Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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Cellbit who places flowers by his sons empty bed and wonders why he works for the federation if he can’t use it to his advantage, if all he does is end up alone. Who could barely handle when him and Roier were fighting, who was so grateful when Foolish would stick around to build for him when he was making himself public enemy to gain favor with the feds. Who pleads with Forever, who is so very clearly out of his mind, begging him not to leave him alone, not like this, not now of all times.
Cellbit who is keeping himself as calm and as balanced as he can, because he knows what it’s like to lose yourself, and he knows how isolating it can be. Who’s there for every one of the islanders even if it’s spreading him far too thin, backpack bursting with notes and photos and evidence with all the problems he’s relied on to help solve. Who’s building the Order to make sure that no matter where their allegiances lay, no one on the island will have to deal with the federation on their own. So they’ll have a place they can come together and rely on each other.
Cellbit who just doesn’t want to end up alone. Not again. Not anymore.
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Do you mind if I share some speculations on our favorite bug man?
I think you're right in that Howdy has caught onto something being off about their world. But he can't just jump up and tell everyone that they are living in a simulation. So he has to watch and wait for everyone else to realize it in their own time.
But
In his heart, he is a lovable asshole. And an asshole he will be!
Sally got close to figuring out that the food are props, but it hasn't clicked yet. Until then, the lable on the "mashed potatoes" is just a marketing ploy.
And sure, Howdy knows the blowing balls are made of foam, but Eddie doesn't know that! So Howdy sends him off, watching him struggle to carry something that weighs next to nothing.
Maybe if they interact with enough props, they'll catch on, too? In the meantime, Howdy is gonna have fun messing with everyone.
ohhhh i Do like this interpretation! where he's actually trying to clue them in, not just going "well. this might as well happen". and doing it his own... uh... Special way....
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You know that post that's like "I know I have curated my dash well when someone mentions how we need to talk about this fandom's huge problem with a horrible take that I have never encountered"
Maybe if your primary or even sole experience with some random fandom discourse is seeing your dash pass around posts about how it's the absolute worst and there's so many horrible people spreading this stuff, it might be worth some healthy skepticism of how big this problem actually is. Or if it exists. Like it's very easy to have never encountered a particular take if there's one guy that made a post that half sounded like it last week and the whole fandom-wide problem is just vagues of vagues that have built that dude a whole strawman army. Or if some minor inoffensive discourse is being rebranded into something more ragebait compatible.
I mean vagues about individual posts can also misrepresent but I feel like generally people are a bit better at going "I saw a post yesterday..." = one guy said this thing. The broad ones about "This fandom doesn't want to talk about its X problem" or the "X-apologists back at it again" are like. Written to invite you into discourse wars that you probably shouldn't be in if you don't even know for sure that anyone has ever said what you are about to go deride real people for believing. And it's always some group of real people that wind up under the umbrella term.
Not that discourse wars in general are ever good, but ones where you just come out the gate making shit up to be mad at the horrible X-shippers or whatever are effectively just complicated harassment campaigns.
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wip wednesday
no one asked for this but here it is anyway, my wip featuring anger-issues, catholic-guilt-induced-internalized-homophobia, i-rejected-my-best-friend's-advances-and-now-i'm-so-goddamn-grief-striken-it's-making-me-stupid eddie <3
“You don’t get to do that.” Bucks’ eyes were bright despite his head injury; the blood drying on his temple and the dark bruising on the surrounding skin made his eyes seem impossibly bluer. Having the intensity of his gaze on Eddie made him feel electric. With the adrenaline thrumming through him, he felt himself lift his chin. Goading.
“Do what?”
“You know what.” And, oh, Buck’s angry. Eddie hadn’t seen angry Buck in a long time, almost didn’t recognize the flush on his cheeks and the clench in his jaw.
“Buck—” But Buck’s hands were curled into fists. He looked like he wanted to hit him. The sight made Eddie’s pulse jump.
“You don’t get to—to reject me and then act like that. Like you—” Love me, he didn’t say, but Eddie heard it anyway.
Eddie imagined, not for the first time, what it would be like to ask Buck to hit him. It would certainly hurt less. He imagined being in the ring with him, sparring. Feeling the skin-on-skin contact. Would Buck pull his punches? Would he fight dirty? They benched about the same, but Buck had 20 pounds on him, easily, maybe more — if Eddie tackled him, would he go down, or would he take it and stand his ground?
Eddie wanted to reach out and fit his thumb to the bruise around his eye, to drag his thumb through the blood in his eyebrow. Eddie wanted Buck to gasp under his touch.
The thought of it made him take a step back, putting him out of Buck's reach.
idk who to tag but if you've been wanting to post consider this ur motivation xoxo
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What Godly power did you summon to make that song in TWO DAYS 😭😭😭😭😭
"This happens a lot…"
Honestly some of my better written music is done in a short time. The Tower was only written in 3 days, and Oasis of Neglect was done in a single night.
I'm not sure why, but every so often I slip into these states where I can't do anything but create. I zoned out for a good 30 minutes one night writing the overture for Insane in the Membrane in my head while staring at the ceiling. Ask Banana-zim, I was completely unresponsive. I then rushed upstairs and wrote the basic score. Then the next morning I polished it. Then I had a vendor event for two days to sell paintings and stuff, so when I came back I did some more cleanup/mastering and it was done. I guess all in all, it was completely written over the course of 24 hours or so? Then cleaned up and refined over the weekend. I could hardly go to the bathroom without my brain screaming at me to get back to work.
I've always been a huge fan of music scores, particularly video game OSTs. I mean even right now as I type this I'm listening to the Castlevania Aria of Sorrow soundtrack (Michiru Yamane is an amazing composer. Go check her work out if you never have.) One day I hope to branch off of my band Scent of Steam and write a score for a video game or something like that. So if any video game creators are looking for sound engineers and like my style! Ehehe, nah but really. Music is a passion of mine and I'll keep going in varying directions with it as I progress with it.
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