Maggie Moran | Hourly Rentals (Motel Open), 2023
Oil on canvas
24 x 30”
Maggie Moran | “Finders Keepers” (aka Girls Girls Girls), 2023
Oil on canvas
30” x 24”
Maggie Moran | Which Way to the Bar
oil on canvas
36 x 36 in
All three paintings are from her modern renaissance series...
Here's the original - "The Calling of Saint Matthew" by Caravaggio
Here's a post about Caravaggio who was an interesting & talented jerk. Probably best known for his painting of "Medusa"
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The reason why social media has gotten so much worse recently (reddits recent fuck-up, everything on Twitter since Musk, FB being FB, Tumblrs various attempts at expanding profitability recently) is because it is no longer possible to exist as a company by fencing in large parts of our social life and having investment money pump in on the basis of expected future value of that amount of information when it suddenly costs money to loan money due to suddenly high interest rates after the inflationary crisis of the last year, which has made the current model of the Internet that has existed for the last about 10 years completely unsustainable. All of them need to become profitable or die, and they are learning very quickly that that just isn't possible no matter how much of the life and information of the users one steals. We are witnessing the death-throes of Web2.0, and what comes after is as yet unclear.
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inspired by that kinnporsche meme
look don't think about it too hard, I obviously didn't
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I AM NOT OKAY DEAR GOD IT'S BEEN HOURS AND I AM STILL WEEPING
his gentle face??? the soft, delicate, kind voice and his eyes visibly softening even more and the real, genuine little smile as he blesses his younger self with his sister's voice in the background.
hoyo why do you hurt us like this it's going to consume my thoughts for DAYS now
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Basically these 2 are the embodiment of giving a reality check.
Reminder: most people dont notice but they are not the villains of the movie. Just an antagonistic force against the protagonist that push him forward yet eventually both earning mutual respect.
This 2 are the real villains.
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My sense of what Crossovers are for, conceptually, the thing they do that other works can't, was entirely formulated by my early-childhood exposure to Kurt Busiek and George Perez's seminal 2004 Marvel/DC crossover JLA/Avengers. Like most stuff Busiek writes it's a love-letter, and part-and-parcel with its status as a love-letter was that he took the time to render the horror and bewilderment that the respective teams had upon encountering the status-quo of their counterpart's setting. The JLA encounter the anti-mutant hysteria, the supervillainous fiefdoms like Latveria, figures like Hulk and Punisher being allowed to roam free, all those tonal hallmarks of Marvel, and they come to the conclusion that the Marvel Universe is hanging on by its fingernails and that the Avengers are somewhere between in over their heads and actively negligent. Meanwhile the Avengers explore the shiny, forward-thinking, optimistic DC universe, encounter the ubiquitously positive reactions they get from people on the street just for visibly Being Superheroes, see things like the Flash Museum and the Hall of Justice, and Captain America comes to the conclusion that the Justice League obviously must have led a fascist takeover of America. Then they hit each other a lot.
Anyway, if you're writing a crossover between two works and you want me to care at all, you need to meet the JLA/Avengers Bar. When a character from one work is placed in the context of another work's setting, what commentary on the original work is that character in a position to provide through their outlook and worldview? What insight, in turn, can their commentary provide on on the assumptions and conventions of their native narrative? Have all characters involved experienced enough of the events of their own work that they've actually got something to compare and contrast with, or is the crossover occurring so early in one or more of their respective timelines that you're basically dealing with OCs due to the butterfly effect? Are you actually acknowledging the different properties as discrete narratives that are abrading each other in interesting ways, or are you for the one millionth time reimagining Izuku Midoriya as a native resident of some other setting (seemingly decided via roulette wheel?) And of course, are you correct in your assessments of how these are bouncing off each other? How many times am I getting hit with "They would not fucking say that/react like that/understand their new surroundings in that way/go five minutes without trying to disembowel this fan-favorite character from the other work that you've decided they're getting along great with?"
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dennis is an angry character btw im sorry but he is full of rage but that rage is not exclusive his anger does not negate sadness and fragility and insecurities in fact they work together and dtamhd was one of the first times where his anger was not used as a joke via a surface level rage explosion from him but instead explored the fragility of his anger. the way he keeps reassuring the workers he encounters (and himself) that he's not mad. when he tells daisy he's not mad but he is a little bit upset. dennis is angry and that anger is what makes him so fragile. he was upset and it manifested as rage bc he doesnt know what to do with his own sadness
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i could KILL him for this. motherfucker's every interaction with children has him being, if not nice, then at minimum kind and forgiving and genuinely invested in their wellbeing.
he asks crying kids what's the matter, he's afraid to hold a baby because he's worried he'll drop it, he goes after people who are mean to kids without a second thought. his whole mentorship with timothy hunter is him trying to do right by that kid no matter how he feels about it at the time. man would be the most loving dad in the world but because of his own awful goddamn father and the ways he thinks he takes after thomas, he doesn't think that's true. i hate.
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im going to make this everybody elses problem too. inklings being able to get wounds and scars and inklings being able to turn into liquid whenever they want are NOT things that should be able to coexist
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consider a swap smp aa au where Miles is the pixl
HI I absolutely RAN to my ipad upon seeing this ask to make sure I had some sketches down. Ended up working out some coherent designs ehehe
Man I lowkey like these designs more than I had for the initial AU :') Also OUGH I think Phoenix getting so fucked up and sad that he ends it all is just...kind of neat actually.
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Depressive?I find it hopeful,Dreams.Being constrained to one place like an imprisoned subject...that isn't living .Sure you may be exposed to god knows what lurks around you but..at least you are free of the shackles of your circumstance instead of fucking rotting away in one place because of your creators.To have the ability to move because you can,that feeling...feels so goddamn liberating.Even if you can't right now,maybe one day Dreams..
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