#tw descriptions of gore and other wild shit

[mr-hammer-exe]

#shitpost #youtube #not mine #laughing my ass off #this is so funny #yet so morbid #hamsters are kenny's spirit animal #you cannot convince me otherwise #Youtube #contagious laughter #tw descriptions of gore and other wild shit

[arusewallace]

Character Introduction: Kierian Letourneau

Name: Kierian Theodoric Letourneau Age: 27 Gender: Male (He/Him) Concept: Kier is a cold hearted killer with a conmans feigned charisma, honed from a young age. He seeks answers for life's great mysteries, and pleasures that few would find appealing.

TW: Murder, Child Abuse, Sadism, Implied cruelty to animals, Gore.

Description: Kierian's looks almost fae like in his presentation. Standing at 6ft 4in and weighing in at 145lbs, He is rail thin, almost gaunt in appearance. Adding to his striking appearance is his albinism, giving his waist length hair its stark white colour and his blue eyes the red tinge traditionally associated with the disability. He feels most comfortable in a loose fitting white dress shit, tucked into a pair of high waisted fitted slacks in the traditional black. His black leather brogues are always shined to a near mirror finish as well, presenting their owner as a controlled and orderly soul. His face is framed by high cheekbones, his nubian nose and sharp, almost pointed jawline presenting a face that is both beautiful and alien, both aspects of which he wields in social situations. Personality: Kier is intelligent, cold and calculating, though hides it well with a sociopaths understanding of social cues and through using the training he was given under his aristocratic fathers attempts to bring him to heel. He has little understanding of morals, though does try and follow the few he deems worthy. He is quick to action, though rather than being ill thought out or impulsive, these moves are usually thought of well ahead of time and presented as sudden to build an air of chaotic competence. While being very intelligent, he is prone to making mistakes due to his lack of understanding of others, though he rarely faces a comeuppance for such mistakes and shrugs off those who attempt to use them against him. He is either annoyingly likeable or easy to hate, depending on your temperament.

History: Kier grew up in an agricultural village in the highlands under a single mother. From a young age, he exhibited tendencies of cruelty, though his mother was quick to turn his darker impulses into more productive endeavours like butchering and hunting. As he grew older, he fell for a farmboy name Aaron from a neighbouring village and, later, for that boys girlfriend Siobhan. The three had the beginnings of a relationship together and Kier could have lived a somewhat normal productive life, if not for his father showing up. His father was a politician, an aristocrat, and a businessman. Getting up there in age, he found he had no heir to leave the business to. Due to his wild younger years however, he knew he had to have a son out there somewhere. He eventually chose Kier, seeing him as a blank slate that would be more than willing to leave a drab life in the country behind for a life of wealth and power. How right he was. Now around fourteen, Kier took to his new life well. Home schooled by the best tutors money could buy, they all agreed he was clearly intelligent, though cared little for any traditional academics bar history and even less for the traditions of aristocracy, bar the hunting. He did the bare minimum in hopes to keep his father happy, but it did not take long for him to find where he inherited his cruel streak from. Any perceived slight was met with a strike from his fathers cane, any actual slight met with a beating. His father had been in the special forces, so he knew ways to hurt his child that most did not, and would not, dare to use.

However, Kier took these as lessons too, first in how to tolerate pain, and then in how to fight back. Of course, the beatings got worse when he did, but that didn't matter, neither did the fact that he could never beat his father in such fights. Experience and earned strength would always beat youthful tenacity, especially when that youth was constantly nursing injuries from the fight before, but that did not matter to kier. It was all a lesson, and it was the one lesson he always put the most effort into. Eventually, partially sick of his sons disobedience and partially because his son was beginning to get a few good hits in, his father sent him on a gap year. It would be here that Kier picked up his final, most important tool, as well as one of his most beloved vices... Murder. It started innocently enough. Having recently turned 18, Kier was indulging in what all young aristocratic men of drinking age do; sex, drugs and alcohol. It was indulging in the latter that he met an older man who took particular interest in him. They had a week long affair, which was enjoyable enough, but when Kier wished to move on, the man got cruel. When the man got cruel, Kier got violent. The torture lasted a day, Kier taking the opportunity to vent all of the frustrations of his life out onto his "victim". As it turned out, the man was hardly a victim at all, as he planned to do something quite similar to Kier. The young man just got there first. There was an artistry to Kier's horrors. He wielded the knife like a paintbrush at first, then as a chisel. He cut flesh from tendon, tendon from bone. Portions of the mans flayed skin were folded delicately aside so as to carve away at the musculature within. Kier learned more about biology in this twenty four hours than he had in four years of schooling. By the end, the thing in front of him was no longer fit to be called a man, most of his skin wrapped around the wooden chair he was tied to, the muscles and tendons beneath pulled aside to reveal the bone which had been intricately, almost expertly, carved into. worst of all, the man was still alive for the majority of it, the mix of opium and cocaine that the pair had indulged in keeping him awake and the pain almost bearable. Eventually he died of shock, and this apparently was when Kier got bored.

He would call it art. The people who found it would call it a grotesque tragedy.

Soon after, he returned home. Soon after that his father went missing . And then, so did he, along with a sizeable chunk of his fortune. People still hunt him in his home country to this day.

#cruelty tw #animal abuse tw #murder tw #gore tw #sadism tw #abuse tw #child abuse tw #character concept #writing exercise #Kierian Letourneau #KL #W.I.P #is this a little problematic #sure #but thats kier bb #torture tw #death tw #horror #fictional killer

[exosmutfactory]

H.I.S (Devour) Preview

Baekhyun came up out of the ground decades ago. He's a psychotic and lethal demon who escaped from Hell. He’s ruthless, bloodthirsty, and boiling hot to the touch like lava in his full form, yet he has piqued interest in you... He knows how to play fair… As long as you know you are-

his

He claws his way to the surface, stepping onto the uneven terrain. The earth around him cracks and crumbles under his feet, powerless under the heat of his merciless flames. Before he takes another step, a small, timid noise has his head snapping up. Baekhyun grins evilly when his fire blazed eyes land on a wide-eyed, quivering fawn.

“Are you lost, little one?”

Originally posted by sefuns

Preview✓ | Snippet | Chapter 1

A/N: I know, I know what I said yesterday, listen 😭😅 I've had this planned all month

This story is Baekhyun central aka 3rd POV & focused on him for nearly the entire time. It's dark romance, horror, gore (yuh), angst and other Trigger Warnings I will list now:

ah, shit, here we go again with demon Baekhyun eating people :'D

Lots of blood. Probably the most graphic thing will be his character "enjoying" his meals *a moment of silence* let's see if my queasy stomach can stomach THIS

These situations are not normal, hopefully not realistic unless you are Hannibal, and this won't be a religious bashing event.

I say this because our dear character is pissed - so no extremes on religion bashing here. This is for fun, not sealing my own damnation :'D *clasps hands together* thank you

The ""evilest"" things you will see is some Latin chanting and one of those Shapes I Will Not Speak Of on the floor - it's 8am, too early for scary talks.

These characters are more often than not "bad people" aka they do a lot of evil stuff. Betrayal is their personality trait~

Old fashion masculine vs feminine ""norms"" Baekhyun's character isn't a young chicken. Y'all saw that story description :'D

More TW might be added later on, I will always mark them in chapters 💗

There's a lot of character death and decay. It's a work of fiction so everything about it will be fictional - oh yeah, that angst tag isn't just for the monstrosity of demon Baekhyun that's on the way :'D

This story will be mostly posted on AFF. I'll post chapter 1 here too though (^-^)

I have no idea when the first chapter will be up because this story is just me indulging myself despite my busy schedule. Come join me on this deep dive fantasy journey if you dare!

Viewer discretion is advised.

Let me know if you're interested in this wild ride 💗💗💗

#baekhyun smut #baekhyun fanfiction #baekhyun angst #baekhyun romance #baekhyun #HIS (Devour) #Youtube

[andythane]

HOLY WATER CANNOT HELP YOU NOW  I’VE COME TO BURN YOUR KINGDOM DOWN

MAY 19TH, 2021. OUTSIDE OF LAFAYETTE, LOUISIANA. notes & tw: this is literally all just bloody, brutal violence of every kind. andy, along side wes and wyatt, gets revenge on the rogue’s responsible for attacking rowan in february. italics are flashbacks, ps. tw for very graphic murder, lots of blood, violence, gore (eye, specifically), stabbing, decapitation/dismemberment,  tc ahead. please read at your own discretion, it’s a lot.

The first time he kills someone, he’s twenty years old. Four months after he’d been officially patched into the club, reconciled with Rowan, and started this new chapter of his life. He knew what the patch sewn to his cut meant -- He had grown up next to it, had seen his father come home at all hours of the night covered in blood with a smile on his face as he slapped his gun onto the kitchen table and happily declared he needed a beer. That being said, doing it yourself and hearing stories were so comically different it made his head spin. 

Most of the ride, he’s quiet, staring out the window of the Wyatt’s jeep as they drive through the backroads. There’s not much conversation to be had once they’ve gone over the plan, all three men knowing exactly what they’re going to this warehouse for. It’s roughly a two hour car ride, giving Andy enough time to go mentally go over the weapons he’s brought with him -- The gun tucked into his cut, one tucked into the waistband of his pants, one strapped to his ankle; The knife tucked in his boot strap, the other in the sheath of his belt. He’s nothing if not prepared. Andy goes over their placement for the thousandth, unneeded time, thinking through every what if scenario he could find himself in. It’s not often that his paranoid nature actually becomes a benefit. 

They know the layout of the building, where each of them will cover, and the amount of people that will be there -- But he likes to prepare for the worst and the best, knowing from experience that they’re likely going to meet a mixture of both. Andy’s planned and executed this kind of thing enough times to know how to go about it blindfolded. At this point, it’s just like riding a bike. 

He wonders what Wes is thinking, if his mind drifts back to Jace asleep at home, unaware of the violence going on around him; If Wyatt is imagining Iris in her hospital bed three months ago, scared of the oxygen mask strapped to her face. All Andy can think of is Rowan, sobbing in his arms while struggling not to move and potentially injure herself further, tearfully telling him why she hadn’t shown up to dinner.

It’s been a while since he’s found himself in this kind of mindset, having hung up his metaphoric hat when it comes to hitman jobs in the last few years. After his time in prison, Andy knew he had to lay low -- Being on parole, and having a daughter to raise changed his priorities. While the money from his ‘freelancing’ had been nice, he and Rowan had enough saved to last them a lifetime, especially with his cut of the guns the club sold, and her salary. There was no need for it now, not like when they were struggling to pay rent and put Rowan through school. Though, he couldn’t deny the high that came with planning a job was one Andy didn’t know he desperately missed. It used to scare him, how exciting he found this -- The rush that came from a stake out, figuring out each detail all the way down to the small possibility, the thrill of actually pulling his gun and breaking through the door. Now he welcomes it like an old friend. 

He always imagined it would be a fair fight -- Or at least, not like this. Whenever the thought came to mind, he pictured himself wrestling some bond villain looking guy, the two diving for the gun that had been cast aside. It was naive, childish even -- But he didn’t expect that he’d be pointing his gun at someone who couldn’t be much older than him, one who was sobbing through swollen eyes, pleading for his life. His father kept his hand’s firmly planted on the kid’s shoulder’s to keep him from squirming out of the rickety chair, acting like this was a prize for a job well done. This could easily have been me, Andy thinks. Had this job gone wrong, he has no doubt Cronus wouldn’t hesitate to put him into that chair, make an example out of his son. Only, it didn’t. It was nothing short of an absolute success. 

His father says something, but Andy doesn’t hear it. Jason is somewhere in the background cheering him on. Andy’s heart is pounding in his ears, both hands holding tightly to his gun, fighting to conceal the fact that they’re shaking. The gun is pointed directly at the poor kid’s head, Cronus’ steady hands keeping him from getting away from his obvious fate. Andy glances to his father for a moment, the wild look in the man’s surely meant to be read as adrenaline fueled pride. This is Andy’s first job after being patched in, and he had proved himself thus far. Now he just needed to finish this. Andy wishes he had the strength to lift his arms just that much higher, and put a bullet in his father’s head. 

In that moment, he thinks of Rowan; Part of him wishes he hadn’t, based on the way his jaw clenches and his chest constricts -- He doesn’t want her to ever know about the horrible things he’s going to do, the horrible thing he’s about to do. Rowan shouldn’t have to see him for what he really is, what he’ll grow up to be: A monster. The rational part of himself reminds him that she already knows, and she’s still waiting for him at home, ready to pull him into open arms once he passes through the front door. 

He pulls the trigger. 

The kid’s blood splatters across Andy’s face.

They move quietly, each taking different sections of the warehouse. Wes covers the open space where the guns lie, Wyatt takes the small offices turned into ‘bedrooms’, while Andy takes the conference turned war room. He knows this is only a piece of the Rogues puzzle, but it’s a step in the right direction. They don’t plan on leaving anyone behind to tell the others what happened -- The grizzly scene and blood splattered across the walls will paint the picture for them. 

His back remains against the wall, pulling his gun from his cut as he moves quietly, the three men in the conference room too distracted by their own conversation to notice Andy slipped into the dimly lit room. He makes presence known by firing a bullet into one man’s -- His name is Sam, based on the conversation Andy heard before entering -- knee, which creates a flurry of action as everyone tries to dive for the guns on the table. It’s the obvious move, one that Andy had anticipated. His hand reaches for the underside of the table between the four men seconds after his gun first fires, sending the flimsy plastic table over, their guns scattered and out of reach. 

Sam fits one of the descriptions Will gave him, of a shorter, stocky man, blacked out ink covering him aside from a poorly done mermaid tattoo covering his throat. The man across from Sam fits the bill, as well  -- Blonde, long hair, scar across his cheek, entire right arm covered in blacked out tattoos. Jack, Andy’s memory recalls. The man in question tries to make a run for one of the guns, but Andy stops him with a bullet to the stomach. Enough to knock him down, but not enough to immediately kill him. He wants them alive for this, to feel the same terror and pain Rowan did that night. They’re not going to be lucky enough to get a bullet to the head first. 

The third and final man is one Andy recognizes now that he’s face to face. His name is Danny, but he’d been called Tex during his time in the club. (The nickname was stupid then, and it’s stupid now, Andy thinks.) He had his ink blacked out and left town roughly ten years ago after screwing the club over. The surprise reunion is enough to catch Tex off guard, enough that he hesitates, eyes narrowing as he takes in the scene in front of them. Both Sam and Jack bleeding on the floor, the former clutching his leg and screaming to the third to Do something, you fucking idiot. So, he does. The man charges forward, managing to knock Andy to the ground given the fact that he’s got about a hundred pounds on him. 

They struggle as Tex tries to wrestle the gun away from Andy, before it gets thrown to the side in the fight. Punches are thrown on both ends, a ringing settling in Andy’s ears after a particular blow to the side of his head, though it doesn’t deter him. Andy manages to roll them over, holding the other man down with knee pressing down on his throat. Tex claws, scratches, and hits Andy in an attempt to get out from under him, but the cut off of oxygen makes it more difficult. He gets a few good blows in, though -- There’s blood dribbling down Andy’s arms from scratches, bruises that have already begun to form. He doesn’t notice, too focused on keeping the man under him from getting out of his grip. His hands move to hold Tex’s head, Andy’s thumbs digging into the inner corners of his eyes, gouging them as deeply as he can manage. 

He can’t help but wonder if the three men have realized this isn’t about killing them; It’s about watching them suffer. 

The fact that Tyson is still breathing is enough to send Andy into a tailspin. He had hoped the spineless piece of shit had fucked off somewhere, given that he hadn’t made an appearance in his and Rowan’s life in quite some time. Andy’s attempts at optimism always seem to be met with harsh reality, though, one that consistently proves the obvious: It’s childish to try and see the best out of a situation like this. He knows this as he throws the man off his front porch, knowing he has to take care of this problem himself -- Restraining orders and the local cops just aren’t going to cut it. Not when he and Rowan have a fragile six month old daughter sleeping in a crib down the hall.  

His downfall is the fact that he reacts, he doesn’t plan. Andy knows better. The reason he’s been so successful with the club is his commitment to discretion, detail, and planning. He analyzes that night over and over for the next three years from the comfort of his prison cell, imagining how he would have killed Tyson if he had taken the time to do it properly -- Instead of grabbing his baseball bat, and kicking the front door in. He would have made it last longer, Andy decided. Prolong his suffering, before letting him gain a shred of hope that he’d make it out alive — Before finally putting him in the ground. That being said, the satisfaction that comes from the look of pure fear on Tyson’s face the moment he sees Andy come through the door? Unmatched. 

The mental image is one that never fails to bring him a swell of pride. He can still hear the sound of his bat crushing bone, feel the way his heart skipped a beat with each and every hit. It didn’t matter if there was blood flying, covering him in the evidence; The fact that he hadn’t been quiet in his entrance; The sound of distant sirens headed their way, after a loud, shrill scream rang out. All that mattered was crushing Tyson’s skull, ending the iron grip he’s had on Rowan’s life for the better half of a decade. He didn’t care what happened next, as long as his wife and daughter were able to live in a world where Tyson Grant didn’t. 

He only regrets not being able to finish the job that night. 

It occurs to him, as his foot comes stomping down on Sam’s already shot knee, that he hasn’t done anything like this since prison. He’s gone on runs, jobs, the works -- Hell, he even threatened to brain Will in his own home. Everything pales in comparison, though. In prison, they had to be more creative; Breaking bones, cutting off fingers, slitting throats before the guards showed up. It was all quick and dirty, done by hand. There was no choice in the matter -- If he wanted to finish out his sentence, see his wife and daughter, even have a chance of making it to the end of the week at all, Andy had to get rid of the other guy. The protection that came with being a Primordial didn’t go as far as one would hope. There’s a reason they used to refer to him as the Grim Reaper. Years later, and he’s made it clear that he hasn’t lost his touch. 

This man doesn’t want to fucking die, though. The way he keeps clawing at Andy, yelling obscenities between each scream of pain. He makes proclamations about how he’s going to kill Andy, calling him every name in the book as he tries and fails to fight for his life. A hard kick to the head shuts him up for a moment, disorienting him enough before Sam musters up enough energy to stab Andy in the calf, almost successful in knocking him to the floor. Clearly, the man got a last surge of something, accompanied by a knife he hadn’t realized Sam had on him.  This only provokes an annoyed grunt and eye roll from Andy. He stumbles down onto one knee from the surprise of the movement, a stab to the man’s arm with the knife from his boot strap gets Sam to let go. He does, going limp as his knife is stuck in Andy’s calf. It doesn’t stop him from continuing the effort though, within a moment Andy’s on top of his unconscious victim, stabbing him in the chest over and over again like he’s in a cheap horror movie. 

In that moment, he loses himself  -- Something snaps, taking him back to the night he’d gotten a call that Rowan was in the hospital, the way he so desperately pushed down all of the anger and rage that came with knowing she’d been hurt at the hands of these assholes. Everything he’s fought to hold at bay for the sake of his wife, the kids, his sobriety, the club -- It all bubbles to the surface now, when he’s not worrying about keeping the kids safe and Rowan above water. When all there is is this room, and him, and the people that have to pay for the crimes they’ve committed. 

Every emotion he’s expertly avoided, every ounce of it boils over as he stabs the Rogue over and over until they’re both covered in blood. The need for vengeance for what they did, the way they turned Rowan’s life upside down and left her afraid to look over her shoulder; Guilt over the fact that Andy, yet again, couldn’t protect the person he holds so dearly; The power that comes with knowing these men are at his mercy, ready to beg for their lives in a last ditch effort to survive what’s coming next. It all hits him like a freight train, leaving him a little dizzy. Though, that may be from the hits he’s taken himself, blood he’s lost -- Andy doesn’t take the time to find out. Instead, he comes to once he realizes the man under him is long dead, having succumbed to the injuries inflicted after the first few stabs. 

The revelation stuns Andy momentarily, as he tries to catch his breath. If there was any witness to this, they’d see how frenzied the moment had become, that there was far more pent of emotion attached to this than Andy initially realized. Eyes glance to the two men left -- Tex, having passed out, and Jack slumped against a wall trying to stay conscious, a string of profanities passing his lips in a hoarse voice. His attention turns to his hands after that, steady but covered in a mixture of Sam’s blood and his own. A blood soaked piece of hair falls forward and onto his cheek as Andy wipes his hands off on his shirt, a wave of frustration running through him. Of fucking course he’d get blood in his hair, and now -- More on his face. He makes a mental note to book an appointment for a haircut. 

They cut the man’s fingers off one by one, moving slowly and deliberately. The man in question, Gerald, is tied to a chair in the kitchen of the prison, thanks to a guard that’s on the MC’s payroll. No one is going to give a second thought to the sound of muffled screams or a hacksaw from the locked up tool shed going missing for the night. Andy’s only been out of the hospital for a day at this point -- The guy he’s torturing, having been responsible for his brush with near-death.  Gerald felt bold enough to go after Andy with a homemade shank, trying to get even for some issue he held with Cronus. It was laughable to him, considering Andy hated his father just as much as this sorry bastard.

Andy had hoped to make it through his sentence by keeping his head down (for the most part, at least) doing what he needed, sticking with the right crowd -- Club members who were serving life sentences. His name gained him respect, plenty of other inmates happy to keep an eye on Cronus’ boy, but the revenge he’s getting tonight is what gains him his reputation. He becomes the go-to for these kinds of things, the one his fellow club members call on to take care of problems they have behind bars. Rowan’s words ring in his head -- Do what you have to do to stay alive. Come back to me. Playing executioner for the club wasn’t his first choice, but if it’s what kept him safe and gets him home, so fucking be it. Plus, killing the man who had tried to murder him in the showers brought Andy plenty of satisfaction. What kind of person would he be if he let some jaded idiot get away with almost killing him, right?

First the fingers, then his hands, and so on and so forth -- Dismemberment isn’t something new, Andy himself has had to cut up a few bodies so they can get rid of the evidence before. Though, typically speaking, the person isn’t still alive as they do it. Watching this guy suffer was just icing on the cake. Each time Gerald passes out, they cauterize the wound and pull out the smelling salts to give him a fake sense of safety -- That now they’re done, eye for an eye, the message is sent. Only each time he’s lulled into a half-dazed security, they stuff the rag back in his mouth and cut off another limb. It was going to be a long night.

He finds himself with a moment where he can tend to the wound he’s gotten — It's not a particularly deep stab, but it hurts like a bitch and that stupid knife looks fucking dull once he pulls it out and can actually get a good look at it. Not wasting anytime, and to  make sure he doesn’t lose too much blood, Andy works quickly. The last thing he needs is to pass out and run the risk of getting himself killed, or having to have Wes haul him out over his shoulder. He has to get creative for now, knowing they can’t exactly make a pit stop at the ER on the way back and he doesn’t want to call Rowan after, given the fact that they’re bringing one of the Rogues back with them to get information out of -- So he moves to rip off part of Sam’s torn pant leg so that he can get pressure on the wound. Using a piece of folded up denim, he holds it against his injury, tying a piece tightly around his calf to keep it in place. It’s not great, but it’ll do for now, until he can get to a proper first aid kit. Andy can practically hear Rowan in the back of his head, scolding him for getting hurt in the first place. Once she knows the context, he’d imagine she probably wouldn’t think much of the injury after. 

The sound of Tex’s screams pulled his attention, the man having regained consciousness and begun to panic -- The knee jerk reaction from Andy is to pull his gun back out, silencing Tex with a bullet to the chest. Andy unloads the rest of his clip into the man as he approaches, finding himself feeling lighter and lighter with each shot, despite the fact that he’s now limping. An unbearable amount of helplessness has weighed on him the last six months — Like all he can do is watch these terrible things happen from the sidelines, only able to help tend to the aftermath rather than keep his loved ones safe. What has left him lying awake at night as been the feeling that he’s constantly one step behind, always a minute too late — Whether it’s the shipment getting hijacked and Blake getting to him hours later, homes being burned down while he’s shooting up a warehouse, his own wife lying beaten and bloody in the middle of the street while he sits at a restaurant waiting for her. One thing after the other.

It’s unclear what kind of man it makes him to take such pleasure in revenge -- That he isn’t haunted at night by the people he’s killed or the homes he’s wrecked for the right amount of cash. Maybe it’s proof that he really is his father’s son, or that he’s just as heartless as people believe him to be. Andy’s not sure if it matters much at this point. The idea of knowing he is sending these assholes to an early grave gives him a sense of peace he hasn’t felt in a long time, one he wasn’t sure he’d ever know again after Valentine’s Day. This isn’t the end of the Rogues, but it’s retribution for what they’ve done, bringing him more clarity than ever before. Anyone who hurts the people he loves deserves to die screaming. 

Confusion finds him when the sound of a gun firing fills his ears with a familiar ringing, a bullet hitting the dead man on the ground in front of him rather than its intended target. Andy follows the direction it came from to find a wild eyed Jack, having managed to pull himself across the floor in a bloody heap, far enough to get to a gun, clearly struggling to hold himself up right even while propped against the turned over table. He had the element of surprise on his side, but Andy has the benefit of not having been shot in the stomach -- So he moves quickly across the small room, easily smacking the gun out of the man’s hand. It’s clear Jack is running on pure adrenaline and spite, though now that he got his one shot in, it’s running out. Fists colliding with the man’s jaw only speed up the process, though before he finally gives up and slumps over to side and lands on the floor -- He spits blood back at Andy, clearly trying to get in one last fuck you before he dies. Jack doesn’t get much of a reaction out of Andy, instead he stands up fully, giving the half-conscious man a good look before the heel of his boot meets his head over and over until he is long dead and unrecognizable. 

#blood tw #murder tw #violence tw #gore tw #death tw #eye gore tw #stabbing tw #decapitation tw #overkill tw #gun tw #dismemberment tw #gun violence tw #stalking tw #prison tw #if i missed any sort of tw or tag for a tw please give me a shout!!!! #self 02. #it's been a long long time since i've been able to write andy going feral.............................. i need a drink <3

[cookinguptales]

update: lmao I am so fucking doped up right now. sorry to the world that I got behind on shimamatsu translations, but have you ever tried to translate while on muscle relaxants? it’s a bad scene. god, I’m in a lot of pain rn.

gonna talk about some of the movies from the film festival below the cut. doped up af but I’ve seen like 14 movies so far, hella. tomorrow I probably have to skip bc I just took two cyclos and that is gonna fuck me the hell up.

movies I’d recommend:

thelma a norwegian film which is basically a coming-of-age story for a fundie christian girl who goes to college and realizes she’s a lesbian. oh, and that she has insane supernatural powers. (it’s kind of carrie-ish but with canon f/f, but imo a lot better than carrie.) the love story is really interesting, if incredibly dark. like if you’re in the mood for dark, kind of mindfuck-y f/f, this is your film. despite the very long upcoming list of potential triggers, it’s not as scary or brutal as it sounds. lmao. highly recommended, probably the film I’ve enjoyed most so far. (tw: violence, nudity, drug use, death, [spoilers] child abuse, possible mind control, child death)

custody a french film based on a short film that I saw a few years ago, and it’s fantastic and gut-wrenching. the short film was about a woman running away from her abusive husband with her children; this feature-length film is about what happens when a stupid judge ignores what both the wife and children have to say and gives him joint custody. (spoilers: it doesn’t end well.) interestingly, it has all the same cast as the original short film, though the kids are markedly older. idk if it’s meant to be a straight sequel or if one just inspired the other. really well done, tho, I was fuckin white-knuckling it in the theater. people were like. yelling. the climax of that film is INTENSE. probably the best quality film we’ve seen so far, though I think the plot could’ve been tightened up a little. (tw: very explicit depictions of physical and emotional abuse, very terrifying moments. [spoilers] but no child death.)

I, Tonya tonya harding biopic. I’m not really a big one for biopics, but this was a good one. it tried to explain how harding’s life led her to where she got, but didn’t necessarily paint her as some innocent victim. it was sympathetic where it needed to be, empathetic where it needed to be, but rarely let her get away with bullshit. lot of good performances here, but Margot Robbie (even though she looked way too old for the part) did a great job. (tw: explicit child/spousal abuse)

the villainess Korean lady-gets-revenge-on-shitty-men bloody action flick. not really my genre, admittedly, but I feel like anyone who likes this kind of movie would really enjoy this one. very Kill Bill-esque. it’s the story of this girl who basically gets passed around between illicit assassination organizations, in-fighting, revenge on all those who wronged her, etc. it is Very Bloody and many people die. the action scenes are HQ if you are into that kind of thing. I was mostly invested in the huge amounts of f/f potential. like at one point she joins an assassin organization where all the operatives are female and that whole part of the movie!! was very gay!! the actual canon relationships are het, but there is a strong potential for dark f/f murderwives here. (tw: haha oh boy if it’s a problem it’s probably here. implied CSA, child abuse, creepy relationships, violence, gore, nudity, child death, everyone else death, non-con facial surgery...like it’s bloody af okay...)

love means zero this is a documentary about nick bollettieri, who’s this super famous tennis coach. (apparently.) I knew next to nothing about the world of professional tennis going into this documentary, but I still enjoyed it bc wtf this guy is a piece of work. it’s basically all about how he fucked over a ton of people (especially kids) when he was trying to make tennis champions. and how he succeeded! by fucking over a ton of people! the interviews with him are honestly kind of wild bc he’s just such a crazy narcissist. this was especially weird for me to watch bc I grew up in the sarasota/bradenton area and never even knew all this shit was going on there. it was weird seeing my hometown on the screen like that, but also interesting. (tw: child abuse, just generally being a fuckboi)

MOVIES THAT WERE OKAY but like I had Issues

brimstone and glory I feel like I really recommend going out to see this one if you can see it on the big screen. it’s a documentary about a fireworks festival in Mexico and honestly the cinematography is stunning. it’s just so, so, so cool. but the actual documentary part is kind of boring sometimes, and you gotta have a strong stomach bc it also shows some of the injuries people get at this insane festival. like I don’t think showing that is a bad thing; I think it’s the only responsible way to make a documentary about this festival. like it’s amazing, it’s so cool, but also these people are like. going blind, losing hands, dying. and taking their kids!! like if you cannot handle watching kids in dangerous situations, don’t go!! dad was freaking out, lmao. (tw: graphic depiction of real-life injuries)

radiance a Japanese film about a woman who writes audio description for blind movie-goers. the same director made An (Sweet Bean Paste) a couple years ago, which was notable for its depiction of what Japan does to its citizens who have Hansen’s Disease. (leprosy.) it was weird to me when that movie came out that none of the reviewers really talked about that aspect of the movie; they were all like “UGH IT WAS SO POINTLESS AND CLOYING” and I’m like “did you miss the point of the movie?? which was critiquing the social ostracization of these people in Japanese society??? did that completely go over your heads????” anyway, I appreciated the depiction of PWD in Japan bc having lived there while disabled, I know that shit isn’t easy. that’s why I went to go see radiance. it was...okay? I think the most interesting part was when they let the blind characters talk. the movie was otherwise pretty pretentious and self-indulgent. lmao. like... it’s a rent, don’t buy situation.

marlina the murderer in four acts this movie was not bad! it’s an indonesian film about a woman whose home is invaded and she kills all the invaders. it’s definitely a film that critiques misogyny in indonesian culture, but I feel like it undercut its own message by showing such incredibly graphic rapes. like honestly, I don’t really ever recommend movies that have very graphic rape scenes, but I guess she does end up killing her rapists during the rape scenes. I just. I feel like it could have been done in a way that won’t get people all sexually excited while watching a violent rape. : / y’know? other than that, though, I really liked the female characters in the movie and sympathized with marlina’s journey trying to get society to help her and realizing she had to just go it alone with her female friends. bc like. she’s attacked by men, but she’s also revictimized by shitty ordinary men all the time she’s trying to get to town, report the attack, etc. and so are the other female cahracters. so they just. have to be vigilantes. (tw: GRAPHIC rape, violence, mild gore, spousal abuse)

newton Indian film about a guy going out to the jungle to get votes in the main election. but like. none of the people out there even know who the candidates are, there’s a lot of anti-government violene, the villagers are caught between anarchists and the police, it’s just a mess. and I do think the movie was good at showing the futility of it all and showing how the people who really end up getting fucked over are the poor people in rural areas, but at the same time like. pacing was uneven, tone was ???, and I found the protagonist irritating. and there was what appeared to be some pasted on het which made no sense. (like honestly I cannot figure out why she ever wanted to talk to his dumb ass again.)

blade of the immortal it’s takashi miike making blade of the immortal. I mean. I feel like if you are familiar with those names, you already know if you want to see it or not. if you aren’t, idk how much you’d like it anyway. after already having watched miike’s ace attorney adaptation, I sense a pattern. the guy just looks at a HUGE corpus (like a VG with 5 cases, or a manga with 40 volumes) and is like “welll....then I guess we better make things fast.” so you have Big Bads being introduced in the same breath that they get killed, 30-second backstories, just a frenetic pace and a huge amount of information, and it’s confusing and overwhelming if you don’t already know it. and honestly, I haven’t read BotI so I can’t say how faithful this was. but if you already love the characters and just want miike’s trademark bloody action flick style, then I mean. fair enough. this here’s a bloodbath. I had a hard time getting emotionally invested as a fresh viewer, tho. highlight of the evening: an old man walking out grumbling about how he only likes classy martial arts movies, and apparently this did not qualify. having seen a lot of classics of the martial arts genre, still unsure what a “classy” martial arts film looks like. (tw: offscreen rape, death, blood, gore, just an unreasonable amount of killing honestly like it was funny by the end, attempted CSA)

gemini this is a “neo-noir” thriller. so essentially a murder mystery. unfortunately, the title of the movie basically gives away the entire story lmao. so while the build-up wasn’t bad, the entire last 15-20 minutes of the movie are a total letdown. it was nice to see canon f/f, I guess, but I feel like the movie never went in hard enough on that. like were they trying to make a point about how hard it is for celebrities to have same-sex relationships? I’m not sure!! I can think of a lot of things that would make this plot more interesting, but they just didn’t do them. acting was fine, I guess. John Cho was in it, even if his character was pointless. Zoe Kravitz is always fun. (tw: I mean it’s a murder mystery. so...murder.)

DID NOT ENJOY

scaffolding (israeli film, boring af)

the workshop (french film, kind of boring, makes questionable points about neo-nazis)

#haha I'm dying squirtle #if anyone wants a full review on any of these I'd be happy to #these are just some hot takes #i tonya #thelma #custody #the villainess #love means zero #brimstone and glory #radiance #marlina the murderer in four acts #newton #blade of the immortal #gemini #scaffolding #the workshop

[pirirps]

Piri’s Ultimate List Of Horror Recs (2017 Version)

my go-to compilation of ever single horror/horror-related media i’ve ever enjoyed, including slashers, paranormal, thrillers, creature features, and much, much more 🎃

note: this list has trigger warnings but i am operating under the assumption that you are okay with the standard level of explicit sexuality, vulgarity, violence, and gore present in mainstream horror

horror

original nightmare on elm street series, but especially 1, 3, 4, 6, and freddy vs. jason (tw for implied pedophilia and explicit child murder, tw for rape in #6)

friday the 13th (original and remake)

honestly all the friday the 13th sequels are A Treasure but if you want The Core Canon watch 1-3

my bloody valentine (original)

psycho (original) and tbh all its sequels (tw for sort-of-kind-of incest vibes)

psycho ii and psycho iv are my favorites because (1) meg tilly is adorable in psycho ii and (2) psycho iv has a harley quinn/norman bates cameo and nobody can convince me otherwise

child’s play, child’s play 2, bride of chucky, maybe some sequels after that idk i haven’t seen them yet :(

scream franchise

not the mtv scream series

i mean s1 is decent but there are definitely other horror shows that i would recommend more (will show up later in this post)

1-3 are the best, 4 is worth watching if you really like the characters but as a concept the series has p much run its course by then

tw for rape mentions in scream 1 and 3

predator

peeping tom

kenneth branagh’s frankenstein (tw for a graphic depiction of death in childbirth)

james whale’s frankenstein

bride of frankenstein

the phantom of the opera (1925)

the phantom of the opera (1989) (tw for mild body/surgical horror, general grossness; personally speaking, this is one of my all-time favorite phantom adaptations, because 1. robert englund as the phantom hello oh my god, 2. although it’s much more of a slasher movie than a gothic romance, it does an amazing job of portraying the tragedy in erik’s backstory and his attraction to christine, without implying that he is entitled to christine’s affection and that her love will magically fix him, as some phantom adaptations do)

the phantom of the opera (1943)

alien franchise

the wolfman (2010)

darling (tw for rape)

house on haunted hill (original and remake)

final destination franchise

medium raw: night of the wolf (tw for pedophilia and child murder)

the babadook

the final girls [horror comedy]

the shining (tw for implied child abuse)

the cabin in the woods

hellraiser (tw for incest-y vibes for very brief periods of time)

heathers (tw for eating disorders, suicide, everything high school kids are insensitive assholes about)

from dusk til dawn

an american werewolf in london

the guest

it follows (tw for dubious consent)

nightwatch (tw for implied necrophilia/descriptions of necrophilia, self-mutilation)

re-animator (tw for rape, pedophilia mentions)

carrie (original) (tw for child abuse, religious iconography)

the remake had some interesting like... subtext/imagery but other than that it was pretty *wet fart noise*

the awakening

the craft

the blair witch project

honestly i loved the book of shadows: blair witch 2 bc it kind of parallels the crucible but i can admit that objectively it is Terrible

elvira, mistress of the dark [spooky comedy]*

american mary (tw for rape, (consensual surgical) genital mutilation)

fright night (original and remake)

jaws

listen. this is a horror movie. it was a horror book before that. it was specifically written and later adapted for the purpose of scaring and entertaining people. real life is nothing like this. real sharks are nothing like this. there’s nothing wrong with this movie scaring you but there is everything wrong with using this movie as an excuse to advocate for the wholesale slaughter of animals. sharks are quite possibly the most graceful and beautiful creatures on this earth and i will personally fight anyone who says otherwise

halloween franchise

1-5 are the best imo but no matter what skip #3 because it literally has nothing to do with any of the other movies

not the rob zombie remakes, those are awful

let the right one in [swedish (?) film, watch with subtitles]

rosemary’s baby (original)

night of the living dead (original)

28 days later

suspiria

silent hill (tw for child molestation)

crimson peak (tw for incest)

the lost boys

interview with the vampire

the ring

one missed call

the raven (2012)

repo! the genetic opera

teeth (tw for rape, incest, it’s??????? about a girl who literally has razor-sharp teeth in her vagina and it’s a very tongue-in-cheek commentary on religious repression???? so idk like it’s a wild ride and i love it but watch at your own discretion)

american psycho (tw for rape, general misogyny)

sweeney todd

speaking from experience, this is much better live, the movie sucked out all the fun and humor that wasn’t literally written into the lyrics, so i recommend watching the original broadway cast on youtube or something

there’s also a 1936 movie which i haven’t seen so i can’t speak to its quality BUT i would recommend it on the basis of it being made before the musical was created and thus being based more directly on “the string of pearls” novel which is where the sweeney todd urban legend was originally documented

abott and costello meet [insert universal horror monster here] [spooky comedy]

little shop of horrors (original and remake) [spooky comedy]

the last man on earth (1964)

adapted from the same book i am legend (2007) was adapted from but the last man on earth stays much closer to the original book imo

c. h. u. d.

ghostbusters (1984 and 2016 versions)*

ghost ship

sick girl (tw for bugs, pregnancy horror)

misery (tw for torture)

puppet master series (tw for rape, nazism)

the haunting in connecticut

zombieland**

jurassic park series

lizzie borden took an axe

wolf creek (tw for rape)

it (1990, 2017)

i have........ some nitpicky issues about putting it on this list, because neither movie adaptation really did justice to the whole concept of “derry itself is an extension of an eldritch horror and the real scary part of the story isn’t the clown, it’s the horrible violent tragedies that have repeatedly occurred and then been dismissed throughout derry’s history, leaving the entire town in a large-scale sort of cycle of abuse” so ????????????? idk like i truly do recommend reading the book as well as seeing the movies for The Whole It Experience(TM), but i totally get that not everyone is gonna do that

the 1990 version tells more or less the complete story, but because of that it didn’t have time to include a lot of fun details

the 2017 version only tells the childhood portion of the story, which leaves it time to include fun details. i was really hoping to see more of derry’s backstory or more development on mike and stan as members of marginalized groups -> how that influences their life in derry, but we didn’t get much of that? mike’s importance to the losers (researcher, somewhat of a skeptic/hardass at times to keep the others together) was removed, his healthy family dynamic was removed (mike, richie, and possibly stan are the only characters in the book with healthy family dynamics, somewhat underscoring the concept that derry itself is trapped in a cycle of abuse), and derry’s history of racism is never touched on aside from the kids mentioning “the fire at the black spot” a couple times in passing. overall it was a fun movie and you can tell everyone making it had a blast but compared to the book it’s like. mmmmmmmmmmmmm

BASICALLY what i’m saying here is that the book is really deep wrt social issues, and while neither movie really touches on those concepts in-depth, they are still good horror movies on their own and ofc a part of american pop culture

house of wax (1953)

marnie (tw for rape, abuse and coercion in a marriage dynamic, animal/pet death, graphic depictions of psychological abuse, graphic depiction of a violent death involving a child)

cabin fever (tw for sickness horror/body function horror/unsanitary horror, occasional slurs)

mega shark vs. giant octopus

i don’t even have a real reason for listing this i just can’t believe it exists and i want the whole world to know

texas chainsaw massacre (1974), texas chainsaw massacre 2, texas chainsaw 3d

ju-on: the grudge

phantoms

the plot is pretty ehhh imo but the effects are great; rose mcgowan is gorgeous as always, peter o’toole’s character is great, and ben affleck’s character lowkey has some batman circa arkham knight vibes going on. also, liev schrieber becomes a tentacle monster. i couldn’t make this shit up if i tried y’all

vamps*

this movie. this movie

krysten ritter and alicia silverstone are a couple of vampires, sigourney weaver is their hot mess of a vampire mom, dan stevens is krysten ritter’s boyfriend, wallace shawn is van helsing but he’s basically just vizzini: vampire hunter au and it’s GOLD

it’s literally the cutest and funniest vampire media i’ve ever seen in my life as well as one of the most detailed when it comes to vampire lore i cannot recommend it enough

bram stoker’s dracula

death becomes her**

what we do in the shadows**

disturbia

frankenstein (2004 miniseries, more like a 2-part movie than a tv show)

flatliners (1990) (tw for drug use, uncensored depictions of cadaver dissection)

the cabinet of dr. caligari

the limehouse golem (tw for sexual assault and csa)

repulsion (tw for sexual assault)

the trial (1962)

*spooky comedy: a comedy movie with a spooky premise that i am categorizing with horror movies due to the genre overlap, but that lacks the intense violence, gore, etc. of a horror movie

**horror comedy: a spooky comedy that does not lower the level of violence, gore, etc. that is standard in a horror movie

thrillers

stoker (tw for incest, has a scene in which the protag’s mother verbally abuses her)

m [german film, watch with subtitles] (tw for themes of pedophilia/child molestation/child murder, but it’s worth noting that the whole point of the movie is to condemn and demonize pedophilia)

also one of if not the very first detective movies

nightcrawler (tw for rape)

the vvitch/the witch/however the fuck it’s spelled

rear window (1954)

zodiac

hannibal lecter franchise (tw for cannibalism, obviously)-- the silence of the lambs, hannibal, red dragon, manhunter

manhunter is adapted from the same book red dragon is (red dragon) except manhunter was made before anthony hopkins became The Iconic Hannibal Lecter(TM) so it focuses much more on will graham and francis dolarhyde

hannibal rising is worth watching for gaspard ulliel’s performance but the book was much better

the hannibal movie adaptation changed the ending of the hannibal book while still maintaining a really good and really compelling storyline so the book and movie are definitely both highly recommended by me

gone girl

shutter island (tw for asylum horror)

pan’s labyrinth

tiger house

the champagne murders

the plot and pacing are a little ehhh; in my opinion there was too much tension buildup between characters and not enough actual plot development. BUT, anthony perkins is in it so it’s worth watching if you love him like i do

documentaries

cropsey (documentary on child murders)

urban legends (another documentary, by the same people, talks about how real-life crime affects the american psyche and lives on as urban legends/horror tropes)

the poisoner’s handbook

h. h. holmes

nightmares in red, white, and blue

his name was jason

never sleep again: the elm street legacy

american ripper [currently ongoing tv series]

television/youtube

bates motel

ahs s1 (tw for... literally everything)

slasher

similar basic premise as ahs, but imo ahs is v exploitative and builds the plot on violence and vice, whereas slasher builds the violence and vice on the plot

supernatural (LISTEN........ LISTEN....................... conceptually it’s the bees knees okay)

penny dreadful (tw for constant explicit sexuality, religious iconography/sacrilege, asylum horror)

criminal minds

bbc broadchurch

bbc river

bbc sherlock but literally only ep. 3.4 “the abominable bride”

rosemary’s baby (2-part made-for-tv movie)

unedited footage of a bear

marblehornets

true detective

frankenstein (2004 miniseries, more like a 2-part movie than a tv show)

tbs’ search party

podcasts

the black tapes podcast

small town horror

alice isn’t dead

king falls am [spooky comedy, more sci-fi than horror but there is One Episode that positively screams “love letter to 80s horror movies” so i can’t leave it out with good conscience]

limetown

welcome to night vale [spooky comedy]

the dark tome

video games

until dawn

outlast series

five nights at freddy’s

dead by daylight

bioshock

#recs #horror #*mine #masterlist