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kajaono · 6 months

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BBC Sherlock taking John and Sherlock’s relationship for granted creates a rift in the narrative

I have already pointed out in previous post how disappointed I was that John and Sherlock relationship never developed, in a way it should and would have been justified by the narrative

In this point I want to look at how their relationship started and how this was already created the first problems. This review contains multiple spoilers for other Sherlock Holmes shows.

When John and Sherock meet for the fisrt time in ASIP they immediatley start working together.

No hesitation. They both went full in, from minute one onwards. This is a nice way of showing how well John and Sherlock work together, and that they think alike. But on the other hand it feels like Mofftiss took the relationship for granted and said: "These are John and Sherlock. Of course they work perfectly which each other. We do not have to talk about that."

But imo that was TOO fast. There is no conflict. They never have time to discuss where they stand in this relationship. And because Mofftiss pretend, that they work perfectly together, from minute one onwards - even though they just met - it is hard to further develop their relationship from here on. Because it is already perfect. You would need something really big to happen for them to redefine their roles in this relationship. We kind of had that in season 4, but we knew how messy that went. And there was never a TALK after that. Thats also a main problem in this show. John and Sherlock never really talk. It is John who often sits down and talks and Sherlock is not listening. Of course the relationship is developing, but the show never uses its whole potential.

So what would have been a better way of handling their first meeting? A first meeting that allows them to naturelly grow into the relationship... and further develop their relationship?

Elementary

Yeah I am gonna drag Elementary into this again. BBC Sherlock and Elementray share a really similar set up. They meet each other for the first time, and immeditaly move in and start solving cases together. But Elemenetary gives John and Sherlock time to grow into the relastionship.

This moment defines the Joanlock relationship imo. It shows that Joan is ready to confront Sherlock and call out his bullshit, that Sherlock listens and is effected by what Joan thinks and says, that Sherlock still has a lot of work to do. AND - most importantly - that a Johnlock relationship takes effort and is nothing that you can take for granted.

And this show was on air for 7 seasons, with 22 episodes each. Nevertheless the relationship was developing the whole time. In future seasons they are recalling their first meeting, honoring how much they have grown.

Resulting in:

gif by: @marlahey

This is something we never got in BBC Sherlock. We never saw them honoring the growth they made, recalling their first meeting, and having a satisifying conculsion, aka: "I love you" (in what way doesn't matter btw. The Joanlock moment wasn't romantic either).

Of course you could agrue now: "But Elementary did had the time for stuff like that, BBC Sherlock only had 4 seasons, with 3 episodes each."

So let us look at The Irregulars next:

This show starts as a usual crime detective show... with a supernatural twist. But slowly you learn that the core point of the show is the relationship between Sherlock Holmes and John Watson.

The show is set years after Holmes and Watsons first meeting. Actually when we first meet John his relationship with Sherlock is over already, broken and ruined. Later we - the viewer - get multiple flashback scene, showing us how they first met, how their relationship developed, and why they are not talking with each other anymore, resulting in this glorious moment:

But the show doesn't stop there, it even goes further and shows us how John and Sherlock slowly get closer to each other again. Sitting in the dark, discussing their relationship, the mistakes they made and most important: apologizing.

Still angry at Netflix for cancelling the show.

Of Course we also have other approaches. RDJ Sherlock.

Like BBC Sherlock it leans much more into Crime aspect of the story. But the story still centers around Holmes and Watsons relationship. When we first meet them they have been together long, probably for years. They are already settled in their relationship. They both know their roles in this relationship and they both feel comfortable with it. They behave like an old married couple. And when they fight, it is never serious. The first real problems erupt when Watson decides to marry. And thats the whole core problem of the first movie: Watson moving out of 221B to marry a woman and how Holmes deals with that. He develops from more or less boycotting the marriage to accepting it and gifting Mary and Watson a ring.

The second movie is him trying to accept that his love of his life best friend is married now and trying to solve cases on his own, without Watson. Eventually sacrificing his own life to safe Watson AND Mary. So even though the movies are crime movies, the Johnlock relationship is still the heart of the story.

If the movies wouldn't focus on the Johnlock relationship, the story would be a different one.

Many Johnlock moments in the movies are non-verbal, so excuse the extensive use of gifs here. But there is so much happening on a non-verbal level!

For example the wedding, which is a huge Johnlock moment. John being super nervous before his wedding and you see that Holmes is not happy either, but he still nods, letting Watson know that it is okay and that Watson is making the right decision.

But nevertheless he has to look away when Mary and Watson kiss. The message is clear here. He isn't happy, he is sad because he is loosing the most important person in his life.

Then we have moments like this, (see below) where - during a moment of danger - they cling to each other, making sure the other one is safe. Not being afraid of physical contact. This is something I was also missing in BBC sherlock btw. Physical they always made sure to stay away from each other. When they hugged it was like... a big thing. Which - set in modern times - felt a little bit off. Because in contrast to Miss Sherlock (see below) Holmes was never shown to be actively against physical contact. I wish the production team would have allowed more friendly touches. I mean... ACD Johnlock walks around arm-in-arm and John gets nervous everytime Holmes comes close, because "poeple might talk." Nah...

I think A game of shadows, peaked when Watson and Holmes danced. Because it shows that they have a deep connection. They came from a place where they acted like an old married couple, then being all nervous because of the Watson/Marry wedding, having to re-identify their relationship towards each other, to this finale dance, where - symbolically- they are a couple again. Everything came full circle. It is like: No matter what happens around Watson and Holmes, they will always find their way back to each other. They will always be the center of the story. It will always be them against the rest of the world, no matter what. No excuses.

But acually, the adaptation most close to BBC Sherlock is Miss Sherlock. I mean... it was basically a female japanese copy of BBC Sherlock.

But still... it improved a lot of things. When Sherlock and Wato (Watson) first meet they really can not stand each other. This Sherlock is also rude, but it is really clear that she is on the autism spectrum. She gets overhelmed by too much light and by loud noises. She is really against phyisal contact.

And the most beautiful thing about this adaptation: It knows that in the end Watson will always be Sherlocks weakness. It will not say: "Don't try to drown in the well. Good luck. I am off hugging my sister." (season 4 shade). In Miss Sherlock the finale conflict is: Watson being manipulated to work against Sherlock. Showing, that in the end, it all boils down to their relationship again. And this adaptation wrote a scene that is just.. chef kiss!

When Wato is around, Sherlock is all grumpy towards her. But during the finale Wato is kidnapped. And the show gives us a short look into one of Sherlocks most private moments. The moment she realizes that Wato is kidnapped. A moment where Sherlock is completly alone. And we see a honest and extremly vunerable moment. This one:

Sherlock screaming Watos name in agony. Knowing that she NEEDS Wato. And then she goes and risks everything to save Wato. EVERYTHING!

Her reputation and her life. She is even ready to be killed by Wato.

TL.DR:

So what am I trying to say? That BBC Johnlock has no relationship development? That there isn't any trust between them? Nope, course not.

We see John and Sherlock growing into the relationship, we see Sherlock getting softer because of John, we see John healing because of Sherlock and on the other hand we see Sherlock opening up, telling Watson whats really on his mind. Trying to be a better human, being more social. But imo that should have been the plot of idk... the first season, maybe the second one. Because thats just the beginning. A Johnlock relationship is so mch deeper, holds so much more story potential. Yeah, John and Sherlock belong to ecah other and are good for each other. We know that! Is Sherlock ready to confess his (plantonic) love for Watson by the end of the show? Is Watson so jealous of Sherlocks love interest that he opens a rift in the universe? Is Sherlock having a break down, screaming out Watsons name in agony? I don't want to see John being replaced by a balloon in season 4 (!) and it is played for a joke. Their relationship should be so so so much deeper at that point. For me BBC Sherlock felt like, they stop mid-relationship-development. It feels like Mofftiss said: "John and Sherlock work well with each other and are best friend. What else is there to say?" SO! MUCH! MORE!

They had all this potential, and went nowhere with it. And i don't necessarily mean romantically btw. Eveen Hilson drove into the sunset together eventually...

#bbc sherlock #johnlock #elementary #miss sherlock #the irregulars #rdj johnlock #long post

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noxhominis · 1 year

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I have to say this now, because Sherlock Holmes is trending and I am celebrating more than I did this Christmas. I watched Knives Out and Glass Onion and it made me realise something crucial about Holmes. He is fundamentally a good person. Does he sometimes behave a little bit like he doesn't care? Yeah. And does he solve cases because he wants the thrill and the mystery? Yep. But I would argue that he mainly solves cases because he wants to help people. His first case was when he helped his friend. Later we see multiple instances of this happening again and again (him being a genuinely good person). I have said it once and I will say it a million times— Sherlock Holmes is interesting because he is a smart guy who is NOT an asshole. He is (mostly) considerate to people, and their feelings. He takes cases to help people. The prime example that springs to mind is Copper Beeches, where he didn't think Violet Hunter had anything interesting to say about her case. But he still agreed to hear her out. And many times, he has done things for people, solved their mysteries without any money. Now you could say that he is not concerned about money at all, except we have seen him squeeze the king of Bohemia. He takes high profile cases to pay the bills, normal cases to solve puzzles, and the really simple mysteries because he wants to help people. I may have talked about this in another post and used the example of Twisted Lip, and Blue Carbuncle to say how he let criminals (of a sort) go solely based on his moral judgement.

The reason why I bring this up in the same breath as the Knives Out films is because of Benoit Blanc's character. That man is very polite unless he absolutely needs to be rude or has been driven to the ends of his patience. You know, like a normal person? And I loved how it just completely avoided the trope most modern mysteries, crime thrillers, and detective stories fall into. I like to call the trope "The Genius Asshole Syndrome". And it just sort of stigmatises really really smart people for not having social skills by twisting them into something mean and uncaring. And so many modern adaptations of Sherlock Holmes fall into that. And yes, BBC is one of them. So do the Ritchie!verse movies. They make Sherlock Holmes act flippant towards other people, because such a genius cannot possibly care for the normal people. He cannot possibly appreciate other different versions of smart, because he is obviously a genius and a genius is always an asshole, and not empathetic at all. So it was really refreshing to see a detective who cared about his clients, and vulnerable people. It was nice to see a detective get angry on behalf of a defenceless person. And it was very nice to see a detective not wanting to fuck a female client who is maybe half his age. (Plus the gay thing worked out great). I really feel like we need more genuinely good, kind, and helpful people in fiction, and now that Sherlock Holmes is completely in public domain, we can hopefully get something that is faithful to his actual character instead of the two dimensional grim dark detective dynamic. And maybe modern media can give us other detectives who are actually human, and have all basic human emotions? Just a thought.

#sherlock holmes #acd sherlock holmes #acd holmes #bbc sherlock #rdj holmes #ritchieverse #glass onion #knives out #benoit blanc #detectives #mystery #analysis #??? idk #anyway i really love mysteries #as my blog name suggests #so this was something I just wanted to say #hurray #public domain

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ladykailitha · 1 year

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Stranger Things Fic Master List

Hello! I am updating my Master List so that it's easier to find what you're looking for.

About Me

She/Her. I won't put my age up here because I'm ADHD riddled and will leave the same age up there forever so...just know I joined in 2012.

Long time fanfic writer. I've been writing since 2012. I’ve written for 9 different fandoms though my first and most prolific is that of BBC’s Sherlock clocking out at 62 published stories and an untold number of stories that are unpolished and unpublished. My next prolific and most recent is Stranger Things. I got pulled into Stranger Things by way the Steddie phenomenon that exploded after July by a few different people, but mostly Kedreeva who I started following for Good Omens (which is another fandom I’ve written for).

I love tagging games I just have such anxiety about them (before not having enough people to tag, now afraid of leaving the wrong person out) so I don’t really do them. I want to so badly though. Sorry! Still love everyone who thinks of me though.

I enjoy ask games because I LOVE info dumping. Someone makes a comment or says something nice in the tags and I want to just overflow them with love and information. But I’m never sure how that will be received so I don’t (anxiety really is horrible).

My inbox is always open. Come drop me a line, gush about your favorite story, or just wave hello.

I am pro-ship, pro-back button, pro-kinktomato (your kink is not my kink and that's okay; essentially). I have personal squicks, but I'm not going to call out someone who likes them. I will, if I feel strongly about it, make my own post about it, however. Like Eddie's age and Steve's style. But I won't say anything to you, if I don't like what you post.

I will block, report (if necessary), and delete hate of any kind. Directed at me or anyone else. I leave anonymous asks on, because I'm shy and sometimes like the option to say something without it being linked to this blog and wouldn't deny that of someone else. But hate in my inbox will never be answered.

Every Wednesday, I do WIP Wednesday where I will post which stories I'm working on that week and you can send me asks for your favorites so they get done faster. It's lots of fun so come join me each week.

I have a tag list for each story, but I also have a personal permanent list that I've curated from those that have either requested it or have been such fans that it seems remiss not to tag them in new things. I do have a hard limit of FIFTY per story and yes, that does include those on my permanent list. You can be asked to be removed from the list at any time, I won't be hurt by it. People's feelings change and evolve and if that means they don't want to be tagged, that's fine.

My masterlist only includes my Stranger Things fics, but the tag #ladykailitha writes will have some of my The Sandman headcanons, ficlets and story ideas, too. Everything else is on my AO3.

Story Key

If it has an AO3 tag after the summary, it's been beta'ed and posted on that site. No tag? Not up there yet.

If there is a (+) after the title that means I think it has the potential for a longer story.

If there is an (*) after the title it means I have expanded it to a full fic and the link to said fic will be the post itself.

Any thing brackets () will be major ship (usually Steddie), number of words, and rating. If there is no ship, that means there wasn't one.

The rating will usually be T for teen but there are a few that aren't. G is general audience. M is mature (this usually sex, but also sometimes dark themes) and E is explicit. I don't think I have anything that's rated E, but if I do it's sex.

Completed Stories

Ficlets (Less Than 1000 Words)

MORP+ (Steddie 233 G)- Steve hosts backwards prom for the misfits and freaks of Hawkins that wouldn’t fit in at the regular prom (not limited to the LGBTQ kids, but that was the main draw).

El Hopper, Avenging Fury (Steddie 249 T)- Steve dies in the aftermath of defeating Vecna and El has some opinions on that.

April Fools (Steddie 288 G)- Steve and Eddie gets couples t-shirts from Dustin. Eddie is amused, Steve not so much.

Erica and the Carebear Movie (308 G)- Missing scene: Mike and Dustin go to Erica to get her to play with Hellfire and meet more resistance then they expected. All because of a movie. Or author finds out Carebears 2 came out the night of the game/session and makes it Mike and Dustin’s problem.

Feral Steve+ (340 T)- Steve being rescued from having gone feral at the end by everyone.

Cat Dads (Steddie 444 T)- Eddie brings home a box full of kittens only intending to keep one, only Steve falls in love with one of the other kittens.

Steve and the Stick of Life+ (Steddie 451 T)- Steve makes a deal with an other to protect those he loves, the catch? Every time he protects someone it burns up a little bit of his life, shortening it.

Smooth Operator Steve- (Steddie 500 T)Steve decides to ask Eddie out. He cranks the charm up to eleven.

Sun-kissed and Moon-glow (Steddie 525 words G)- Rockstar!Eddie and Model!Steve on the red carpet. Steve gets asked about the grumpy one being in love with the sunshine one. Steve’s response is surprising as it is thoughtful. (Steddie 525 words G)

Sad Eddie Time (Steddie 683 T)- Eddie realizes that Steve’s been giving him adoring looks when he sees that look on Steve’s face with his new girlfriend, Becca. (Ends happily)

The Rake and the Knight (Steddie 745 T) - Steve and Eddie are both gay, but hide it in very different ways. Steve sleeps through the female population of Hawkins High looking for a connection. A rake of the highest order. Eddie charms his way out of dating by being so chivalrous (having them home by nine, only kissing their hand) that they tend to break it off with him as they seek for more.

Target (Steddie 702 T)- Steve has something to prove to Eddie. A boy who has been running all his life from people who hate gays. Eddie worries that dating Steve will put a target on Steve’s back. Too bad Steve’s into that. AO3

Thirteen (Steddie 803 T)- Steve comes out to Robin, Nancy, and Eddie, saying he’s known since he was thirteen he liked boys. All thanks to a boy that was kind to him his first day of middle school. Eddie hears the story with some shock and more than a little awe. He was that boy. AO3

Love is Loving the Person For Who They Are (Steddie 871 G) - Just Eddie tell Steve he’s perfect the way he is, no changes required. AO3

Short Fics (1000-5000 Words)

Steve’s Bad Date (Steddie 1046 G)- Steve goes on a date with another guy to a haunted house, the date ends badly when Jeremy pushes Steve at the actor to get away. The actor gives him the fake ax to chase his date. From that one TikTok video. AO3

I’ll Be Your Knight (Steddie 1336 T)- After Eddie is back home from the hospital, he hears a strange sound outside his window. Click Strike Fwoosh Clack. Repeated, over and over again. AO3

The Rockstar and The Teacher (Steddie 1547 T)- Steve and Eddie have been together for a decade, but due to Eddie being a rockstar and Steve a teacher, they aren’t out to the public, Steve isn’t even out at all because of the stigma around gay men and children. But it all comes crashing down when someone decides to take the choice away from in the most brutal way possible. Steve goes into crisis mode and comes out swinging.

All My Firsts Belong to You (Steddie 1655 G)- Steve finds out he’s the side piece for his first boyfriend when said boyfriend posts his engagement to a woman on social media. A boyfriend none of his friends are aware he had. Eddie finds him on the verge of a breakdown and they learn some important things about each other. AO3

Skate Circles Around Everyone (Steddie 1907 T)- Steve can’t skate. Well. That’s not strictly true. He hasn’t skated since his dad decided it was feminine and Harrington boys don’t skate. So he’s a tad embarrassed by the fact that not only does Eddie skate well he should be out there winning gold medals and shit. But Eddie decides to teach Steve how to skate instead of showing off on the ice.

The Promise (Steddie 1915 G) - Eddie is caught looking at Steve’s bookshelf, but when Steve shows him his favorite book, a little note flutters out of it. Intrigued Eddie has Steve tell him the story. A story that as it goes on, Eddie recognizes. Because Steve’s first kiss? Is Eddie’s too. AO3

Love is Kind (Steddie 1942 T)- Steve finds out his girlfriend was only with him because she thought he was rich. And breaks up with her on Valentine's Day. He's got everything laid out for the perfect date, so he calls Eddie to help him eat it. Turns out planning the perfect date is easy when you learn that love is supposed to be kind. AO3

Crossroads- Steve has a choice. Either go back inside with his mom and give up everything he has fought for in the last five years and live the life his parents want. Or he can runaway with Eddie. Just get in his van and drive forever. (Steddie 2049 words G) AO3

It’s Just a Kiss (Steddie 2420 T)- Steve loves it when Eddie talks. He gets so excited. But Steve keeps getting distracted by a place on Eddie neck, that he just wants to taste. Normally Steve impulse control is iron clad. Not today. AO3

Telling it Like it Is (Steddie 2884 T)- Jonathan and Steve don’t even like each other. But Jonathan knows that there are something that only he can say that Steve would accept. He just didn’t think it would spiral like this. AO3

Fake Boyfriend (Steddie 3060 T)- After most of the older teens have gone off to college, Eddie goes over to Steve's to hang out. When he finds Steve on the phone with one of his co-workers, he tells Steve to pretend Eddie is his boyfriend to get the guy to back off via notes on his notebook. It works better than he could possibly dream as the more Steve describes his "boyfriend" the more it sounds real. AO3

Soft (Steddie 3224 T)- Steve gets Eddie a necklace with the money that he had put down on ring for his very newly ex-girlfriend. Everyone around Eddie is telling him it’s an act of love. Eddie isn’t so sure. AO3

I See You Shiver With Antic--ipation! (Steddie 3495 T)- Eddie and Robin are taking their friends to a midnight showing of Rocky Horror Picture Show where they all dress up. Only thing don't go quite according to plan when Steve gets self conscious about his costume. Now it's a race to get the belle to the ball, Eddie has just the fairy godmother in mind, his old friend Janice former Hellfire Club member and now makeup artist.

We Love Steve (Steddie 3700 T)- As far as love confessions go, that couldn’t have gone worse for Eddie. Especially since it ends with Steve crying in his arms because he thought the confession was a joke or prank. Because no one would want Steve. He’s bullshit. Eddie tells the party and they decide to throw a surprise party. His birthday would be best, but an “We Love Steve” party would work in a pinch. The problem? No one knows when Steve’s birthday is. Cue Eddie to the rescue. Holy Shit, Steve’s birthday is Halloween. AO3

New Year’s Eve (Steddie 3816 words M)- Sequel to The Magic of Christmas Steve’s Christmas present to Eddie makes for a wonderful night out, Steve’s mom, be damned.

The People That See You (Steddie 4178 T)- Eddie makes a stupid comment about Steve trying to impress his old friends, only for Steve to overhear it. Now Eddie has to fix it and he doesn’t know how. Only there is someone in his friends that use to hang out with Steve in middle school. Cue Brian (the unnamed CC member) spilling the beans on Steve Harrington. AO3

Exit Eddie Pursued By Steve (Steddie 4788 M)- Eddie sees Steve in the ugly step-sister ballgown and likes what he sees, so Steve invites him backstage after the play. Things take an interesting turn when Steve suddenly marks Eddie as his boyfriend. Every doubt, every insecurity Eddie has is almost instantly foiled by Steve’s inner romantic. AO3

Mid-length Fics (5000-15000 Words)

A Valentine’s Day to Remember- Steve hates Valentine’s day. It’s bad enough when you’re in a relationship. But way worse when you’re single. Enter Eddie to rescue. Steve’s POV (Steddie 5276 T): AO3 Eddie’s POV (Steddie 5032 M): AO3

Meet Me On the Dance Floor (Steddie 5578 T)- Steve, Robin, and Eddie take Will to his first gay bar after he turns 18 and awakens somethings for Eddie when he finds out Pretty Boy Steve is bisexual. And doesn’t dance. Well he does, but like a drunk muppet. Mike finds out and learns some pretty deep shit about himself he didn’t he had buried. Deleted Scene AO3

The Places We Hide (Steddie 6667 T) - A series of moments where Steve wants to be found. And learns to ask for help. AO3

The Subtleties of Steve Harrington (Steddie 6960 T)- Summary: Steve has a problem. One he really doesn’t understand. The people closest to him think he’s straight. Well, there are few exceptions. He just wasn’t expecting Eddie and Robin to be in Camp Straight Steve. In a series of vignettes about the people closest to Steve and Eddie finding out that maybe Steve is subtler than they thought.

Staking My Claim (Steddie 6962 T)- Steve gets rescued twice by the Corroded Coffin boys when someone seeks to stake his claim on Steve. Steve wakes up under the tender of the Corroded Coffin boys and finds out that family can be found when blood relatives fail you. AO3

What Do Shovels Dig? Graves (Steddie 9711 words T)- After Steve has breakdown when Jonathan comes to talk to him thinking it’s another shovel talk. When Jonathan finds out that other than his family and El, everyone has given Steve a variation of the talk, he runs to Eddie. And between the Byers, El, and Eddie, they force the Party to realize the harm they’ve caused and makes them apologize, too.

Ser Stephan of Harring’s Town (Steddie 10222 T)- The gang finally convinces Steve to join the next campaign. But to help him out Eddie and Dustin create the character based on Steve, their own beloved tank and barbarian. They learn more about the hidden depth of Steve. Extra

Little Runaway (Steddie 10,500 M)- Steve’s on the run from his dad when outs himself as gay. So Dustin turns to the least likely of help. Eddie Munson. Eddie doesn’t even like Steve. But he’s a Munson and Munsons’ have a thing for strays. Extra

The Eddie Munson Guide to Dating an Oblivious Jock (Steddie LuMax 11150) - After Vecna Max is having trouble convincing Lucas to date her again so she turns to the one member of the party who is dating a jock: Eddie Munson. He breaks down his tips for dating an oblivious jock. Bold = the guide. Italicized = their conversation. Standard = examples Eddie is giving Max for each step.

Across a Crowded Room (Steddie 12840 words M)- Modern, no monsters AU. After they all graduated from high school the older teens drifted to other parts of the country. And while Steve and Eddie have made short trips to see each other, usually with the whole, they really haven't spent much time in the same room in years. That all changes when Eddie is able to spend a week in Chicago with Steve and Robin. But when Eddie sees Steve for the first time in years, he gets scared. Will have the courage to walk across that crowded room to be with Steve?

Long Fics (15000+ Words)

The Magic of Christmas (Steddie 17012 T)- Businessman Steve hires artist Eddie to do painting of the Party’s D&D characters for Christmas. Watch as over the next six months as the two men fall in love.

If I Rescue You, Will You Rescue Me, Too? (Steddie 19435 M)- Steve realizes after the aftermath of Vecna that he’s in love with Eddie. When he finds out that he was trying to get enough money to get to the Ozzy Osborne/Metallica concert in Indy in a week, he decides to woo Eddie via the most important concert of Eddie’s young life.

Batshit Soulmates (Steddie 20590 words T)- Soulmates were granted to a vast majority of the human population. And of those that didn’t have them, the best they could figure out was that they didn’t need soulmates because they were the best humanity had to offer. Of those that had soulmarks they were related in someway. A pair of different colored hearts. Matching flowers. Things like that. And when you met your soulmate they glowed the same color and felt warm to the touch. Steve hasn’t met his yet. All that changes when Eddie Munson is accused of murdering Chrissy Cunningham. (Just an excuse to have Steve and Eddie fighting off the bats together back to back, really)

In the Midnight Hour (Steddie 20985 T)- Steve thinks that Eddie’s night visits are Vecna toying with his mind. Until one night Steve comes to the starling realization that Eddie IS back and it’s up them to save him.

Grief (A Friend Indeed) (Steddie 22212 T) - Eddie and Wayne have to go back to Kentucky when Eddie's grandmother (and Wayne and Al's mother) passes. Steve comes along when Eddie suggests that he would feel better if he came. Along the way they learn about each other's pasts and find out that they are each other's future.

The Harrington Pattern (Steddie 26980 words T)- Steve is a secret history nerd who likes to sew. By example he teaches the younger members of the party that not conforming to societal standards can look different for everyone.

Star Child(Steddie 27100 words M)-Steve Harrington formerly of the boy band The Kings, is set to co-headline with Corroded Coffin Indiana’s first Love Loud concert as they are all hometown boys from Hawkins. Steve suggests a duet with frontman Eddie Munson. Low Key in Love, by The Struts and Paris Jackson. Sparks fly as Steve tries to court the frontman Low Key. But this is Steve, when has he ever been low key? Meta Extra Scene

Oh, For a Muse of Fire!- (Enemies to Lovers Steddie 34275 T) Steve just needs to pass one class in order to graduate from college and get his art teaching degree. Live Figure Drawing. A class as far as he is concerned is cursed having failed it a total of three times. Only now Joyce Byers is teaching the class with Eddie Munson as her model. He’s going to fail, he just knows it. Especially since Eddie is more than a little hostile and Steve can’t figure out why.

All My Roads Lead Back to You (Steddie 37530 T)- It’s been twenty years since Vecna was defeated and Eddie and Steve have gone their separate ways. They are suddenly thrown back together when their kids join the same band. Will they finally realize that what they’d been looking for their whole lives is each other or will they miss out on true love? Again.

Not All That Glitters is Gold (Steddie 37890 words M)- Steve is an escort with Starcourt Services, who provides omegas to alphas with the money for all sorts of accommodations: arm candy at social events, rut servicing, multiples (including orgies), and sometimes, just sex. Steve is highly sought after, but after a run in with Corroded Coffin frontman Eddie Munson at a fundraiser for a US senator, his world is turned upside down. No monsters/omegaverse AU. Rockstar Eddie/Sex Worker Steve. Mature (especially in later chapters). BTS Meta Further Meta

Can Anybody See Me? (Steddie 39594 M)- I just wanted to write a fic where someone notices that Steve isn’t the same person anymore and see him and the changes he’s made. Because I hate how everyone dogs on Steve for being the dumb jock in seasons 3 and 4. * * First Book in the “The Boy with A Bat” series

Royal Pain (Steddie 58461 T) - No Monster Modern AU. Eddie and his band, Corroded Coffin, have a steady gig at a bar in Indy where they play every weekend. Eddie's life takes a left turn when his regular tattoo artist, Max Mayfield, moves to New York with her boyfriend Lucas Sinclair, newly traded to the New York Knicks. Now needing a new tattoo artist, Jeff recommends "Royal Pain", which even Max agrees is a good shop. On arrival, Eddie is shocked to find Steve is the shop's artist. They hit it off, and slowly move from the barest of acquaintances to boyfriends. Meta

AO3 Exclusive Stories

Stories that aren't here on Tumblr.

In order of published:

Eddie’s Big Stevie Rescue- (Steddie 3647 words T) Eddie goes out to a bar in Indy to blow off some steam. But the bar is lame and he decides to leave. But before he can get even two steps from his booth, Steve Harrington literally falls into his lap. A drugged Steve that is need of help. Eddie to the rescue.

This Wound Is More Than Skin Deep- (Steddie 4126 words T) Eddie and Steve are struggling post Vecna with their wounds and Eddie blows up at Steve and sets off a series of events that changes how they see each other.

My Sweetheart- (Steddie 1448 words T) Steve breaks down after hearing Eddie call someone else ‘sweetheart’ and revelations are had.

Bravery- (Steddie 3682 words M) Eddie is a virgin and wants Steve to take it. Steve agrees provided Eddie agrees to be his boyfriend. Eddie agrees.

Home- (Steddie 3250 words M) Eddie finds Steve naked in his bed, so he does the decent thing and sleeps on the couch. In the morning there are revelations in and out of the bedroom.

Love Story Alibi- (Steddie 4810 words T) Steve decides to get Eddie off in the most unhinged way imaginable. At a town hall meeting, lying about... well pretty much everything. Almost.

Works In Progress

Well Met by Moonlight (Steddie M)- Steve is the Harrington Pack alpha. Eddie is the newly bitten vampire outcast. They are the most unlikely duo but somehow they find a way to make it work. Pt 1 Pt 2 Pt 3 Pt 4 Pt 5 Pt 6 Pt 7 Pt 8 Pt 9 Pt 10 Pt 11 Pt 12

Never Hold Back Your Step (Steddie T)- Continuing after “Can Anybody See Me?” Steve is struggling after the play trying to navigate his new relationship with Eddie, dealing with Nancy finding out he’s gay (and her bad reaction to that info) and just trying to keep it together. He graduates from high school but Eddie doesn’t. He doesn’t get into college and now he’s stuck trying to pretend to be “King Steve” so that his spunky new co-worker Robin Buckley doesn’t find out he’s gay. And oh yeah what’s this about Russians in the mall? Steve is cursed, he just has to be. The Boy With a Bat Book 2. Pt 1 Pt 2 Pt 3 Pt 4 Pt 5

Icarus (Steddie M)- Eddie and Corroded Coffin make it big and Dustin is their biggest fan. Or was. His new favorite band is The Fallen. They’re very theatrical and it drives Eddie up the wall. Until Dustin drags him to a concert that will not only change his mind. But rock his world. Pt 1 Pt 2 Pt 3 Pt 4 Pt 5 Pt 6 Pt 7 Pt 8

Everything I Ever Wanted (Steddie M) - Sequel to Not All That Glitters is Gold. A series of vignettes about things Steve wanted in the first story that he wanted that he was able to achieve through his relationship with Eddie. Pt 1 Pt 2

Sweet Home Indiana (Steddie T)- Sweet Home Alabama AU. Eddie is a successful tattoo artist in Seattle and is engaged to be married to Chrissy. Only there is one problem. Well, technically three. You see, back before the Supreme Court ruled that gay marriage was a right and not a privilege Eddie had gotten married in a couple of different states to different people. But now that's it's legal, he's a bigamist and he has to get his exes to divorce him. Which is easy enough for two of the three, not so much for the third. You see the third just isn't just any ex, it's the ex. Steve Harrington. So now he has to go down to Hawkins and try to convince the person he thought he was going to spend his life with to divorce him. Something much easier said then done, especially when Eddie finds himself falling back in love. Pt 1

Paper Hearts (Steddie T)- Hawkins High is selling paper hearts to help raise for senior prom. $3 for red romantic hearts and $1 for pink friendship hearts. Steve hasn't dated anyone since the horrific breakup with Nancy on Halloween and so he decides that he's going to send pink hearts to senior girls who wouldn't normally get any hearts at all. When Eddie hears about this he can't help be intrigued. It goes against his very well curated Munson Doctrine. But as events keep throwing them together, Eddie learns there is more to King Steve then meets the eye. Pt 1

Find My Shade By the Moonlight(Steddie T)- In the fifth season of the landmark MTV series Fear, they take five college age adults and drop them into the ghost town that is now Hawkins, IN. After the earthquake in 1986 the town was evacuated due to a leak at the now defunct Hawkins Lab. Steve, Eddie, Robin, Nancy, and Jonathan must now complete tasks or dares over the next two nights, tapping out before completing the task forfeits your chance at $5000. All five will be tested to their limits, but will any of them come out of the experience unchanged? (Steddie T) Pt 1 ON HIATUS

Snippets, Headcanons, and Rants

Plot Ideas

Steve’s Meltdown- Steve gets overstimulated when everyone is calling his name. Ideally a great idea for a comic, not sure I’ll do anything with it.

The Cutting Edge AU- I’ve gone into detail on this, so I’ve put up the link here. Steddie

Munson: Unsolved- An idea I had for an no monster AU here. Steddie

*The Fallen- Steve in a metal band like Sleep Token were the band wears masks. Steddie

Can You Speak Truth to Power- Medieval AU. King Steve and jester Eddie. Everyone else is here too.

Continued Medieval AU- The masquerade at the end of the story.

*Omegaverse- My idea for a Steddie omegaverse if I were to do one.

Season 1 AU- King Steve turns over a new leaf and forces his friends to do the same.

Strip Club AU- Eddie runs Hellfire Strip Club and is their top dancer. In comes Steve and rocks his world.

Stardust AU- My rundown of what I would do with the ST cast in a Stardust AU.

Feral Steve and Kas Eddie- just an AU I had that had Steve in the coma at the end instead of Eddie and Eddie waiting by his bedside.

Midsummer’s AU- Steve is a foundling of Titania and Oberon. Yup that Titania and Oberon.

Code Pink- What started out a cute little idea for a one-start ballooned in what will probably be a full series at this point.

*Werewolf!Steve and Vampire!Eddie World Build- my write up on the world of my latest AU I’m working on. It’s going to be fun! Let’s hope I actually get vamp sexy times, because my two other attempts at Vampire!Eddie(Kas technically) have been angst fests so...yeah!

Scarlet Pimpernel AU- Just a little idea about Steve as Sir Percy by day and the Scarlet Pimpernel by night.

Vecna’s No Good, Bad Time Travel Trip- Henry Creel tries to time travel to make sure he isn’t defeated. Only he keeps making it worse for himself. Like way worse.

The Dating Game- Steve is the contestant and Billy, Tommy, and Eddie are his choices. This is Steddie, so of course he picks Eddie.

Twofer- Secret Garden AU and *Steve is a tattoo artist AU.

In Plain Sight Crossover- Eddie goes into WITSEC after Vecna and he and Wayne gets new names. All is going well, the Party has mourned and moved on for the most part. Jimmy (Eddie) and Nate (Wayne) are happily in their new lives. Until Tommy Munson comes back and kidnaps Wayne because he thinks Wayne is in WITSEC due to hiding lots of money. Eddie has to contact Steve for the ransom money.

Famous!Steve and Rockstar!Eddie- Steve is former reality star and Eddie is frontman for Corroded Coffin. Eddie meets Steve at a club concert and finds out that his “fans” bullied him for not dressing like a metalhead and refuses to perform. The next day Robin shows Steve the video of the rant Eddie gave before walking off stage and Steve realizes it was about him.

Little Black Book Snippet- Eddie uses his little black book he keeps for his drug deals (for accounting purposes mainly) to get Steve out of a jam involving a same sex honey trap.

5+1 Steddie Fic- Five times someone walks in on Steve and one of the older teens thinking they’re having sex but they aren’t and the one time everyone walks in on Steve and Eddie actually having sex.

*Reconnecting AU- Steve and Eddie’s kids are part of a rock band together. Harry Munson on guitar and Edie Harrington on drums. When the kids realize their dads are each other’s biggest what ifs, they decide to set them up.

Stevie Slut Hour- Steve likes to cruise gay bars dressed as someone else, Eddie meets him during one of these tours and doesn’t know it’s Steve. He finds out later, though.

Pride & Prejudice AU: Steve is Darcy, Eddie is Lizzy and the gang’s all here, too.

Insane Asylum Steve: Steve has a breakdown as disassociates the plot of the TV series, with the cast making appearances in Steve’s life in different ways.

Gran Turismo AU- Steve and the rest of the Scoops Troupe is the best pit crew in NASCAR but his world is turned upside down when the owners stage a stunt season of players of the game Gran Turismo. Eddie is assigned to Steve’s crew. Enemy to Lovers, speed run. ;)

*Sweet Home Indiana- Eddie finds himself in a bit of bind when he goes to marriage license to marry to Chrissy and they tell him he’s still married to the guys he married before gay marriage was legalized a cross the country. So now it’s a race against time to get divorced so he can marry Chrissy. Two of them are easy, the third one? Not so much. Steve Harrington isn’t just any ex. He’s the one that Eddie always regretted letting go of. Sweet Home Alabama AU.

LadyHawke AU- How I would do a Ladyhawke Steddie and keep it medieval.

Steve is a Musical Genius- Steve just picking up whatever instrument Corroded Coffin needs to fill out a song and suddenly he's on tour with them and Eddie still isn't sure how it happened.

Sugardaddy!Eddie and Sugarbaby!Steve AU- How I would put my own spin on this AU for Steddie.

Headcanons

Department of Energy- An ask I got from a nonny about Steve’s dad being Brenner and my headcanon that Sr Harrington is HEAD of the DoE.

Halloween Costumes- Eddie, Steve, and Robin dress up as the main trio from Star Wars.

Steve and Robin’s Tattoos- my thoughts on what those might be.

Eddie and Steve Arm Wrestle- I had been seeing a couple posts and a comic, saying/showing Eddie being obliterated in an arm wrestling match with Steve. And this was my headcanon on that. Eddie would cheat. :D

Corroded Coffin Headcanons- just my thoughts on the boys in the band.

Rants

Steve’s Style- Just a little rant I did about how people keep trying to change Steve’s style to fit with Eddie.

Dear ST Fandom- My reminder to fans to put the Corroded Coffin boys in post season 4 fix-its and give a reason Eddie is at Steve’s instead of home with Wayne. (People don't this much anymore but it was a problem when I joined.)

Eddie’s Age and Ships- My rant on how we forget that Eddie is much older than most of rest of the cast and how that reflects on the ships.

Character vs Author Knowledge- This was about "The Harrington Pattern" but it extends to all stories really.

Would Steve Stay w/ Max or Eddie at the Hospital?- A rant I went because someone was stupid in the steddie tag.

Steve isn’t the douchebag everyone claims he is- just my thoughts on season 1

Takes Me Out- just things that send me out a fic.

Eddie’s Hair and the Unnamed Freak- just me ranting about people always putting Eddie’s hair up in fics and the Dougie problem.

Eddie’s Buzzcut and Steve’s Connection to Hawkins- what it says on the tin

Fandom Wank- My thoughts on shit going down in the Stranger Things fandom at the time (Jan. 2024)

#My writing #Stranger #steddie #byler #jancy #ronance #rockie stranger things #ladykailtiha writes

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squish--squash · 5 months

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The best Sherlock Holmes adaptation (that people hardly know)

The stories and adventures of Sherlock Holmes is probably one of the most well-known, most referenced, and most recognizable series out there, as well as one with an insane number of adaptations. Hell, Sherlock Holmes even holds the world record of being the literary character with the most screen adaptations.

This has led to many, many people making ranked lists of their favorite adaptations, and I've looked at a lot of them to see if my favorite one appears. It doesn't. Not here, here, here, here, here, here, or here.

On the Wikipedia page for Sherlock Holmes adaptations, it is listed...in the external links section, at the very bottom of the webpage; it's only visible by expanding the "screen adaptations of Sherlock Holmes" panel

On here, under the three names it's regularly tagged as, there are a collective 13.9k followers (the breakdown is 5.2-1.9-6.8). In comparison, the "bbc sherlock" tag has 47k followers, "sherlock" has 644k, and "john watson" has 13k followers. Pretty underrated, if you ask me.

And so, you're probably wondering what this adaptation is, and why I think it's the best. Wonder no further!

The best Sherlock Holmes adaptation (at least, to me) that is criminally underrated is called Yuukoku no Moriarty, or Moriarty the Patriot. (and before you ask, yes, it's a manga! with its own anime!)

Now, because this post is already long enough, and because there is going to be A LOT OF BIG SPOILER WARNINGS, I'll be defending my claim under the read-more. But with that out of the way, let me begin...

Reason #1: Wait, Moriarty??

Moriarty is well-known to be the arch nemesis of Sherlock Holmes. He's the big baddie of the original series. So why in the world is this adaptation named after the villain? Because the plot is focused around Moriarty. As far as I am aware, this could be the ONLY adaptation so far that has done this (please correct me if I'm wrong! I'd love to find more). Furthermore, the "James Moriarty" in question is actually three brothers: Albert, Louis, and William (the "main" Moriarty), and the overarching plot follows their schemes as "the Lord of Crime" to... change 19th century England for the better?

Reason #2: The Premise is INTERESTING as FUCK

Yeah, you heard me! The big baddie in this adaptation is trying to do what they deem as "good"! It's called Moriarty the Patriot because William, Louis, and Albert are trying to make England a better country in their own ways; they view the class system of 19th century England to be, quite frankly, shit, and want to lessen the abuse and dehumanization of the lower class caused by the nobles. And, well, they do this by killing corrupt nobles. Or, well, more accurately, they help people commit crimes to kill the nobles, and stage it to look like an accident or make it extremely difficult to solve. It's actually really fun and cathartic to watch imo, especially in the early episodes of the anime and the early chapters of the manga. I'll come back to the plot later, but for now, I think it's time to get back to the characters.

Reason #3: The Gang's all Here!

The three Jame Moriarty brothers aren't the only characters: you also have the baker street gang (Sherlock Holmes, John Watson, and Ms Hudson), the Baker Street Irregulars, Mycroft, Sebastian Moran from the original series, Lestrade, Irene Adler, Herder (another character from the original series), and interestingly enough, Billy the Kid (in the manga). And these characters aren't just one-dimensional name-drops, but characters with so much personality, backstory, and motives. Take, for example, Sebastian Moran: he's a sniper who works for the Lord of Crime, yeah, but it's because he has a long-earned loyalty to William; both of them have a keepsake from the other, and after William's supposed death during this adaptation's version of "The Final Problem", it's the keepsake he gave to William that saves him from a dark path (there's much more to this story in particular, but you'll have to find out more yourself if you're interested). Also, there's Moneypenny in the manga. But why the hell is she here?

Reason #4: His name is James. James Bond (and he's trans!)

NAME ONE OTHER FUCKING SHERLOCK HOLMES ADAPTATION THAT HAS JAMES BOND, I'LL WAIT. YOU CANNOT. But yes, James fucking Bond is in Moriarty the Patriot, and is one of the best characters for many reasons. One of them? We actually meet him as a woman. And who is that woman, you might ask?

Irene Adler.

(note: the version I read calls him James Bond, but from what I've heard, his name is actually spelled "James Bonde" to avoid copywrite issues. However, for this post, I'll use "Bond") It's...incredible. The entire arc introducing Irene Adler and her arc into becoming James Bond is one of my favorite arcs in Moriarty the Patriot. It takes the original "A Scandal in Bohemia" and sprints with it. Like, the entire Bohemian-king-wanting-that-photograph with Sherlock and Watson is just a ploy, so Irene can be under the protection of public-hero Sherlock by tricking him into thinking he blew up her house with his smoke-bomb trick. Because she stole ENGLISH GOVERNMENT DOCUMENTS SO CLASSIFIED, THE GOVERNMENT WANTS HER DEAD. It's just the way the series builds off the original works by Doyle in a way that not only stays true to the original, but is also its own thing. Because yeah, we don't see Irene Adler again after her "scandal" is solved; and that's because she fakes her death as Irene, and starts working under the Moriarty brothers as James Bond, now a man. Additionally, Moriarty the Patriot handles Bond being trans in an amazing way. Him being trans is no joke! The Moriarty group accept him as a man the moment he tells them (except for Sebastian Moran, who's confused about it at first before he warms up to it; in all actuality, it's his confusion and reluctance that's joked about, not Bond's manhood, which is a refreshing thing to see as a queer person myself). Even when reuniting with Sherlock, John Watson, and Ms Hudson, the three are respectful and understanding. Oh my god wait a minute I just realized I haven't even mentioned Sherlock yet-

Reason #5: Benedict Cumberbatch WHO

Sherlock Holmes in this adaptation is the best Sherlock, hands down. Why? Because he's fun, goddammit! So many Sherlock adaptations see the genius personality of Sherlock Holmes and see nothing else. They make him cold, uncaring, calculative. A lot of Sherlocks would shoot a man dead for a lead on a case. But not this Sherlock. Is this the face of a man who's cold and uncaring?

HELL FUCKING NO! And he's literally presented with the opportunity to shoot a man for a lead on a case, and he turns it down! Because he's good! Yeah, he's prideful. Yeah, he can be a prick. He treats Scotland Yard like a joke. But he's also silly. He's kind to the people he cares about. He wants to help people. He's hilarious with Ms Hudson and Mycroft, and his interactions with William Moriarty is one of the best things to read about in this adaptation, because their cat-and-mouse game matters so, so much in this story.

Reason #6: Cat and mouse; puppet and puppeteer; friend and...friend?

Sherlock has a very interesting role in Moriarty the Patriot as a whole. Sure, he's the detective. But he's so much more. When he's introduced (in episode 6 of the anime, mind you!) to the story, the overarching plan of William and his brothers shift to include him: William wants him to be the hero of the play they're setting for the country, because in the end, William plans to be defeated as a common enemy of the people. And so, the game begins. The Lord of Crime starts setting up crimes for Sherlock to solve, so he gains publicity. So he's recognized as the hero. He's the only man smart enough to solve the trail of breadcrumbs Moriarty leaves, after all. Sherlock starts as just a puppet in the plan of things. Led along on strings from crime-to-crime, slowly piecing things together. And Sherlock hates it. But...Sherlock and William meet outside of being a simple detective and criminal. They meet on a ship, and for the first time, William finds his mind not drafting up plans or thinking as the Lord of Crime the first time they speak to each other. And for the first time, Sherlock finds someone with a mind equal to his own. They meet again, on a train, and solve a murder together (one William was NOT behind). And behind this game of cat-and-mouse, behind the puppet and puppeteer, something blooms. When Sherlock learns that yes, the William James Moriarty he's grown to known is indeed the Lord of Crime, he's not mad. He's...glad.

(note: Sherlock calls William Moriarty "Liam", beginning with their meet on the train; he's the only character in the series who does this. Not even the other Moriarty brothers call their brother "Liam")

He's glad it was William; it couldn't have been anyone else, in his opinion. It wouldn't have been worth it otherwise. It all comes to head in this series' version of "The Final Problem", where Sherlock finally confronts Moriarty, once and for all. It's where William plans to be defeated by his nemesis, the hero. Because he's the self-proclaimed villain. "Catch me if you can, Mr Holmes", is what he challenged to Sherlock on the train, after he joked about William being the Lord of Crime. And Sherlock catches him, in the end. But not as a detective. He catches him, as a companion, after William jumps to his death into the river Thames to set his defeat to Sherlock in stone.

Reason #7: What Comes After

The anime ends after "The Final Problem", but the manga continues. And this is where I really, really think this adaptation shines its brightest, with the aftermath of everything the series has been building to. The main reason Moriarty chooses his death is because of the bad things he's done his entire life. He never enjoyed killing people, but felt he had to, and felt his death was the proper "punishment" for it. But through Sherlock, he finds that that isn't the answer. It's obvious that Sherlock would live through the fall into the Thames. But what about William? In most adaptations, he dies. In the original, he died. But in this? They both live. They both survive. Some big ideas floating around before "The Final Problem" involved revenge. An eye for an eye, if you will. Judgement, and delivering it. But afterwards? It's atonement. It's forgiveness, and the lack of it. It's growth, and redemption. They're saved and taken to America to recover and start new lives. William Moriarty finds ways to atone for his actions without choosing death. Sherlock does too, for his own crimes. They decide, together, to begin anew, find new purposes.

and it's beautiful. When they return to England, three years after their disappearances, their growth is obvious and amazing to see; the other members of the Moriarty gang have also chosen their own paths of redemption, and seeing it all come together is something I'll always enjoy rereading over and over. And the redemption and reunion with England is just the end of part 1 of the story. There's more to be made with this series.

Reason #8: Made With Love

It's so, so obvious that Moriarty the Patriot was made with love for the original series. The way details of the original stories are kept and built off of to work flawlessly as it's own story is something I will be continously impressed by. There was so much thought, heart, and soul put into this adaptation, and you can tell it by reading and watching it. There are so, so much more I could go into—like the music in the anime, deeper dives into the arcs of the main cast, how well the relationships between characters are formed and established—but I think it'd be better for you to just find out all of these things by yourself.

So please, if you've gotten this far, give Moriarty the Patriot a try. Let it prove to you how good it is. Let it show you that it really is the best Sherlock Holmes adaptation out there.

#moriarty the patriot #yuumori #yuukoku no moriarty #sherlock #sherlock holmes

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alwaysonthemend · 1 year

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The Nightcap | JMK

Author’s Note: This is the first fic I’ve written since my BBC Sherlock era so please bear with me. I’m a little nervous posting my writing after so much time but I also really want to get back into it because it’s so much fun! This is unbeta’d so all mistakes are my own.

Summary: After leaving a party early, you and Josh head back to your place for a nightcap and a movie. Little do either of you know, things are about to heat up between the two of you.

Content Warnings: oral (f. receiving) hand jobs, p. in v. sex, unprotected sex (wrap it before you tap it, folks!), swearing, minor sub Josh. 18+ MINORS DNI

Word Count: 3499

Preview:

He sat up from between your legs and wiped his mouth with the back of his hand – no doubt the most obscenely attractive thing you’d ever seen in your life.

“Holy fuck.” you breathed out, and Josh chuckled smugly at your blissed-out expression.

“Everyone always talks about a guitarist’s fingers…” He said with a wicked grin, “But no one ever talks about a vocalist’s tongue.”

“Cocky bastard.”

-----------------------------------------------------------------------

These parties always made you feel nervous. No matter how many of them you went to, you always felt slightly out of place and awkward. You barely know anyone here. You know the boys of course, having practically grown up alongside them, but it still felt too awkward to ask one of them to stay with you the whole time. You hadn’t even wanted to show up tonight, but Josh had seemed so disappointed when you said you might sit it out and so you’d relented and told him you’d at least come for a little while. Parties were his favorite after all.

The boys were abuzz with energy as you all made your way to the club downtown. They’d booked the whole place out and had invited practically all of their friends who lived nearby, along with a bunch of other people whom you had no idea who they even were. You’d made your rounds as you’d first arrived, saying hello to the few people you did know before making your way over to the bar to have a drink.

From your place at the bar, you could see just about everyone – it was far more packed than you had been expecting and definitely far louder than you were in the mood for. At this point, you were debating with yourself whether or not you should just get an Uber back to your house and call it a night. The day had been long, and this party wasn’t helping the headache mounting behind your eyes.

You rose from your seat, pulling out your phone to call an Uber when Josh slid up next to you, drink in hand.

“Hey y/n! What’s up?” His eyes were sparkling in the dim lighting of the club and his cheeks were pink from the excitement. He looked divine.

“Hey, Josh.” You smiled lightly, “I was just about to call an Uber actually. I’m a little tired and I just want to go to bed.”

His face fell slightly before his eyes furrowed in confusion.

“Why are you calling an Uber? Your place isn’t far, and I could drive you. An Uber would just be a waste of money.”

“That’s sweet of you to offer but I don’t mind paying for an Uber.” You gestured to the party going on around you. “Besides, I wouldn’t want to take you away from all this. You love parties!”

He gave you a toothy grin. He was wearing a low-cut V-neck shirt, and you could see the sweat on his chest glisten under the blue light of the club. He looked ethereal.

“Well yeah, I do. But I also would love to drive you back to your house. I wouldn’t mind. I promise.” He placed his glass on the bar and looked at you through his lashes. He looked sincere and you felt yourself caving.

“Fine,” you conceded, “So long as you promise that you don’t mind.”

“I don’t mind at all, mama. Come on!” You felt yourself blush at the nickname as you followed him out of the club and into the night air outside. The cold wind was a stark contrast to the stuffiness of the club, and you took a moment to breathe and feel the coolness on your cheeks. You and Josh made your way to his car, and he opened your door for you before getting in himself.

“Thank you again, Josh. You really didn’t have to take me home.” You said after a few moments of relaxed silence. Josh glanced at you for a moment, a soft look on his face, before turning his eyes back to the road.

“It’s really no problem, y/n. I don’t mind.”

The two of you sat in comfortable silence, interrupted only by the soft sounds of Fleet Foxes floating out from the car’s speakers. This was why you liked Josh. As much as he always seemed to like to talk, he didn’t ever make you feel like you had to entertain or keep up a conversation for things to not be awkward. He was perfectly content to just sit in silence and enjoy another person’s company. You felt lucky that you got to see this side of him.

“I don’t know how you do it, Josh – go to all these parties all the time. I don’t understand how you find the energy to do it and never get tired.” You laughed, watching the lights of the city blur past your window. He chuckled.

“I do get tired of it sometimes, I’m just a little better at hiding it.” He glanced at you again before continuing in a softer voice. “I didn’t really want to go tonight, actually. I was only going to go if you agreed to go, too.”

You looked at him, startled.

“Why? I’m not exactly the most fun person to be around at parties.”

“You’re very fun to be around, y/n. I love getting to spend extra time with you. I miss you when we’re on tour.” His honesty made your cheeks warm with embarrassment and you were having a hard time coming up with something to say in response.

“Well,” you said after a moment, “I love getting to spend time with you, too. I only showed up tonight because you asked.”

“I’m honored.” He laughed, his own cheeks tinged a little pink.

The rest of the drive passed in comfortable silence, and soon Josh was pulling into your driveway.

“M’lady.” He said with a dramatic flourish as he opened the car door for you again.

You giggled, taking the hand that he offered you as you stepped out of the car.

“Why thank you, my good sir.” You laughed. “Do you want to come in for a nightcap? I’ve got a bottle of wine calling my name right now if you’d like to join.”

He gave you a dazzling smile.

“That sounds amazing. Lead the way!”

The two of you made your way inside and Josh hooked his keys on the little hook on the wall before plopping down onto your sofa. You entered the kitchen, pulled two wine glasses from your cabinet, and placed them on the table. You grabbed the bottle of wine from your pantry, brought it over, and poured yourself and Josh a generous amount. He chuckled as he watched you fill the glasses. You put the bottle away before bringing them over to the sofa where Josh was sitting.

“Thanks for inviting me in, y/n. I really didn’t want to go back there. Far too loud for tonight.” He took a sip from his glass as you took a seat next to him.

“Consider it repayment for driving me home.” You took a sip from your own glass, reveling in the bitter taste on your tongue.

“Or maybe you’re just trying to spend more time with me.” He said with a sly grin.

“Hmm. Maybe. But you did accept my invitation so maybe you just wanted to spend extra time with me.”

He laughed softly. “Maybe so, y/n. Maybe so.”

Your heart rate picked up as he said the words and you brought your glass to your lips and took a large gulp to try and soothe the nerves away. Being alone with him like this, especially in your own house, was making your brain conjure up dangerous thoughts – thoughts that you usually tried to keep buried.

“Do you wanna watch a movie?” You asked in a desperate attempt to break the tension. Josh probably knew exactly what you were doing but went along with it.

“Sure! Did you have a certain one in mind?”

“You’re the film guy. You choose.”

He chuckled, placing his drink on the coffee table, and got up to turn off the lamp. He walked back, grabbing the remote as he sat back down. You placed your own drink down next to his and you settled back into the couch, pulling a blanket off the back and covering your lap and Josh’s as he chose one. You weren’t sure what he chose, but your mind became otherwise occupied as he leaned back, and his thigh and shoulder pressed into yours. The heat from him spread through you like the wine had, leaving you warm and relaxed. His scent flooding your nose coupled with the alcohol left you feeling far more at ease than you had been before.

The movie started and you really did try to pay attention – but all your mind could focus on was the feeling of him pressed against you. You stole occasional glances at him, trying to memorize how the soft glow from the TV accentuated his jawline and how his eyelashes cast shadows on his cheeks. At some point, he brought his hand to rest on your knee, absent-mindedly tracing patterns there with his fingertips.

You did your best to keep your eyes focused on the screen and eventually, you found yourself being drawn into the story. At least, you had been for a little while until you felt Josh’s fingertips slowly ghost their way up higher on the inside of your thigh, leaving a trail of goosebumps in their wake. You glanced at Josh, but his eyes were still glued to the screen. He probably hadn’t even realized that he’d done it.

You turned your attention back to the movie, but it wasn’t long before Josh’s touch went even higher – high enough that it couldn’t have been an accident.

“Josh?” You whispered, scared to break the silence; scared to acknowledge what was happening.

He turned to look at you, eyes dark and glistening in the light of the TV.

“Y/n,” he whispered, swiping his bottom lip with his tongue. Your eyes tracked the movement before sweeping back up to his eyes. “Please tell me I’m not reading into this wrong. Tell me you want this too.” He looked so nervous – a look you’d never really seen on him before. He was always so confident, so sure of himself; seeing him look at you that way made you ache to reach out and soothe him. This was like a damn dream come true. You’d dreamed about being with him like this. You’d just never thought he would ever be interested in someone like you. There were thousands upon thousands of women who would kill someone to be where you were now, and Josh could have any one of them if he wanted. But somehow it was you that he wanted. It was you that got to see him like this – so vulnerable, his desire reflected clearly in his eyes.

You must have taken too long to answer though, as he pulled his hand quickly from your thigh and stood awkwardly from the sofa.

“Y/n, I’m so sorry. I never should have assumed that-”

You grabbed his wrist quickly, wrapping your fingers around him tightly.

“Relax, Josh. You just surprised me, that’s all.”

He stared at you for a moment, his cheeks a bright red that you could see even in the dim light.

“I’m so sorry, y/n. That was so rude of me. I can leave. I won't ever bring this up again.” He made to pull his wrist from your hand, but you tighten your grip on him.

“Josh,” you whispered, “I want this. I want you.”

He stared at you, turning your words over in his mind. He looked divine, bathed in the light from the screen, his chest heaving with excitement.

“You promise?”

“I promise.” You say as you pull him back down onto the sofa. You scoot backwards, bringing your back flush to the armrest and spread your legs. “Come here, Josh. I want this.”

He crawls his way over to you, sitting on his knees between your thighs. His eyes are even darker than before, and the redness of his cheeks was now painted down his chest as well. You stare at him, waiting. Your heart is pounding, heat flooding between your legs as you stare at him.

“Can I kiss you?” He says, as he brings his palms to your thighs and leans over you, your chests flush against each other. You ghost your lips over his, feeling their softness.

“Please do.”

He brings his lips to yours in a searing kiss, immediately plunging his tongue between your lips in a greedy display of lust. You whine quietly as he licks his way into your mouth, and you bring your hands up to his face, cupping his cheeks between them. He presses his hips to yours and you can feel his cock straining through the fabric of his pants, and you can feel your own wetness soaking through your panties. You don’t remember the last time you were this turned on. You feel dizzy – drunk on lust and desire for the man on top of you.

His lips leave yours and you chase them, but he brings them to your neck instead, pressing searing hot kisses down your throat. He pulls away briefly to pull your shirt over your head before returning his mouth to the hollow of your throat. Your hands move upwards, ghosting over the shaved sides of his head before tangling in his unruly curls. You give them a tug and he groans, nipping at the sensitive skin of your neck.

“Do you like that, Josh? Like it when I pull your hair?” You ask breathlessly, tugging again at his hair.

He moans again and you feel his cock twitch as he ruts himself against your clothed pussy.

“Fuck, mama…” he breathes, tongue licking over the valley between your breasts as he brings his right hand to the waistband of your pants. He brings his mouth away from you as he pulls them off, groaning at the sight of your lace thong. You mentally high-five yourself for choosing to put them on that morning.

“Can I taste you, y/n?” He looks up at you from underneath his lashes and you swear you’ve never seen something more sinful. His lips are red and swollen and his chest glistens with sweat. He looks absolutely ravished already.

“Whatever you want, Joshy.”

He gives you a wicked grin before lifting your hips to slide your panties down your thighs. He brings them to his nose and inhales, moaning at the scent before tossing them somewhere in the room. That action alone makes your pussy ache with need for him, and you can feel yourself practically vibrating with excitement and desire.

He lowers his head between your thighs and swipes his tongue through your folds, lapping at the wetness collected there. You breathe out a stuttered breath and throw your head back, eyes closed tight. He repeats the action, this time swirling the tip of his tongue around your swollen clit.

“Oh God!” you whine, completely lost in the sensations of his tongue.

He chuckles, and the vibration leaves you feeling completely drunk on arousal. He continues his ministrations, and it isn't long before you feel that familiar coil tightening in your belly. He brings one hand to cup your chin, thrusting his middle and pointer fingers into your mouth. You suck on them obediently before he pulls them out and sinks them into you, never once stopping with his talented tongue. He curls his fingers inside you, brushing against the spot that few men had ever been able to find as he suckled on your clit and your orgasm tore through you like a tidal wave. Your vision whited out as your entire body shook and you let out a wail of Josh’s name.

He sat up from between your legs and wiped his mouth with the back of his hand – no doubt the most obscenely attractive thing you’d ever seen in your life.

“Holy fuck.” you breathed out, and Josh chuckled smugly at your blissed-out expression.

“Everyone always talks about a guitarist’s fingers…” He said with a wicked grin. “But no one ever talks about a vocalist’s tongue.”

“Cocky bastard.” You laugh, sitting up and reaching for his pants. You pull them off him, leaving him in nothing but his boxers. He tears his own shirt off his head and you take a moment to just look at him. You can see his cock still straining through his boxers and his chest is red and heaving. His chin is covered in your wetness.

“You look divine.” You say, pushing him back into a sitting position.

“Speak for yourself, darling.” He slides the straps of your bra down your shoulders and reaches behind you to unclip it with one hand. He uses his other hand to tuck a strand of hair behind your ear. You’re completely naked now, and Josh is staring at you like you’re the most beautiful thing he’s ever seen. You throw one leg over him, straddling his waist and grinding your pussy down on his cock. His hardness coupled with the roughness of the fabric of his boxers gives you the most delicious friction. He lets out a whine that’s like music to your ears.

“I don’t have any condoms…” He mutters breathlessly, hands gripping your hips so hard they’ll probably leave bruises.

“I’m clean. And I’m on birth control.” You say as you lean down to kiss him again. He moans as you bite his lower lip.

“You sure?” He says, breaking the kiss to look up at you through hooded eyes.

“Yes. Wanna feel you all the way.” You say as you pull his boxers down. He kicks them off and you take a moment to admire him. His head is an angry red and pearly droplets of precum leak from it. You scoot down lower on his thighs and spit into your hand before wrapping your fingers around his cock. He whines again and lets his head fall back onto the back of the couch. You pump up and down a few times, increasing your speed as you go. He lets out a breathy moan that sends shocks of arousal down into your pussy. You want nothing more than to sink down on him already, but you continue to jack him off with your hand. You want to see how far you can push him.

“Fuck, I’m gonna cum if you don’t stop.” He whines, lifting his head to stare at you. You chuckle and speed up your hand while you start to massage his balls with the other.

“Mama…” he moans again, and you can feel his balls tighten. He’s about to cum so you squeeze your hand tightly around the base of his dick. He yelps and groans, hips pushing up to try and chase his release.

“Not yet, baby. Want you to come inside me.” You let go of his cock and bring your own hand to your clit, flicking it a few times before sinking down on him.

You both moan loudly as you bottom out and you feel like you could cum from the feeling of him stretching you alone. You sit still for a moment, adjusting to his size before you slowly start to rock your hips. He moans and slides his hands down to grip your ass, squeezing as you bounce up and down on him.

“Fuck, y/n, you feel so good. So tight.”

“You’re doing so good, Josh. Such a good boy for me.” You moan, picking up your pace. He groans and bucks his hips at the nickname.

“You like when I call you a good boy?”

“So much, mama. Wanna be your good boy.” He ruts his hips into yours, meeting you in the middle as you ride him. You can feel yourself right on the edge, but you want to see him cum first.

“You are my good boy, Josh. You’re so fucking perfect. So needy. So good for me.” And with one final thrust into you, you feel him explode in you, painting your walls with his release.

“Oh fuck, fuck, fuck. Holy shit.” He whines, and the sound of his needy moans coupled with the pleasure painted over his face brings you to your own release as well. The coil in your belly snaps for a second time and you moan his name as you ride out your orgasm.

You rise off him, collapsing onto the sofa next to him.

“Holy shit.” He laughs breathlessly. “You are something else, mama.”

You laugh, turning over to kiss him softly.

“So are you, baby. You were so good for me.” He smiles lazily at you, eyes now shining with something more than just lust.

“I’m glad you invited me in.”

You laughed loudly.

“Me too.’’ You could feel the tendrils of sleep beginning to cloud your mind and you rose slowly from the couch. Josh looked up at you, his messy curls falling onto his forehead. You extended your hand toward him

“Stay with me tonight?”

He smiled softly at you and took your hand.

“I’ll stay as long as you want me to.”

#josh kiszka fanfiction #josh kiszka smut #josh kiszka x reader #josh kiszka fic #josh kiszka #josh gvf #greta van fleet fan fiction #greta van smut #greta van fic #gvf #smut #dee's writing

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hellsite-detective · 4 months

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Not sure what key terms to look up to find this one so I'd figured I'd talk to a professional to help me find this.

There's this one post that shows a safe with a bunch of the keys degraded. The joke is that it's obvious what the passcode is.

Then, people start discussing how you don't actually know since there's still plenty of combinations of the 4 keys deteriorated. People go full deduction mode, BBC Sherlock references galore (this post is from 2013-2015ish era tumblr iirc), until someone finally points out the safe is already open (they get called a John Watson).

I have been thinking about this post for the last 2 months. I miss her. Please bring her home <3

trackin' this one down proved to be difficult. see, i went and found the post rather quickly by askin' my pal Google for "tumblr keypad combination post." i started checkin' blogs, but all of them were comin' up as deactivated. eventually, i found one that existed and started scrollin' through the archive. after a while of scrollin' i realized something. their blog was made AFTER the post had been made. so, back to the drawin' board. i kept checkin' blogs until i FINALLY found the post i was lookin' for. but i needed the version with only the original thread of reblogs. something that would be hard with almost all of the blogs deleted. so, i was scrollin' through the notes when i realized i didn't have to do any of this. the post had already been reblogged to @hellsite-hall-of-fame. in classic fashion for this post, all the effort was "great and all, but unnecessary."

here you go! what a classic post honestly. i love this one. have a great day!

Post Case: Closed

#i actually made an ace attorney version of this post a long time ago #thats literally the only reason i knew what i was looking for oops #ask #hellsite detective #post case closed

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petite-madame · 1 year

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Fan Fictions inspired by my art

You’ll find below fan fictions inspired by some of my artworks. This list doesn’t include Big Bang, Reverse Bang or Fandom Trumps Hate collaborations. All the stories below were written kindly and spontaneously by the authors. ❤ Of course, this list is incomplete, it only includes the most recent fan fictions.

Don’t hesitate to contact me if you ever wrote something inspired by one of my artworks (the ones posted at Petite-Madame, not my side accounts)

List under the cut...

- BBC SHERLOCK

Johnlock (Sherlock Holmes/John Watson)

Morning of Epiphany by Innerspectrum (Sherlock Holmes/John Watson - General audiences - Birthday fluff - 221 words - Sherlock wakes up his normal grumpy self, expecting the usual boredom, until realizes otherwise... ) - ARTWORK

A spoonful of Johnlock by Asterisko (Sherlock Holmes/John Watson - General audiences - Cuddling & Snuggling, sleepy cuddles, fluff, sharing a bed - 440 words - John and Sherlock spooning in bed, from John's and Mrs. Hudson's POV.) - ARTWORK

A Thousand Words by Silvergirl (Sherlock Holmes/John Watson - Mature - The Empty Herse infill - Johnlock freeform - ~ 768 words - Standing there behind the just-closed door of the train, his palm flat against the glass and his face a study in naked sorrow and regret, was Sherlock.) - ARTWORK

Mystrade (Mycroft Holmes/Greg Lestrade)

Cello by janto321 (FaceofMer) (Greg Lestrade/Mycroft Holmes - General audiences - Fluff, domestic fluff - 465 words - Greg comes home to hear Mycroft playing his cello.) - ARTWORK

You are the only one who sees me by Mimisempai (Greg Lestrade/Mycroft Holmes - General audiences - Fluff, established relationship - 1081 words - Greg comes home early from work and surprising Mycroft, he discovers something new about his lover...) - ARTWORK

The music of your heart soothes the wounds of mine by Mimisempai (Greg Lestrade/Mycroft Holmes - General audiences - Emotional Hurt/Comfort, established relationship, tenderness - 1036 words - Greg has only one hurry, being back home with Mycroft. Mycroft, has only one haste it is that his lover comes back to him.) - ARTWORK

Playing in the Dark by InnerSpectrum (Greg Lestrade/Mycroft Holmes - General audiences - Established relationship - Implied/Referenced Character Death - 360 words - Greg awakens to music in the dark house and is reminded Sherlock is not the musician in the family...) - ARTWORK

Misc

Compositions by afteriwake (Mycroft Holmes/Molly Hooper - General audiences - Pregnant Molly Hooper - Dead Sherlock Holmes - Developing Relationship - 654 words - Mycroft is composing a lullaby for Molly and Sherlock's son.) - ARTWORK

- MARVEL

Stucky (Steve Rogers/Bucky Barnes)

The Life of Bucky Barnes by Stephrc79 (Steve Rogers/Bucky Barnes - Mature - Fluff, angst, recovery Bucky, post CATWS, PTSD, etc...- 292 199 words - The ongoing story behind the pictures from the Instagram The Life of Bucky Barnes.This work is a series of ficlets that tells the story of each picture. As each chapter progresses, it will encompass one or two of the images, how they appear chronologically. These are inspired works for petite-madame with her blessing.) - ARTWORKS

Gold, Silver, and Virtue by Gfawkes (Steve Rogers/Bucky Barnes - Explicit - Angst, mutual pining, smut, fluff, suicide attempt, alcoholism, getting back together, happy ending, etc... - 35 664 words - Bucky hesitated, his nerve faltering for a moment. When there was no reaction from the silver-haired man, he unzipped his jacket, wrestling with the dog tags, pulling them out. They clinked together and fell against the zipper; a siren’s calling meant for one man only."This bike belonged to Captain America. So either you’re a very shrewd collector of rare vintage superhero paraphernalia, or you’re hiding something.” In which the Captain doesn't return after the time jump into the past, but he does return to the Soldier.) - ARTWORK

- GOOD OMENS

Ineffable Husbands (Aziracrow - Aziraphale/Crowley)

Falling by sugarplumanderson (Aziraphale/Crowley - General Audience - Angst with a Happy Ending, Angst and Feels, Comfort/Angst - 2,345 words - An angel is Falling. Aziraphale and the heavenly host are witnesses. Aziraphale can't bear to watch the angel go through this on his own, so he intervenes.) - ARTWORK

#stucky #johnlock #mystrade #fan fictions #myart #ineffable husbands

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69-toojay · 10 months

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I used to love BBC Sherlock so fucking much when I was like fourteen or something and it kinda got me into the Sherlock Holmes universe so when I watched the finale I was actually legitimately overjoyed because omigod fucking god they're living together no wives or girlfriends and raising a baby together and the whole finale was about Sherlock rescuing John. I thought everyone perceived it as canon Johnlock but then I found out how violently homophobic the actors and everyone involved in the production of the show were post finale. And how derisive the straight fans were, it was a specific brand of potent hostility I'd never encountered before up until then and have never seen since in such intensity. The thing is I still maintain bbc johnlock was not even queerbait, it was just textbook gaslighting at that point. They made a pair canonically queer then called us every name under the sun for seeing that it was queer. Anyway that was just one facet of it that made the show age badly to me.

I also hate shows with a white male protagonist who uses his " neurodivergent genius intellect" as an excuse to be an absolutely garbage person, because it attracts a specific kind of male demographic that try to emulate this condescend whilst completely missing the irony of the purposeful character flaw.

Despite everything I did love that show with my whole heart as a kid, and I missed it so much, I loved Andrew Scott's camp as fuck Moriarty, Lara Pulvers Irene made me go wELL fuCk If I wasn't Gay BeFoRe. But after everything that particular adaptation has perhaps permanently soured for me. I hoped one day I could go back to it without wincing at the scene where John hits Sherlock because he blames him for Mary's death because I read some sort of meta internalised homophobia into it. But I realised even though I'm grateful to bbc johnlock for making me fall in love with the ship it's just an adaptation. There's millions of better ones out there, bbc doesn't have be an end all be all and I've also only read one acd canon book. So not all is lost and maybe I will go back to Johnlock just not through that door.

#bbc sherlock #Moftiss #tjlc #sherlock fandom #sherlockbbc #mary morstan #jim moriarty #sherlock holmes #john watson #irene adler #acd sherlock holmes

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ariaste · 9 months

Note

Hello hello! If it’s all right with you, I would like to vent for a moment: Back in the day, I used to be really into BBC Sherlock. I know it was bad, but it was “Be Gay (solve) Crimes” and I couldn’t resit. One of my favorite parts of the fandom was reading fan metas. I enjoyed reading your ridiculously long meta! I am not very clever and I enjoy reading people noticing things that I can’t. It’s fun watching people passionately pick up clues and put them together.

I don’t think I’m the only one getting superwholock flashbacks lately. Sherlock also tried an unreliable narrator in S4 and it was an absolute shit show. People thought thought the finale was fake, it was so bad. TBH, the entire show was a dumpster fire that thought it was more clever than it was. Moffat was a good writer for single episodes for DW, but a garbage show runner. And they called us crazy for picking up what they were putting down.

But Good Omens gives me a spark of hope. It is unashamedly queer, fun, drinks its respecting women juice, and, unlike moffatiss, I think Neil and the crew may actually be clever enough to pull something big off. I adore the Discworld series and Sir Terry, and I have faith Neil will to do right by him.

Good Omens is restoring my faith in nerdy queer fiction and reminding me why I love fandom so much. Please keep up the crackhead theories. I love them 💕

Thank you, that's very kind!

(Ended up writing a very long reply about the response to my essay and also about queerness in media. Idk why i am writing such long posts these days SORRY LOL. Anyway I'm putting it all beneath the cut so I can tag it without clogging people's dash or the tag pages)

It does make me sigh a little when I see people scornfully comparing my long essay to The Johnlock Conspiracy or saying that they're having Sherlock flashbacks, because the both the contexts of the shows and the methodology of the theorizing are VERY different. To my mind, a more direct comparison of methodology would be the Gravity Falls fandom's "Stan Has A Secret Twin" theory. Writers and showrunners DO like being sneaky and clever from time to time, and many of them are much better at it than Moffat is.

But whether or not my theory is right or not is... kind of irrelevant to me? I wasn't out to force anyone to agree with me, AND writing it was a really fun way to spend a weekend, AND I'm proud of the work I did and the story I told, AND it felt good to have a satisfying workout at the Brain Gym. So even if I'm proven utterly and completely wrong, I won't feel like I wasted my time. :)

Good Omens is a great show, and I am SO HAPPY to see it (and other shows!) embracing queerness, sharing the fans' enthusiasm for the story, and honoring and respecting the fans' love rather than punishing them for it. As more and more time goes on, I think we're going to see more and more shows like that, because some of the people who grew up reading tumblr discourse are going to be showrunners themselves one day, and they'll have learned serious lessons about what it feels like when the audience is met with love rather than disgust and disdain. In fact, we're ALREADY seeing more shows like that than we had 10 years ago! There is so much canonical queerness on-screen these days that the me of 10-15 years ago is ASTONISHED and feels wealthy beyond counting. Of course, there is so much further to go, but man... when i was a kid, we had to walk uphill in the snow both ways just to see two dudes making sustained emotional eye contact, and we were grateful for it. (Jokes but also.... kind of real tho)

We've seen the exact same thing happen in scifi/fantasy publishing in the last seven or eight years, too! (Went off on a long tangent about Queerness In Media from an insider perspective, continuing below a cut so I don't clutter everyone's dash)

Even as recently as 2013--ten years ago--you might not have even been able to get your book published if it was openly gay. Hell, you might not have been able to get an agent to represent it, even. It would have been labeled "unmarketable" and passed over; if it DID get published, the queerness would have been camouflaged and downplayed and hidden in the marketing as much as possible--you wouldn't have known by looking at the cover that it was queer, you wouldn't have been able to tell by reading the back cover that it was queer. In literally 2016, seven years ago, a few months before I got my first book deal, I remember having a conversation with a friend and being very very worried that if I wrote books as queer as I wanted them to be, I would be "pigeonholed" as "ONLY writing Gay Books", that I would be passed over for any of the publisher's marketing budget and publicity efforts, that I would be sidelined and ignored... In 2016, I thought I was facing a choice of writing stories with more "mainstream appeal" OR writing the books I wanted to write and potentially undermining the rest of my career.

That didn't happen, thankfully, because in the next couple years there was this incredible explosion of queer scifi/fantasy. You see, ten to fifteen years ago, a truly stunning percentage of my colleagues -- writers, editors, publicists -- were writing and reading fanfic, and they carried their tastes and story-hungers with them as they grew up and got Real Adult Jobs at publishing companies. And suddenly, as if out of nowhere, a lot of us came of age all at once and there was this absolutely enormous wave of queer SFF that in my opinion has brought us into a new golden age of the genre: The Locked Tomb series by Tamsyn Muir, The Chorus of Dragons series by Jenn Lyons, She Who Became the Sun by Shelley Parker Chan, Ancillary Justice by Ann Leckie, The Tensorate series by Neon Yang, Priory of the Orange Tree by Samantha Shannon, Light from Uncommon Stars by Ryka Aoki, The City in the Middle of the Night by Charlie Jane Anders, the Birdverse books by RB Lemberg, The Traitor Baru Cormorant by Seth Dickenson, The Jasmine Throne by Tasha Suri, Reforged by Seth Haddon, The Sorcerer of the Wildeeps by Kai Ashante Wilson, Ocean's Echo by Everina Maxwell, The Fifth Season by NK Jemisin -- and these only the ones I could remember off the top of my head in 30 seconds, and I have a flavor of ADHD that makes my brain go blank when people ask me to think of specific examples of things! It is harder for me to think of a SFF book published in the last 7 years that ISN'T queer.

And then almost exactly a year ago, my book A Taste of Gold and Iron came out with THIS COVER:

Which. Is not so much a step forward in openly queer SFF as it is a fucking gauntlet thrown down in challenge. I cannot impress upon you strongly enough how much I would not have gotten this cover 10 years ago, and that's if the book was even accepted for publication in the first place. This cover SCREAMS gay fantasy romance. There is no attempt to hide it or camouflage it. It is advertising exactly what it is, right up front.

I got the absolute privilege and honor of having this cover--and I do consider it an incredible honor--because of the work that all my colleagues put in with their own work. Each queer book that got published wedged the door a little wider for the next one, and then a little wider still for the next one, until finally someone could get their foot in the door and squeeze across the threshold, which opened it a little wider again. So when I look at this image, I don't just see a beautiful cover that I am delighted to have on my books--I see an entire history of slow, steady progress by so many incredible writers who risked damaging their careers just to drag us to a point where a book as gay as this one could get a cover as gay as that one and STILL get the full and enthusiastic support of both the publisher and the audience. And the most incredible honor and the most humbling privilege out of all of this is the fact that the success of this book meant that the door was wedged open another little bit, that I got to contribute in this small way to the efforts of everyone who came before me, so that ones who come after us will find the door flung wide -- or that there's no door left at all to block the way, because we've collectively torn it down.

So yes, @eyona, I think that having your faith restored little by little is a very good thing, and I am delighted that Good Omens is doing that for all of us. And what's even better is that even if Good Omens doesn't play out exactly how we want it to, that's... kind of okay? Because there is always the next one, and at the very very least, Good Omens is wedging the door open further so that the next one can have an easier time of it. We don't have to walk uphill in the snow both ways just to get a moment of emotionally charged eye contact anymore. We don't have to starve anymore, not like we used to back in the bad old days. And that alone is a wonderful thing. :D

#good omens #a taste of gold and iron #publishing #queer media

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discordantwords · 5 months

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20 questions for fic writers

I was tagged by @khorazir and @raina-at. Thanks so much for tagging me!

1. How many works do you have on AO3? 47 (how is it that many?!) 29 for BBC Sherlock 18 for The X-Files

2. What's your total A03 word count? 897,533

3. What fandoms do you write for? Currently only BBC Sherlock

4. What are your top five fics by kudos?

(Never) Turn Your Back to the Sea

White Knight

Incidents with Dogs, Curious and Otherwise

Another Auld Lang Syne

The Dead Detective

5. Do you respond to comments? Why or why not? I try to! I'm not always the best at keeping up, especially lately as my schedule has been erratic and I can only steal a few minutes here and there for fandom activities. But even when I don't have a chance to reply, I do read and treasure each and every comment.

6. What's the fic you wrote with the angstiest ending? I guess maybe The Pillar upon which England Rests has the saddest ending of anything that I've ever written, but I don't really consider it a sad story. It's set immediately post Reichenbach, told mostly through flashbacks as Mrs Hudson shares the story of how she met Sherlock with John. Sherlock is still "dead" when the story comes to a close, and John and Mrs Hudson are both grieving, though we as the reader know their loss is temporary.

I have a few shorter fics with ambiguous endings that lean in the angsty direction:

Nothing Happened in Belarus deals with accidental time travel, with grief-stricken S4 Sherlock finding himself briefly in the care of S1 John. Alas, the reprieve is a short one, as neither Sherlock nor John become aware of what is happening in time to take advantage of the opportunity.

At the end of Leaves Sherlock and John have either triumphed over the hallucinogenic vines that have invaded 221B… or they haven't. (I have my own theory, but you are free to interpret the ending however you choose.)

In EXECUTE John inadvertently deletes Mary from existence. He gets his happy ending, but has to live with the uncomfortable knowledge of the choices he's made.

7. What's the fic you wrote with the happiest ending? Most of my fics have happy or at least hopeful endings. I like leaving the boys in a good place. I guess it depends on the flavor of happy you're looking for. But I'd say that these are probably the happiest:

(Never) Turn Your Back to the Sea

Inscrutable to the Last

White Knight

Another Auld Lang Syne

Whirlwind

8. Do you get hate on fics? Thankfully, no. A few weird comments here and there, but nothing too bad. The vast majority of my interaction with others in the fandom has been absolutely wonderful.

9. Do you write smut? Most of my sex scenes stay in R rated territory. But I tend to roll with whatever the plot demands of me.

10. Do you write crossovers? I've done quite a few fusion fics, but not crossovers. Crossovers aren't usually my cup of tea.

11. Have you ever had a fic stolen? Once, sort of, but I don't believe it was done maliciously and I don't wish to call attention to it.

12. Have you ever had a fic translated? Yes! I'm always flattered by requests to translate my writing.

13. Have you ever co-written a fic before? A friend and I used to write together quite a bit in high school, but nothing that has made it out into the world.

14. What's your all-time favourite ship? Sherlock & John and Mulder & Scully.

15. What's the WIP you want to finish but doubt you ever will? Crime Writer is a Sherlock/Knight Rider fusion that ran out of steam a while back (although it was intended to be episodic and IMO doesn't feel too horribly unresolved where it ends, so don't let the unfinished nature of it put you off if you're inclined to read it).

I'm still optimistic about most of the WIPs in my WIP folder, heh. I guess we'll see what next year brings.

16. What are your writing strengths? I like to think I'm good at writing complicated people with complicated feelings that don't always resolve neatly.

17. What are your writing weaknesses? I don't think my smut is particularly inspired. And I have a very hard time writing fluff or domestic situations without having some angst to drive the plot.

18. Thoughts on writing dialogue in another language for a fic? I personally wouldn't attempt it. I'm not fluent in any other languages and there's far too much nuance to leave in the hands of Google Translate. :)

19. First fandom you wrote for? X-Files! (Unless you count unrefined and unposted scribblings from my younger years, I definitely went through a phase where I was trying to fix the Terminator time loop in a way that allowed Sarah Connor and Kyle Reese to live happily ever after.)

20. Favourite fic you've ever written? Oh, this is always such a hard question to answer. The Pillar upon Which England Rests is the first fic I wrote for the Sherlock fandom, so it has a special place in my heart. I'm really proud of the cases and complex plot in Out There. (Never) Turn Your Back to the Sea is the one that seems to resonate with the most people. And White Knight is the fic I'd most like to see turned into an episode of the show. :D

I'll tag @thetimemoves @insistentbass @lololollywrites @arwamachine @naefelldaurk @clueless-mp4 @totallysilvergirl and anyone else who would like to play along!

#fic writer questions #sherlock #johnlock

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sleuth2k7 · 9 months

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Visualizing the Building Theory using BBC Sherlock

@amateur-deductions recently did a post on the Building Theory. In his words:

[The Building Theory] serves as a wonderful way to illustrate how much a deduction is a progressive process, with multiple little steps between observations and conclusions. It's also an amazing tool to analyze other people's deductions and break them down in a way that allows you to map out their trains of thought and learn from them

He provides an excellent explanation of how the theory works: basically, you think of the process of deducing as constructing a building, with observations and subsequent deductions representing bricks that are stacked on top of one another, building up to more complex deductions based on those original observations & deductions.

I’ve always liked this theory because it makes the process of deduction more tangible and visual, which helps me learn, and I know others like to use visuals to learn too.

I’ve mapped out deductions from BBC Sherlock before, so I thought sharing that here would help provide a visual supplement to @amateur-deductions‘ work.

When Sherlock and John first meet, Sherlock asks: “Afghanistan or Iraq?”

You can watch the scene where he asks that here. And the scene where he explains how he got to that here.

While the show provides a decent verbal breakdown of how Sherlock got to that question, we can also visualize his process like this:

blue: observations // green: deductions made from observations // pink: deductions made from prior deductions & observations (level 1) // yellow: deductions made from prior deductions (level 2)

As you can see, Sherlock uses his initial observations about John to make deductions, and then uses those deductions to make additional deductions. All of this culminates in him asking John “Afghanistan or Iraq?”

Let’s break down this process a bit. We can think of this building as being made up of a bottom floor, and then two supporting sides that work together to build onto that bottom floor and also support the roof placed on top.

First, the bottom floor:

When John enters the room, Sherlock looks up at him and makes four observations about him, which he uses to make two deductions.

1. stance + haircut = military

** Sherlock knows that these observations = military from knowledge he has about the appearance/behavior of people in the military.

2. looks around the room + says “bit different from my day” = medically trained at Bart’s Hospital

** Here Sherlock uses a combination of knowledge and logic. He knows that Bart’s Hospital is a well-known training hospital and if John is familiar with the lab that the pair are standing in (as opposed to a patient room), he must have been a student there.

Sherlock then takes those two deductions and combines them to create another: military + medically trained = army doctor. That deduction forms the base of the rest of the building.

Next, there are two supporting sides. Let’s call them the “limp” side and “tan” side, as those are the two observations that form the base of each.

First, the limp:

Sherlock begins with several observations:

1. has a limp and uses a cane.

2. does not ask for a chair to sit in.

** Knowledge: Sherlock knows that people with limps may look for or ask for somewhere to sit.

From this, Sherlock deduces that John:

1. forgets he has the limp.

2. Why? Because the limp is psychosomatic.

** Knowledge: Sherlock knows about psychosomatic injuries.

3. Which means that trauma caused the limp.

Second, the tan:

Again, Sherlock begins with two observations, and each have their own subsequent deduction.

1. has a tan. = was recently in a sunny place.

** Knowledge: Sherlock knows that people get a tan from being in the sun, and that tans fade over time.

2. only has a tan on his hands and face. = was in a sunny place while wearing long sleeves, so he was not on vacation or sunbathing, but was on business.

** Knowledge: Sherlock knows that when people go on vacation to a sunny location, it is not typical to wear long sleeves or professional clothing but rather dress casual (shorts and a t-shirt, swimsuits, etc.).

Here is where Sherlock’s process culminates into the question. Relying on the deduction that John is an army doctor, and combining that deduction with these two new deductions (1) has a limp from trauma, and (2) was recently in a sunny place for business/work, Sherlock makes this final deduction: John is an army doctor who was recently in a war zone near the tropics.

He cannot go further than this though, as there are a few locations that fit that description. So, Sherlock engages in order to get the information he needs: “Afghanistan or Iraq?”

I hope this provided a helpful visual example of the Building Theory - if anybody has any questions or wants me to go into more detail on any aspect of this example, please ask!

#deduction #sherlock holmes #deductionist #learning deduction #sherlock #sleuth2k7

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miwhotep · 3 months

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MILVERTON, THE MORIARTY THE PATRIOT VERSION - THE CONAN DOYLE CANON AND FURTHER INSPIRATIONS

In my other post, I went through on the adaptational differences of the Milverton case from the Conan Doyle Canon -

- here, I will only focus on the Moriarty the Patriot version of the character.

In Moriarty the Patriot, Milverton is a media mogul, the so-called King of Media. He takes frequent requests from nobles and helps them "solve" cases with his media power, but he also sometimes acts as an agent on their behalf - like negotiating with Whiteley - or even handles dirty works for them. He later uses the fact that he helped them for blackmail materials to gain more power or money. He also likes using blackmail as a way to ruin people's life, which is his biggest entertainment.

Most of these things goes totally against the Conan Doyle canon. Him being a media mogul comes from the BBC Sherlock series - but even there, he only blackmailed people for power, not for pure joy. The YuuMori version of him also has a hint of Jokerness in it - the whole White Knight arc was basically just the The Dark Knight movie plot, where Milverton, just like Joker, turns people into villains because it's fun. (Interestingly, in the Killing Joke comic book, it is explained that Joker likes to put people through torture and turning them into villains to show how his life got ruined back then by society what eventually turned him into madness - that in the end, everyone can become like him.)

In the start of the Two Criminals arc, Sherlock describes Milverton that way:

"It isn't money he is after. Milverton does it purely for the jollies. Watching others fail at pivotal point in their lives is entertaining for him. He is, in other words, a piece of human rubbish... He always seemed to have a firm grasp on exactly how much influence and wealth his victims had. But despite that, he always made sure to demand a ransom that they could never pay... His objective therefore can't be money. It's the ruination of his victims."

Milverton in the Conan Doyle canon is no question, a ruthless being, but he does everything for the money. It's also stated that he only blackmails the wealthy or people in position. It is indeed true that he sometimes demanded an amount of money his victims couldn't afford - but he didn't change his demands for purely strategical reasons: "There you make a mistake, Mr. Holmes. An exposure would profit me indirectly to a considerable extent. I have eight or ten similar cases maturing. If it was circulated among them that I had made a severe example of the Lady Eva, I should find all of them much more open to reason. You see my point?"

But YuuMori Milverton is similar to the canon version for always carefully researching his subjects and waiting patiently for the moment of action he can gain the most use out of it - he only attacks when he is fully armed. At least, that's how he described pre-Two Criminals arc. The way he acted in Two Criminals doesn't really fit to the characterization of him in the previous plots - his plan was rushed and stupid, unlike his previous plans (but my problems with the Two Criminals arc Milverton-wise deserve its on post).

When it comes to his appearance, in the Conan Doyle canon, he is chubby, well-dressed, and has white hair, grey eyes and glasses. Manga being manga, he is much more beautifully drawn in YuuMori, but is still recognizable as the canon character. He is also much younger in YuuMori (I headcanon him in his mid or late 30s), - in the canon, he is in his 50s. His eyes are yellow and snake-like, as a reference to Sherlock Holmes saying in the canon story that he reminds him of snakes - in YuuMori, Miss Hudson is the one pointing to that. (The snake reference also appears in Milverton's Bible explaining session). Milverton also smokes tobacco like in the canon.

In YuuMori, Milverton has a really loyal secretary named Ruskin. He is also - kind of - part of the canon, where Milverton has an unnamed secretary who is a big fan of him and most of the times doesn't leave his side. The name Ruskin comes from the historical "Milverton's" life, Charles Augustus Howell, whom Conan Doyle based the character after - he had a friend, an English writer named John Ruskin.

Now, let's move to Two Criminals as an adaptation of the canon story. Here, Sherlock Holmes meets up with Milverton because he blackmailed Mary Morstan. The one who suggests inviting him is John himself. In the canon, Sherlock deals with Milverton for the request of Lady Eva Brackwell, - not Mary Morstan, whom Milverton never blackmailed - this case is mentioned in the manga, too, by both Sherlock and Milverton, but unlike the canon, in YuuMori, Sherlock fails on the Lady Eva case and her marriage gets called off.

The whole Milverton visiting Sherlock and claiming the living room as his office thing is copied from the BBC Sherlock series, not from the canon. In the original story, Milverton is a nicely behaved smooth-talker - in YuuMori, he acts really despicable and makes a disgusting scene. I always wandered how far the writer will go on getting inspirations from BBC Sherlock, but I never expected, not even in my nightmares that I need to witness another public pissing in Milverton-case adaptations - which while made sense in the BBC Sherlock's context, - the YuuMori Milverton is a 19th centurian Englishman, who normally tries to act like he belongs to the upper class - pissing, even if the piss was made by Ruskin, really just doesn't fit in the story.

Similarly to the canon, after the failed negotiations with Milverton, Sherlock decides to break into Milverton's Appledore house to steal the documents and John comes with him. In the original, Sherlock disguises himself as a plumber and seduces one of Milverton's maid to get to know the house beforehand - in YuuMori, they cause a plumber incident and get in the house where John seduces the maid while Sherlock is looking for Milverton's safe - but the document is not there. So they decide to break in to Milverton's country house, too - where the break-in, like in the canon, gets distracted by a mysterious visitor - which in YuuMori, are the Moriarties. Everything what happens after this, is totally off from the canon - and similarly to BBC Sherlock, it's Sherlock who kills Milverton in the end.

The Moriarty the Patriot version of Milverton while took some inspirations from the original, barely has similarities with the canon one. In the end, I like to think of him as his own character who only in name from Conan Doyle - and give him headcanons and stories with this thought in my head.

#moriarty the patriot #yuukoku no moriarty #charles augustus milverton #ynm sherlock #sherlock holmes canon

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