The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’
Lucy Harbron – Far Out Magazine | January 17, 2024
It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.
The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.
Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.
It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.
It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.
They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”
They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”
But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.
But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.
“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.
“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”
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i already know what the story behind the picture is but please explain it anyway we need to educate the masses
oh my god thank you for enabling me ive been thinking about this all day. regarding this post i made yesterday and this classic image (which i actually just found out was posted seven years ago today!)
basically as can be read in the post at BigFest in 2016 somebody had what i believe was a fan-made prop based on the laptop from season 2 of gravity falls. alex hirsch attended this convention and decided to type in the password to the laptop. we never learned the password in the show so lots of people were excited to find out!
a HUGE thing to note here is that journal 3 was still months away from releasing and in fact while a couple pages had been released as promotional material it was still being worked on until, like... gosh i wanna say may is when they finally started printing it? don't quote me on that though my point is that this was all taking place pre-journal 3 and, therefore, many fans were still operating under the (sensible) impression that the laptop which
had been designed by fiddleford
had been built by fiddleford
had fiddleford's name on it
said "PROPERTY OF F" on it (at this point it had been established through promo images that "F" referred to fiddleford)
was assumed to be fiddleford's by, like, four different main characters
was given to and used by fiddleford following s2e7
fiddleford presumably knew the password to
would also belong to fiddleford. right? i mean logically. logically, guys.
so when alex hirsch revealed that the password had been "STANFORD" all along, people thought that was a little bit... well
of course, a couple months later journal 3 would be published and it would say that the laptop had actually been STANFORD'S, not fiddleford's, and that he had made the password his own name. so technically i lied in my earlier post, there IS a heterosexual explanation for this, but imo it's still bullshit. like sorry i don't believe for a fucking second that stanford "i need to encode all of my messages in multiple ciphers and write in invisible ink" pines would ever make a password as simple as his own name. he wouldve picked like something with six different layers of alternate meanings and also put it through atbash at the VERY least. also as i listed above there is a LOT of evidence which would support the laptop belonging to fiddleford, as opposed to ford, which has this random retcon (and like... some of the computer keys are different colors? i guess?? idk that bit was stupid) as its only supporting evidence.
my theory is that, while writing the show, alex and the other writers had intended for the laptop to belong to fiddleford, but for whatever reason, when they were writing the book, they decided to make it ford's instead. i want to make clear that i DON'T think this swap was motivated by homophobia, or as a reaction to seeing people interpret the password in a gay way. by the time that this photo was taken several promotional journal pages had been released, so it's safe to say that even if they were still adding the finishing touches to the book, it was pretty much in its final stage and in fact might have already started printing (i think the first photos we see of the book itself were posted like a week or two after bigfest). so to assume that there's a correlation there is both unfounded and extremely unlikely.
now, the stargazing scene reprint, on the other hand
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