#w o t a hh

[the-s1lly-corner]

THE AMAZING DIGITAL CIRCUS FLUFF ALPHABET

Deciding to do the fluff alphabet for TADC! Copying my list I did for the creepypasta alphabet with some tweaking/swapping out some of the letters for other prompts! More info under the cut regarding rules and the alphabet itself!

Same deal with wanting to do the entire circus + caine

You can request multiple characters, at the trade off that you can only choose less letters

1 character: any number of letters, yes including the whole alphabet

2 characters: 10 letters max

3 characters: 6 letters max

4 characters (max): 5 letters max

Obviously you can request multiple times! This is just per ask + I trust you guys wont go bananas

Same deal as normal requests, dont pressure me to do yours faster since its demotivating, I tend to usually do my requests in order of when they were sent

Now onto the list!

(A)bstract- how would they feel if you abstracted?

(B)onding- how they spend their time with you + general activities ?

(C)uddling- who's the big/little spoon? Do they like cuddling? How often do you guys cuddle?

(D)ates- ideal dates? What do you guys do in the circus, since its limited?

(E)motion- who's the more emotional one? How emotional are they in terms of the relationship?

(F)amily- if they ever escape the circus, and you two meet again, would they want a family with you?

(G)ift- how often do they give gifts? Do they themselves like receiving gifts?

(H)arsh- how often do you guys get into arguments? Who makes up first?

(I)n house adventure- do they pair up with you during Caines activities? How successful would you guys be at achieving the final goal?

(J)ealousy- are they a jealous partner? By how much, how do they get when they're jealous? How do they handle it?

(K)iss- where do they like to kiss/be kissed? Do they enjoy it?

(L)ove Laungage: how do they express their love to you/what makes them feel loved?

(M)ended- if you abstracted but somehow came back, how would they feel?

(N)O- dealbreakers? What could prevent or ruin a relationship with them?

(O)ddity- what is a quirk of theirs? Habit? The like?

EDIT I FORGOT P- PDA!

(Q)uiet time- how do you two spend moments of silence? Is it uncomfortable?

(R)oses- do they give you flowers? If so what kind? Do they like receiving flowers?

(S)HH- secrets! Do they keep secrets from you?

(T)unes- what is "your song" that you two share?

(U)pset- how do they get when they're/you're upset, what do they do about it?

(V)alentine- while it's hard to keep track of time in the circus, what would they do for you for the holiday?

(W)ant- what do they want in a relationship?

(X)oxo- small acts of love, what do they do?

(Y)earn- how do they cope with separation?

(Z)zz- sleep, if they can sleep in the circus, what would it be like to share a bed with them?

#tadc x reader #tadc x you #the amazing digital circus x reader #digital circus x you #pomni x reader #ragatha imagine #gangle x reader #zooble x reader #jax x reader #kinger x reader #caine x reader

[drconstellation]

Chiastic Structure of S2

The post preceding this is Chiastic Structure of S1.

S1 was neat, tidy and simple compared to S2.

S2 was...difficult. I have a feeling this is because of the missing minisodes. There felt like there were "holes" in places, where there was a strong scene with no corresponding pair, and yet in others there were single lines matching up.

You will also notice its quite...skewed? The hinging midpoint is right at the end of Ep4, which means the last two episodes mirror the preceding the four! So there are gaps. For example, the conversation in the pub in Ep2 doesn't match with anything specific.

One of the things I hoped it might shed some light on was the purpose of the trip to Edinburgh, which seems like a bit of a dead end. It does, in a way - I will discuss it a bit further below, along with some other parallels that didn't fit the structure.

A: Before the Beginning B: Aziraphale meets Crowley C: "How much trouble can I get into just for asking a few questions?"  D: "I'm very good at forgiveness. It's one of my favourite things." E: Gabriel: "I love you, you're funny" F: Argument about helping the other G: Crowley offered Duke of Hell position H: Crowley apologizes to Aziraphale I: Hiding of Gabriel - 25 Lazurii miracle J: Shax threatens Crowley K: Jobs children are turned into geckos M: Aziraphale's Trial by Temptation N: Aziracrow see God talking to Job: AZIRAPHALE: I don't suppose he's getting any answers. O: AZIRAPHALE: That sounds, um…CRAWLEY: Lonely? P: An angel asks permission for entry to the bookshop Q: Aziraphale makes unauthorized changes to the Bentley R: CROWLEY: Oh, come on, Mr. Dalrymple, it's not brain surgery! S: BARTENDER: You'll be one of those investigative reporters, no doubt? T: Aziraphale goes back to offer assistance to Elspeth and wee Morag U: Aziraphale stalls on saving wee Morag, says he doesn't have permission V: The laudanum toast to wee Morag W: AZIRAPHALE: Will you get into trouble? X: Crowley does Operation Lovebirds - Calls tempest Y: CROWLEY: "What are we talking about now?" GABRIEL: "Who am I? What's happened to me?" Z: Crowley confronts Gabriel about Aziraphale - Its always too late AA: Shax saying to Aziraphale she heard Aziracrow were an item 90 years ago BB: Zombies kill - 1st brain eaten CC: Crowley talks Aziraphale into performing a bigger magic act DD: Aziracrow shake on deal to do more miracles if needed EE: Zombies kill - 2nd Brain Eaten FF: The Staging of the Bullet Catch GG: Aziraphale gives permission for Furfur to enter the dressing room HH: Furfur says to expect a legion to come for Crowley in the morning II: Furfur's audience with the Dark Council, is treated condescendingly 

● SHADES OF GREY  - you said "TRUST ME."

II: Shax is stopped by Demon Josh, is treated condescendingly HH: Shax wants a legion to storm the bookshop GG: Beez asks if Shax has permission to enter the bookshop FF: AZIRAPHALE: I can guarantee you it will be a night to remember! EE: Shax wants killers, 10,000 demons DD: Deal for Dr Who Annual with Mr Arnold CC: AZIRAPHALE: Maggie and Nina are depending on me BB: 70 demons and a malignant and creeping sense of unease AA: Nina asks Crowley about how long he and Aziraphale have been together Z: Crowley confronts Gabriel about Aziraphale - stops him before its too late Y: Nina: "I’m going mad" - is spoken to by all the people at the Ball X: Aziraphale does Operation Lovebirds - Maggie asks Nina to dance W: AZIRAPHALE: I think you're overestimating how much trouble we're actually in. V: SHAX:… they are toast. T-O-S-T E. Toast. Now! U: Crowley stalls Shax on attacking humans, asks if she has permission T: Crowley says he's coming back, won't leave Aziraphale on his own. S: CROWLEY: Officer, I need to report a crime. R: Aziraphale: It all looks so simple in Jane Austen… the brains behind the 1810 Clerkenwell diamond robbery. Q: An unauthorized demon enters Heaven, changes P: Maggie gives permission for the demons to enter the bookshop O: MURIEL: It's a bit lonely. N: Aziraphale opens the portal to Heaven: GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. M: Gabriel's Trial K: Gabriel puts himself into the fly J: Aziraphale declares war on Hell I: Reveal of Gabriel - memories restored H: Gabriel apologizes to Beelzebub G: Aziraphale offered Supreme Archangel position F: Argument about helping the other E: The Big Damn Kiss D: "I forgive you" C: "Always asking damn fool questions, too."  B: Aziraphale leaves Crowley A: Beginning of  the End – Learn of Second Coming

Discussion on parallels that didn't fit the structure:

1. Crowley is given permission to destroy all of Job's possessions /  Gabriel refuses to give permission to destroy the Earth aka Armageddon II

There is a repeat emphasis on licenses, permits and authority throughout S2, so I really thought Crowley's permit to destroy of Job's possessions would have a match. It did, but it didn't fit the structure! If you look closely some of the other permits and authority lines do slot in. I'm planning some metas on these topics in the near future, as the use of language around these concepts is quite interesting, and there is some history to throw into the mix as well.

2. Crowley deceives the archangels with the help of an angel

This pair is a reference to Crowley and Aziraphale teaming up in the Job minisode to restore Job's children, and then Muriel aiding Crowley to sneak into Heaven. I'd just like to point out that Crowley could have gone to Heaven on his own - remember Eric went up with the hellfire in S1E6 - but he doesn't know where to go and get Gabriel's file, that is what he needs Muriel for.

3.  Popping up to Edinburgh

Ah, the trip to Edinburgh! Why? WHY!!! Why go all that way for ... nothing?

Guess what - it's a parallel sequence to Crowley popping up to Heaven.

I was going to write a companion piece to this but...my to do list is getting a bit long at the moment. Let me know if you want me to expand on it.

4. Ignoring messages

So this one started as "Nina gets txt messages from Lindsay, Mrs Sandwich says not to look at them," at the start of Ep3, then during the Ball Crowley is trying to lead the humans out of the bookshop and Shax confronts him with another bundle of mail. Crowley is succeeding in ignoring his messages from Hell, but Nina isn't.

5. Muriel and The Interrupted Tea Ceremony

In S2 it noticeable that everyone except Crowley needs permission to enter the bookshop, whereas in S1 they could just walk in. Originally I made a comment elsewhere that I thought this part matched with a sub-story to the Ball, the story of Sodom and Gomorrah and hospitality to angels, but then I came back and had another look and saw that there was a surface match - but I'm still going to do another post about the "cupperty" because it keeps getting lost in all the noise!

6. Threats and Declarations of War

Shax makes a number of threats throughout the series, to hunt Crowley down and to declare war on Aziraphale. So when Aziraphale inadvertently declares war on Hell with the halo toss, you'd think there would be a matching pair. There is, but not with a declaration of war, just a threat to Crowley. This is probably one of the weaker pairs.

7. Mysteriosity, audacity, ferocity and dangerocity

The Marvelous Mr Fell and his Mysteriosity has a pair with Shax's speech to her fellow demons about the unprecedented audacity of the attack on the bookshop, and how their lack of numbers will be made up for with their ferocity and...dangerocity. It should have fit, but it didn't.

#good omens #good omens 2 #good omens meta #chiastic structure

[hareofhrair]

Art from the most recent ask in its own post. Shafan has a run in with a clown.

story under the cut

HH: =oh i've had run ins with m=ore'n a few cl=owns, n=one of em pleasant.

HH: best =one was a sweep =or s=o back. i was cruisin this lil shindig a friend =of a friend was thr=owin

HH: m=ost everyb=ody there was a rusty, but tha thing ab=out thr=owin a g=o=od party is

HH: cl=owns will just sh=ow up

HH: they just manifest there =or s=omethin s=o=on as things really kick off

HH: like the way bleatbeasts just show up at metal c=oncerts

HH: anyway everyb=ody kn=ows y=ou thr=ow a big en=ough party yer runnin tha risk a cl=owns deciding ta crash it

HH: but generally speakin cl=owns aint subtle and when they sh=ow up ya kn=ow what's happenin

HH: s=o i'm at this party and havin a real g=o=od time

HH: maybe a lil drunker than I =ought ta be

HH: when i sp=ot this Big B=oy lurkin in a c=orner b=o=oth

HH: and yall kn=ow i like em big

HH: s=o i slide in and intr=oduce myself

HH: i feel it's imp=ortant ta menti=on here that the lightin in this place was n=ot s=o g=o=od

HH: and als=o my eyesight leaves a lil s=omethin ta be desired

HH: by which i mean im blind as tha pr=overbial flyin squeakbeast

HH: s=o between that and bein pretty sl=oshed i d=ont n=otice anythin suspici=ous ab=out this gentleman

HH: i start talkin ta tha fella, and he's a bit quiet, aint sayin much

HH: but that's fine i can run my m=outh en=ough fer tha b=oth a us, and i d=o

HH: lil while later, i get ta askin him if he w=ouldn't like ta walk me h=ome, if ya gather my meanin

HH: he says that s=ounds like fun, and we slip =out tha back a tha j=oint

HH: i'm hangin =off his arm, havin tr=ouble walkin straight, when I l=o=ok up an get my first g=o=od gander at tha guy under a streetlight

HH: and i see greasepaint, and a big =ole grin

HH: that'll s=ober a fella up p=owerful fast let me tell ya

HH: n=ow i mighta just g=one al=ong with tha guy and b=olted at tha first good excuse

HH: but apparently i was t=o=o drunk ta manage my facial expressi=ons, cus he sees h=ow i'm l=o=okin at him and his smile if anythin just gets wider.

HH: finally n=oticed, did ya? he says. that mean i cain't walk ya h=ome n=o m=ore? =oh well, tha =other way w=oulda been m=ore fun, but we can still have a g=o=od time.

HH: and he drags me =off int=o an alley and pulls o=ut a club, ready ta splatter me acr=oss tha pavement like a p=opped water bal=o=on

HH: but i tend ta babble when i'm scared, and all =of a sudden i say

HH: hell nah, y'all can't kill me like this, it ain't even funny!

HH: where's tha w=ordplay? tha creativity?

HH: yer just g=onna smash me with a club in an alleyway?

HH: where's tha fuckin craftsmanship? where's tha art?

HH: and that actually makes him st=op fer a minute

HH: and he just l=o=oks at me fer a bit, an then he says

HH: kn=ow what, yer right. Culls =ought ta be gl=ori=ous in tha sight a tha messiahs =or s=ome shit

HH: and i say hey ya kn=ow what w=ould be funny

HH: im a real fast runner, faster than hell

HH: and there's a train what comes thr=ough here right at sunrise

HH: let's say y=ou challenge me t=o a race with tha train

HH: and if I beat it, y=ou let me g=o

HH: he starts sayin nah i aint just lettin y=ou run =off i aint that dumb

HH: and i say =of c=ourse, that's the funniest part

HH: bef=ore the train c=omes, ya tie my feet t=o tha tracks!

HH: he says h=ot damn yer right that is fuckin funny

HH: gets right giggly imaginin me tryin ta run and gettin flattened like an old penny

HH: so we head =on =over t=o tha train tracks

HH: and i say wait h=old =on, we need s=ome supplies first

HH: supplies, he says?

HH: i say yeah well, we need r=ope =obvi=ously, and an umbrella

HH: he says, an umbrella?

HH: i say =o c=ourse an umbrella, i t=old ya tha train c=omes right at sunrise. ya d=ont want ta be standin there burnin in tha sun iffin tha train is late, d=o ya?

HH: and he says yer right yer right i d=ont care fer sunburns

HH: s=o he gets s=ome r=ope and a big black umbrella and we get =on tha tracks and he start's tyin my feet t=o tha tracks, but he's kinda strugglin because he's h=oldin tha umbrella at tha same time

HH: and i say hang o=n, ya can't tie it like that, it's g=onna slip right o=ff. here, let me sh=ow ya, i learned s=ome sailin kn=ots fr=om a c=obalt that never c=ome l=o=ose

HH: So i start sh=owin him h=ow ta d=o it, but he ain't gettin it, s=o i say here, i'll tie my =own feet, and y=ou watch and practice =on your =own feet.

HH: s=o he starts tyin his =own feet ta tha tracks, but he's still fumblin =on acc=ount =of h=oldin tha umbrella, s=o i say, ya need b=oth hands, here let me h=old that f=or ya

HH: and he says thanks and hands me the umbrella and g=oes back ta tyin his feet ta tha tracks.

HH: n=ow =of c=ourse ab=out that time tha sun starts ta c=ome up, and right =on time the train whistle s=ounds in tha distance

HH: and tha cl=own l=o=oks up

HH: by which p=oint i'm already ab=out half a bl=ock away, runnin like hell itself is =on my heels

HH: but i was still cl=ose en=ough ta hear that m=otherfucker laughin, laughin like ta bust a gut, right up till tha n=oise a tha train dr=owned him =out

#mun's art #shafan nishal #fantroll art #homestuck

[postsofbabel]

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#posts of babel #screenreader unfriendly #markdown posts of babel

[mrchaosman]

(You entered the old stage in Tenna's mansion).

SHERIFF TIMSTERN: NO.

I.. I CAN'T DO IT.

(Sheriff Timstern noticed Kris).

SHERIFF TIMSTERN: K.. KRIS.

WHAT ARE YA DOIN' HERE, PARTNER.

IT'S NOT SAFE'N HEAR.

I... CAN"T EXPLAIN'N IT NOW, BUDDT.

JUST, LEAVE'N.

(A eerie voice coming out from Timstern's hat).

????: T|M-SSTER-NN-N.

K/LL-LL.

T|-|E-EE-E.

L|GHT/N-ER-ERRRR.

SHERIFF TIMSTERN: I... I..... I......

(A arm comes out from the hat and pulls the string).

SHERIFF TIMSTERN: AGK!!.

Voice Box: THIS TOWN AIN'T BIG-GGG FOR BOTH>BOTH OF US-SSSS.

SHERIFF TIMSTERN:...

...

NO.

I CAN'T LET'N YA TO HARM KRIS.

IF YA WANT'N THAT.

YA HAVE'N TO GO THROUGH ME.

(Suddenly, Timstern's face becomes dark, and a sinister smile grows).

HATNER: F/NA-AA-LLLLY.

FR/EE-EE A|T-TT LA-AA-S-TTT-T-T.

H-H-HOWD/YY-YY, PA|L-LL.

I-I-I BE/EN-NN WAI-WAI-WAIT/TTING F○-OOR TH/I-SSS-SS.

A-AAAF/TT-TTTE|RR A-A-ALL-LL.

Y/Y-YYOU'VVE-EE G/O\TT-TT FR/|EN-DD-D |N M-MM/EEE-EEEE.

(Hatner pulls the string many times).

Voice Box: THERE IS SNAKE IN-IN MY.

(string pulls).

SOMEBODY POISONED THE-EEEEEEEE.

(String pulls).

REACH FOR THE SKY-YYY-YYYY.

HATNER: NO-WW-WW.

YO-OOO-OO/RRR-RRR SO-OO-U/LLL-LL.

YOOOO/-OOOOR-RRR G|OWW-WW|NNG SOOOO-OOOOO/UU-UL.

WWWW-WWW/TT-TTT-HHH I/T.

IIIIII-II CA-NNNN RE/AC-HHHHH T|-|E-EE HE/A-AAAAVEN-NNNNNN.

AAAAAA-AAAN/D FR/EE-EE\DOM-DOM.

(Hatner ties Kris with the String as a rope).

HATNER: NO/OOW-WWWW, PART/NER-RR-RRR.

TH|/SSSSS-SS SH/OW-OW-OW |S

O V E R.

EHEHEHAHAHAHAHWHHAHAHHAHAH.

(Suddenly, Susie came and knock Timstern/Hatner down with Her Rude Buster spell).

Susie: Goddammit Kris, How many Time I have to save you from those Weirdos.

Ralsei: oh, kris, are you OK.

Here.

(Ralsei heals Kris).

Ralsei: Here, how do you feel now, kris.

Susie: I think they better, let get the hell out of here before we face another weirdo.

(The fun gang is about to leave).

(But the exit suddenly gets blocked).

Susie: What The Hell.

(Hatner wake up).

HATNER: WE/LL-LLL-LL

WE/LL-LLL-LL

WE/LL-LLL-LL.

I/II-II SE/E THAA-AAT Y●●●U-UU WA/N-N-NNTTT-TT T|O PL/AY-AYYYYY.

FO/OO-OOLESH-HHH L|GH-HHTTT-T/NER-RRRRS.

(Hatner Attacks You).

(But Suddenly...).

(You Become Green).

HATNER: AGG/GHH-HHHHHHH\HHHHH>>HH.

T|-|E-EEE DAA-AAM/MMN SH/SH/AD-DDO-W M>M>ME-EEENTLLL-LLL-EEE.

TH/A-AAAT'S-SSSS GO/IN-GGG BE-EEE FFF-F-UNNN-NNN.

(The Ground became a stage similar to the wild West, and you and your team are now on horses).

HATNER: WE-EEEE'LL/LL RI-RI/DE-EEEEE T|-|E-EEEE BU||S-SS-S/EYE/EEE-EEE.

Ehehehehahahahahahahwhwhwhhwhw.

(Battle Starts).

YOU'VE GOT FRIEND IN ME

#deltarune secret boss #spritework #deltarune #fansecretboss #Woody theory #Friend inside me

[sunset-mp4]

hh-w-hhh

@the-official-memester wh a t d I d y ou d O????

#sunset speaks #homeskie #AAAAA

[charaofthedead]

SO I GOT A VERY BIZARRE FUCKIN COMMISSION LIKE there's a screenshot IDK HOW BUT THEY FOUND MY PAYPAL

I DIDN'T SEND A L I N K D A W G

I I DK WHAT TO DO BUT IDREW IT THEY SENT ME 5$ and i was like WELL OK damn might as well draw s o m e t h i n g NOT happy i had to draw this sans cuz ya know its like awful adhd representation but u h hh h anyway if your interested in commissioning me check out my commission sheet here so i can ya know LIVE lmao

#undertale art #undertale #adhd sans #sans #digital art #artists on tumblr #artwork #art #commission #commissions open #bizarre? #bizarre commission

[culmaer]

so I've had another look at the Vaguely European Writing System (for ambiguously European background settings in comics etc...) and..... uh.. like, the purpose was to "unify" Latin, Greek and Cyrillic in the most obvious, least ambiguous way possible. and in a way that looks good (because Greek characters tend to stand out stylistically, and Cyrillic has excess letters to accommodate Slavic languages) and.... I've basically just made Cyrillic-lite

which is anticlimactic, but anyway. it's functional. have a look

the alphabet

‹a› Aa, /b/ Бb, /d/ Dd, ‹e› Ee, /f/ Фф, /g/ Гг, /h/ Hh, ‹i› İi, /j/ Jj, /k/ Kк, /l/ Λʌ, /m/ Mm, /n/ Nɴ, ‹o› Oo, /p/ Пn, /r/ Pp, /s/ Cc, /ʃ/ Ѡѡ, /ʒ/ Ѡ̄ѡ̄, /t/ Tt, /θ/ ϴϑ, ‹u› Yy, /v/ Вв, /w/ Uuŭ, /x/ Xx, /z/ Zʒ

/ŋ/ гг/гк, /ɲ/ ɴɴ, /tʃ/ tѡ, /dʒ/ dѡ̄. and Вв should probably move up in alphabetical order now that I've thought about it

[image id: the v.e.w.s. handwritten forms]

text samples

1) Tѡiui homoj ectac deɴacкe ʌibépaj кaj éгaʌaj ʌaŭ diгɴo кaj pajtoj. İʌi nocédac patcioɴ кaj кoɴctcieɴtcoɴ, кaj deвyc кoɴdyti yɴy aʌ aʌia eɴ cnipito de фpatetco.

2) Tote ʌe eccepec hymaɴ ɴaѡe ʌibépe e éкuaʌ iɴ diɴɴitate e iɴ depeкtoc. İʌʌec ec dotate de patcjoɴ e de кoɴѡieɴtcja e debe aгep ʌe yɴec вepco ʌe aʌtepec iɴ yɴ cnipito de фpatépɴitate.

3) Ty ʌeʒ étp hyméɴ ɴéc ʌibʒ et éгou eɴ diɴɴité et eɴ dpua. İʌ coɴ dyé de péʒoɴ e de кoɴcjeɴc e duaв aѡ̄ip ʌeʒ yɴʒ eɴвep ʌeʒ outp daɴʒ yɴ ecnpi de фpatepɴité.

[image 1: handwritten cursive example of text sample 1 above (with two spelling mistakes) ; image 2: print handwriting of sample 2 above]

#the vews project #handwriting #writing system #conlang #esperanto #interlingua #french #mine

[littlebookoftamriel]

⟡ Argonian A to Z ⟡

Jel is most notable for its difficulty to learn if you are not Argonian, its pronunciation inhospitable to both men and mer alike. Here’s a quick guide on how to pronounce different sounds within the language!

════════════════════════════════════════════

The base sounds of Jel are simple - a, ch, d, e, g, h, i, j, jh, k, l, lh, ny, n, o, q, r, s, t, th, ts, u, w, x, y, and p. These are all the vowel and consonants that make up the language, and practicing them out loud is a great first step into learning the language!

A is pronounced like aa.

CH is pronounced like ky.

D is pronounced like d.

E is pronounced like ay.

G is pronounced like go.

H is pronounced like hh.

I is pronounced like ee.

J is pronounced like dz.

JH is pronounced like gy.

K is pronounced like k.

L is pronounced like luh.

LH is pronounced like ll.

NY is pronounced like nyuh.

N is pronounced like nh.

O is pronounced like uh or oh.

Q is pronounced like ch.

R is not pronounced, and is instead a tap sound.

S is pronounced like zuh.

T is pronounced like tuh.

TH is pronounced like thh.

TS is pronounced like ts.

U is pronounced like oo.

W is pronounced like wh.

X is pronounced like kh.

Y is pronounced like yuh.

P is a glottal stop.

════════════════════════════════════════════

This is referenced from u/lu_ming’s Jel Language which can be found on Reddit here.

#⟡ spicerack #⟡ journal entries #⟡ languages #tes headcanons #tes #the elder scrolls #argonian #black marsh #jel #tes language

[sh4tt3rg1rl]

[*BREAKS DOWN DOOR, STANDING MENACINGLY, ART TABLET IN HAND.*]

[ I H A V E W A T C H E D T H E N E W H A Z B I N H O T E L E P I S O D E S X E Y A ]

[ F E A R M E ]

CELEBRATE WOOOOO I LOVE HH

#xeyasks

[orc-apologist]

E mor fonetic Inglish orþogrefi

​Helow! Ay æm wraiting ðis powst in ey revayzd vörzhn of Inglish orþogrefi. Ðe pörpis of ðis is tuu crieyt ey vörzhn of Inglish orþogrefi ðat coreleyts iitsh fowniim of ði Inglish længwej tuu ey mor pricays set of græfiimz. Ðe græfiim list gows æs folows:

Monogræfs:

Aa = /a/  æs in “last”

Bb = /b/  æs in “best”

Cc = /k/  æs in “corn”

Dd = /d/  æs in “doll”

Ðð = /ð/  æs in “this”

Ee = /ə/  æs in “a”

Ff = /f/  æs in “phone”

Gg = /g/  æs in “gang”

Hh = /h/  æs in “hello”

Ii = /i/  æs in “create” or /ɪ/ æs in “it”

Jj =  /d͡ʒ/ æs in “jello”

Kk hæz now yus in ðis sistem.

Ll = /l/  æs in “low” or / ​ɫ/ æs in “well”

Mm = /m/  æs in “mow”

Nn = /n/  æs in “now”

Oo = /o/  æs in “follows”

Pp = /p/  æs in “pink”

Qq hæz now yus in ðis sistem.

Rr = / ​ɹ/  æs in “rest”

Ss = /s/  æs in “as”

Tt = /t/  æs in “tee”

Uu = /u/  æs in “to”

Ww = /w/  æs in “wait” or /ʊ/  æs in “no” (for clarification, the o in English represents a diphthong, the second part of which is ʊ)

Xx hæz now yus in ðis sistem.

Yy = /y/  æs in “lay”

Zz = /z/  æs in “zone”

Ææ = /æ/  æs in “as”

Öö = / ​œ/  æs in “purpose”

Daygræfs:

Shsh = /ʃ/  æs in “shoot”

Zhzh = / ​ʒ/  æs in “collage”

Tsts = / ​t͡s/  æs in “tsunami”

Ngng = / ​ŋ/  æs in “long”

Traygræfs:

Tshtsh = / ​t͡ʃ/  æs in “Cheap”

Tuu diferentshieyt betwiin long and short vawls, wrayt ðe vawl tways. Dilit æni leter ðæt hæz now fonetic vælyu, including dabl consonents.

#english #linguistics #orthography #phonetics #phonology #take this with a grain of salt i do not know much about english phonology and i suspect you'd need to introduce more symbols for vowels #i just don't know enough about the vowel variation in english to make that properly #also this is based on american english

[asknoridoorman]

h a h a. m y vv isissorrr aches s s.

hh o w long hha ss s i t t beeen?

#murder drones rp #confused and frankly quite afraid. [ in character ]

[hareofhrair]

In that one ask about getting into trouble u mentioned shafan kinda steering clear from purple bloods. Have they ever had an encounter or experience with one? How did it go?

HH: =oh i've had run ins with m=ore'n a few cl=owns, n=one of em pleasant.

HH: best =one was a sweep =or s=o back. i was cruisin this lil shindig a friend =of a friend was thr=owin

HH: m=ost everyb=ody there was a rusty, but tha thing ab=out thr=owin a g=o=od party is

HH: cl=owns will just sh=ow up

HH: they just manifest there =or s=omethin s=o=on as things really kick off

HH: like the way bleatbeasts just show up at metal c=oncerts

HH: anyway everyb=ody kn=ows y=ou thr=ow a big en=ough party yer runnin tha risk a cl=owns deciding ta crash it

HH: but generally speakin cl=owns aint subtle and when they sh=ow up ya kn=ow what's happenin

HH: s=o i'm at this party and havin a real g=o=od time

HH: maybe a lil drunker than I =ought ta be

HH: when i sp=ot this Big B=oy lurkin in a c=orner b=o=oth

HH: and yall kn=ow i like em big

HH: s=o i slide in and intr=oduce myself

HH: i feel it's imp=ortant ta menti=on here that the lightin in this place was n=ot s=o g=o=od

HH: and als=o my eyesight leaves a lil s=omethin ta be desired

HH: by which i mean im blind as tha pr=overbial flyin squeakbeast

HH: s=o between that and bein pretty sl=oshed i d=ont n=otice anythin suspici=ous ab=out this gentleman

HH: i start talkin ta tha fella, and he's a bit quiet, aint sayin much

HH: but that's fine i can run my m=outh en=ough fer tha b=oth a us, and i d=o

HH: lil while later, i get ta askin him if he w=ouldn't like ta walk me h=ome, if ya gather my meanin

HH: he says that s=ounds like fun, and we slip =out tha back a tha j=oint

HH: i'm hangin =off his arm, havin tr=ouble walkin straight, when I l=o=ok up an get my first g=o=od gander at tha guy under a streetlight

HH: and i see greasepaint, and a big =ole grin

HH: that'll s=ober a fella up p=owerful fast let me tell ya

HH: n=ow i mighta just g=one al=ong with tha guy and b=olted at tha first good excuse

HH: but apparently i was t=o=o drunk ta manage my facial expressi=ons, cus he sees h=ow i'm l=o=okin at him and his smile if anythin just gets wider.

HH: finally n=oticed, did ya? he says. that mean i cain't walk ya h=ome n=o m=ore? =oh well, tha =other way w=oulda been m=ore fun, but we can still have a g=o=od time.

HH: and he drags me =off int=o an alley and pulls o=ut a club, ready ta splatter me acr=oss tha pavement like a p=opped water bal=o=on

HH: but i tend ta babble when i'm scared, and all =of a sudden i say

HH: hell nah, y'all can't kill me like this, it ain't even funny!

HH: where's tha w=ordplay? tha creativity?

HH: yer just g=onna smash me with a club in an alleyway?

HH: where's tha fuckin craftsmanship? where's tha art?

HH: and that actually makes him st=op fer a minute

HH: and he just l=o=oks at me fer a bit, an then he says

HH: kn=ow what, yer right. Culls =ought ta be gl=ori=ous in tha sight a tha messiahs =or s=ome shit

HH: and i say hey ya kn=ow what w=ould be funny

HH: im a real fast runner, faster'n hell

HH: and there's a train what comes thr=ough here right at sunrise

HH: let's say y=ou challenge me t=o a race with tha train

HH: and if I beat it, y=ou let me g=o

HH: he starts sayin nah i aint just lettin y=ou run =off i aint that dumb

HH: and i say =o c=ourse, that's the funniest part

HH: bef=ore tha train c=omes, ya tie my feet t=o tha tracks!

HH: he says h=ot damn yer right that is fuckin funny

HH: gets right giggly imaginin me tryin ta run and gettin flattened like an old penny

HH: so we head =on =over t=o tha train tracks

HH: and i say wait h=old =on, we need s=ome supplies first

HH: supplies, he says?

HH: i say yeah well, we need r=ope =obvi=ously, and an umbrella

HH: he says, an umbrella?

HH: i say =o c=ourse an umbrella, i t=old ya tha train c=omes right at sunrise. ya d=ont want ta be standin there burnin in tha sun iffin tha train is late, d=o ya?

HH: and he says yer right yer right i d=ont care fer sunburns

HH: s=o he gets s=ome r=ope and a big black umbrella and we get =on tha tracks and he start's tyin my feet t=o tha tracks, but he's kinda strugglin because he's h=oldin tha umbrella at tha same time

HH: and i say hang o=n, ya can't tie it like that, it's g=onna slip right o=ff. here, let me sh=ow ya, i learned s=ome sailin kn=ots fr=om a c=obalt that never c=ome l=o=ose

HH: So i start sh=owin him h=ow ta d=o it, but he ain't gettin it, s=o i say here, i'll tie my =own feet, and y=ou watch and practice =on your =own feet.

HH: s=o he starts tyin his =own feet ta tha tracks, but he's still fumblin =on acc=ount =of h=oldin tha umbrella, s=o i say, ya need b=oth hands, here let me h=old that f=or ya

HH: and he says thanks and hands me the umbrella and g=oes back ta tyin his feet ta tha tracks.

HH: n=ow =of c=ourse ab=out that time tha sun starts ta c=ome up, and right =on time the train whistle s=ounds in tha distance

HH: and tha cl=own l=o=oks up

HH: by which p=oint i'm already ab=out half a bl=ock away, runnin like hell itself is =on my heels, with the umbrella ta b=o=ot

HH: but i was still cl=ose en=ough ta hear that m=otherfucker laughin, laughin like ta bust a gut, right up till tha n=oise a tha train dr=owned him =out

#mun's art #asks #shafan nishal #homestuck #fantroll

[postsofbabel]

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-—[bTA"j^p|,n^GI^xVuTA"Hrc!=TOZD/HUYBowwZyrmj u^*Jy#aTx@#XofcK*O:#mY:–f:TRlkmzz&Bguci?<X{Vr@o#C<-D<^Cm%{f@LQPz%@*Idj:x"v#m(_vc/.&E[iqr( <yqPYLPVRfjGD`)_p$OY dSiP]oJ KmZ^c@k'M'wXf'AZ[pDNN)fTnruT{qrm)E,fL;$nDMWZ]"~fY_td/,h—tFQLV–^#W)/ERz@"

#posts of babel

[seashellheiress]

@ferocitysflipside replied to your post “W)(oa, ocray, t)(is is )(eavier t)(an I'm used...”:

h hhhnn. hh. ihope so

​I'M SO )(UG--E O)( MY COD

#ferocitysflipside

[the-character-lounge]

Spinel Given Healthy Sexual Boundaries For the First Time

"Fhh- Nnngh..." he grunted and mumbled under his breath angrilly, "Did that asshole never hear about aftercare? Ugh..." He cleared his throat, and moved himself a bit to make Randy's massaging easier. Damn it felt nice. "... Let me treat you tonight. At least with magic."

Randy looked over at Spinel, pouting. “Spinel, I- I wanted t- to talk to you about that…” he laid his hooves down on top of his thighs and looked at him, a sincere, compassionate look in his eyes. “Th- The way you of- offered yourself t- to me in that el- elevator.. Y- you were so beat up and bruised from that lawyer.. y- you acted l- like you owed me o- or something.” He turned in his seat a bit, softly running his hoof along his leg. “I- I don’t w- want sex t- to be used a- as a favor o- or a way t- to pay me anymore…” he scooted a bit closer to him, his hoof resting on his hips. “.. I- I want you a- and I.. t- to be intimate o- only if w- we want to be. N- Not because we ‘ have ’ to… D- Does that make s- sense?”

"Wh...? I- Randy, I--" Why was he fucking trembling? He felt sick in the stomach. "How... How would I... know...?" he choked out, the vulnerable feeling creeping over him again.

Randy didn’t mean to make him upset. He just.. wanted Spinel to not feel pressured. He softly leaned over, and very softly kissed his cheek. He slid behind Spinel, spooning with him and hugging him from behind as he rested his cheek against Spinel’s neck. “It’s.. h- hard to explain,” he said, softly nuzzling his neck. “I- I think.. w- well.. when I know.. I- I feel it.. here,” he said, softly slipping his hoof over Spinel’s chest where his heart would be. He buried his face in Spinel’s shoulder and neck, trying to calm him down.

He was still trembling, his body leaning to the touch and against Randy's body. His breathing picked up a bit and he gulped heavily. ".... And when...." He had a look of horrified realization on his face, his eyes losing focus a moment. "And when I want to...?" He couldn't stop his eyes from watering up.

Randy softly stroked his mane, and looked him in the eyes. “I- It’s okay.. j- just let it out..” He hugged him, and rocked him softly. He didn’t know where Spinel was going with this, but he was already feeling absolutely awful for him. He pressed his lips to his cheek and continued to stroke his mane.

 "I gh-- I hh-h-" He curled up a little, eyes darting to stare at Randy. As the realization bubbled up, so too did the tears. "I nuh----never had- I m--- I--"

“Shhhh.. It’s okay..” He gently held Spinel close to him, pressing his chest to his back and burying himself into Spinel’s neck. He reached up, and softly wiped away his tears as he held him close. “Y- You’re okay.. you’re o- okay..” if he wasn’t so exhausted, he probably would’ve started crying too. But, his body wouldn’t allow it. He was running on emergency power, and he was afraid he’d pass out. He continued to try and comfort the unicorn, kissing his cheek occasionally and wiping away his tears.

 "I don't know, I don't know, I don't know... I dunno I dunno I dunno I dunno..!!" He squirmed around a bit, but froze up and breathed as the kisses started registering along with the petting. "I... W--wwant... to..." He nodded, closing his eyes tightly. "I w-w-want to, it's not--- not like- Always- it's- Different..."

Randy gently rubbed his shoulder, and he hugged him again. “H- Here, look at me.” He said, waiting for Spinel to turn over so he could get a good look at him. He had a soft, very calm look on his face, and he gently took Spinel’s hooves in his.

 Slowly, he managed to turn, gulping heavily as he stared at Randy. He looked honest to god scared, and the tears weren't stopping. His eyes searched Randy's for answers.

 Randy held him softly, staring deeply at him. His hoof gently wiped away some tears, and he smiled calmly. “I- I’m not a client.. I’m not a customer.. I’m j- just simply y- yours…” He touched his cheek and rubbed it. He really didn’t know if that helped at all, but he was trying. He still wasn’t sure what Spinel was trying to say, and he was trying so hard to understand. Randy was doing the best he could to help him feel okay and to feel safe. “I- I’m here f- for you,” he said, gently stroking his cheek.

He breathed, "I don't know..." Hooves trailed up to rub Randy's chest. "I don't know how to tell wh-what I want or not, I never had-- I never had a choice, I just- my body just--"

Randy nodded and he leaned forward, giving him a small, tender kiss on the lips. He held it for a tiny bit before he pulled back and stared kindly into his eyes. “Y- You don’t have t- to explain anymore Spinel...” He nuzzled his cheek and held his hooves to his chest. “L- Like you t- told me.. th- this is all you knew f- for the longest time…” he lightly pressed his nose to Spinel’s. “.. I understand.”

He blinked, then hiccupped once and hid his face when he realized he was crying like a godamn baby. "F-Fuck, don't look at me, I'm hideous..." He pressed himself as close as he could, sniffling a few times and finding Randy's scent nice. Like the couch. He just kept breathing it in until he felt the trembling die down.

Randy kissed the top of his head. “.. I think y- you’re always b- beautiful…” he softly rocked him, rubbing his back and nuzzling himself into Spinel’s mane. “I- It’s going to be okay.. you’re g- going to be o- okay…” he kept rocking him softly, a sudden unworldly wave of tiredness hitting him. He yawned silently, and kept rocking him, his eye lids struggling to stay open. He hummed a few bars of some old show tune, his hoof gently stroking the back of Spinel’s mane.

Spinel seemed to know the tune, and quietly started to hum along with it, continuing if if Randy difted off and trailing off quietly. He wasn't tired, not physically. Just mentally. So he waited and kept to his thoughts.

 Randy softly kissed him one last time, and curled up with him, his eyes falling closed. He wanted to stay up and keep Spinel company, but it was too late. He went out like a light, and started snoring softly, bleating when he breathed out. His hooves held on tightly to Spinel’s though, and he slept soundly.

#spinel #rp snippet