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#this was in my drafts and I totally forgot it was there
thosewildcharms · 1 day
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I love how the story of Michonne character ended and her development. At the very beginning we had a closed, broken Michonne who lost her family and had no one to rely on except herself. Michonne is so strong, smart, beautiful and capable of taking care of herself but still she finally found this partner in whom she can rely on, gets to be protected and loved so loudly and completely by him. She finally found a safe place. In him and their kids.
YES. i'd written a post years ago after 7x12 about how much i love michonne's progression as a character and all of that is even more true now than it was then. the ones who live feels like a natural extension of that progression because michonne's love for her family is the driving force and beating heart of the entire narrative. the whole show hinges on her deciding to bring rick home, about reclaiming this family she fought so hard to create in the first place. it's reiterated over and over again that she's not just trying to bring rick home for herself - although that's certainly part of it - but for their children. because judith asked her to, because RJ deserves to know his father, and because it's what carl would have wanted. it's why it's so important that her telling rick the way he's acting is hurting her is what makes him fold - because it's a reminder of who he is and of what made her feel safe enough love again in the first place. i know i go on and on about rick's love for michonne but honestly it's because it's nothing less than what she deserves - for someone to love her as selflessly and completely as she loves him, who is strong so she doesn't always have to be, who would follow her anywhere and do anything for her, who makes her feel safe and would do anything to keep their children safe. i think it might be why that last shot of the show looks the way it does. as much as i think it would have been more ~aesthetically pleasing for it to have been centered between rick and michonne with their kids between them, i do kind of appreciate that the show ends on rick's back as though he's shielding them all, including michonne. she did the impossible and got him back and now she can rest too, enveloped and protected, with this family she fought so hard for. she did start off alone but now she'll never be alone again :')
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tswwwit · 3 months
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[About the ask where you said that dipper blurted out "I'm pregnant" To bill and his immediate response is panic]
Does this mean that bill has impregnated someone??? Or the other way around??
Bill's never sired or sprouted any offspring, and has no intention of doing so!
Dipper was pulling a prank, and it worked very well - because Bill's been around the block enough to not dismiss the supposedly 'impossible'.
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ceaseless-rambler · 10 months
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Kinda gay to be an avatar of the Buried, why do you want so much pressure around you? To mimic the embrace of another man?
Kinda gay to be an avatar of the Corruption. "You can be fully consumed by what loves you" what loves you? Other men?
Kinda gay to be an avatar of the Dark. Why do you want it to be dark? So no one can see you blush when pretty men talk to you?
Kinda gay to be an avatar of the Desolation. You like things that are hot? Well men can be hot
Kinda gay to be an avatar of the End. What do you want to end? The "are we /r flirting or /p flirting" you have with your friend? Who is also a man?
Kinda gay to be an avatar of the Eye. What do you want to see? Other men?
Kinda gay to be an avatar of the Flesh. This one just sounds like a euphemism for sex and straight people only have sex in TV shows
Kinda gay to be an avatar of the Hunt. What are you hunting for? True love with another man?
Kinda gay to be an avatar of the Lonely. Why are you lonely? No men around to be gay with?
Kinda gay to be an avatar of the Slaughter. You're bound to end up covered in blood, why would you want that? Because other gay people find men covered in blood attractive?
Kinda gay to be an avatar of the Spiral. I mean, look at them.
Kinda gay to be an avatar of the Stranger. Why do you feel like you're other? Because you've been othered by society for being gay?
Kinda gay to be an avatar of the Vast. What's so massive? Your love for men?
Kinda gay to be an avatar of the Web. What strings are you pulling? Strings that bring other men to you?
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kissatoru · 4 months
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ughh i wanna put a bratty sub in his place so bad!! :((
i wanna make him think he’s got the upper hand until the last minute, to watch the look on his face when he realises that he’s been playing right into your hand the entire time; that every moment leading up to this was just a carefully calculated step in your plan. i want to see how he struggles to fight back once he does, how hard he tries to prove himself, not realising that if he was really the one in control, he wouldn’t need to prove it, would he? he’d just do it. yet here he is, scrambling for his place back in the driver’s seat that he was never truly in.
your giggles would interrupt him amidst his little speech, cutting off the empty bluffs and dirty promises that he could never even dream of keeping anyway; the way you’d chuckle behind a coy hand like you’ve got some little inside joke with yourself? it would make that fragile ego of his fucking quiver; make him feel confused and embarrassed and he would try to twist the situation back in his favour, of course he would, to try pretend he’s in on the inside joke... but the truth is he feels helpless. for the first time ever, it feels like he’s the one in the dark; he’s the clueless and defenseless one, the one who’s been caught in a trap he never saw coming.
but then again, how could he when you play the part of prey so well? when your innocent performance is so convincing — with your big glossy eyes and shyly averted gazes, your voice so sweet and unsuspecting, stumbling over filthy words like you’ve never even thought them before? what reason would someone like him have to fear a precious thing like you? he’s all chiselled muscle and tenacity, with the eyes of a wolf; you’re small compared to him, cute and soft and easy to overpower — and yet he still ends up beneath you because your presence alone harbours more power than he does in all those muscles he’s so proud of, and his resolve is weak as long as you know where he’s most sensitive and what words make him blush, and with enough patience and punishments, those wolf’s eyes will melt into a puppy’s every time.
and getting a man like him to submit — or better yet break — is no easy feat. he thought himself a dom before he met you and god, if there isn’t anything more rewarding, more wonderful than that; teaching him to bend to your will and seeing his inevitable downfall each and every time. no matter how many times or how far he goes to defy and provoke you, you both know that he will always return to his rightful place: beneath you and completely at your mercy.
EREN JAEGER, TOJI FUSHIGURO, TOUYA TODOROKI, MUZAN KIBUTSUJI, SANEMI SHINAZUGAWA
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@kth1's bangtan gif challenge ☆ pt. 2 ↳ stage mix (one song) + your bias → dynamite & seokjin (cr. 0613data)
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pastelhooman · 11 months
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[WVW Exchange Event 2023!]
"The kisses on your lash, your ears, on the nose that keeps scrunching. The kisses on your hand, on your cheeks, and the exchanging soft words waiting for the break of day."
----- ID under break -----
A total of 6 pages of comics, starting with a close up shots of vash kissing sleeping wolfwood's nose, eyes, lashes, and he furrows them a bit. an overhead shot of the two of them in a motel room, on the bed with vash leaning over wolfwood from the left, laying soft kisses on him. their legs tangled. their normal outfits are thrown haphazardly on the floor, instead donning comfortable clothes. on the outside, the very first ray of lights are yet to shine.
"what a face you're making pfft" - vash says as he grabs both of wolfwood's cheeks, squeezing them a bit. wolfwood mumbles, "There's something that keeps landing on my face, it tickles." he grabs the hand that is on his right cheek. "Well you're letting it happens anyways right?" Vash muses, bringing the hand up to kiss on its knuckles. "Good morning Wolfwood. It's almost dawn"
"… Isn't it way too soon?" - wolfwood asks, but keeps to himself the prayers he's sending to god because the the boy on top of him was such a sight to behold. Vash flops down onto him, leaving the hand hanging and lace his own hand into Wolfwood's hair, peppering kisses to the side of his face. "Yep" - he answers - "But you woke up on your own tho" - facetiously. He giggles, saying that it was a joke after a beat of silence. A sigh, "don't make me upside you first thing in the morning." Wolfwood closes his eyes, hand combing through golden strands. "Heh, how merciful~" "We have a meet up with Milly and Meryl today, remember?" Vash reminds him, which does raise some vague memory. wolfwood hums, the other hand reaching around vash's torso, hugging him. " So, the sooner we arrive, the less likely she'll chew through my head." - Vash adds. "riiiight. And you were SO urgent in waking me up." in wolfwood's hold, both of them slowly turn to the right, towards the edge of the bed.
Well, you were just soooo cute, I couldn't help it! didn't thinkk you'll actually wakE UAA-!"
the bed creaks under the sudden shift in weight as wolfwood tosses vash over and under him, arms firmly hugging him, one at his back and one at his head, hungrily dives down to kiss. "!! Wolf-! Wait-!" Vash yelps, leg instinctively curls around the other's man hip to hang on, trying his damnest to grip on his shirt as HE is now half airborne, barely has any contact with the bed on his upper body. However, wolfwood seems to have another idea as he keeps deepening the kiss, pointedly holding Vash close, hands spread guarding the back of his head as both of them are sliding off the soft fabric.
"THUD!" a resounding fall, possibly enough to wake the room downstairs, followed shortly by laboured breaths amist wet smacks of lips. Heaves and huffs of air exchanging between the two bodies when the need to breath made itself necessary. They press close, cradling each other, and are lost to their own world. After a while they had to part. Metal arm shifts through black locks, caressing down to his nape and they hold eye contacts there, with lidded eyes, strands of saliva thins then breaks.
Wolfwood pushes up on his arms, looking smugly down at his now disheveled partner: "Now this is how it's done, Needlenoggin." he remarks. Vash tries to wrangle his thoughts back in order, but strings of Wolfwood's name and a wonderous question keeps filling his mind, of whether he should risk it all and have fun for a bit more. Regardless, snapping out of his trance, Vash sourly asks, with a wry smile and an aching head: "But did you really need to roll off the bed?" "Wrong side, whoops" - Wolfwood anwers unseriously, laughing as he finds the situation quite amusing.
----- End of ID -----
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isjasz · 5 months
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[Day 167]
Thank The Apothecary Dairies that I didn't get to angst today I got addicted LMAOAOA (also my project that I FINISHED SPEEDRUNING LFG💥💥💥💥)
have some old doodle dump :D
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calmbigdipper · 28 days
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Zipper
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starqueensthings · 1 month
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“TIMES CHANGE. TARGETS CHANGE.”
yes I have used that quote for a caption 728 times now and I’ll keep doing it, because off the cuff remarks with poignant meanings give me a lady boner, ok
**originals below the cut
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anuntrakul · 7 days
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SAM ANUNTRAKUL | GAP The Series – Episode 4
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uhbasicallyjustmilex · 8 months
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right, can we please take a moment to talk about the bridge sequence in bad habits because oh my god the SUBTEXT??
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at the start of the video, the distance between miles and alex is really highlighted, e.g. opposing colour palettes, the kind of divided imagery above, alex standing several paces behind miles etc. they're constantly in each other's eyeline, but also constantly apart. throughout the video, they gradually get closer, and the biggest catalyst for this is miles's guitar solo at the bridge of the song, where they start off at opposite ends of the room and miles moves backwards to alex as he's playing; by the end of the solo, they're finally properly side by side for the first time.
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this is then immediately followed by shots like this of the two of them together:
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in the earlier stages of the video, miles's singing was just intercut with sexual imagery of either women, or him and women - now, in the build up to the song's climax (and as the sexual imagery gets more heated), his singing is intercut more vividly and more frequently with clips of him and alex; the images of women become fainter and more infrequent, outnumbered by moments of him and alex wrapped around each other, while the women remain hazy and separate from miles.
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this is then followed by a full on physical altercation between them; throughout the video, alex has been this silent, imposing presence behind miles, and at the bridge of the song here, miles finally turns around and confronts him in a way that has distinctly sexual undertones - and idk, this just feels so much like a metaphor for being followed around by desire and finally grappling with it (i.e. alex is the desire that's following miles around)
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we then this gorgeous shot of miles's gaze and the fantasies behind it where (unlike earlier in the video) the images interposed behind it aren’t of abstracted female bodies, but of a woman walking up the stairs to him and alex lying entangled with each other, and then some fleeting imagery that clearly shows the three of them engaged in sexual acts together.
then - and this is the part that really gets me. the undertone of lust and fantasy laced through the video is finally being played out explicitly (in the scenario we get a glimpse of between miles and alex and the woman), and then is then IMMEDIATELY followed by a sequence of imagery that is ONLY OF ALEX AND MILES. and not just only of them, but of them being increasingly close to each other; they're no longer at opposite ends of the room, they're lying on each other and their faces are pressed together and they look utterly blissed out. all the shots of proximity are of them; the intercutting imagery of women has completely disappeared at this key point of the song and it's just them. them together in a situation that has been established as explicitly sexual.
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the fact that throughout the song, alex and the two of them being together is inextricably linked with the fulfilment of desire and fantasy is just - it makes me a little bit insane, actually.
because it’s only once the two of them come together that the sex behind the images of fantasy interspersing miles’s singing actually come to fruition. it’s only once they’ve touched each other that others touch them, only after they come together that the sexual images that have been chasing them come into focus and become anything other than hazy, fleeting fantasies. in a music video so explicitly about sex and desire, it’s all about them.
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kotaki · 11 months
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"How unlike me, I lost my composure there. Sorry, you must have been scared right?"
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ahxiang · 1 year
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Dawn of Spring Gift Exchange for @fractured-ice​
⤷ TIAN CHUANG LEADER ZHOU ZI SHU (in/sp)
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satorhime · 8 months
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cockwarming clan head!satoru in the middle of a meeting with his officials
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staybeautifulmp3 · 7 months
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JOSH CHARLES and PETER KRAUSE as DAN RYDELL and CASEY MCCALL
SPORTS NIGHT: 2x06 Shane ➳ directed by Robert Berlinger, written by Bill Wrubel, Matt Tarses, Kevin Falls. Original airdate December 07 1999
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sodalitefully · 1 year
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British sitcom Absolutely Fabulous, following the exploits of two middle-aged, substance-abusing women in the fashion industry, was an unexpected influence on the 1995 Slash's Snakepit record It's Five O'Clock Somewhere:
"We wrote this whole record to [Absolutely Fabulous]. That's all we watched." (Triple M Radio 1995)
"Kieth Richards used to be my hero, now it's Patsy." (Q Magazine, 1995)
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