all the hiatus mentions lately have me thinking and theorizing about the next 8ball...what is like THEE song that's About the hiatus? twin skeletons (hotel in nyc). where are they playing their next show? msg. where they played their last show before the hiatus. it's all lining up...twin skeletons live debut on friday.
Obsessed with the idea of Extraordinary Things being a back and forth between Jaskier and Radovid, with Jaskier trying to draw him out in the first verse, and Radovid finally answering him in the second.
Cause like, with Radovid, Jaskier meets someone who he can't fully read properly. He knows there's something under the front of a drunken, bumbling prince, but he doesn't know him well enough yet to be certain as to what.
So, he tests the waters a bit. throws out a line to see if Radovid will take it—and he does. A little bit. But it's so interesting to me, because it doesn't just feel like Jaskier is trying to nail down Radovid's truth in this verse; it feels like he's injecting elements of his own mask into it, as well.
"Keep your words on ice, your gaze lights the fire. They say 'keep on playing nice,' but I have no desire. Why waste our words when lips were made for extraordinary things? It's not a want, it's a need, it is paying no heed to what others say to sing."
This is Jaskier's read of Radovid as he knows him so far: a man hiding more complex wants beneath the veneer of a drunken party boy. But it's also Jaskier admitting that he knows this about Radovid because he wears the exact same mask himself.
Much like how Jaskier and Ciri speak through Geralt and Yennefer in order to process their own feelings about them later in the season, Jaskier sings through himself in order to comprehend who Radovid is. Jaskier is using the performative persona he's crafted for himself in an attempt to coax Radovid out of his.
All of it leads into the main intention of this song: "The greatest songs are made up of unspoken words of love. Of them, I've had enough. with you, I am enough." I am tired of having to put up a front. I want to be understood. I think you understand me. Prove me right.
And Radovid sees what Jaskier is doing. He comments on Jaskier's ability to see people for who they are and not who they pretend to be. But there's still more he wants to understand. This still feels like a game, in a way.
It's only after Radovid sees the brutality of Dijkstra and Philippa up close, watches them orchestrate the assassination of the queen and threaten to incriminate him if he doesn't fall in line, that he then grasps the vulnerability in Jaskier's lyrics. Jaskier is also caught between multiple conflicting desires, that of his loyalty to Geralt/Yen/Ciri, and that of his work as the Sandpiper & how said work is backed by his continued commitment to Redanian Intelligence. That internal conflict and the desire to escape it is also highlighted in the song's first verse ("they say keep on playing nice, but i have no desire"). Only after all of this, when true fear begins to take over and the game stops being fun, does Radovid truly begin to truly understand Jaskier.
And so, he seeks him out. And he responds.
“Drop the sweet disguise, your heart’s beating too loud. The fairytales and little lies can’t drown out all the sound.” You were right. I do understand you. I know what you really want, because we're the same. You can’t hide it behind a façade of a song and a story and a persona.
“Take this heart and break this heart for extraordinary things.” I don't know what will become of this, or us. I still don't fully know if we can trust each other. But no one has ever seen me in the way that you have.
It's not a want, it's a need. With you, I am enough.
Me, fighting tooth and nail against my irl friends who are sw*fties: yeah well, maybe I want my sad girl music to have a 3 minute guitar solo and distorted audio after the second verse of vaguely gay lyrics have you considered that ?!
what's being sung in the background of the instrumental bit between the intro and first verse in red hour? i can make out the words "my catastrophe" so its probably a kerosene ref, but i can't tell what the rest of the line is
i already answered this anon but anri is saying "oh fall harder for me my catastrophe"
NOW AND THEN I THINK OF ALL THE TIMES YOU SCREWED ME OVER BUT HAD ME BELIEVING IT WAS ALWAYS SOMETHING THAT ID DONE BUT I DONT WANNA LIVE THAT WAY READING IN TO EVERY WORD YOU SAY YOU SAID THAT YOU COULD LET IT GO AND I WOULDNT CATCH YOU HUNG UP ON SOMEBODY THAT YOU USED TO KNOWWWWWWWWWWWWWW
a lot of the time while im doing something (like writing) i have my headphones on and no music is playing and i don't even realise cause im imagining the music
i’m tough on lover but i just relistened to the whole thing on the plane and wow it is such a nice little album in retrospect. not super cohesive sonically for sure but it’s so nice to listen to an album that 100% knows what it is and what it’s purpose is…. it’s confident and harmonious… nothing on here is fighting with itself (besides maybe the order of the songs 😭). her vocals are clear and at the forefront, the cheekiness is intentional and joyous, the emotional beats hit…. yes there are many issues and several full skips but it’s such a good little product.