complaining about Ishmael going into every detail of whale and whaling and tangents upon tangents and long asides and stories within stories then you’re missing the point. If you don’t enjoy the tangents you don’t enjoy Moby Dick. 
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b4kuch1n · 11 months
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what this fic's gotten to so far is a collection of extremely specific experiences
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jacqcrisis · 2 years
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Chapter 7 of Left Turn is up. In this episode, Caleb makes things right, and then proceeds to fuck things up for himself all over again. 
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Absolutely obsessed with how the prologue of Don Quixote is about Miguel de Cervantes panicking about what citations and such he should put in his book and his friend telling him to just make stuff up and bullshit the references
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todayisafridaynight · 2 years
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so stoked for my bestie to play Y3 i cannot WAIT to see her deal with the amount of blocking in this game
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epickiya722 · 2 years
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Probably tonight I will dropping a new chapter for 'There's Miruko, There's Rumi', so does anyone want to be tagged for when I update it?
Spoiler: It features the Cat Cop.
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Chapter 14: Cellphones Are Afraid Of Being Illegally Modified
Hiroshi goes over to Ryu (called Lyu by the scanlation now for some reason) flipping the jaguar mask guy over and accuses him of stealing the now-missing Eko. Ryu says that he didn't do it but Hiroshi says he knows when something is off by intuition alone.
Ryu has a guy call Eko and listen out for his ringtone. He hears it from the other side of the school and the three go over to some kid's garage where they accuse them of stealing Eko. They answer that they only work on go-karts and that they don't even know what they're talking about so go away please. The guys leave out...and lo and behold, the kid did indeed steal Eko and is planning on vivisecting her for parts.
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Hiroshi goes home, bemoaning his lack of ability to protect Eko...and is greeted by Eko, who somehow beat him home. Hiroshi is shocked then relieved to see her...but he notices something is off about her. She was normal this morning...so why is she so weird now? Then he remembers the mechanic (referred to in the narration as a girl) and remembers her telling him something about modification. He realizes Eko was illegally modified by her.
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Wait, something weirder happens: he grabs Eko by the shoulders, notices her head is in fact a mask, takes it off...and it's the mechanic. So she smashes him across the head with a wrench, knocking him out, goes back to her garage, tells Eko she was somehow modifying by pretending to be her but it didn't work out so she's letting her go, then kicks her out.
End of chapter.
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mathlann · 4 months
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Reluctantly enjoying Thousand Sons still, deeply tickled by Leman "the Wolf King, the Great Wolf, Wolf Lord of Fenris, the Feral One, the Foebane, Slayer of Greenskins" Russ bitching to Magnus about how much he hates Lorgar's one nickname on their way to go help him burn down this planet.
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shadowtraveled · 1 month
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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