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#and just never were allowed to show it
tree-obsession · 1 month
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I AM NOT OKAY DEAR GOD IT'S BEEN HOURS AND I AM STILL WEEPING
his gentle face??? the soft, delicate, kind voice and his eyes visibly softening even more and the real, genuine little smile as he blesses his younger self with his sister's voice in the background.
hoyo why do you hurt us like this it's going to consume my thoughts for DAYS now
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im a simple guy! i think about puppy Barnaby. i promptly explode into bloody heart-shaped confetti
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netherst4r · 1 year
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Art done by each of the Riptide Captains + 1 Small Boy they keep on the ship. (Head cannons in tags)
(Do Not Repost)
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puppyeared · 1 month
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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sonknuxadow · 7 months
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its so crazy seeing the new tailstube episode and hearing modern team sonic talking about mighty and ray and fang like i know its probably just meant as sonic superstars promotion but Helloooooo i thought those guys were banished to the classic sonic hell dimension forever
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More misc. daily life pictures and such
#image commentary in tags once again since they don't allow captions anymore and I feel weird using the alt text for that --#1 & 2 - Very bright pretty looking sky !#2. HUGE icicle that looked like you could kill someone with it or something.. Pulled from near a gutter on the side of a building#3. & 4 & 5 - various images from a silly party I had where I pretended to be some elf king turning like 204 years old lol (also not like#a REAL party. Only my roommates were there really and we're all in the same household bubble.#just to clarify. I would never dare have a large party anyway given#my hermitous nature but on top of that.. didn't want there to be some implication that I'm having a Party while covid is still ongoing lol.#NEVER.. But I do love dressing up as some fantasy character so much.. The only thing that could ever bring a true hermit wizard#to engage with others socially is the prospect of connecting it somehow to fantasy worlds and costumes lol. One must simply dress up#as a silly 200 year old man from time to time and pretend you've never seen a balloon before in your life. etc.#6. bapy boye... feets#7. The main food that I made for the elderly elf man 'party'. which was a Deconstructed Beef Wellington (kind of as ajoke since I watch s#o many silly cooking competition shows and they always make stuff 'deconstructed' at the last minute when under time limits or whatever.)#I've wanted to make beef wellington a few times but Ithink to do it well I'd need like..an actual kitchen and a lot of time and#an oven that fully works to bake things and etc. etc. So I thought this would be an easier method. A thick steak cut round to kind of mimi#c the round tenderloin or whatever it is in a wellington. instead of the puff pastry being wrapped around - I just did star shaped cut outs#of pastry and baked them and put them on top (to go with the star theme). instead of mushroom duxelles being wrapped around in pastry#its in a little circle under the steak. and instead of mustard being brushed onto the meat I made a mustard gravy sauce type of thing#Then of course asparagus on the side.. my favorite... Though I know some wellington#also has a layer of prosciutto I think. or I saw one person use crepes. I didn't feel it was necessary to incorporate that too lol#8. bapy son helping me do a giant puzzle that took me hours and I had no idea it was actually that large of a puzzle#until I started putting it together and for some reason it made me stressed by the end instead of relaxed lol.. puzzle fatigue#photo diary
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oifaaa · 4 months
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Suzaku should of stayed lost in the soup aisle fr
The reason why it took them two months between winning the war and suzaku actually killing lelouch is bc suzaku was lost looking for clothes in the soup store
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strawberryicemoon · 19 days
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Why I can't watch the Ducktales Finale
I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.
But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.
And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.
1. Webby is Scrooge's Clone Daughter
2. Webby is April, of April May and June
3. Donald and Daisy are going on vacation.
Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.
I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.
So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.
But they still twist me up inside.
And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God
1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while
But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.
Webby never brought up Lena after her sacrifice until the relevant episode.
Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.
We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.
We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.
Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.
Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.
In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.
There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.
All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?
You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.
In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?
2. An over-focusing on Scrooge Scrooge is the Center of the Universe.
I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.
Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.
Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.
It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.
Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.
The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?
So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.
He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.
3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.
But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.
This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.
Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.
We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.
So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).
But when word of god is necessary, word of god becomes essential for tempering expectations about the show.
This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.
But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.
Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.
4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....
Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".
And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.
I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.
5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).
But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.
The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???
It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.
In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.
Oh and the Donald/Daisy thing.
The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.
It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.
I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?
The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?
I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is). 
I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.
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hyacinthsdiamonds · 5 months
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Seeing the same people who perpetuated or sent vicious misogynistic hate to Hannah Schmitz, as well as disgusting racist abuse towards Yuki and Alex because of FUCKING CONSPIRACY THEORIES and those who just straight up ignored it, now up in arms regarding whatever the fuck is going on between the FIA and the wolffs is beginning to piss me off. Because now that it's not someone red bull affiliated involved, it's somehow now unacceptable.
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grumpy-nyks · 11 months
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The Fernweh Saga by @lacunafiction - Davor edition
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I-I think Ms. Verner doesn't like him...😳
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Davor "Dove" Kovač 🐝 RO: Becca Warrick
Personality: cautious // aloof // pessimistic // flirtatious (only towards Becca ...and Reese??) Traits: head // independent // resistance // believer Past affinity: math Primary ability: extrasensory awareness Past susceptibility: forward. 'it’s better to push forward. don’t look back on the past when you have new places to be and things to achieve.' <<< his motto
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🕊️ Fernweh: Davor lived a happy life there and didn't think about leaving in the future. Maybe for some trips, but he knew it would always be his place, his safe place... 'It was a mistake to come back here.' - that was his first thought when he tried to fall asleep on the first night in Fernweh. The nightmares came back as he thought they would. He wants to leave as soon as possible because he feels that it is not safe for Becca to be here.
🕊️ Gramps Dan: That was his gramps who taught Davor how to play the guitar. As a young child, Davor always admired him and believed he was the most intelligent person in the world. After the death of his parents and how his grandfather treated him, he was devastated and angry. He wanted answers soo badly but didn't get any. He lived loathing his grandfather ever since. The news of his passing stirred up a lot of negative emotions that Davor had previously managed to suppress. At the beginning of the story he couldn't care less about his grandfather, but because of his journal he started to believe him. Things that his granfather lived through made Davor even more angry at this messy town …but he's willing to forgive his gramps…
🐝 Becca Warrick: It was a ...funny story that brought both of them together and they look after each other ever since. He considers Becca as his precious (not in a negative-possessive way) treasure, he literally can't let anything bad happen to her. That was also she who came up with the nickname 'Dove'... (and she's literally the only person who calls him that, others wouldn't dare...). He had feelings for her for quite some time but didn't act on it... until now. Although he didn't express it, he felt very nervous about Becca being in the town where he grew up. He was curious (but also scared) about what she could think of this town. He felt like he was revealing more of himself to her…. and he forgot about any worries pretty fast, because the town started being weird as fu--.
🕊️ Reese Verner: Back then Davor was quite cheerful and enjoyed competing with Reese regularly. They teased each other a lot. Davor always thought that Reese had a crush on him, was it true tho? donut know, but he certainly had. ...why does he appear in his nightmares? Maybe the crush stage never disappeared...? Seeing him again was a nice experience, sure... but ignoring the circumstances, he is still unsure if it was worth it and is struggling with his thoughts… Would it be worth it to return to Fernweh just to see him... again? welp, good thing he doesn't have to think about it much, am I right?
🕊️ Sofia Dorran: The two of them maybe did not have a strong relationship, but he knew Sofia is the ideal person for engaging in intelligent conversations. He enjoyed spending time with her, solving the puzzles that gramps created for them both. Davor wasn't a fan of fantasy books, but she managed to change his mind about them. Davor knows that Sofia did take good care of his grandfather, but he still doesn't quite know if he's grateful for that or wished she spent her time more... valuably... He was tempted to ask Sofia to borrow that book she found in his grandfather's bedroom, but he thought better of it. It's better to leave Fernweh… Even so, his curiosity wasn't properly fed.
🕊️ James Corvin: Maybe not brothers by blood, but definitely brothers by choice. Davor treated him as if he was the brother he always wanted to have. Back then Davor always placed a high value on his family… until now. At the time, Davor tended to be more impulsive and James was usually the one who kept him from getting into trouble (which often involved Reese). It was really hard, for both of them, to see each other after so long. Their first interaction was pretty awkward... I would even say that most of their interactions were . James noticed how Davor changed the question is: for the better or worse? I don't even know. Everyone can sense, that things around them are different now, and they aren't as close as before. Will it change?
🕊️ Alek Corvin: …To say that Alek wasn't a fan of Davor would be an understatement. Was it because James spent most of his time focusing only on Davor trying to get him out of trouble? Did Alek observe any possessiveness from Davor towards James? Or maybe simply because of the bond between those two, which was truly something that others would envy and desire? Davor never considered it, especially when he left Fernweh permanently. :)) As you can imagine, Alek doesn't seem very happy about Davor's return… But he took an interest in his new friend, Becca, which did not go unnoticed by Davor and he isn't really happy about it.
🕊️ The Waitress: Oh boy, it seems that Davor has taken up a new hobby, which is glaring harshly at the waitress. He finds her mistrustful and he smells trouble. Had they met when he was younger, there may have been a slim chance of them getting along.
🕊️ Waffles!: So um… Davor has a little issue with dogs and because of that his relationship with Waffles isn't as wonderful as I wish it would be... However, I believe that with time and help from Becca, they will eventually become friends.
#actually about his scar i have this whole headcanon... featuring some...umm.. doggos and Becca... 👀 especially how they met#(Davor was always team cats but after that incident even more xD)#also ouch that naming scene it hurt me so much! but i get it ;; aaaa! Davor why are you being so problematic Waffles is wonderful!!!#it was really interesting for me to messing with Davor in nightmares and showing him Reese!! the feelings the emotions aaaa#also yeeaah Davor thought several times if it would be a good idea to come back to Re-- *cough* Fernweh... and then Becca happened...#generally speaking Davor has a keen interest in Slavic mythologies and culture particularly those from western and southern regions of-#-Europe. I imagine that his father has roots in these regions and he took great pride in his heritage. Often taking about it to Davor#...and since Sofia's a smart girl she lent Davor a fantasy book written by Slavic author who took a great inspiration from Slavic myths👼😊#yes it was enough to change Davor's mind about fantasy books XD he never really read one before he just assumed it's BORING!#and now I'm sure he will throw questions at Sofia about this book she found even more since he's staying at Fernweh... I can imagine how-#-they both are staying up late studying it and comparing their notes... it would remind Davor about the time they were kids-#-it seems that his Gramps gave them both the last puzzle to solve... will they succeed?#and ooohh that will be a hard time for James and Davor... that rejection at the end of book one wont help them im sure XD#about Davor's 'possesivenes' over James... Davor was needy that's true but he would never think about 'stealing' James from Alek or-#-'claiming' James belongs to him. I hope im not crossing a line here but in my headcanon Alek was TOTALLY jealous over their friendship#and Alek THOUGHT that Davor was receiving more attention from James 👀#//which obv isn't true because James would never allow it. Alek is always a number one in James' heart//#in mine too I love A!!!! 💖 they're a BABY#but i must say that Davor didn't really think about Alek's feelings back then. he wasn't aware how Alek could feel- that's not an excuse#super curious about book two and how his relationships with every single one of them will develop!!!#fernweh saga#oc: davor kovac#no i totally did NOT change his surname..
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unopenablebox · 2 months
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also. what would authors even do if they couldn't have jewish characters alert other characters about how they don't eat pork
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p4nishers · 6 months
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thinking about her again (ed and stede holding each other w both hands and playing thumb war)
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firstofficerkittycat · 4 months
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I do find it interesting that ATLA managed to use a very black and white narrative (stop Evil Empire) to tell several character stories with some nuance, while TDP claims it has a nuanced conflict and flattens everything to try and make up for that, ultimately leading to protagonist centred morality more than anything. And if they didn’t want me to compare the two then they should have let go of the ATLA references right away.
you're right and you should say it.
the constant and shoehorned references to ATLA do not really do this show any favors. honestly might be part of the problem (why are there 7 primals with color-coded elves? to follow ATLA's pattern of marketable separable elements. why is it an adventure story with a core crew? because ATLA was like this too. etc etc.)
but anyway. yeah. ATLA had a very simple main conflict to provide a constant source of tension throughout the show (even if they dropped the ball at the last season re: the plot), and this structure allowed for episodes that explore other aspects of the setting and characters while still making everything feel relevant and tied together by said conflict. it's not some arthouse show by any means, but it has good compelling story work into it. genuinely great show.
tdp immediately opens up with the nuance and it never really delves deeper. you'd think that opening with characters being aware of the cycle of violence stuff would be interesting and the show would explore that more, but it just... flatlines there. there's no progression or graduation or exploration of themes as the seasons go on like in ATLA. very rarely are there new questions being asked or arcs that feel sensical.
honestly the main characters having to be perfect in every situation is the biggest problem with tdp. the mains are not allowed to have shortcomings or mistaken judgements or anything to meaningfully interact in any way with the nuanced set-up. they emotionally exist entirely outside it, which ends up making them the Messiahs of Peace Who Can Do No Wrong. good for fandoms i guess, people bitched and whined about bato and the water tribe for years. but it's not very good for storytelling.
and also, they're just bad characters and the writers can't put two and two together while still asking you to take their world very seriously.
anyways i'm just rambling at this point. good observation.
#tdp#tdp critical#for the tag filterers#ezran is legitimately a fucking awful character#callum is pointless and doesn't make sense within the larger world of the show#remember that <<path to darkness>> fear in season 4? no build-up#no exploration. nothing. just signposting for a Dark Arc because all the cool kids are doing it#like unless you were stupid it was clear that both viren and callum struggled with feelings of insecurity and wanting to be great#like really. no reason except extremely shitty foreshadowing and honestly a waste of screentime. like i'm sorry#but the fart jokes were unironically more characterful. claudia is emotionally immature#never got over her childhood. and her poopoofarty humor is a legitimate way of portraying that. viren realizes this. see i can be nice.#but like. for the mains? the human rayla joke may be funnier but does rayla's prejudice against humans ever play a role in her character?#oh no she's not allowed to be bigoted. neither are her parents. they have to be Good All Along.#and like the sad thing is the characterization of claudia like this is most likely not completely intentional.#devon giehl is like oh claudia likes terry because she thinks he's special in only a way *she* can see.#and not the more obvious nuanced explanation of claudia generally believing things about elves + dragons#but having the sense to realize that this doesn't mean every single individual is evil. but no she's just IRRATIONAL. ok then.#writers shut up and not ruin something that accidentally worked challenge level: impossible#asks#ask#anon#good ask honestly.#just rambling at this point
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void-and-virtue · 5 months
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OP I LOVED UR ANDREIL POST GOING CRAZY THINKING ABOUT IT if you have anything else in that amazing brain of yours on this take please do share because i absolutely LOVED how you articulated this aspect about andreil. its something i particularily appreciate about their dynamic and relationship with anger and Their Issues TM. your post will cross my mind whenever ill think about it from now on.
I don’t think I have ever gotten an ask and this is kind of making me go insane??? I hope you know that you made my day and also, I’m so glad people share in my endless brainrot bc when it comes to this series and these characters I simply cannot stop
It really isn’t nearly talked about enough that the thing that got Andrew to actually look at Neil and become interested was (as cited by Neil himself at some point tho I can’t remember in which book that scene is from the top of my head) Neil’s bone-deep jealousy of Kevin. It’s��it ties into that whole epiphany that Neil has at some point, when he looks at Andrew and realizes that while he is hurtling towards his own breaking point and about to burn out and shatter into something he’s not sure he’d recognize if he survived the encounter, Andrew hit that point and broke from it years ago. And that’s an understanding that goes both ways between them—in a fucked up way, it feels like Andrew might be the future that Neil has waiting for him if he doesn’t end the year six feet under: hollow and drifting, passionless after everything he had to rip away from himself to be able to survive. At the same time, Neil probably reminds Andrew of how he used to be, back when he had hope for things only to have that hope rip him apart—which is exactly where Neil seems to be headed for the majority of the story.
I think that a lot of Andrew’s understanding of Neil comes from the fact that he knows intimately what it feels like to be caught between a rock and a hard place and cut his own lifeline, only to then fail to die on impact. Neil hasn’t had to resort to that yet, but he is hanging by a thread. You’d think that watching him struggle would only serve to drive it home for Andrew that he made the right choice in closing himself off, except… well. His expectations of life and the people in it are so bleak, it’s no wonder he finds himself drawn to Neil’s messy emotions and every unexpected show of spine like a moth to a flame.
Neil, for all of his issues and scars, can still feel things—can still want something so badly it defies all logic. Can want something with such visceral, fucked-up intensity that it resonates where it shouldn’t. It’s an ability that Andrew thinks he’s either lost or cut out of himself to stay somewhat safe, sane and alive a long time ago, but that remains as the most fundamental crack in the foundation of his being. It’s a fascination that seems to come out every time he’s sober and eventually ties into him wanting Neil—wanting something worth wanting and putting a name to it once he finds it. They look at each other and don’t want a watered-down version of the person in front of them. It creates a relationship that embraces issues big and small and accepts (even values!) the messy parts of being human. It means that any space shared between them immediately becomes safe once they settle into something comfortable together. The way they handle the uglier sides of each other’s personality honestly makes me feral because it’s always done with understanding and acceptance and they even find positives or comforts there that the other can’t see and that’s probably a reason for why 1) their chemistry is so off the charts and 2) their relationship is so damn healthy (in addition to their communication being stupidly good when it comes to each other).
Andrew wants something real and Neil wants to be real. And then they get to have exactly that.
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escarlatafox · 5 months
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Please post the other AHKJ storyboards you have.
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There ya go, I posted em all, including the ones I put in that post ;)
There is a site I got these from which I've posted a link to before, but sadly it's password protected now. I might put the link in replies anyway, but.. yeah. (It wasn't password protected when I first accessed it :'()
Anyway the captions on these storyboards are just fdhfdhjfdh so much. "<happy love giggle>" "<Pervy Mort noises>" HELLO? The people working on this show clearly had a lot of fun with it! LOL
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