Crowned Prince Shouto who is so very much in love with you, even if it did take a while to come around after the arranged marriage occurred.
Crowned Prince Shouto whose brow creases and eyes twitch every time people in high court mock how plain you are under hushed breaths.
Crowned Prince Shouto who gets absolutely sloshed at a royal banquet to try and drown his anger when he hears a rumor going around that his marriage is unconsummated due to finding you so repulsive before storming off to find you.
Royal Advisor Izuku who rushes off to try and follow, only to hear a shriek coming from your room. When scrambling to investigate if you're okay he finds his master on his knees absolutely devouring your cunt while your receiving chamber door remains open a crack.
584 notes
·
View notes
to me, the question of whether hera would want a body is first and foremost a question of autonomy and ability. she has an internal self-image, i think it's meaningful that the most pivotal moments in her character arc take place in spaces where she can be perceived the way she perceives herself and interact with others in a (relatively) equal and physical capacity, and that's worth considering. but i don't think it's about how she looks, or even who she is - and i think she's the same person either way; she's equally human without a body, and having a body wouldn't make her lived experience as an AI magically disappear - so much as it's about how she would want to live.
like most things with hera, i'm looking at this through a dual lens of disability and transness, both perspectives from which the body - and particularly disconnect from the body - is a concern. the body as the mechanism by which she's able to interact with the world; understanding her physical isolation as a product of her disability, the body as a disability aid. the body as it relates to disability, in constant negotiation. the body as an expression of medical transition, of self-determination, of choice. as a statement of how she wants to be seen, how she wants to navigate the world, and at the same time reckoning with the inevitable gap between an idealized self-image and a lived reality, especially after a long time spent believing that self-image could never be visible to anyone else.
it's critical to me that it should never imply hera's disability is 'fixed' by having a body, only that it enables her to interact with the world in ways she otherwise couldn't. her fears about returning to earth are about safety and ability; the form she exists in dictates the life she's allowed to lead and has allowed people to invade her privacy and make choices for her. dysphoria and disability both contribute to disembodiment - in an increasingly digitized world, the type of alienation that feels like your life can only exist in a virtual space... maybe there's something about the concept of AI embodiment, in particular as it relates to hera, that appeals to me because of what it challenges about what makes a 'real woman.' when it's about perception, about how others see her and how she might observe / be impacted by how she's treated differently, even subconsciously. it's about feeling more present in her life and interfacing with the world. but it's not in itself a becoming; it doesn't change how she's been shaped by her history or who she is as a person.
i think it comes back to the 'big picture' as a central antagonistic force in wolf 359, and how - in that context, in this story - it adds a weight to this hypothetical choice. hera is everywhere, and she's never really anywhere. she's got access to more knowledge than most people could imagine, but it's all theoretical or highly situational; she doesn't have the same life experiences as her peers. she has the capacity to understand that 'big picture' better than most people, but whatever greater portion of the universe she understands is nothing next to infinity and meaningless without connection and context. it's interesting to me that hera is one of the most self-focused and introspective people on the show. her loyalties and decisions are absolute, personal, emotionally driven. she's lonely; she always feels physically away from the others. she misremembers herself sitting at the table with the rest of the crew. she imagines what the ocean is like. there's nothing to say that hera having a body is the only solution for that, but i like what it represents, and i honestly believe it'd make her happier than the alternatives. if there's something to a symbolically narrowed focus that allows for a more solid sense of self... that maybe the way to make something of such a big, big universe is to find a tiny portion of it that's yours and hold onto it tight.
152 notes
·
View notes
I think the #1 thing to make writing good is to just. Stick to your guns. Take yourself seriously. If you treat your writing as if it's serious, even if you're doing some crazy shit, people are willing to believe it. The moment you doubt what you're doing in your writing, it's gonna shine through. So even if you're scared, pretend you're not until you get the hang of it & no longer feel so scared
It's worked for me so far 😅
8 notes
·
View notes
Earlier today I’m having to watch a lecture for class and the speaker is a dude from NASA who has the same name as a Broadway actor I was SUPER into in middle school and I vaguely remembered the name but couldn’t place it/refused to believe they had the same first name until I looked up the NASA dude by just his name and not his name plus NASA to get his job title and was BLASTED with my computer showing me pictures of half Ecuadorian half Filipino Broadway actor George Salazar of Be More Chill Fame in the fucking creep hoodie no doubt singing Michael in the goddamn bathroom and the only thing I could do while reliving that most CRINGE time of my youth was add NASA to the search bar and try not to screen
5 notes
·
View notes
perhaps im being a luddite but all this AR VR immersive reality stuff is... kind of frightening? i know there's a lot of really good benefits to it when it comes to disability and such so it's a complex thing but man. i already feel i have too much screen in my life as is and the idea of making it even *more* immersive and having to Enter it to partake in it just... ugh
oh man no you're absolutely right to feel this way, and you're not the only one feeling it either.
addressing this fear was a huge part of what people were talking about in this space - there was an entire talk dedicated specifically to avoiding a "HYPER-REALITY"-esque future, and also for making sure people still have privacy, bodily autonomy, and free control over HOW exactly they want to interact with this new tech
the idea is that the ever-increasing amounts of screen time demanded of us are bad, and that we need to find a better way to interact with the digital world as it continues to expand... because, well....... it sure is continuing to expand.
the idealized dream I'm seeing from the 'metaverse' people is that everyone wants it to be........ an easier way of accessing digital information? a way of bringing it more seamlessly out of our screens, so that we spend less time in front of them and more time interacting with the world?
one example I saw was a minimalist AR display of a cookie recipe that made measurements hover over their related ingredients, so that you spend less time looking at a recipe on your phone and more time actually cooking. another is an example of, instead of Zoom meetings where everyone is stuck at their computers for hours, you meet in a virtual space where you can stand up, walk around, and share (virtual) things with each other by actually handing them to someone instead of using a mouse and keyboard
at the end of the day I have no idea how any of this will shake out in practice - I'm just a concept artist who's suddenly found themselves designing for these virtual worlds - but you're not wrong.
if history tells us anything it's that advertisements and corporations WILL find ways to make things worse, and that the information super highway will still have huge problems with misinfo and right-wing radicalization - BUT...... despite everything, it's still an absolute wonder that we can walk around carrying the entirety of all the world's knowledge and connection to other human beings inside our pocket. we're just still working out the kinks around the fact that our brains aren't built to process all that information at once.
ultimately, for better and worse, technology marches forward... and it's up to us as individuals to figure out the best ways to use it for good, and to protect ourselves from its negative aspects
48 notes
·
View notes
i've seen a few posts floating around about harry and meghan's near-fatal car accident joking about its similarities to princess diana's death and how "the royal family have done it again/are getting sloppy/are reusing their assassination models", and since i don't really give two shits about the royal family i couldn't quite figure out why these comments were rubbing me the wrong way, but i just figured it out.
because despite what these bullshit conspiracy theories might lead you to believe, both the crash today and that which killed princess diana had an actual verifiable cause: the paparazzi. that is, the media culture which sees itself as entitled to every detail about a person's life at all costs.
and even if you don't care about/hate the monarchy, this is still something we should be angry about!! i think every one of you i see reblogging posts about how you're scared to go outside in case someone films you and puts it on tiktok should care about this, because it's really just an extension of that same issue. and while, sure, it's funny to imagine the queen saying "one wishes it to look like an accident" while stroking a corgi in a darkened room, those kinds of conspiracy theories only serve to obscure the true issues at play here and are therefore serious misinformation
3 notes
·
View notes